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13 sheet music found
<
1
It's Only A Paper Moon
It's Only A Paper Moon
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Choral SATB
#
ADVANCED
#
Contemporary
#
Harold Arlen
#
Réjean Marois
#
It's Only A Paper Moon
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Marois Music Publications
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.596688 Composed by Harold Arlen. Arranged by Réjean Marois. Contemporary. Octavo. 24 p...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.596688 Composed by Harold Arlen. Arranged by Réjean Marois. Contemporary. Octavo. 24 pages. Marois Music Publications #5359413. Published by Marois Music Publications (A0.596688). A challenge (with a lot of fun) for both the voices and the rhythm section. It starts with a swing feel in 2 and alternates with a funky groove; the solo section is built on both rhythm feels, and the piece ends with a fast swing in 4.
$3.99 ≈
$5.39
Set No. 10 of Three Pieces
Set No. 10 of Three Pieces
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Choral SATB
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ADVANCED
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Contemporary
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Charles Ives
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Stanley M Hoffman
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Set No. 10 of Three Pieces
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stanleymhoffman.com
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1350508 Composed by Charles Ives. Arranged by Stanley M Hoffman. 20th Century,Clas...
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1350508 Composed by Charles Ives. Arranged by Stanley M Hoffman. 20th Century,Classical. 12 pages. Stanleymhoffman.com #935320. Published by stanleymhoffman.com (A0.1350508). I have long had a fondness for the songs of Charles Ives whose music is in the Public Domain for the world as of 2024. Creating choral versions of some of them is inspired by the solo recordings made by Jan DeGaetani accompanied by Gilbert Kalish, and by the choral recordings made by The Gregg Smith Singers.That Ives composed over one hundred songs is no small feat. Though they vary in quality as does his entire oeuvre, some of them remain almost mystical to me in their quality and effect. Like a Sick Eagle and The Indians (renamed here to The Native Americans to match the current times) are two such songs.When arranging Like a Sick Eagle, I visited the website for the Charles Ives Society where I discovered that he grouped this song with The Indians under the master title Set No. 10 of Three Pieces with the song Luck and Work placed between them for contrast. I knew I could arrange the first and third songs for mixed chorus, but I also knew right away that the second song would be all but impossible to arrange for I was already familiar with it. So I included it in its original version and labeled it for Solo Voice or Unison Chorus and Piano.In creating these arrangements I hope to rekindle interest in Ives’ music and its possibilities. I also hope that you find these songs as moving as I do.—Stanley M. Hoffman—Set No. 10 of Three Pieces (Charles Ives [1874-1954]) - 1) Like a Sick Eagle, 2) Luck and Work, 3) The Native Americans (The Indians) arranged for SATB chorus (divisi) and piano - English - composed 1920-1921, arranged in 2021. NotePerformer 4 audio and scrolling score video in search of live performances.Arrangement: © Copyright 2021 by Stanley M. Hoffman.  www.stanleymhoffman.com  All rights reserved.
$2.25 ≈
$3.04
Dia
Dia
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Choral SATB
#
ADVANCED
#
Candace R
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Dia
#
Candace R. Lambert
#
SheetMusicPlus
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #345211...
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by Candace R. Lambert (A0.1028226). Appropriate for church services, college, or professional groups.Context: The piece receives its title from my little sister's nickname. Dia was born 10 weeks early and weighed less than 3 pounds. The doctors told us that she would not live. My father began to pray and certain scriptures came to his mind. Soon, he and my mother began to remind each other of these scriptures. Dia ended up making it. I tell her God must have something planned for her if she survived such a rough start.Performance: The piece opens with a joyful piano solo followed by the higher voices' entrance. These are the mothers exclaiming their joy for the new coming baby. The lower voices then make their statement in their own melody. They are the fathers expressing the excitement of the chlid's birth. The piano takes a turn into the minor key. A soloist represents the doctor delivering the bad news as the rest of the choir makes waiting room sounds. Have people texting or talking on the phone, flipping through magazines, or rustling papers. The alto soloist then repeats the doctor's message. The higher voices began to weep and cry as the father begins to pray. The 3 basses (Father, Son, and Holy Spirit) answer in scripture. The father begins to recite the scripture with God and soon the rest of the choir joins. The key modulates to the Major 3rd as the piano solo returns to represent the child living.
