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Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
23.83€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
18.32€
Moonlight Sonata by Beethoven for Choral and Piano
Moonlight Sonata by Beethoven for Choral and Piano
#
Choral SATB
#
EASY
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Moonlight Sonata by Beethoven
#
Woods Only, Arrangements
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1150939 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Ro...
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1150939 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period,Wedding. 23 pages. Woods Only, Arrangements #751125. Published by Woods Only, Arrangements (A0.1150939). This arrangement adapted for choir SATB and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99 ≈
9.17€
Eternal Father, Strong to Save (The United States Navy Hymn)
Eternal Father, Strong to Save (The United States Navy Hymn)
#
Choral SATB
#
EASY
#
Music by John B
#
James F
#
Eternal Father, Strong to Save
#
Military Bible Association
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Ham...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1465877 Composed by Music by John B. Dykes and Words by William Whiting and Mary Hamilton. Arranged by James F. Linzey. Chamber,Classical,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044474. Published by Military Bible Association (A0.1465877). History of the United States Navy and the Navy HymnOn August 26, 1775, the General Assembly of Rhode Island passed a resolution to create the Continental Fleet, to be funded by the Continental Congress in Philadelphia. But on October 3, 1775, Congress rejected it. On October 13, 1775, the Continental Congress changed courses and established the Continental Navy. This was the birth of the United States Navy. The Continental Navy obtained and armed two civilian vessels, the Andrew Doria and the Cabot. The first United States Navy ship was the USS Alfred, which was commissioned by Captain Dudley Saltonstall on December 3, 1775. John Adams served as the first Chairman of the Naval Committee, but in 1776 the Continental Congress appointed Commodore Esek Hopkins to be the Navy’s first Commander. After the Revolutionary War, the government abolished the Continental Navy. But 11 years later, Congress passed the Naval Act of 1794, which created the United States Navy. The Navy was involved in the Revolutionary War (1775 – 1776), the War of 1812 (1812 – 1815), the Civil World (1861 – 1865), the Mexican-American War (1846 – 1848), the Spanish-American War (1898), World War I (1914 – 1918), World War II (1939 – 1945), the Korean conflict, the Vietnam conflict (1964 – 1975), the war on terrorism through various military operations around the world (1987 – 2021) ), Operation Earnest Will (1987 – 1988), Operation Praying Mantis in the Persian Gulf (1988), Operation Urgent Fury at the invasion of Grenada (1983), Operation Desert Shield (1990 – 1991) and Operation Desert Storm (1991) which comprised the Gulf War, Operation Deliberate Force which was the invasion of Bosnia and Herzegovina (1995), Operation Allied Force which was the attack on Yugoslavia (1999), Operation Desert Fox which was the bombing of Iraq (1998), Operation Southern Watch which was the aerial patrolling of Iraq (1992 – 2003), Operation Enduring Freedom at the invasion of Afghanistan (2001 – 2021), and Operation Iraqi Freedom at the invasion of Iraq (2003 – 2011). The Navy emerged from World War II as the most powerful Navy in the world.In 1860, William Whiting of Winchester, England, wrote a poem titled “Eternal Father, Strong to Save” for one of his students, who was preparing to sail for the United States. The poem alludes to Psalm 107 and is a prayer for God’s protection from seafaring danger. In 1861, Rev. John Bacchus Dykes, an Anglican clergyman, composed the tune “Melita,” in 88 88 88 iambic meter, to accompany the hymn. “Melita” is the archaic name of Malta, which is an ancient seafaring nation. It was the site of the shipwreck that involved the Apostle Paul, as described in the Acts of the Apostles, chapters 27–28. In 1814, Malta became the Crown Colony of the United Kingdom, but in 1964 it gained independence and joined the British Commonwealth. The hymn has long been used by Navy and civilian chaplains during chapel services at sea, in navy and civilian maritime contexts. The Royal Navy, navies of the British Commonwealth, and the United States Navy adopted the hymn in the late 19th century as “The Navy Hymn.” Many verses have been written to Melita. James F. Linzey selected the four verses by Whiting (verses 1-3) and Hamilton (verse 4), which are the verses traditionally used in the Armed Forces Hymnal. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99 ≈
1.83€
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
#
Choral SATB
#
INTERMEDIATE
#
Sacred music
#
Michael A
#
IN THE BEGINNING WAS THE WORD
#
M.A. Morizio
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99 ≈
2.75€
Mozart's At the Window [SATB]
Mozart's At the Window [SATB]
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Choral SATB
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Classical
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Wolfgang Amadeus Mozart
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Gunnar Madsen, Laurie Betts Hu
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Mozart's At the Window [SATB]
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.891208 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Class...
