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You've selected:
AnnaN
Choral SATB
Sheetmusic to print
13 sheet music found
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1
Shelter
Shelter
#
Choral SATB
#
INTERMEDIATE
#
Hugo Leclercq and Porter Robin
#
Anna Nicolson
#
Shelter
#
AnnaN
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1398464 Composed by Hugo Leclercq and Porter Robinson. Arranged by Anna Nicolson. ...
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1398464 Composed by Hugo Leclercq and Porter Robinson. Arranged by Anna Nicolson. 21st Century,A Cappella,Film/TV,Pop. 6 pages. AnnaN #981740. Published by AnnaN (A0.1398464). SATB acapella arrangement of Shelter with divisi.
$1.99 ≈
1.83€
I Really Want To Stay At Your House
I Really Want To Stay At Your House
#
Choral SATB
#
INTERMEDIATE
#
Rosa Walton With Hallie Coggin
#
Anna Nicolson
#
I Really Want To Stay At Your
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AnnaN
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1370918 By Rosa Walton With Hallie Coggins. By Rosa Walton. Arranged by Anna Nicol...
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1370918 By Rosa Walton With Hallie Coggins. By Rosa Walton. Arranged by Anna Nicolson. A Cappella,Film/TV,Pop,Video Game. 7 pages. AnnaN #955262. Published by AnnaN (A0.1370918). SSATBB A Capella Choral arrangement of I Really Want To Stay At Your House.
$1.99 ≈
1.83€
Agnus Dei
Agnus Dei
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Choral SATB
#
INTERMEDIATE
#
Ildar Khannanov
#
Ildar Khannanov
#
Agnus Dei
#
MThRI
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482278 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. A Cappella,Christmas...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482278 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. A Cappella,Christmas,Easter,Renaissance,Sacred. Octavo. 2 pages. MThRI #102035. Published by MThRI (A0.482278). This last number in St. Luke's mass is intended for peaceful ending of the Worship service. It is modelled after Palestrina's style (e.g., Sicut cervus) and should be performed in even notes, without any changes in dynamics, softly, without vibrato.
$2.99 ≈
2.75€
Miserere (Confession of Sins)
Miserere (Confession of Sins)
#
Choral SATB
#
INTERMEDIATE
#
Ildar Khannanov
#
Ildar Khannanov
#
Miserere
#
MThRI
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.482243 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Classical,Eas...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.482243 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Classical,Easter,Multicultural,Renaissance,Sacred,World. Octavo. 3 pages. MThRI #100272. Published by MThRI (A0.482243). Miserere is written as an introduction to the Confession of Sins. It is written in two languages: in Greek (Alexandrian koine) from two parts of the Holy Scripture and in English that sound simulteneously. It is modelled after multi-lingual motets of the Renaissance. The soloists, Baritone and Soprano, present their lines in a dialogue. The opening motive replicates the literal meaning of Greek word metanoeite, related to turning. The harmonic language (in choral presentation) refers to the language of Sergei Rachmaninoff (with ii4/3 resolving into V7 and V4/2 in descending motion).
$2.99 ≈
2.75€
Offertorium
Offertorium
#
Choral SATB
#
INTERMEDIATE
#
Dr
#
Dr
#
Offertorium
#
MThRI
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482301 By Dr. Ildar Khannanov. By Dr. Ildar Khannanov. Arranged by Dr. Ildar Khannanov. Christma...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482301 By Dr. Ildar Khannanov. By Dr. Ildar Khannanov. Arranged by Dr. Ildar Khannanov. Christmas,Classical,Multicultural,Praise & Worship,Sacred,World. Octavo. 5 pages. MThRI #100273. Published by MThRI (A0.482301). This number is written for the offertory as an anthem. It is based upon African-American Gospel music style (harmonic language, voice leading, etc.). It suggests the places for improvisation (cadences in the piano part; the soloists may improvise as well). The text is mix-and-match from canonic phrases and original lyrics.
$2.99 ≈
2.75€
Sanctus
Sanctus
#
Choral SATB
#
INTERMEDIATE
#
Sacred music
#
Ildar Khannanov
#
Ildar Khannanov
#
Sanctus
#
MThRI
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482271 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Easter,Hanukkah,Jewi...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482271 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Easter,Hanukkah,Jewish,Praise & Worship,Sacred. Octavo. 7 pages. MThRI #102034. Published by MThRI (A0.482271). Sanctus, a penultimate number in St. Luke's mass, is written on the text in Hebrew and in English. The style refers to the general sound of Middle Eastern music with the dance rhythm. The ancient origin of Holy, Holy, Holy is emphasized. The music presupposes wide use of improvisation in the accompaniment (extended refrains between the verses) and in vocal parts. With each new verse, the improvised line gets longer and more sophisticated. There is room for the competition of two singers (if the verses are divided among two of them). The ending should sound as sweet as possible.