$15.00 ≈
$20.26
The Weight
The Weight
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Choral SATB
#
ADVANCED
#
The Band
#
Eric Hagmann
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The Weight
#
Eric Hagmann
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 p...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 pages. Eric Hagmann #3911445. Published by Eric Hagmann (A0.796815). An SSATB + duet vocal jazz arrangement of The Weight (Take a Load Off, Annie) by The Band. This chart reimagines The Band's original song as an a cappella swing tune straight out of the 1940's. The bottom voice thumps along on neutral syllables of your choosing just as an upright bassist would in the big band. If you don't have any singers who can take on this part, an actual bass instrument could be substituted. The guitar accompaniment of the original song is now replaced by complex jazz harmonies and rhythms sung by your upper voices to compliment your soloists. The last 1/3rd of the song has a breakdown that layers and overlaps your voices one by one until they come together for a final build into the last chorus. This section also offers an opportunity for a small quartet to sing an optional harmony part. While this piece is challenging, it offers a unique spin on an old classic that will surely hold your audience's attention if performed well. .
$2.25 ≈
$3.04
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
#
ADVANCED
#
Adrian Gagiu
#
Missa Solemnis, op. 27
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Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
$118.83
Hodie Christus Natus Est (SATB divisi)
Hodie Christus Natus Est (SATB divisi)
#
Choral SATB
#
ADVANCED
#
Curtis Hanson
#
Hodie Christus Natus Est
#
Curtis Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719510 Composed by Curtis Hanson. A Cappella,Christian,Christmas,Sacred. Octavo. 20 pages. Curti...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719510 Composed by Curtis Hanson. A Cappella,Christian,Christmas,Sacred. Octavo. 20 pages. Curtis Hanson #2032655. Published by Curtis Hanson (A0.719510). Hodie Christus Natus Est is a festive concert piece for the Christmas season with traditional Latin text. It is scored for SATB voices with multiple divisi sections and soprano/mezzo soprano solos and closes with SATB double choir and soli. The piece may be sung a capella or with antiphonal brass choir (available separately). A rhythmic middle section alternates 3/8 and 2/8 figures juxtaposed with the original motif within four-beat measure units. The piece was premiered by the choirs of the University of Minnesota-Duluth in 1996.
$2.50 ≈
$3.38
The Prodigal Son (final scene)
The Prodigal Son (final scene)
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Choral SATB
#
ADVANCED
#
Classical
#
Claude Debussy
#
Curtis Hanson
#
The Prodigal Son
#
Curtis Hanson
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719611 Composed by Claude Debussy. Arranged by Curtis Hanson. 20th Century,Sacred. Octavo. 15 pa...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719611 Composed by Claude Debussy. Arranged by Curtis Hanson. 20th Century,Sacred. Octavo. 15 pages. Curtis Hanson #11833. Published by Curtis Hanson (A0.719611). The Prodigal Son as arranged here is an adaptation of the final scene of Debussy's cantata which won the Prix de Rome in 1884. Debussy scored his work for three primary solo voices, the mother (soprano), the father (bass), and the son (tenor) plus a couple of minor servant roles. In this arrangement for SATB voices which begins as the prodigal son returns to his home, the father's solo and son's reply are kept, but they may be eliminated and the piece begin at ms. 68 where the entire company praises God at the son's return. Debussy modulated at this point to the key of B major which gives the solo soprano a high B near the end. For choral ease, such as it is, the arranger drops the modulation to A major making the high note a little more accessible for choral sopranos. Being a piano reduction of a Debussy orchestral accompaniment, a competent pianist is necessary, but the choral writing is not overly difficult. The English text is a translation by the arranger.
$2.25 ≈
$3.04
Catullus Songs
Catullus Songs
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Choral SATB
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ADVANCED
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Contemporary
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William Hawley
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Catullus Songs
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William Hawley
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.889693 Composed by William Hawley. Contemporary. Octavo. 33 pages. William Hawley #3514043. Publ...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.889693 Composed by William Hawley. Contemporary. Octavo. 33 pages. William Hawley #3514043. Published by William Hawley (A0.889693). William Hawley's Catullus Songs are settings of five of the Latin poems of Gaius Valerius Catullus (84-54 B.C.) for SATB voices and piano. The work was commissioned by Michael Paine, and nos. 4 and 5 of the set were premiered by Mr. Paine at the piano with Amanda Hamley, Soprano, Prudence Raper, Contralto, John English, Tenor, and Kevin O'Donnell, Baritone, in St. Anne's Church, London, September 6, 1998, in their World Premiere. The live recording of this premiere has been lost. The audio clip is the opening of the first piece, Vivamus, Mea Lesbia in the Composer's Virtual Instruments Demo. Though the work was composed for solo voices, it may be performed effectively by Mixed Choir. Total duration: ca. 10 minutes. ASCAP http://williamhawley.net
$4.99 ≈
$6.74
Ode to Autumn (SATB)
Ode to Autumn (SATB)
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Choral SATB
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ADVANCED
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Curtis Hanson
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Ode to Autumn
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719522 Composed by Curtis Hanson. A Cappella,Contemporary. Octavo. 10 pages. Curtis Hanson #2032...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719522 Composed by Curtis Hanson. A Cappella,Contemporary. Octavo. 10 pages. Curtis Hanson #2032833. Published by Curtis Hanson (A0.719522). Ode to Autumn was one of the first pieces written by the composer as a college competition. Set to a poem by John Keats, it oozes descriptions of the natural world. It is intended for a mature a capella SATB choir and has solo opportunities for all voice parts.
