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11 sheet music found
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1
A Psalm of Suffering and of Hope (By the Waters of Babylon)
A Psalm of Suffering and of Hope (By the Waters of Babylon)
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Choral SATB
#
ADVANCED
#
Sacred music
#
Mary Ann Joyce
#
A Psalm of Suffering and of Ho
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Mary Ann Joyce-Walter
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary Ann Joyce. Christian,Concert,Jewish,Sacred,World. Octavo. 9 pages. Mary ...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.989242 Composed by Mary Ann Joyce. Christian,Concert,Jewish,Sacred,World. Octavo. 9 pages. Mary Ann Joyce-Walter #6244605. Published by Mary Ann Joyce-Walter (A0.989242). Mary Ann Joyce-Walters writes: The first two sections of In Anguish and Hope are based on verses from two terrifying Psalms; the third section is a setting of a passage from Micah. I chose to use these texts after listening to a friend of mine speak about the death of her son.I became keenly aware of her personal and genuine feelings of rage against God, which were so similar to David’s Why do You hide Your face and forget our persecution and our oppression? Christ’s My God, My God, why have you forsaken me? and Elie Wiesel’s Never shall I forget those flames which consumed my faith forever. I realized that a far more difficult question (and perhaps more deeply personal) than that of asking God to forgive us is Can we forgive God?After asking that intimate and bold question, the words of Micah recall that peace, based on justice, will come one day: you shall be at peace and unafraid.…nations shall not lift up sword against nation….you shall bear fruit in justice and peace.
$4.50 ≈
$6.06
Illumine le tenebre
Illumine le tenebre
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Choral SATB
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ADVANCED
#
Sarah Labrie, Conductor - Cham
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, ...
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99 ≈
$5.37
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
$34.93
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
$26.86
If Thou Canst Believe, sacred music for SATB choir
If Thou Canst Believe, sacred music for SATB choir
#
Choral SATB
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ADVANCED
#
Sacred music
#
Kevin G
#
help thou mine unbelief
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If Thou Canst Believe, sacred
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Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1254516 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Reli...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1254516 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 13 pages. Kevin G. Pace #848111. Published by Kevin G. Pace (A0.1254516). An epically beautiful, sacred choral arrangement with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text is in reference to Mark 9:24 in the New Testament: And straightway the father of the child cried out, and said with tears, Lord, I believe; help thou mine unbelief.Text: As the Savior neared, a man cried out so loud,“Have compassion on us, Lord; my son is on the ground.â€Foaming at the mouth, and being sorely vexed,Jesus said, “If thou believe, all things can come to rest.â€â€œLord, I do believe; help thou mine unbelief.â€Jesus charged the spirit there, thus offering relief.Jesus took his hand, then helped the lad arise.From that day the boy was cured, his father by his side.Though one’s faith be small, just even as a seed,Jesus offers sustenance to fill each wanting need.If thou canst believe, all things can yet be known.Miracles are possible when faith in God is shown.Chorus:Faith as a mustard seed, faith for ev’ry plea,Unveils God’s true miracles if thou canst believe.
$1.99 ≈
$2.68
O Magnum Mysterium (2023)
O Magnum Mysterium (2023)
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Choral SATB
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ADVANCED
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Colin Eatock
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soprano saxophone
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O Magnum Mysterium
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Colin Eatock Music
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1484839 Composed by Colin Eatock. 21st Century,Christmas,Contemporary,Sacred. 24 pag...
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1484839 Composed by Colin Eatock. 21st Century,Christmas,Contemporary,Sacred. 24 pages. Colin Eatock Music #1061927. Published by Colin Eatock Music (A0.1484839). SATB choir; soprano saxophone; ca. 5 min.The composer writes: The author of the poem “O Magnum Mysterium” is unknown. Originally the text for a Gregorian chant, it was later used in polyphonic motets of the 16th century – and many settings have been composed since then. Perhaps the enduring appeal of the poem is based on its simple depiction of Christ’s humanity and humility, together with its expression of devotion to his mother, Mary. In composing my own setting, it pleased me to think of the choir as representing the worldly creatures (people and animals) present at Jesus’s birth; and the saxophone as an otherworldly, mystical presence hovering above. It’s a fanciful notion, but I found it inspiring.
$4.99 ≈
$6.72
Diffusa est gratia - SATB choir
Diffusa est gratia - SATB choir
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Choral SATB
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ADVANCED
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Sacred music
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Erik Spangler
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Diffusa est gratia - SATB choi
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Oc...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. Erik Spangler #686504. Published by Erik Spangler (A0.1082352). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. “Diffusa est gratia / Senex puerum portabatâ€Â combines two liturgical texts associated with the feast of Candlemas. The first, “Diffusa est gratia is from Psalm 44:3 and ascribes to Mary a fullness of grace that is a common theme in Marian feasts. The second, Senex puerum portabat,†is more particularly relevant to the story of the infant Jesus and the ancient holy man Simeon found in today’s gospel. Singing two texts within one piece was common in Medieval music, where the interest lay on the juxtaposition of the texts and the interplay between them. Erik’s setting is influenced by both late Medieval and Renaissance choral styles. Each singer has long flowing lines that combine in duets, trios, and full quartet, yielding a variety of textures. Dissonant intervals are treated freely as was common in the late Medieval period before the tight control of the high Renaissance style. This expanded palette allows for more modern harmony that shifts in and out and resolves into consonant intervals at the end of phrases. Rhythmic syncopation and complexity were highly valued in the late Medieval style as they are again today; here they provide forward momentum. Together, these elements define a sensibility that is both ancient and new, influenced by practices of composers from the 14th and 15th centuries as well as more modern composers such as Moondog and Meredith Monk.
