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Trad English Organ
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Sheetmusic to print
14 sheet music found
<
1
I Heard The Voice Of Jesus Say, for Choir and Organ
I Heard The Voice Of Jesus Say, for Choir and Organ
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Trad English
#
Nigel Williams
#
I Heard The Voice Of Jesus Say
#
Nigel Williams
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.763734 Composed by Trad English. Arranged by Nigel Williams. Folk,Holiday,Sacred. Octavo. 12 pag...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.763734 Composed by Trad English. Arranged by Nigel Williams. Folk,Holiday,Sacred. Octavo. 12 pages. Nigel Williams #6382373. Published by Nigel Williams (A0.763734). This popular English folk tune is often sung to the hymn text I Heard the Voice of Jesus Say. This hymn concertato arrangement for choir and organ is therefore ideal in any service of worship where this hymn is admired.
$2.19 ≈
£1.64
Guía práctica para el estudio de la armonía - Piotr Ilich Tchaikovsky
Guía práctica para el estudio de la armonía - Piotr Ilich Tchaikovsky
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Choral SATB
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
Juan Carlos Cortés A
#
Guía práctica para el estudi
#
Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.958765 Composed by Peter Ilyich Tchaikovsky. Arranged by Juan Carlos Cortés A. Instructional...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.958765 Composed by Peter Ilyich Tchaikovsky. Arranged by Juan Carlos Cortés A. Instructional,Romantic Period,World. Octavo. 234 pages. Juan Carlos Cortés Aguirre #6473855. Published by Juan Carlos Cortés Aguirre (A0.958765). Traducción al idioma Español (Castellano) de la obra pedagógica musical GuÃa práctica para el estudio de la armonÃa por Piotr Ilich Tchaikovsky (Vótkinsk, 7 de mayo de 1840 - San Petersburgo, 6 de noviembre de 1893), compositor ruso del Siglo XIX basado en la versión rusa, luego traducida a los idiomas Alemán e Inglés. Obra amparada por el © Copyright como Derecho Conexo que otorga protección a quienes, sin ser autores, contribuyen con creatividad, técnica u organización, en el proceso de poner a disposición del público una obra.VÃDEOS:VIMEO:https://vimeo.com/679341606Перевод на иÑпанÑкий (каÑтильÑкий) Ñзык музыкально-педагогичеÑкого ÑÐ¾Ñ‡Ð¸Ð½ÐµÐ½Ð¸Ñ Â«ÐŸÑ€Ð°ÐºÑ‚Ð¸Ñ‡ÐµÑкое поÑобие по изучению гармонии Петра Ильича ЧайковÑкого (ВоткинÑк, 7 Ð¼Ð°Ñ 1840 г. - Санкт-Петербург, 6 ноÑÐ±Ñ€Ñ 1893 г.), руÑÑкого композитора XIX века. РуÑÑÐºÐ°Ñ Ð²ÐµÑ€ÑиÑ, затем Ð¿ÐµÑ€ÐµÐ²ÐµÐ´ÐµÐ½Ð½Ð°Ñ Ð½Ð° немецкий и английÑкий Ñзыки. Работа защищена авторÑким правом © как Ñмежное право, которое обеÑпечивает защиту тем, кто, не ÑвлÑÑÑÑŒ авторами, вноÑит Ñвой творчеÑкий вклад, иÑÐ¿Ð¾Ð»ÑŒÐ·ÑƒÑ Ñ‚ÐµÑ…Ð½Ð¸ÐºÑƒ или организацию, в процеÑÑе предоÑÑ‚Ð°Ð²Ð»ÐµÐ½Ð¸Ñ Ð¾Ð±Ñ‰ÐµÑтвенноÑти Работа.Ãœbersetzung in die spanische Sprache (Kastilisch) des musikpädagogischen Werks Praktischer Leitfaden für das Studium der Harmonielehre von Pjotr ​​Iljitsch Tschaikowsky (Vótkinsk, 7. Mai 1840 - Sankt Petersburg, 6. November 1893), russischer Komponist des 19. Russische Version, dann in die deutsche und englische Sprache übersetzt.. Werk geschützt durch © Copyright als verwandtes Recht, das denjenigen Schutz gewährt, die, ohne Autoren zu sein, mit Kreativität, Technik oder Organisation einen Beitrag zur öffentlichen Zugänglichmachung leisten a Arbeit.Translation into Spanish language (Castilian) of the musical pedagogical work Practical guide for the study of harmony by Pyotr Ilyich Tchaikovsky (Vótkinsk, May 7, 1840 - Saint Petersburg, November 6, 1893), Russian composer of the XIX century based in the Russian version, later translated into the German and English languages. Work protected by © Copyright as a Related Right that grants protection to those who, without being authors, contribute with creativity, technique or organization, in the process of making available to the public a work.Traduzione in lingua spagnola (castigliano) dell'opera di pedagogia musicale Guida pratica per lo studio dell'armonia di Pyotr Ilyich Tchaikovsky (Vótkinsk, 7 maggio 1840 - San Pietroburgo, 6 novembre 1893), compositore russo del XIX secolo con sede nel Versione russa, poi tradotta in lingua tedesca e inglese Opera protetta da © Copyright as a Related Right che garantisce protezione a coloro che, senza essere autori, contribuiscono con creatività , tecnica o organizzazione, nel processo di messa a disposizione del pubblico di un lavoro. Traduction en espagnol (castillan) de l'ouvrage de pédagogie musicale Guide pratique pour l'étude de l'harmonie de Piotr Ilich Tchaïkovski (Votkinsk, 7 mai 1840 - Saint-Pétersbourg, 6 novembre 1893), compositeur russe du XIXe siècle, basée sur la version russe, traduite ultérieurement en allemand et en anglais. L'Å“uvre est couverte par le © Copyright en tant que droit voisin qui accorde une protection à ceux qui, sans être des auteurs, contribuent de manière créative, technique ou organisationnelle au processus de mise à disposition d'une Å“uvre au public.
