Download Digital Sheet Music of I'm Just Ken for Choral SATB

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I'm Just Ken
Not classified 33

Piano & keyboards
Piano, Vocal and Guitar 27
Piano solo 17
Easy Piano 7
Piano, Voice 6
Organ 1

Piano (band part) 1

+ 1 instrumentations

- Retract

Guitars
Guitar notes and tablatures 3
Guitar 1
Guitar (band part) 1
Melody line, (Lyrics) and Chords 1

Voice
Choral 3-part 7
Choral TTBB 5
Choral SATB 4

Choral SSAA 1

Woodwind
Clarinet 4
Alto Saxophone 3
Flute 3
Saxophone (band part) 3
Flute Trio: 3 flutes 1

Descant (Soprano) Recorder 1
Flute, Violin, Piano 1
Flute ensemble 1
Saxophone Quartet: 4 saxophones 1
Flute, Oboe, Clarinet, Bassoon 1

+ 5 instrumentations

- Retract

Woodbrass
Brass Quartet 4
Trumpet 3
Brass Trio 2
Trombone 2
French horn 1

Trumpet, Trombone (duet) 1
Trumpet (band part) 1

+ 2 instrumentations

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Strings
Violin 5
String Quartet: 2 violins, viola, cello 4
Cello (band part) 3
2 Cellos (duet) 2
Viola 2

Viola, Piano 1
Viola and Harp 1
Doublebass (band part) 1
2 Violins (duet) 1
Cello 1

+ 5 instrumentations

- Retract

Percussion & orchestra
Marching band 3
Concert band 3
Orchestra 3
Jazz Ensemble 2
String Orchestra 1

Drum (band part) 1

+ 1 instrumentations

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I'm Just Ken

Choral SATB

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4 sheet music found

I See You

I See You #Choral SATB #INTERMEDIATE #Michelle Willis #I See You #Teton Music #SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033...(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you canâ€™t name it.I see you, please see me.When you look at me, see a person who isnâ€™t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesnâ€™t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen â€˜til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who finâ€™ly knows Iâ€™m hereAnd doesnâ€™t judge if I bow down to smallish fearsYou see me, and I see you, thereâ€™s nothing greater we can doThan to acknowledge weâ€™re all travâ€™ling down this road,But not alone.It matters-That I see you-and you see me.

$2.49 ≈ 2.33€

When I Survey the Wondrous Cross

When I Survey the Wondrous Cross #Choral SATB #INTERMEDIATE #Isaac Watts #Justin M #When I Survey the Wondrous Cro #Justin M. Ryan #SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.886923 Composed by Isaac Watts. Arranged by Justin M. Ryan. Baroque,Contemporary,Easter,Sacred. ...(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.886923 Composed by Isaac Watts. Arranged by Justin M. Ryan. Baroque,Contemporary,Easter,Sacred. Octavo. 8 pages. Justin M. Ryan #3049153. Published by Justin M. Ryan (A0.886923). The hymn, When I Survey the Wondrous Cross, was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first two lines of the second verse do paraphrase St Paul at Galatians 6:14. The poetry of When I survey... may be seen as English literary baroque.[1] The hymn's fourth verse (His dying crimson...) is commonly omitted in printed versions, a practice that began with George Whitefield in 1757.[2]This arrangement is for SATB Choir and is performed at a Moderate tempo. It is broken up into 4 verses plus please watch verse 3. The Soprano melody has been slightly adjusted but still follows the same harmonic movement as in Vs. 1 and 2. Enjoy this wonderful Lenten Classic.Tune Information Composer: Lowell Mason (1824) Meter: 8.8.8.8 Incipit: 11232 34323 33343 Key: F Major or modal Source: Adapted from a Gregorian Chant

$2.99 ≈ 2.80€

And His Kingdom Will Have No End

And His Kingdom Will Have No End #Choral SATB #INTERMEDIATE #Sacred music #Kevin Longley #Kevin Longley #And His Kingdom Will Have No E #Kevin Longley #SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,...(+)

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line â€œAnd His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase â€œwe'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating â€œNo end, no end, no endâ€.

$1.99 ≈ 1.86€

We Belong Together

We Belong Together #Choral SATB #EASY #Vampire Weekend #G #We Belong Together #G. M. Morley #SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.500704 By Vampire Weekend. By Ezra Koenig and Rostam Batmanglij. Arranged by G. M. Morley. A Cap...(+)

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.500704 By Vampire Weekend. By Ezra Koenig and Rostam Batmanglij. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 10 pages. G. M. Morley #5044269. Published by G. M. Morley (A0.500704). This fun little love song comes from Vampire Weekend's fourth album, Father of the Bride, released in early 2019. The original is a duet featuring the female vocals of Danielle Haim.Writer, Ezra Koenig has said of the song I always wanted to do a song that was insanely simple, that was just listing things that go together... It's probably the most wholesome Vampire Weekend song.Although the simplicity of the original song remains, there are some challenging arpeggio's and runs for soprano and alto parts in the latter half of the piece.This version is suitable for weddings and pop or community choir performances.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.

$3.50 ≈ 3.27€