$6.00 ≈
$8.08
Magnificat and Nunc Dimittis
Magnificat and Nunc Dimittis
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Choral SATB
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ADVANCED
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Elizabeth Salmon
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Magnificat and Nunc Dimittis
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Elizabeth Salmon
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.987188 Composed by Elizabeth Salmon. Christian,Contemporary. Octavo. 14 pages. Elizabeth ...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.987188 Composed by Elizabeth Salmon. Christian,Contemporary. Octavo. 14 pages. Elizabeth Salmon #2024687. Published by Elizabeth Salmon (A0.987188). The Magnificat opens with an exuberant melody for sopranos which captures the buoyancy of a yourthful Mary. The Nunc Dimittis is set for unaccompanied men's voices. It captures the mood of an elderly Simeon, satisfied that the Messiah has come. This piece is much enjoyed by those who have sung it.
$3.50 ≈
$4.71
This Very Child
This Very Child
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Choral SATB
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ADVANCED
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D
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This Very Child
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HarmonyPlus Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.909684 Composed by D. Kim Clayton. A Cappella,Christmas. Octavo. 11 pages. HarmonyPlus Publicati...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.909684 Composed by D. Kim Clayton. A Cappella,Christmas. Octavo. 11 pages. HarmonyPlus Publications #3677197. Published by HarmonyPlus Publications (A0.909684). SATB - A Cappella music at it's best! In this song we seek to approach how Mary and Joseph felt being the parents of the Lord Jesus during that sacred night. We delve into how it might have been in their thoughts and hearts. If your choir revels in the A Cappella sound, this piece is perfect for you! This song and arrangement are for advanced, serious choirs. The available recording we have placed on this site comes from a live performance and not in the studio. Not perfect...but we think you will feel the deep and rich nature of This Very Child. Also available is The HarmonyPlus Trax CD that is a teaching CD. The CD includes: Full version (all parts), Soprano version, Alto version, Tenor version, Bass version. Perfect for all members of the choir to learn his/her individual parts. Duration: 5:15
$1.99 ≈
$2.68
The Prodigal Son (final scene)
The Prodigal Son (final scene)
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Choral SATB
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ADVANCED
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Classical
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Claude Debussy
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Curtis Hanson
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The Prodigal Son
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719611 Composed by Claude Debussy. Arranged by Curtis Hanson. 20th Century,Sacred. Octavo. 15 pa...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719611 Composed by Claude Debussy. Arranged by Curtis Hanson. 20th Century,Sacred. Octavo. 15 pages. Curtis Hanson #11833. Published by Curtis Hanson (A0.719611). The Prodigal Son as arranged here is an adaptation of the final scene of Debussy's cantata which won the Prix de Rome in 1884. Debussy scored his work for three primary solo voices, the mother (soprano), the father (bass), and the son (tenor) plus a couple of minor servant roles. In this arrangement for SATB voices which begins as the prodigal son returns to his home, the father's solo and son's reply are kept, but they may be eliminated and the piece begin at ms. 68 where the entire company praises God at the son's return. Debussy modulated at this point to the key of B major which gives the solo soprano a high B near the end. For choral ease, such as it is, the arranger drops the modulation to A major making the high note a little more accessible for choral sopranos. Being a piano reduction of a Debussy orchestral accompaniment, a competent pianist is necessary, but the choral writing is not overly difficult. The English text is a translation by the arranger.
$2.25 ≈
$3.03
TWELVE
TWELVE
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Choral SATB
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ADVANCED
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Sacred music
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Robert Myers
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TWELVE
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.976724 Composed by Robert Myers. Christian,Contemporary,Jewish,Sacred. Octavo. 37 pages. WheatMy...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.976724 Composed by Robert Myers. Christian,Contemporary,Jewish,Sacred. Octavo. 37 pages. WheatMyer Music #5021979. Published by WheatMyer Music (A0.976724). There are 150 psalms in the Bible, each one originally meant to be sung; and so they were for most of the last 3,000 years, beginning at the Jerusalem Temple. They were adopted as the primary song text of the early church as evidenced by Col. 3:16 and maintained in the Western church throughout medieval times. Psalms were the featured texts of most of the Reformers and were the sole mode of sacred singing among the first American settlers. Of late, hymns and choruses and popular songs with human texts have almost entirely replaced the singing of God’s word in many churches. This scarcity of Psalms in the Church’s song is a great loss which frequently compels me to do what I can to promote their increase.
$65.00 ≈
$87.50
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