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12 sheet music found
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1
Nearer, My God, to Thee/I Need Thee Every Hour (arr.)
Nearer, My God, to Thee/I Need Thee Every Hour (arr.)
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Choral SATB
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ADVANCED
#
Lowell Mason, Robert Lowry
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Paul Pisano
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Nearer, My God, to Thee/I Need
#
PWP Enterprises
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.904603 Composed by Lowell Mason, Robert Lowry. Arranged by Paul Pisano. A Cappella,Christ...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.904603 Composed by Lowell Mason, Robert Lowry. Arranged by Paul Pisano. A Cappella,Christian,Contemporary,Sacred. Octavo. 11 pages. PWP Enterprises #2949819. Published by PWP Enterprises (A0.904603). Intricate interweaving of these two classic hymn tunes (plus two Easter egg references to The Lord Is My Shepherd in the coda), ranging in character from dramatic to reverently contemplative. SSAATTBB a cappella, piano reduction for rehearsal only. Frequent dense contrapuntal textures, several key changes, and some chromaticism. Ranges from soprano A5 (briefly) to bass frequently in D2-E2 range (optional A1 in the final measure). Duration ca. 4:00.
$3.25 ≈
2.91€
The Story of a Leader
The Story of a Leader
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Choral SATB
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ADVANCED
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Classical
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 3...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04 ≈
13.48€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
#
ADVANCED
#
Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
78.86€
Dona Nobis Pacem (SATB)
Dona Nobis Pacem (SATB)
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Choral SATB
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ADVANCED
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Curtis Hanson
#
Dona Nobis Pacem
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Curtis Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719511 Composed by Curtis Hanson. Sacred,World. Octavo. 12 pages. Curtis Hanson #2032679. Publis...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719511 Composed by Curtis Hanson. Sacred,World. Octavo. 12 pages. Curtis Hanson #2032679. Published by Curtis Hanson (A0.719511). September 11, 2001 has had a profound affect on many people, not the least of which is the composer of this work. Written the month following the tragic events of 9/11, it is a reflection of the chaotic times in which we live. Dona Nobis Pacem (Grant Us Peace) is a prayer for peace to the loving God who is the God (or Allah, or Yahweh) of all people, that out of our current discord peace and harmony may come to all humanity. The work is in three sections (ABA) with a coda. The only text in the first three sections is a wailing Oh intoned by the choir. Throughout these sections the melody wanders in search of a harmonious resting point. In the B section the choir and strings part ways and resonate increased dissonance. The second A section exactly duplicates the first. The work concludes in the coda with the phrase Dona nobis pacem and an ever-increasing sense of harmonious repose. The listener may hear occasional reflections of Samuel Barber’s Adagio for Strings or Pavane for a Dead Princess by Maurice Ravel. Dona Nobis Pacem was premiered in May 2003 by the combined choirs of the John Duss Music Conservatory, Duluth MN, and Pilgrim Lutheran Church, Superior WI, under the direction of the composer. It is purely coincidental that there are 191 measures in the work......the numbers in the date of 9/11.
$2.50 ≈
2.24€
Song of the Heart
Song of the Heart
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Choral SATB
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ADVANCED
#
Jeanni Gould
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Jeanni Gould
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Song of the Heart
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Jeanni Gould
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1313789 By Jeanni Gould. By Jeanni Gould. Arranged by Jeanni Gould. A Cappella,Baroque,Ch...
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1313789 By Jeanni Gould. By Jeanni Gould. Arranged by Jeanni Gould. A Cappella,Baroque,Chamber,Christian,Sacred. 5 pages. Jeanni Gould #902503. Published by Jeanni Gould (A0.1313789). A delightful vocal work for SATB AcappellaA modern madrigal, rich in harmonies and interwoven melody lines. The song builds to an almost surprising climax. Everyone loves that part. Lyrics from ancient scripture praises, yet suitable for sectarian performances as well.I love the powerful bass line rising up the scale halfway through the song. Every vocal part has a turn to shine in this piece. Excellent performance choice for church quartets or choirs, high school or college quartet or choirs, and madrigal or jazz vocal groups.Includes piano accompaniment for rehearsal only.