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Choral Choir (SATB) - Digital Download SKU: A0.891208 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Contemporary. Octavo. 18 pages. Dandelion Music Press #3106157. Published by Dandelion Music Press (A0.891208). If you are looking to lighten your concert, to program real music, or a piece with rapid text delivery satisfying to mid-level HS choirs and community choirs with adult choral beginners, bring this hilarious 3 minute piece to your outstanding accompanist-pianist and your developing ensemble. Debuted for choir during an educational outreach concert for children with families, Mozart's At the Window is also an effective selection or encore for a Mozart concert, or standing on its own. Piece features lots of vocal doubling and is fully supported by a pianistic reduction-- this piece shines with an amazing accompanist.The choral arranger writes: After getting absolutely sick of the inane music I'd been playing for my young children in the car, I was elated to discover Gunnar Madsen's CD I'm Growing featuring Mozart's At the Window. The kids were delighted with this funny song about some naughty kid, and my husband and I were delighted with the enormous improvement of musical quality in our vehicle. It was shortly thereafter that this choral arrangement was born.Gunnar writes: In my first music theory class in college, the teacher and the students were recalling the silly ways they'd been taught to remember classical melodies when they were young. One of them was for Mozart's 40th symphony (which I'd never heard) which consisted of Now Mozart's at the window - Let him in, Let him in, Let him in. What an ear-worm! For 25 years now I've dreamt of expanding that ditty into something more substantial, and now I'm proud to present the finished piece. I'm really going to get a kick of sending this one to my teacher!Also available in Two-Part Treble voicing.Music abridged from W. A. Mozart's Symphony No.40 in G minor, K.550 IV. Allegro assai2017 Choral Contest EntryText and concept by Gunnar Madsen, ASCAP | http://www.gunnarspot.com/Arranged for choir by Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$3.25 ≈
2.98€
Let All the World in Ev'ry Corner Sing — SATB voices, organ
Let All the World in Ev'ry Corner Sing — SATB voices, organ
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Choral SATB
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INTERMEDIATE
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Todd Marchand
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Let All the World in Ev'ry Cor
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #101...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published by Con Spirito Music (A0.1439047). “Let All the World in Ev’ry Corner Sing” is a short poem from the collection, The Temple, by Anglican priest, poet, and orator George Herbert (1593-1633). A contemporary of William Shakespeare and John Milton, God-child to poet John Donne, Herbert is associated with the 17th-century Metaphysical poets and “is remembered as a pivotal figure: enormously popular, deeply and broadly influential, and arguably the most skillful and important British devotional lyricist of his or any other time.” Shortly before his death in 1633 at age 39, Herbert directed that a manuscript of his religious poems be sent to his fellow clergyman and friend, Nicholas Ferrar, reportedly saying, “Tell him ... if he can think it may turn to the advantage of any dejected poor Soul, let it be made publick: if not, let him burn it: for I and it, are less than the least of God’s mercies.” First published in 1633, The Temple was an enormously popular work, totaling more than 20,000 copies printed in 13 editions between 1633 and 1679.“Let All the World in Ev'ry Corner Sing” is the refrain of Herbert’s poem, “Antiphon (I),” which appeared in the “Christian Life” section of The Temple. An antiphon may be defined as a short sentence or refrain sung or recited before or after a psalm or canticle; and in Herbert's short poem of two stanzas, he may also have intended that the verses be recited antiphonally (alternately) by two groups. The third stanza in this setting for SATB voices and organ, a doxology by an unknown author, was added in the 19th century. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00 ≈
1.84€
October Dawn - Choral Song (SSAATB)
October Dawn - Choral Song (SSAATB)
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Choral SATB
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INTERMEDIATE
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Contemporary
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Chris Gordon
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October Dawn - Choral Song
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Cool Wind Music Digital
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital ...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside. It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.' That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.
