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Fugue Simple
Choral SATB
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5 sheet music found
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1
Blessed Are the Pure in Heart
Blessed Are the Pure in Heart
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Choral SATB
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INTERMEDIATE
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Daniel Ficarri
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Daniel Ficarri
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Blessed Are the Pure in Heart
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Daniel Ficarri
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1306407 Composed by Daniel Ficarri. Arranged by Daniel Ficarri. 21st Century,A Cap...
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1306407 Composed by Daniel Ficarri. Arranged by Daniel Ficarri. 21st Century,A Cappella,Christian,Contemporary,Sacred. 18 pages. Daniel Ficarri #895774. Published by Daniel Ficarri (A0.1306407). Blessed are the pure in heart, for they shall see our God; the secret of the Lord is theirs, their soul is Christ's abode. (Text by John Keble, 1792–1866) This a cappella fugue builds from a simple statement of the theme by one voice to the rich harmonies and suspensions of eight independent voices, illustrating the majesty of the words for they shall see our God. In a contrasting middle section, the voices sing intimately of the secret of the Lord, expanding up and down the scale from a single drone. And in the concluding section, the original theme returns in stretto as the voicing thickens to a rich and sonorous amen..
$2.50 ≈
2.30€
Choral - O Sing to the Lord (Psalm 98)
Choral - O Sing to the Lord (Psalm 98)
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Choral SATB
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INTERMEDIATE
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Dan Cutchen Music
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Choral - O Sing to the Lord
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.844353 Composed by Dan Cutchen Music. Christian,Sacred,Spiritual. Octavo. 11 pages. Dan Cutchen ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.844353 Composed by Dan Cutchen Music. Christian,Sacred,Spiritual. Octavo. 11 pages. Dan Cutchen Music #4312291. Published by Dan Cutchen Music (A0.844353). O Sing to the Lord (Psalm 98) is a lovely and powerful expression of God's power and triumph.Scored for SATB with piano accompaniment.Time: approximately 3:40The piece utilizes alternating counter melodies in the verses and a strong homophonic declaration of joy and victory in the refrain.The bridge of the piece employs a simple and beautiful fugue set with the text from verse 9: ...for he is coming to judge the earth. He will judge the world with justice, and the nations with fairness.In regard to this psalm of David, Charles Spurgeon stated, There must be new songs on new occasions of triumph.For the piano accompaniment track, copy and paste the following into the search bar:Choral - O Sing to the Lord (Psalm 98) Accompaniment Track, Dan Cutchen
$1.99 ≈
1.83€
Choral - "O Sing to the Lord (Psalm 98) with Children's Choir/Descant
Choral - "O Sing to the Lord (Psalm 98) with Children's Choir/Descant
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Choral SATB
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INTERMEDIATE
#
Sacred music
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Gospel/Spiritual
#
Dan Cutchen Music
#
Choral - "O Sing to the Lord
#
Dan Cutchen Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.844355 Composed by Dan Cutchen Music. Children,Christian,Gospel,Sacred,Spiritual. Octavo. 11 pag...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.844355 Composed by Dan Cutchen Music. Children,Christian,Gospel,Sacred,Spiritual. Octavo. 11 pages. Dan Cutchen Music #4312333. Published by Dan Cutchen Music (A0.844355). O Sing to the Lord (Psalm 98) with Children's Choir/Descant part is a lovely and powerful expression of God's power and triumph.This piece is an arrangement of Dan's piece, Choral - O Sing to the Lord (Psalm 98).He reworked the SATB parts and added a Children's Choir part (or Treble Descant part.)Time: approximately 3:40The piece utilizes alternating counter melodies in the verses and a strong homophonic declaration of joy and victory in the refrain. There is a children's choir/descant part that adds a wonderful series of counter melodies through out the piece.The bridge of the piece employs a simple and beautiful fugue set with the text from verse 9: ...for he is coming to judge the earth. He will judge the world with justice, and the nations with fairness.For the piano accompaniment track, copy and paste the following into the search bar:Choral - O Sing to the Lord (Psalm 98) Accompaniment Track, Dan Cutchen
$1.99 ≈
1.83€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
81.09€
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