$2.99 ≈
2.68€
Friede Anno 48
Friede Anno 48
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Choral SATB
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ADVANCED
#
Karl Amadeus Hartmann
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Friede Anno 48
#
Schott Music - Digital
#
SheetMusicPlus
Mixed choir (SATB) with soprano solo and piano - difficult - Digital Download SKU: S9.Q2598 Nach Texten von Andreas Gryphius. Composed by Karl Ama...
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Mixed choir (SATB) with soprano solo and piano - difficult - Digital Download SKU: S9.Q2598 Nach Texten von Andreas Gryphius. Composed by Karl Amadeus Hartmann. This edition: score. Downloadable, Score. Duration 45 minutes. Schott Music - Digital #Q2598. Published by Schott Music - Digital (S9.Q2598). German.’The towers are burning, the church has been ransacked, the town hall lies in ruins, the strong have been hacked to death, the virgins defiled, and wherever we look we see fire, plague and death which breaks both heart and spirit.’ Karl Amadeus Hartmann uses bold colours to depict the image of the Thirty Years’ War, the consequence of religious strife throughout Europe. The composer’s only choral work sets poetry by Andreas Gryphius and culminates in a muted call for peace. Hartmann undertook a revision of the music in his cantata Lamento for soprano and piano in 1955.
$51.99 ≈
46.59€
Illumine le tenebre
Illumine le tenebre
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Choral SATB
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ADVANCED
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Sarah Labrie, Conductor - Cham
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, ...
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99 ≈
3.58€
Zinga!
Zinga!
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Choral SATB
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ADVANCED
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Steven Sametz
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Zinga!
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Difficult - Digital Download SKU: MQ.8972-E Composed by Steven Sametz. 19 pages. E. C. Schirmer Music Company -...
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SATB choir (choir divisi) unaccompanied - Difficult - Digital Download SKU: MQ.8972-E Composed by Steven Sametz. 19 pages. E. C. Schirmer Music Company - Digital #8972-E. Published by E. C. Schirmer Music Company - Digital (MQ.8972-E). A nonsense song which allows for simple staging where the singers make the nonsense syllables into a language which only they can understand. They may be argumentative, friendly, confrontational, conspiratorial, or whatever comes to mind. Just not too serious!
$3.15 ≈
2.82€
Four Elizabethan Songs About Love (2016-2018)
Four Elizabethan Songs About Love (2016-2018)
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Choral SATB
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ADVANCED
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Colin Eatock
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Four Elizabethan Songs About L
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Colin Eatock Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1194118 Composed by Colin Eatock. A Cappella,Classical,Contemporary,Early Music,Renaissance. Oct...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1194118 Composed by Colin Eatock. A Cappella,Classical,Contemporary,Early Music,Renaissance. Octavo. 58 pages. Colin Eatock Music #793552. Published by Colin Eatock Music (A0.1194118). Four movements; a cappella SATB choir or quartet; ca. 9 min.The composer writes: I almost titled this work “Four Elizabethan Love Songs.†However, while such a title might be appropriate for a group of songs about the joys of loving relationships, the texts I have chosen do not all fit that mould. Of the four, only Christopher Marlowe’s seductive “The Passionate Shepherd to His Love†and Shakespeare’s wise and insightful Sonnet 116 address requited love. On the other hand, John Donne’s “The Message†is a “hate-songâ€, an angry poem about love gone wrong, bursting with bitter recriminations. And Elizabeth I’s “When I Was Fair and Young,†is wistful and full of regret: the Queen realizes that her own youthful pride has obstructed her opportunities for happiness. Together, these poems offer four dramatically contrasting views about love.
$4.99 ≈
4.47€
This Little Light of Mine
This Little Light of Mine
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Choral SATB
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ADVANCED
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Rory M
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Rory M
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This Little Light of Mine
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New Horizons Music Studio, Inc.
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1352513 Composed by Rory M. Thompson. Arranged by Rory M. Thompson. Christian,Jazz,Praise...