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$2.70
Silent Night (SATB)
Silent Night (SATB)
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Choral SATB
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ADVANCED
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Christmas
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Warner Chappell Production Mus
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Garrett Breeze
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Silent Night
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Lagom Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1095859 By Warner Chappell Production Music. By Joseph Mohr, Franz Gruber. Arranged by Garrett B...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1095859 By Warner Chappell Production Music. By Joseph Mohr, Franz Gruber. Arranged by Garrett Breeze. A Cappella,Christian,Christmas,Holiday,Sacred. Octavo. 11 pages. Lagom Music #699828. Published by Lagom Music (A0.1095859). Perfectly capturing the tranquility of night, this stunningly beautiful arrangement by Garrett Breeze for SATB choir unaccompanied is sure to become a perennial favorite. It's begins simply, with a statement of the melody that gradually incorporates more voices. The second verse is built around a soaring soprano solo, and an extended wordless meditation follows which leads into a gripping final verse. From Warner Chappell Production Music's The Christmas Choral Society, available for listening on streaming services and sync licensing at www.warnerchappellpm.com.
$2.75 ≈
$3.71
Missa Sanctae Mariae Virginis
Missa Sanctae Mariae Virginis
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Choral SATB
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ADVANCED
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James Kennerley
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Missa Sanctae Mariae Virginis
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James Kennerley
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1027605 Composed by James Kennerley. Christian,Christmas,Contemporary,Sacred. Octavo. 30 pages. ...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1027605 Composed by James Kennerley. Christian,Christmas,Contemporary,Sacred. Octavo. 30 pages. James Kennerley #2119771. Published by James Kennerley (A0.1027605). The Missa Sanctae Mariae Virginis – literally Mass of Saint Mary the Virgin – was composed for the Episcopal church of Saint Mary the Virgin, New York City, where the composer was Music Director & Organist from 2008 to 2013. The Kyrie was composed in 2016. The title makes reference to the name of the church, but also makes reference to the principal source of inspiration: two ancient plainsong melodies that accompany Marian texts (Salve regina and Ave maris stella). The Mass is composed in a vain that is influenced by the great parody Masses of Renaissance masters Palestrina, Lassus, and others. Nods are also made to the twentieth century, and particularly to the music of Herbert Howells and the Anglican tradition, and also to Jean Langlais, Olivier Messiaen, and similar French musical trends. It features a wide range of moods, from scintillating and exotic harmonies to thrilling rhythmic passages. The work is composed for 8-part choir with solo sections for additional voices from within the choir. The Mass can be performed complete as part of a church service. Likewise, any of the movements will work as independent compositions which makes them suitable for concert performance. Please visit www.jameskennerley.com for complete biographical information and for links to recorded performances of this work.
$4.49 ≈
$6.06
The Reverie of Poor Susan
The Reverie of Poor Susan
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Choral SATB
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ADVANCED
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Jeffrey Kaufman
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The Reverie of Poor Susan
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KEM Enterprises, Inc.
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.985953 Composed by Jeffrey Kaufman. 20th Century,Contemporary. Octavo. 9 pages. KEM Enterprises,...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.985953 Composed by Jeffrey Kaufman. 20th Century,Contemporary. Octavo. 9 pages. KEM Enterprises, Inc. #3004285. Published by KEM Enterprises, Inc. (A0.985953). The Reverie of Poor Susan by Jeffrey Kaufman is based on a Romantic poem of William Wordsworth. It is an SATB divisi work suitable for more experienced choirs. Within the work is a solo for a high tenor voice.
$1.99 ≈
$2.69
Hope
Hope
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Choral SATB
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ADVANCED
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Will Savage
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Hope
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Will Savage
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1349763 Composed by Will Savage. Classical,Jazz. 11 pages. Will Savage #934458. Pu...
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1349763 Composed by Will Savage. Classical,Jazz. 11 pages. Will Savage #934458. Published by Will Savage (A0.1349763). There is an abstract nature to Hope. It can give us strength to carry on in the most adverse of conditions. Its voice can be heard, despite the noise at the height of the storm.Instrumentation:Unaccompanied SATB devisi. w/ Alto Solosavagesmusic.com/hopeText: Emily Elizabeth Dickinson © 1891Music: Will Savage © 2023Â
$2.04 ≈
$2.76
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