$3.00 ≈
2.75€
Fantasia on God Rest You Merry - SATB
Fantasia on God Rest You Merry - SATB
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Choral SATB
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INTERMEDIATE/ADVANCED
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Phil Beaman
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Fantasia on God Rest You Merry
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Phil Beaman
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.844381 Composed by Phil Beaman. A Cappella,Christmas,Contemporary,Jazz,Sacred. Octavo. 8 pages. ...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.844381 Composed by Phil Beaman. A Cappella,Christmas,Contemporary,Jazz,Sacred. Octavo. 8 pages. Phil Beaman #2950269. Published by Phil Beaman (A0.844381). For this Christmas here is a dramatic a capella piece that is a Fantasia based on the old English carol God Rest You Merry Gentlemen. It is an eclectic fusion of Classical music and 1950's Free Jazz and West Indian/Caribbean rhythms with exuberance and pulse. It is in verse-refrain form, but is very freely treated and each of the four verses is wholly unique while expressing, and sometimes expanding upon, each word. There is no Time Signature and thus irregular measures which change every few bars which would utilize 2/4, 3/4, 4/4, 5/4, 6/4, and 7/4, but always maintains a strong pulse. It contains abrupt changes in dynamics and a rubato tempo. This is a challenging work with dynamic results.8 pages (I have only printed the refrain once (after the first verse) and it is repeated the same after every verse. If I inserted it after each verse this would have been a 19 page score to print. Best to just memorize the short catchy refrain.)4:45 minutesI originally wrote this as an a capella piece. Years later I also transcribed it for Instrumental Quartet. If you do not wish to do this piece a capella there are 15 different Instrument Quartet combinations also published on this site which double the four voice parts and are all in the same concert key and can be used as accompaniment. Â The recording attached is of the Brass Quartet version which exactly doubles the SATB voices so that you can get an idea of the rhythms and harmonies. Â
$3.25 ≈
2.98€
Ich bin der Welt abhanden gekommen: Into This World I Came As a Lost One (Piano/Choral Score) (Downloadable)
Ich bin der Welt abhanden gekommen: Into This World I Came As a Lost One (Piano/Choral Score) (Downloadable)
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Choral SATB
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INTERMEDIATE
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Gustav Mahler and Stanley M
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Stanley M
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Ich bin der Welt abhanden geko
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and piano or chamber orchestra - Medium - Digital Download SKU: MQ.5755-E Composed by Gustav Mahler and Stanley M. Hoffman. Arranged by Stanle...
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SATB choir and piano or chamber orchestra - Medium - Digital Download SKU: MQ.5755-E Composed by Gustav Mahler and Stanley M. Hoffman. Arranged by Stanley M. Hoffman. Advanced/Collegiate. Secular, Romantic. Score & instrument parts. 9 pages. E. C. Schirmer Music Company - Digital #5755-E. Published by E. C. Schirmer Music Company - Digital (MQ.5755-E). English, German.Gustav Mahler (1860–1911) completed the composition of this work in 1901. The original version, scored for solo voice and chamber orchestra, is one of the Rückert-Lieder (Friedrich Rückert, poet [1788–1866]). Stanley M. Hoffman completed his arrangement for SATB chorus and piano in 2001. Hoffman says of his arrangement: Rather than taking the easy way out by placing a pre-existing accompaniment from a piano/vocal score beneath the newly created alto, tenor, and bass choral parts (the soprano part retaining the original melody throughout), I went back to the orchestral score and created my own piano reduction. Bracketed items indicate editorial additions intended to make the arrangement more effective. The piece should be performed in a hushed manner throughout. This edition also includes a sensitively conceived English singing translation by Robert Schuneman.In 2015, Stanley M. Hoffman inserted his choral arrangement into the original chamber orchestra score. Duration: 6:00.
