Download Digital Sheet Music of I Miss My Friend for Choral SATB

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I Miss My Friend
Not classified 13

Piano & keyboards
Piano, Vocal and Guitar 11
Piano, Voice 8
Piano solo 5
Easy Piano 2

Guitars
Guitar notes and tablatures 4
Melody line, (Lyrics) and Chords 2

Voice
Choral SATB 3

Choral TTBB 1
Vocal duet, Piano 1
Choral SSAA 1

Woodwind
Flute 2
Oboe (band part) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Clarinet 1

Woodbrass

Strings
String Quartet: 2 violins, viola, cello 18
Violin, Viola (duet) 2
Violin 1
Violin, Cello (duet) 1
Cello (band part) 1

Violin and Piano 1

+ 1 instrumentations

- Retract

Percussion & orchestra
String Orchestra 2
Jazz combo 1
Chamber Orchestra 1
Concert band 1
Vibraphone 1

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I Miss My Friend

Choral SATB

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How heavy lies the heart

How heavy lies the heart #Choral SATB #INTERMEDIATE #David Rain #David Rain #How heavy lies the heart #David Rain, Choral Composer #SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Conte...(+)

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Renaissance. 6 pages. David Rain, Choral Composer #698441. Published by David Rain, Choral Composer (A0.1094371). â€œHow heavy lies the heartâ€ has drawn inspiration from the traditional French Christmas carol, â€œQuelle est cette odeur agrÃ©ableâ€, which John Gay also set as a boisterous drinking song in the Beggarâ€™s Opera, â€œFill every glass, for wine inspires us!â€ The song also draws inspiration from Josquinâ€™s Missa Pange Lingua. I dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. Optional endings. Note that choirs have been given the option to choose which of the 3 endings they would like to sing, depending on how they feel the â€œstory lineâ€ in the song should best reach its conclusion: (1) The â€œhappyâ€ ending appears to indicate that the narrator has been reunited with the friend or lover who departed. (2) The â€œless happyâ€ ending plants a seed of doubt that no such reunion has happened; it may be in the narratorâ€™s head. (3) The â€œeven less happyâ€ ending leaves listeners in even more doubt. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. â€œHow heavy lies the heartâ€ seemed to work perfectly as the musical representative of an autumnal spirit.

$2.00 ≈ 1.85€

An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)

An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts) #Choral SATB #INTERMEDIATE #Stuart Brown #An Omani Dance Suite - COMPLET #Stuart Brown Music #SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15Â½ minutes. It consists of a Pavane, BourÃ©e, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/

$30.00 ≈ 27.73€

#WeToo

#WeToo #Choral SATB #INTERMEDIATE #Sally Whitwell ##WeToo #Sally Whitwell #SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell ...(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. Weâ€™d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. Itâ€™s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that Iâ€™m virtue signalling and that I look ridiculous (as if I care how I look). Iâ€™ve asked questions about workplace Covid safety and been informed that itâ€™s â€œa bit richâ€ that Iâ€™m asking at all, when everything is now safe. A friendâ€™s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed â€œOh, itâ€™s not Covid. How old are you? In your forties? Itâ€™s your hormones, itâ€™s the menopause.â€ The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, thereâ€™s really no point.Sally Whitwell 11 July 2023.

$1.99 ≈ 1.84€