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You've selected:
Nothing In My Way
Choral SATB
Sheetmusic to print
8 sheet music found
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1
Nothing Can Keep My Jesus Away
Nothing Can Keep My Jesus Away
#
Choral SATB
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INTERMEDIATE
#
Sacred music
#
John E
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Nothing Can Keep My Jesus Away
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Ravensbourne Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1012500 Composed by John E. Wampler. Christian,Easter,Sacred. Octavo. 4 pages. Ravensbourne Pres...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1012500 Composed by John E. Wampler. Christian,Easter,Sacred. Octavo. 4 pages. Ravensbourne Press #4338743. Published by Ravensbourne Press (A0.1012500). One Easter the thought came that the Easter Story is one of growing despair until the very end when Christ rises from the tomb. Our struggles in this life are mitigated by the constant, un-wavering love of God, but our biggest impediment to experiencing it is ourselves.
$3.50 ≈
3.20€
Солнце (Sun)
Солнце (Sun)
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Choral SATB
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Cassy Gress
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Солнце
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Cassy Gress
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Publishe...
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Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress (A0.1418462). On April 8, 2024, I had the privilege to be able to view a solar eclipse in totality. I'd previously seen one at around 99% totality, but 100% is a completely different experience. I periodically glanced at the sun in my protective glasses, watching the disc shrink down to nothing, not expecting much other than the absence of a sun. But I looked away for a moment, and my son suddenly cried, It's there!I turned and gasped: the sky was a flat twilight blue, and a crisp brilliant ring glowed in the sky, safe to view with the naked eye. The world was still, strangely silent, alien and new. We all tried to grab as many pictures as we could. After a few minutes, the moon continued its arc across the sky, and the sun's glare abruptly reappeared, already blinding even as a sliver. I can still see that ring in my mind's eye, fiercely burning, as if someone had literally cut a circle out of the sky and exposed another universe behind it.In this piece I tried to capture the growing ominous wonder of an eclipse approaching totality. While the 2024 eclipse was not visible in Russia, the Russian word for sun, Ñолнце (solntse), has a lily-like fragility to it that the English equivalent does not. Various parts of the choir repeat the word throughout the piece, and the repeated ts and s sounds should create a percussive susurrance. Stagger breathing should be used throughout.Also repeated is the Russian word for moon, луна (luna). As the eclipse approaches that crystalline moment of totality, the moon becomes more and more prominent and the text more chantlike. The refrain, first sung by a solo bass at bar 7, and sung in variation by the other parts thereafter, is repeated in its original form once by the sopranos near the top of their range. This represents the sun in final desperate ecstasy, before it too collapses into the inevitability and madness of occultation.After an indefinite sudden pause, the shock of the moment, the choir reverently sings suscipe deprecationem nostram. Glorificamus te. As the moon frees the sun from its cold grip, the menace of the previous section threatens to return, but just as quickly fades, revealing once again Ñолнце в небе (the sun in the sky).
$1.99 ≈
1.82€
Broken, sacred music for SATB choir
Broken, sacred music for SATB choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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threads of holy words of Light
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Kevin G
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Broken, sacred music for SATB
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1382558 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,R...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1382558 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 9 pages. Kevin G. Pace #966982. Published by Kevin G. Pace (A0.1382558). Solemn, sacred music for choir with music by Kevin G. Pace and text by Kathryn W. Hales.Text:His broken body on the tree,Wounded, stripped for all to see,From chains of sin I’m now set free.Bruised and broken, Lord for me;A miracle broke the sealed tomb,Walls no barrier to the Upper RoomWhere with apostles He did commune,Overcoming death and gloomMy wounded heart now is healed,Changed to one that truly feels;Through His covenants I am sealedIf my will I meekly yield.My broken heart now mended rightBy threads of holy words of Light,Is now humbled and contriteAs I keep Him in my sight.Broken bread upon the traysBlessed by those who kneel and pray,Tied to Him I’ll always stayAnd remember Him all my days. There’s nothing broken He can’t mend;He’ll forever be my Friend,Now made whole, I humbly bend,Enduring gratefully to the end.
$1.99 ≈
1.82€
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
#
Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
27.44€
You Are Lovely, but...
You Are Lovely, but...
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jean Ahn
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You Are Lovely, but...
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Jean Ahn
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.949299 Composed by Jean Ahn. 20th Century,Contemporary. Octavo. 14 pages. Jean Ahn #4632463. Pub...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.949299 Composed by Jean Ahn. 20th Century,Contemporary. Octavo. 14 pages. Jean Ahn #4632463. Published by Jean Ahn (A0.949299). Text from Little PrinceThe little prince went back to look at the roses again. You're not at all like my rose. You're nothing at all yet, he told them. No one has tamed you and you haven't tamed anyone. You're the way my fox was. He was just a fox like a hundred thousand others. But I've made him my friend, and now he's the only fox in all the world. And the roses were humbled. You're lovely, but you're empty, he went on. One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass. Since she's the one I sheltered behind a screen. Since she's the one for whom I killed the caterpillars (except the two or three for butterflies.) Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose. ― Antoine de Saint-Exupéry, The Little Prince
$2.50 ≈
2.29€
Distant Shores
Distant Shores
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Choral SATB
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Lars Hufeld
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Distant Shores
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Lars Hufeld
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.1123134 Composed by Lars Hufeld. Broadway,Film/TV,Musical/Show,Pop. Octavo. 10 pages. Lars Hufeld #724048....
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Choral Choir (SATB) - Digital Download SKU: A0.1123134 Composed by Lars Hufeld. Broadway,Film/TV,Musical/Show,Pop. Octavo. 10 pages. Lars Hufeld #724048. Published by Lars Hufeld (A0.1123134). Distant Shores is a song about the power of family, friendship and music. Come what may, as long as you have your loved ones around you and a song in your heart nothing can stop you. On your way and have fun singing! Please support my work and buy a proper amount of copies for your choir.
$1.99 ≈
1.82€
Regret Not Me
Regret Not Me
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Choral SATB
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ADVANCED
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Nicholas White
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but I shall not be there
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Regret Not Me
#
Nicholas White Music
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1256872 Composed by Nicholas White. 21st Century,A Cappella,Classical,Traditional. Octavo...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1256872 Composed by Nicholas White. 21st Century,A Cappella,Classical,Traditional. Octavo. 12 pages. Nicholas White Music #850259. Published by Nicholas White Music (A0.1256872). A challenging, unaccompanied, pastoral setting of Thomas Hardy's poem, scored for SATB divisi featuring a high soprano!Regret not me;   Beneath the sunny treeI lie uncaring slumbering peacefully.    Swift as the light   I flew my faery flight;Ecstatically I moved, and feared no night.    I did not know   That heydays fade and go,But deemed that what was would be always so.    I skipped at morn   Between the yellowing corn,Thinking it good and glorious to be born.    I ran at eves   Among the piled-up sheaves,Dreaming, 'I grieve not, therefore nothing grieves.'    Now soon will come   The apple, pear, and plumAnd hinds will sing, and autumn insects hum.    Again you will fare   To cider-makings rare,And junketings; but I shall not be there.    Yet gaily sing   Until the pewter ringThose songs we sang when we went gipsying.    And lightly dance   Some triple-timed romanceIn coupled figures, and forget mischance;    And mourn not me   Beneath the yellowing tree;For I shall mind not, slumbering peacefully.
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1.83€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Choral SATB
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INTERMEDIATE
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Contemporary
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music...
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that’dshow healthy indifference;…
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
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4.56€
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