Download Digital Sheet Music of Double Take for Choral SATB

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Double Take
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Double Take

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4 sheet music found

Bach Little Fugue in G Minor for Double Reed Choir BWV 578

Bach Little Fugue in G Minor for Double Reed Choir BWV 578 #Choral SATB #ADVANCED #Classical #Johann Sebastian Bach #Stephanie Daige #Bach Little Fugue in G Minor f #Stephanie Daige #SheetMusicPlus

Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo....(+)

$17.99 ≈ 16.57€

Take Me Home

Take Me Home #Choral SATB #ADVANCED #Phil Collins #Jonathan Rodgers #Take Me Home #Jonathan Rodgers #SheetMusicPlus

Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1467992 By Phil Collins. By Phil Collins. Arranged by Jonathan Rodgers. A Cap...(+)

$5.95 ≈ 5.48€

Folk Mass (Vocal Choir, 7 Movements)

Folk Mass (Vocal Choir, 7 Movements) #Choral SATB #ADVANCED #Mark Oâ€™Connor

#Mark O'Connor #Folk Mass #Mark O'Connor Musik International #SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.861757 Composed by Mark O'Connor. A Cappella,Christian,Contemporary,Jewish,Spiritual. Octavo. 11...(+)

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.861757 Composed by Mark O'Connor. A Cappella,Christian,Contemporary,Jewish,Spiritual. Octavo. 113 pages. Mark O'Connor Musik International #6133105. Published by Mark O'Connor Musik International (A0.861757). Folk Mass for Vocal Choir (Soprano, Alto, Tenor, Baritone, and Bass)With solo parts from each sectionText is from the Books of the Old TestamentMusic by Mark Oâ€™Connor97-pages; 43:00 minutes in length I. INTRODUCTION â€“ 4:12 min - P. 1II. FOR YOUR ARE A PEOPLE HOLY TO THE LORD â€“ 10:44 min - P. 4III. LAND OF CANAAN â€“ 3:16 min - P. 33IV. EDIFICATION â€“ 2:56 min - P. 39V. BATTLE â€“ 6:27 min - P. 45VI. RECOMPENCE â€“ 6:36 min - P. 60VII. AFFIRMATION â€“ 8:15 min - P. 77 Oâ€™Connorâ€™s Folk Mass, an a cappella work that was composed in response to the 9/11 attacks on the United States in 2001. The Folk Mass text is taken from the books f The Old Testament and is composed in seven movements. Full of glorious melodies, harmonies and syncopated rhythms, set in a double choir configuration, Oâ€™Connor takes the stories of the Old Testament and brings them to music using the text as his artistic guide. Suitable for professional and university choral ensembles in both secular and religious performances. Individual movements can be performed separate from the entire work. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2002 Composed By Mark Oâ€™ConnorCommissioned by Gloriae Dei Cantores Can be heard on Folk Mass OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO162Copyright Â© 2003 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$37.50 ≈ 34.53€

The City In the Sea: Choral Tone Poem
The City In the Sea: Choral Tone Poem #Choral SATB #ADVANCED #Contemporary #Stanley M Hoffman #The City In the Sea: Choral To #stanleymhoffman.com #SheetMusicPlus

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...(+)

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809â€“1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term â€œtwelve-tone tonalityâ€ to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.

$5.60 ≈ 5.16€

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