Download Digital Sheet Music of The Body of Christ Set of Parts for Choral SATB

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The Body of Christ Set of Parts
Not classified 10

Piano & keyboards
Piano solo 1
Piano Quartet: piano, 2 violins, cello 1

Guitars

Voice
Choral SATB 3

Choral SSAA 1

Woodwind
Clarinet Quartet: 4 clarinets 3
Soprano Saxophone and Piano 2
Alto Saxophone and Piano 1
Flute ensemble 1
Tenor Saxophone and Piano 1

Flute, Clarinet (duet) 1

+ 1 instrumentations

- Retract

Woodbrass
Brass Quartet: 4 trombones 12
Trumpet, Piano 1
Brass quartet : 2 trumpets, trombone, tuba 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Trombone and Piano 1

Trumpet, Horn (duert) 1

+ 1 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 2
String Trio: 2 violins, cello 1
4 Cellos 1
Piano Trio: Violin, Viola, Piano 1

Percussion & orchestra
Jazz combo 6
Concert band 3
Orchestra 2
String Orchestra 1
Chamber Orchestra 1

Jazz Ensemble 1

+ 1 instrumentations

- Retract

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The Body of Christ Set of Parts

Choral SATB

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3 sheet music found

When I Survey the Wondrous Cross

When I Survey the Wondrous Cross #Choral SATB #INTERMEDIATE #Sacred music #Isaac Watts / Lowell Mason #Robert Myers #When I Survey the Wondrous Cro #WheatMyer Music #SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred...(+)

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Masonâ€™s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly â€“ they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Masonâ€™s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.

$2.50 ≈ ¥18.13

The Peace to Come (Choral Score)

The Peace to Come (Choral Score) #Choral SATB #INTERMEDIATE #Karen Marrolli #The Peace to Come #MorningStar Music Publishers - Digital Sheet Music #SheetMusicPlus

SATB choir, trumpet, and piano (Trumpet Part include both C and B-flat parts.) - Medium - Digital Download SKU: MQ.50-0308-E Composed by Karen Marrolli. ...(+)

SATB choir, trumpet, and piano (Trumpet Part include both C and B-flat parts.) - Medium - Digital Download SKU: MQ.50-0308-E Composed by Karen Marrolli. Advent. Instrument parts. 14 pages. MorningStar Music Publishers - Digital Sheet Music #50-0308-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0308-E). English. Isaiah 11:1-5|Psalm 72.A moving setting of an original text based on Isaiah 11 and Psalm 72. The piece presents a challenge to embody the peace of Christ in all of our interactions.

$2.85 ≈ ¥20.67

Tantum ergo

Tantum ergo #Choral SATB #PÃ¤r Olofsson #Tantum ergo #Bo Ejeby Forlag - Digital #SheetMusicPlus

SATB chorus a cappella - Digital Download SKU: BJ.1326 Composed by PÃ¤r Olofsson. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1326. Publishe...(+)

SATB chorus a cappella - Digital Download SKU: BJ.1326 Composed by PÃ¤r Olofsson. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1326. Published by Bo Ejeby Forlag - Digital (BJ.1326). 8.27 x 11.7 inches.No. 1 from Three Latin motets. A four parts a cappella setting of the old Tantum ergo text by Thomas Aquinas. The Three latin motets were composed for the communion service at Oscarskyrkan in Stockholm. They have also been performed at concerts and at various choral competitions throughout Europe. The pieces make up a small suite, where the hymns by Thomas Aquinas frame the ancient Ubi caritas as a centerpiece. Beginning with the epic multi-verse setting of Tantum ergo and ending with the dance-like ritornello structure of O sacrum convivium, the suite makes up a nice ternary form with the warm stillness of Ubi caritas in the middle. While composing, I aimed to evoke the antiquity of the texts by assigning them to mock-plainchant melodies and then treating them in a cantus firmus setting. All three pieces are written in a neo-romantic style. The Tantum ergo is used in veneration of the holy sacrament and consists of the final three stanzas of a longer text, known as the Pange lingua. The words express the doctrine of bread and wine and its transformation into the blood and body of Christ in the eucharist ceremony. - Par Olofsson, musician in Oscarskyrkan, Stockholm. See also O sacrum convivium and Ubi caritas by Par Olofsson.

$2.80 ≈ ¥20.30