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1352513 Composed by Rory M. Thompson. Arranged by Rory M. Thompson. Christian,Jazz,Praise & Worship,Spiritual. 7 pages. New Horizons Music Studio, Inc. #937328. Published by New Horizons Music Studio, Inc. (A0.1352513). This public domain song has always been a favorite.  I first improvised a piano version and improvised a vocal solo.  I recorded that for a CD I made for my parents.  The choir arrangement came later.  I designed it as an introductory solo in free time, and the verses alternate with a piano solo, and a choir verse accompanied by only a bass line. Choirs may choose other means of performing this.  The choir arrangement is for a well-trained group, on a more advanced leve.It has never been recorded.  If you happen to like this and produce a performance I would love to hear the finished product.
$2.50 ≈
2.24€
AMETSETAN (full version)
AMETSETAN (full version)
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Choral SATB
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ADVANCED
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Javier Busto
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Javier Busto
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AMETSETAN
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bustovega
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1281197 By Javier Busto. By Javier Busto. Arranged by Javier Busto. 21st Century,A Cappel...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1281197 By Javier Busto. By Javier Busto. Arranged by Javier Busto. 21st Century,A Cappella,Chamber,Classical,Contemporary. Octavo. 9 pages. Bustovega #872540. Published by bustovega (A0.1281197). AMETSETAN: This is the title of the original work, from which the most difficult parts were later reduced. The original is entitled Ametsetan and the reduction, Ametsetan (zati bat). Zati bat in Basque means » one part».This work was commissioned by the CORK INTERNATIONAL CHORAL FESTIVAL for the 38th Seminar on Contemporary Choral Music. First performance, Cork, Ireland, 2 May 2003.Its intention is to recreate the atmosphere of the open-air festivity in an Irish small village during its festival day, from the point of view of a Basque musician who never visited that country and only knows its music.The work has four different parts: 1- In the first one, people are invited to join the festival. 2- In the second one, women sing the Ave Maria during the religious celebration. 3- Dancing makes the people happy and it is an excuse to meet. 4- In the last part, when the feast comes to an end nobody wants to say goodbye.The composition’s closing text has been written by JOSUNE LÓPEZ, a component in my choir, Kanta Cantemus Korua. Miss López has tried to transmit all her love and admiration towards Ireland.* This song has been recorded on a CD in 2005 under the conduction of composer Javier Busto himself. The CD goes over 25 years of composing and contains exclusively music for mixed choirs. It is actually available at the website. Name of the CD: HONDARRIBIA… AMETSETAN.* The lyrics are in Basque language. Spanish and English translation of the text is included for those who hardly recognize Basque language. Furthermore, a small introductory guide can be found in the score for a correct Basque pronunciation.
$5.00 ≈
4.48€
Absalom
Absalom
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Choral SATB
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ADVANCED
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Contemporary
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Daniel Elder
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Absalom
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Daniel Elder Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.854827 Composed by Daniel Elder. 20th Century,Contemporary. 112 pages. Daniel Elder Music...
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.854827 Composed by Daniel Elder. 20th Century,Contemporary. 112 pages. Daniel Elder Music #4851907. Published by Daniel Elder Music (A0.854827). This stunningly incisive chamber choir oratorio tells the whole story of Absalom's rebellion against his father, King David, far beyond the common text When David Heard. Featured alongside the biblical narrative are original studies of other historical characters that illuminate the most vital lessons for achieving peace in today's society. Inspired by a crisis of polarization, Absalom shines a critical light on the tribalism and gridlock of modern social politics in hopes of bringing us closer together again. From the composer, Absalom is a call to listen; not to protest others, not to educate others, but to connect with them. The painful truth I’ve come to in the process of birthing this work is that no one is safe from criticism in this modern struggle, and no one is safely on the right side of history. Every individual, including myself, lies in the crosshairs of this musical statement. Only by stepping outside the borders of what we think is comfortable will we learn understanding. And by learning understanding, peace just might follow. This challenging 30-minute work is recommended for smaller, advanced chamber choirs.
$4.99 ≈
4.47€
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