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You've selected:
A Cappella Choir Opera
avanced
Choral SATB
Sheetmusic to print
13 sheet music found
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1
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Choral SATB
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INTERMEDIATE/ADVANCED
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99 ≈
16.29€
Bendita seas, Aurora hermosa for mixed choir (SATB)
Bendita seas, Aurora hermosa for mixed choir (SATB)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Javier MartÃnez-RamÃrez
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Bendita seas, Aurora hermosa f
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Publicado por Ediciones Martienz.
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1202939 Composed by Javier MartÃnez-RamÃrez. A Cappella,Chamber,Classical,Contemporary,Rel...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1202939 Composed by Javier MartÃnez-RamÃrez. A Cappella,Chamber,Classical,Contemporary,Religious. Octavo. 6 pages. Publicado por Ediciones Martienz. #801672. Published by Publicado por Ediciones Martienz. (A0.1202939). Javier MartiÌnez-RamiÌrez is a Mexican composer and choral conductor. He studied opera, choral conducting and composition in the Faculty of Music of the National Autonomous University of Mexico (UNAM). He also took Byzantine Music classes in the Antiochian Orthodox Church. He received the first place in the First National Contest of Children’s Choral Composition (1999) and the second place in the Fourth National Contest of Choral Composition (2001). Some choral works have been edited by the Sistema Nacional de Fomento Musical and by the FundacioÌn Coral MeÌxico for the America Cantat IV Festival. He has been director of the School of Fine Arts of Toluca Choir, of the Ibero-American University Choir, of the St. George Orthodox Cathedral Choir and OMNES Ensamble Vocal Masculino.
$2.99 ≈
2.71€
O' sole mio
O' sole mio
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Choral SATB
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INTERMEDIATE/ADVANCED
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music: Eduardo di Capua, lyric
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Bacco Baccanels
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O' sole mio
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Bacco Baccanels
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1410812 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arrang...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1410812 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Classical,Opera,Traditional. 9 pages. Bacco Baccanels #993210. Published by Bacco Baccanels (A0.1410812). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.
$1.99 ≈
1.80€
Quando me'n vo' (La Bohème)
Quando me'n vo' (La Bohème)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Giacomo Puccini
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Scott S
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Quando me'n vo'
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Scott S. Stewart
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1253829 Composed by Giacomo Puccini. Arranged by Scott S. Stewart. 19th Century,A Cappella,Class...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1253829 Composed by Giacomo Puccini. Arranged by Scott S. Stewart. 19th Century,A Cappella,Classical,Instructional,Opera. Octavo. 4 pages. Scott S. Stewart #847459. Published by Scott S. Stewart (A0.1253829). “Quando me’n vo’â€, or Musetta’s Waltz from Puccini’s masterpiece, La Bohème (1896) is probably one of the most recognizable operatic melodies ever written.  It is sung by Musetta at the Café Momus, who is hoping to get the attention of her occasional boyfriend Marcello.  The tune is masterfully reprised later by the entire cast.  This arrangement of the waltz is for 4-part SATB ensemble to be performed a cappella. This pièce de résistance was arranged thus to make ‘Opera’ accessible to wider audiences for various reasons (instructive, educational purposes; and performance familiarity to/for a larger population).  The original melody and harmonies are used.  It retains the original Italian text, making this arrangement an excellent tool for introducing ‘Opera’ music in the classroom, and programming diversity in the concert hall.  Performance time: 1:45+-.
$2.99 ≈
2.71€
Psalm 100
Psalm 100
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Paul M
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Paul M
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Psalm 100
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Paul M Osborne
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1286000 By Paul M. Osborne. By Paul M. Osborne. Arranged by Paul M. Osborne. 21st ...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1286000 By Paul M. Osborne. By Paul M. Osborne. Arranged by Paul M. Osborne. 21st Century,A Cappella,Baroque,Classical,Sacred. 9 pages. Paul M Osborne #877124. Published by Paul M Osborne (A0.1286000). Psalm 100 is a rousing setting of the popular Psalm text. Premiered by the Lompoc High School A Cappella Choir in 2002, this work is an homage to the baroque compositional styles of Johann Sebastian Bach and Georg Frideric Handel, with a hint of Giovanni Gabrieli peppered in. Appropriate for intermediate to advanced high school choirs and up, or experienced church choirs. Voicing: SATB divisi, a cappellaPaul Osborne is a choral director, tenor soloist, and composer/arranger from California's Central Coast.  He received his degree at Concordia College in Moorhead, MN, where he studied choral conducting with René Clausen.  He serves as Chorus Master for Opera San Luis Obispo and Central Coast Gilbert and Sullivan, is the founder and director of Resonance Vocal Ensemble, and is the former choral director at San Luis Obispo High School. He has been a passionate composer and arranger of choral music for over 20 years.