$2.25 ≈
2.07€
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
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Choral SATB
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INTERMEDIATE/ADVANCED
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the 19th century, the carol wa
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Cornish folk tune
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Todd Marchand
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God Rest Ye Merry, Gentlemen
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,H...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00 ≈
1.84€
Wren for SATB chorus and flute
Wren for SATB chorus and flute
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Choral SATB
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Contemporary
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Adrienne Inglis
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Wren for SATB chorus and flute
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.953622 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 12 pages. Adrienne Inglis (ASCAP) #48358...
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Choral Choir (SATB) - Digital Download SKU: A0.953622 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 12 pages. Adrienne Inglis (ASCAP) #4835887. Published by Adrienne Inglis (ASCAP) (A0.953622). Perfect for a spring or nature-themed concert, Wren elicits giggles and spontaneous applause. The quick tempo and syncopated rhythms of this two-minute light-hearted piece contrast nicely with slow lush repertoire in a program. It's best for an intermediate chorus with a good amount of rehearsal time or advanced chorus.Commissioned by Inversion Ensemble, Wren (2019) by Adrienne Inglis sets Robert Macfarlane’s acrostic poem of the same name for mixed chorus and flute. With quick harmonic changes, syncopations, and melodic gestures, the composition captures a sense of the charming poem as well as the actual Wren (Troglodytes troglodytes) found year round throughout the United Kingdom. Macfarlane’s poem Wren comes from his 2017 illustrated poetry book, The Lost Words, which conjures pictures of wild things and untamed spaces that get shortchanged in modern urban life.Duration: 2 minutesWren, a poem © Robert Macfarlane 2017 from The Lost Words written by Robert Macfarlane and illustrated by Jackie Morris (Hamish Hamilton, 2017). Permission granted by David Higham Associates Limited.
$2.99 ≈
2.75€
Lenda de Martim (for Alto Saxophone Solo, Saxophone Quartet SATB & Concert Band)
Lenda de Martim (for Alto Saxophone Solo, Saxophone Quartet SATB & Concert Band)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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Luis Cardoso
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Lenda de Martim
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Luis Cardoso
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.934373 Composed by Luis Cardoso. Contemporary. Octavo. 140 pages. Luis Cardoso #6168163. Publi...
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.934373 Composed by Luis Cardoso. Contemporary. Octavo. 140 pages. Luis Cardoso #6168163. Published by Luis Cardoso (A0.934373). Challenged by my friend André Granjo, I wrote this piece for Wind Instruments Group of Coimbra (GISC)​​, where André is now conductor. It is expected to be premiered during the first months of 2013, in collaboration with internationally renowned saxophonist Jean-Yves Fourmeau. I've been teenager GISC saxophonist, and with the group traveled through several European cities, which otherwise would have been impossible for me. I dedicate the Martim’s Legend to GISC and Professor Adelino Martins, who directed the group for decades, until his retirement this year. I related his name with a book I read, A Lenda de Martim Regos written by Pedro Canais and published in 2004. Martin, the main character, is born in Ribatejo (Portuguese province) in the fifteenth century, and his fate led him through Africa, America and Asia. Its amazing fictional story inspired me this music, because of travel, discovery, persistence and distracted absorbing knowledge.
