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Let the Groove Get In
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Not classified 12

Piano & keyboards
Easy Piano 3
Piano solo 3
Piano, Vocal and Guitar 2
Piano (band part) 1

Guitars
Guitar (band part) 3
Guitar notes and tablatures 2
Dulcimer 1
Guitar 1
Bass guitar 1

Voice
Choral SATB 2

Choral 2-part 2
Choral 3-part 1

Woodwind
Saxophone (band part) 7
Oboe (band part) 2
Flute 2
Oboe, Piano (duet) 2
Clarinet and Piano 2

Clarinet 2
Flute, Oboe, Clarinet, Bassoon 2
Flute and Piano 2
Clarinet Quintet: 5 clarinets 1
Flute (band part) 1
Saxophone ensemble 1
Saxophone Quartet: 4 saxophones 1

+ 7 instrumentations

- Retract

Woodbrass
Trombone (band part) 6
Trumpet (band part) 4
Brass quartet : 2 trumpets, trombone, tuba 3
Tuba (band part) 2
Tuba 2

Trumpet 2
Tuba and Piano 2
French horn 2
Trombone 2
Trumpet, Piano 2
Trombone and Piano 2
French Horn and Piano 2
French horn (band part) 1

+ 8 instrumentations

- Retract

Strings
Violin 4
Cello, Piano 3
String Quartet: 2 violins, viola, cello 3
Cello 3
Viola 2

Viola, Piano 2
Violin and Piano 2
Doublebass (band part) 2
Double bass, Piano (duet) 2
Violin, Cello (duet) 1
String Quintet: 2 violins, viola, cello, bass 1

+ 6 instrumentations

- Retract

Percussion & orchestra
Drums 7
Jazz Ensemble 2
Handbells 2
Percussion (band part) 2
Concert band 2

Marching band 1
Drum (band part) 1
String Orchestra 1

+ 3 instrumentations

- Retract

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Let the Groove Get In

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The Sense of a Place Will Remain

The Sense of a Place Will Remain #Choral SATB #Contemporary #Paul Burnell #The Sense of a Place Will Rema #Paul Burnell #SheetMusicPlus

Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul...(+)

Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of â€˜The Sense of a Place Will Remainâ€™ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a childâ€™s toy instrument such as an â€˜Angelâ€™ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Memâ€™ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.

$7.95 ≈ 7.17€

Wonder

Wonder #Choral SATB #INTERMEDIATE #Naughty Boy Featuring Emeli Sa #Julian Hay #Wonder #Julian Hay #SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1032091 By Naughty Boy Featuring Emeli Sande. By Emeli Sande, Harry Craze, and Hugo Chegwin. Arr...(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1032091 By Naughty Boy Featuring Emeli Sande. By Emeli Sande, Harry Craze, and Hugo Chegwin. Arranged by Julian Hay. A Cappella,Contemporary,Pop,Soul. Octavo. 7 pages. Julian Hay #6024773. Published by Julian Hay (A0.1032091). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy, with an ensemble of 20 voices. It is versatile and catchy, and has also been performed by our Vocal Bands with one voice per part, as well as our Kids A Cappella class.This arrangement has a gospel vibe (complete with a shout chorus), but with the groove of the original track provided by the addition of rhythm and bass.VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. When it's performed, it should be heavy on the rhythm and bass! The Rhythm (Beatbox) and Bass should be a feature, and they provide the arrangement with the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Mmm's / Dmm's, etc).The full arrangement is scored for SATB including clicking, clapping and Vocal Percussion (beatboxing). The song also works as SAT and could be transposed into a higher key to be delivered by a treble ensemble.RHYTHM & BASS:This Beatboxing part is suitable for beginners, and is made up of groupings of patterns. Specific Beatboxing notes are included in their own section within the Beatboxing score.If your ensemble is without a low bass or a beatboxer you could consider the following options.- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentAlways click and clap on the off beats (2 and 4).PERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E. hello@voicesco.nzW. www.voicesco.nz

$2.49 ≈ 2.25€