$3.99 ≈
3.67€
Et incarnatus est - Crucifixus - Et resurrexit
Et incarnatus est - Crucifixus - Et resurrexit
#
Choral SATB
#
INTERMEDIATE
#
Ildar Khannanov
#
Ildar Khannanov
#
Et incarnatus est - Crucifixus
#
MThRI
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482270 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Baroque,Contemporary...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.482270 By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Baroque,Contemporary,Easter,Multicultural,Sacred,World. Octavo. 14 pages. MThRI #102033. Published by MThRI (A0.482270). This triptych is the focal point of the mass. It is written as three numbers attaca. Et incarnatus est is a set of sequences in an invertible counterpoint that ends with the transition to Crucifixus. The Crucifixus is rendered as a continuous repetition of a single tone (the B) by the baritone solo (Christ) on the background of choral responses in the late-Romantic harmonic language (neo-Riemannian, equal-division of the octave, Yavorski's Tritonal equilibrium, etc.). The bariton part is given a note beyond the baritone range. Extended techniques are welcome here. The high sopranos continue the ostinati in the background of the low piano octaves. The Et resurrexit is written as a pure atmospheric phenomenon--disappearing in clouds. The triptych ends with a quotation from the Gospel of St. Luke read by the baritone. THese three numbers can be performed as an anthem during the weeks of Lent or Easter.
$2.99 ≈
2.75€
Yekteniya Malaya (People's Prayer)
Yekteniya Malaya (People's Prayer)
#
Choral SATB
#
Sacred music
#
Ildar Khannanov
#
Ildar Khannanov
#
Worship, Sacred, World
#
Yekteniya Malaya
#
MThRI
#
SheetMusicPlus
Choir (SATB) - Digital Download By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Christmas, Easter, Multicultural, Praise & W...
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Choir (SATB) - Digital Download By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Christmas, Easter, Multicultural, Praise & Worship, Sacred, World. Choral. 7 pages. Published by MThRI
Yektenia's text is taken from the Liturgy of John Chrysostom in English translation. It combined the deacon's Invitation to the Prayer from Eastern Orthodox tradition and the People's Prayer from the Episcopalian rite. The syle is related to style antico of the Byzantinian psaltica. The mood is majestic and didactic, with a significant rhetorical component. Can be performed before or as a part of the People's Prayer. The accompaniment can be given to piano, organ, or strings.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$2.99 ≈
2.75€
St. Luke's Mass
St. Luke's Mass
#
Choral SATB
#
Sacred music
#
Ildar Khannanov
#
St. Luke's Mass
#
MThRI
#
SheetMusicPlus
Choir (SATB) - Digital Download By Ildar Khannanov. By Ildar Khannanov. Multicultural, Praise & Worship, Sacred, Spiritual, Traditional, World. C...
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Choir (SATB) - Digital Download By Ildar Khannanov. By Ildar Khannanov. Multicultural, Praise & Worship, Sacred, Spiritual, Traditional, World. Choral. 63 pages. Published by MThRI
St. Luke's mass is a traditional setting of 12 numbers based upon the texts in six languages: English, Latin, Greek, Hebrew, Arabic, and Russian. Each number is unique and specific for an ethnic tradition and a period. The styles are intentionally diverse; the music is tonal. The Mass can be performed in small churches as well as in large cathedrals. The accompaniment is limited to grand piano and/or organ. The Mass can be performed as a whole during the Lent or Easter season. Separate numbers can be performed throughout the year as the anthems and the elements of service music.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$50.00 ≈
46.04€
Rouen
Rouen
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Chris O'Hara
#
Rouen
#
Chris O'Hara Music
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1381376 Composed by Chris O'Hara. 21st Century,Contemporary. 15 pages. Chris O'Har...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1381376 Composed by Chris O'Hara. 21st Century,Contemporary. 15 pages. Chris O'Hara Music #966087. Published by Chris O'Hara Music (A0.1381376). A setting for SATB chorus and piano of the poem written by May Wedderburn Cannan which reflects on her experiences working as a volunteerworker helping soldiers' welfare in Rouen France during World War 1.
$1.99 ≈
1.83€
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Choral SATB
#
Leonardo Leo
#
Guido Menestrina
#
Leonardo Leo - Dixit Dominus a
#
Guido Menestrina
#
SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages...
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99 ≈
12.88€
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Choral SATB
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INTERMEDIATE/ADVANCED
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99 ≈
16.57€
Kyrie from St. Luke's Mass
Kyrie from St. Luke's Mass
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Choral SATB
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Sacred music
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Ildar Khannanov
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Kyrie from St. Luke's Mass
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MThRI
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SheetMusicPlus
Choir (SATB) - Digital Download Composed by Ildar Khannanov. Baroque, Classical, Easter, Multicultural, Sacred, World. Choral. 6 pages. Published by ...
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Choir (SATB) - Digital Download Composed by Ildar Khannanov. Baroque, Classical, Easter, Multicultural, Sacred, World. Choral. 6 pages. Published by MThRI
Kyrie is written for the S.A.T.B. choir, tenor (Evangelist), and organ. It can be performed separately during the Sunday Morning Worship service (as an Offertory anthem, for example) or as a part of the complete set of the St. Luke's Mass.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$2.99 ≈
2.75€
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