$200.00 ≈
183.65€
The City In the Sea: Choral Tone Poem
The City In the Sea: Choral Tone Poem
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Choral SATB
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ADVANCED
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Contemporary
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60 ≈
5.14€
Love Lifted Me
Love Lifted Me
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Choral SATB
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INTERMEDIATE
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Sacred music
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Robert Myers
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Love Lifted Me
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976723 Composed by Robert Myers. Christian,Sacred. Octavo. 13 pages. WheatMyer Music #5191473. P...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976723 Composed by Robert Myers. Christian,Sacred. Octavo. 13 pages. WheatMyer Music #5191473. Published by WheatMyer Music (A0.976723). My worship professor often cited the revival era hymn, Love Lifted Me, with its cheerful, lilting melody beneath doleful lines of sin-speckled poetry, as the epitome of poor tune and text pairing. I countered that the point of the hymn is the sinner’s joy in redemption and the happy nature of the music is appropriate to its ultimate message. Yet, my professor’s words lingered over the years to the point that I endeavored to revisit the hymn in consideration of a more functional melding of tune and text. The result is this choral anthem, Love Lifted Me, setting a slightly adapted version of James Rowe’s poetry. Even though the music is completely new, albeit quoting snippets of the original hymn tune, it has an air of familiarity that melds with the text to paint its message in a fresh light. For example, the passages remembering sin and despair are aimless and brooding, while the lines rejoicing over redemption are flowing, energetic, and ebullient. Listen to Love Lifted Me and let your ears be the judge whether this setting expresses the story of personal redemption fittingly.Arranged for SATB chorus and piano, this anthem fills the role of personal testimony and witness with an evangelistic call to respond to the Gospel. It is suitable for most experienced student and adult mixed choirs. Robert MyersS.D.G.
$2.25 ≈
2.07€
Somewhere in the Longest Night SATB
Somewhere in the Longest Night SATB
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Choral SATB
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BEGINNER
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Sacred music
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Michael Myrick
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Somewhere in the Longest Night
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MICHAEL MYRICK
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SheetMusicPlus
Piano Accompaniment, Choir, SATB - Easy/Beginner - Digital Download Composed by Michael Myrick. Christian, Contemporary Christian, General Worship, W...
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Piano Accompaniment, Choir, SATB - Easy/Beginner - Digital Download Composed by Michael Myrick. Christian, Contemporary Christian, General Worship, World, Christmas. 68 pages. Published by MICHAEL MYRICK
From the beginning of time, to the telling of the story of the birth of Christ, Somewhere in the Longest Night, takes the listener from darkness into light, and is an inspiring service composed of original music, key scriptures, and well-known Advent and Christmas carols. A unique cantata, written using Middle Eastern instrumental color, brings to life the prophetic history of, and birth of Christ. Created with diverse choral situations in mind, this work is easily tailored to meet the needs of your choir and congregation. “Somewhere in the Longest Night,” is a versatile piece, and equally effective using piano accompaniment or full orchestration. It can easily be broken into individual anthems to be used throughout the season, making it an outstanding value. Contents include a full prelude and the following titles: Come, Thou Long Expected Jesus, O Come, O Come Emmanuel, Immanuel, Somewhere in the Longest Night, Comfort and Joy, To Us a Child of Royal Birth Is Given, and John One. Choral octavo, full score, instrument parts and accompaniment tracks are available online. Available in SATB and SAB versions, 40 minutes.
$4.50 ≈
4.13€
Sound the Bell of Holy Freedom: Come to Us, O Holy Spirit (Downloadable Concertato Choral Score)
Sound the Bell of Holy Freedom: Come to Us, O Holy Spirit (Downloadable Concertato Choral Score)
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Choral SATB
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EASY
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Normand Gouin
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8
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Sound the Bell of Holy Freedom
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Easy - Digital Download SKU: MQ.60-6015-E Composed by Normand Goui...