$1.99 ≈
1.80€
Thus Saith The Lord
Thus Saith The Lord
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Choral SATB
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INTERMEDIATE/ADVANCED
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Classical
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George Frideric Handel
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Adam Trotman
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Thus Saith The Lord
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Adam Trotman
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939492 Composed by George Frideric Handel. Arranged by Adam Trotman. A Cappella,Classical,Contem...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939492 Composed by George Frideric Handel. Arranged by Adam Trotman. A Cappella,Classical,Contemporary,Opera,Sacred,Spiritual. Octavo. 6 pages. Adam Trotman #2918345. Published by Adam Trotman (A0.939492). This is a four part acapella SATB arrangement of Thus Saith The Lord from Handel's Messiah. This arrangement keeps very true to the original melody and overall sound of the piece. The dynamics are very important throughout the piece as they highlight the melody as it jumps from voice to voice. The B section of the song is meant to be conducted freely, so that the original sound is comprised. This piece is accessible to upper level high school choirs and above. It is sure to be an audience pleaser and a favorite among students. If you would like to contact me about anything feel free to at adamtrotman53@gmail.com.
$1.99 ≈
1.80€
Mi Mancherai
Mi Mancherai
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Choral SATB
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INTERMEDIATE/ADVANCED
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Josh Groban
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Saunder Choi
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Mi Mancherai
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Saunder Choi Music, LLC
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1390287 By Josh Groban. By Luis E. Bacalov and Marco Marinangeli. Arranged by Saun...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1390287 By Josh Groban. By Luis E. Bacalov and Marco Marinangeli. Arranged by Saunder Choi. A Cappella,Classical,Multicultural,Opera,Pop,World. 12 pages. Saunder Choi Music, LLC #973804. Published by Saunder Choi Music, LLC (A0.1390287). A lush, a cappella arrangement of Mi Mancherai (Il Postino) by Luis E. Bacalov, as popularized by Josh Groban and Joshua Bell.
$3.00 ≈
2.72€
Jingle Bells
Jingle Bells
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Choral SATB
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INTERMEDIATE/ADVANCED
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Christmas
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James Lord Pierpont
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Michael A
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Jingle Bells
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Michael A. McKay
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1014326 Composed by James Lord Pierpont. Arranged by Michael A. McKay. 20th Century,A Cap...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1014326 Composed by James Lord Pierpont. Arranged by Michael A. McKay. 20th Century,A Cappella,Christmas,Contemporary. Octavo. 26 pages. Michael A. McKay #6080933. Published by Michael A. McKay (A0.1014326). This setting of Jingle Bells is a wild ride! Each verse is set in a drastically different way: the first verse in a zippy 7/8; the second verse as a tipsy Viennese waltz that actually falls apart before settling into graceful humour; the third verse as a Verdian opera aria (but with a few surprises); and the fourth verse as an up-tempo Broadway chorus with a symphonic ending. It's a choral tour de force.
$1.99 ≈
1.80€
Because I Could Not Stop for Death
Because I Could Not Stop for Death
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Choral SATB
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Richard deCosta
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Richard deCosta
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Because I Could Not Stop for D
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Richard deCosta
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,C...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99 ≈
7.24€
O' sole mio
O' sole mio
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Choral SATB
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INTERMEDIATE/ADVANCED
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music: Eduardo di Capua, lyric
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Bacco Baccanels
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O' sole mio
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Bacco Baccanels
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1410810 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by B...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1410810 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Opera,Traditional. 9 pages. Bacco Baccanels #993208. Published by Bacco Baccanels (A0.1410810). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.
$1.99 ≈
1.80€
Dido's Lament
Dido's Lament
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Choral SATB
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INTERMEDIATE/ADVANCED
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Henry Purcell
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Miguel Astor
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Dido's Lament
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Miguel Astor
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.827870 Composed by Henry Purcell. Arranged by Miguel Astor. A Cappella,Baroque,Concert. Octavo. ...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.827870 Composed by Henry Purcell. Arranged by Miguel Astor. A Cappella,Baroque,Concert. Octavo. 7 pages. Miguel Astor #6130067. Published by Miguel Astor (A0.827870). A Choral version of celebrated Dido's Lament from the opera Dido and Aeneas by Henry Purcell (1659-1695) for soprano soloist and Chorus SATB a capella. .
$4.50 ≈
4.07€
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni B
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99 ≈
9.05€
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