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Enea A
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Choral SATB
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3 sheet music found
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1
Regret Not Me
Regret Not Me
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Choral SATB
#
ADVANCED
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Nicholas White
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but I shall not be there
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Regret Not Me
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1256872 Composed by Nicholas White. 21st Century,A Cappella,Classical,Traditional. Octavo...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1256872 Composed by Nicholas White. 21st Century,A Cappella,Classical,Traditional. Octavo. 12 pages. Nicholas White Music #850259. Published by Nicholas White Music (A0.1256872). A challenging, unaccompanied, pastoral setting of Thomas Hardy's poem, scored for SATB divisi featuring a high soprano!Regret not me;   Beneath the sunny treeI lie uncaring slumbering peacefully.    Swift as the light   I flew my faery flight;Ecstatically I moved, and feared no night.    I did not know   That heydays fade and go,But deemed that what was would be always so.    I skipped at morn   Between the yellowing corn,Thinking it good and glorious to be born.    I ran at eves   Among the piled-up sheaves,Dreaming, 'I grieve not, therefore nothing grieves.'    Now soon will come   The apple, pear, and plumAnd hinds will sing, and autumn insects hum.    Again you will fare   To cider-makings rare,And junketings; but I shall not be there.    Yet gaily sing   Until the pewter ringThose songs we sang when we went gipsying.    And lightly dance   Some triple-timed romanceIn coupled figures, and forget mischance;    And mourn not me   Beneath the yellowing tree;For I shall mind not, slumbering peacefully.
$2.00 ≈
$2.70
Anim Zemiros
Anim Zemiros
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Choral SATB
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ADVANCED
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Ce...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00 ≈
$4.05
Kissing You
Kissing You
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Choral SATB
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ADVANCED
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Des Ree
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Nathan Jones
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Kissing You
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Nathan Jones Music
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SheetMusicPlus
Choral,Mixed Chorus Choir,Choral - Level 5 - Digital Download SKU: A0.1459840 By Des Ree. By Des'ree Weekes and Tim Attack. Arranged by Nathan Jones. Fil...
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Choral,Mixed Chorus Choir,Choral - Level 5 - Digital Download SKU: A0.1459840 By Des Ree. By Des'ree Weekes and Tim Attack. Arranged by Nathan Jones. Film/TV,Pop. 8 pages. Nathan Jones Music #1038791. Published by Nathan Jones Music (A0.1459840). An SSAAB choir arrangement of this iconic song from Baz Luhrmann's 1997 telling of Romeo + Juliet.I've kept the gorgeous piano part close to the original, but added loads of lush vocal pads beneath the vocal solo, building on the strings from the original.This is a tricky one, but worth the effort!This arrangement is adapted from an SSAA version I did in 2013 for Swansea University Choral Society. The YouTube video featured here is of that version, without the Baritone part.Also Available: Vocal rehearsal tracks for each part Email nathan@nathanjonesmusic.co.uk for details.
$3.00 ≈
$4.05
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