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Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Easy - Digital Download SKU: MQ.60-6015-E Composed by Normand Gouin. Cathedral Series. Ordination, Pentecost, Confirmation, Ordination/Installation, 21st Century. Instrument parts. 12 pages. MorningStar Music Publishers - Digital Sheet Music #60-6015-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-6015-E). English.This new hymn, with words by Andrew Ciferni and music by Normand Gouin, was chosen as the official hymn of the World Meeting of Families 2015, and it will be used at the liturgies in Philadelphia during Pope Francis' first visit to the United States. This festive concertato features brass and percussion, and includes a special introduction appropriate for a solemn procession. The arrangement may also be pared down to fit available musical resources and liturgical use. It includes a second text, by Anthony Corvaia, that invokes the Holy Spirit and is appropriate for general use and for Pentecost. A special optional verse is provided for use at Confirmation and Ordination.Instrumental parts packet includes: Trumpets I and II C and in B-flat, Trombones I and II, Horn in F (sub for Trombone I), Bass Trombone/Tuba, Timpani, Suspended Cymbal, OrganNotes regarding Congregation Card Pack, 60-6015C: Printed on white card stock and are sold in quantities of 50 packs. Dimensions: 5.5†width; 8.5†length. Notes regarding Downloadable Congregation Part, file_60-6015C-E:Purchaser may reproduce this page for the congregation under these circumstances:-With valid license from OneLicense or LicenSing. -Usage must be reported to either OneLicense or LicenSing. -Copyright notice must be included. -If the purchaser does not have a license from OneLicense or LicenSing, one may be obtained directly from the publisher. Click here to email the MorningStar Music Publishers Copyright Department. -If the purchaser does not wish to purchase a license, then they should purchase the printed congregational cards, product 60-6015C. Notes regarding SATB/Accompaniment Hymn Only:This publication serves as the accompaniment to the hymn Sound the Bell of Holy Freedom. The publication may also be used as a simple SATB version for the choir. If used by the choir, multiple copies need to be purchased. -Reprint permission is not included with the purchase of this publication.-Multiple copies must be purchased for additional instrumentalists, or the choir.-This publication is available in two forms, either as a downloadable publication, or as a printed publication.
$2.65 ≈
2.43€
Caffeinated Dreams (SATB, Percussion, and Solo Monkey)
Caffeinated Dreams (SATB, Percussion, and Solo Monkey)
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Choral SATB
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INTERMEDIATE
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D
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Caffeinated Dreams
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799640 Composed by D. M. Gardner. 20th Century,Contemporary. Octavo. 34 pages. D. M. Gardner Mus...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799640 Composed by D. M. Gardner. 20th Century,Contemporary. Octavo. 34 pages. D. M. Gardner Music #50653. Published by D. M. Gardner Music (A0.799640). Caffeinated Dreams is a humorous piece that pokes fun at high-dollar coffee by depicting a figurative monkey that is constantly trying to steal your latte. Anyone who has had the need for a nice warm caramel latte on a cold day (or any day) will enjoy this composition. Caffeine addicted people everywhere understand how difficult it is to get that monkey off your back... The one that's always telling you to cut back on your coffee habit. Watch out, or he'll steal your latte too! Caffeinated Dreams was inspired by the large number of coffee shops in Omaha, Nebraska, specifically one called Caffeine Dreams. If you are ever in the area, you should check it out. Also of note, there are small humorous illustrations throughout the score and parts to help inspire the performers. Perhaps you could attempt to get a local establishment to let you sing this piece for acup of java. I would.Humorous - You and your audience will love this piece!SATB/Solo Monkey with Conga, Bass Drum, Claves, Sand Block**Please note the MIDI audio sample does not reproduce any of the choir's non-singing vocalizations, of which there are many. Additionally, no monkey could be reached in time to make this recording, so that too is omitted. That being said, I think you will still very much enjoy this piece!Premiere: University of Nebraska at Omaha - University ChorusDifficulty: Moderate - A great piece for just about any choir...but especially for those old enough to drink a lot of coffee.Approx. 2 minutes and 30 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$1.99 ≈
1.83€
A Festival of Hymns SATB (Digital Download)
A Festival of Hymns SATB (Digital Download)
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Choral SATB
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Lloyd Larson
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A Festival of Hymns SATB
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano - Digital Download SKU: LX.45-1641L A Worship Celebration for Choir and Congregation. Composed by Lloyd Larson. With Optional Or...
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SATB choir, Piano - Digital Download SKU: LX.45-1641L A Worship Celebration for Choir and Congregation. Composed by Lloyd Larson. With Optional Orchestra, CD+ Printable Parts, Bulk s, Full Orchestra, Full Score, Accompaniment MP3. Concert, Festival, General. 112 pages. Lorenz Publishing - Digital Sheet Music #e45/1641L. Published by Lorenz Publishing - Digital Sheet Music (LX.45-1641L). Orchestrated by Ed Hogan.As the world slowly moves away from the height of the pandemic, Lloyd Larson believes that now, more than ever, is an appropriate time to come together as believers and celebrate our shared heritage of hymnody. Brimming with the time-honored hymns of our faith, Lloyd's legendary creativity is on full display as he breathes new life into these timeless melodies. A Festival of Hymns can be presented as either a seasonal or non-seasonal work, and a number of performance options are available, including an SAB choral version and an optional full orchestration from Ed Hogan. In addition to the sanctuary choir loft, we're sure this moving ten-song work will also find a place in the folders of community choirs everywhere. Don’t miss this new celebration of worship from one our most gifted and respected writers!
$10.95 ≈
10.06€
Lord, Guard and Guide the Men Who Fly (The United States Air Force Hymn)
Lord, Guard and Guide the Men Who Fly (The United States Air Force Hymn)
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Choral SATB
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BEGINNER
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Mary Hamilton and Wolfgang Ama
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James F
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Lord, Guard and Guide the Men
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465872 Composed by Mary Hamilton and Wolfgang Amadeus Mozart (altered by James F. L...
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465872 Composed by Mary Hamilton and Wolfgang Amadeus Mozart (altered by James F. Linzey). Arranged by James F. Linzey. Classical,Historic,Patriotic,Religious,Sacred. 4 pages. Military Bible Association #1044469. Published by Military Bible Association (A0.1465872). History of the United States Air Force and the Air Force HymnOn September 18, 1947, the National Security Act of 1947 created the National Military Establishment and the United States Air Force. The National Military Establishment later became the Department of Defense. The Air Force was part of the Army Air Corps since August 1, 1907. It had the oversight of military aviation for land-based operations. The organizational development of the Air Force is as follows: Aeronautical Division, Signal Corps (1 August 1907 – 18 July 1914), Aviation Section, Signal Corps (18 July 1914 – 20 May 1918), Division of Military Aeronautics (20 May 1918 – 24 May 1918), Air Service, U.S. Army (24 May 1918 – 2 July 1926), U.S. Army Air Corps (2 July 1926 – 20 June 1941), the U.S. Army Air Forces (20 June 1941 – 17 September 1947), and the United States Air Force, 18 September 1947 – present), and the separation of the United States Air Force Space Command as the United States Space Force (20 December 2019 – present). The Air Force has been involved in World War 1, World War II, the Cold War and the Korean conflict, the Vietnam conflict, combat operations such as Operation Eagle Claw, the invasion of Grenada (1983), the bombing of Libya (1986), the invasion of Panama (1989), Operation Desert Storm, the Gulf War, Bosnia and Kosovo, the Global War on Terror, Operation Enduring Freedom, and Operation Iraqi Freedom.Mary Christian Dundas Hamilton (24 May 1850 - 10 June 1943) was a Scottish writer and poet. She is known for writing “A Hymn for Aviators” (1915). It was known as “Lord, Guard and Guide the Men Who Fly,” and also as the United States Air Force Hymn. It was set to Mozart's “Dona Nobis Pacem,” a waltz. Various phrases and verses were used in the United States Navy Hymn, “Eternal Father, Strong to Save,” and alluded to in the United States Space Force Hymn, “Creator of the Universe.” Former Air Force Chaplain and Officer, theologian and hymnist, Major James F. Linzey (Ret.), believed that military hymns should not be waltzes. So he converted the timing of Mozart’s piece to four-four timing, giving the Air Force Hymn traditional timing that is fit for a hymn. James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99 ≈
1.83€
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