$39.99 ≈
£29.87
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
£19.38
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
£14.90
Promises of grace (Downloadable)
Promises of grace (Downloadable)
#
Choral SATB
#
INTERMEDIATE
#
Howard Goodall
#
Promises of grace
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
SATB choir, trumpet, and organ - Medium - Digital Download SKU: MQ.56-0014-E Composed by Howard Goodall. Instrument part. 13 pages. MorningStar Music Pub...
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SATB choir, trumpet, and organ - Medium - Digital Download SKU: MQ.56-0014-E Composed by Howard Goodall. Instrument part. 13 pages. MorningStar Music Publishers - Digital Sheet Music #56-0014-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0014-E). English.Commissioned for the congregation and choir of St. Francis Church, Simon’s Town, South Africa, this beautiful choral work by Howard Goodall sets a moving text attributed to St. Francis of Assisi. Combining Goodall’s trademark lyricism with a striking trumpet countermelody and accessible organ accompaniment, Promises of grace exhibits all the features that Goodall’s music is so loved for. This work is an ideal choice for both professional and amateur choirs and is suitable for services and concerts.B-flat Trumpet part is provided in the choral score.
$3.35 ≈
£2.50
In the bleak mid-winter
In the bleak mid-winter
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
John Casken
#
In the bleak mid-winter
#
Schott Music - Digital
#
SheetMusicPlus
Mixed choir (SATB) and organ - intermediate to advanced - Digital Download SKU: S9.Q7137 For SATB choir and organ. Composed by John Casken. This e...
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Mixed choir (SATB) and organ - intermediate to advanced - Digital Download SKU: S9.Q7137 For SATB choir and organ. Composed by John Casken. This edition: choral score. Choral Music of Our Time. Downloadable, choral score. Duration 6 minutes. Schott Music - Digital #Q7137. Published by Schott Music - Digital (S9.Q7137). English.Composed for the Alwinton and Holystone Church Choir near the composer's home in Northumberland, John Casken sets Christina Rossetti's In the bleak mid-winter - a poem popularised by Gustav Holts' setting of the same name for SATB choir and organ. A traditional carol based on the nativity it paints a vivid picture of the chill of winter and is ideal for choirs wishing to move away from the well-known whilst retaining an element of tradition. Constantly flowing organ lines create a sense of unease but this is uplifting music with subtle crescendos and powerful homophonic writing for the voices.
$6.99 ≈
£5.22
Lábios de sabor a mar / Sea flavour lips (Choir+Piano)
Lábios de sabor a mar / Sea flavour lips (Choir+Piano)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Rudesindo Soutelo
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Choir & Piano
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Lábios de sabor a mar / Sea f
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271766 Composed by Rudesindo Soutelo. Arranged by Choir & Piano. 20th Century,A Cappella,Classi...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271766 Composed by Rudesindo Soutelo. Arranged by Choir & Piano. 20th Century,A Cappella,Classical,Contemporary. Octavo. 30 pages. Publisher by Rudesindo Soutelo #864117. Published by Publisher by Rudesindo Soutelo (A0.1271766). À memoria da actriz Cruz ComesanhaLábios de sabor a mar (Derradeira epÃstola) / Sea flavour lips (Last epistle) for Choir and Piano [ca. 7' 34]Première: 27-V-2023. Igreja de Santo António, Lisboa. Int.: Coro da Academia Nacional Superior de Orquestra (ANSO). Dir: Rafael Araújo.The origin of this work is the emotional emptiness I felt when I received the news of the death of a close friend in an unfortunate accident at home. The text was constructed with ideas and phrases taken from the poetic correspondence we had exchanged in the previous months. A few years later, I plucked up the courage to write the music, firstly for Choir a Cappella, followed by a version for Brass Quintet and another for Voice and Piano. This new edition for Choir has been revised in its entirety and includes, as an option, the Piano.The English translation of the text at the end of the score is not intended to be sung. It is only inserted to help singers who do not understand Portuguese to comprehend the message.The complexes that organise the harmonic and melodic structure are [6, 2, 5, 1, 3], [10, 9, 2, 8] and [4, 8, 9, 7].--oOo--A origem desta obra está no vazio emocional que me produziu a notÃcia da morte de uma Ãntima amiga, num infortunado acidente caseiro. O texto foi construido com ideias e frases retiradas da correspondência poética que trocáramos nos meses anteriores. Alguns anos depois, ganhei coragem para escrever a música, primeiramente para Coro a Cappella, seguindo-se uma versão para Quinteto de Metais e outra para Voz e Piano. Esta nova edição para Coro foi revista na sua totalidade e inclui, como opção, o Piano.A tradução inglesa do texto, no final da partitura, não é para ser cantada. Só se insere para ajudar na compreensão da mensagem, aos cantores que não percebam português. Os complexos que organizam a estrutura harmónica e melódica são [6, 2, 5, 1, 3], [10, 9, 2, 8] e [4, 8, 9, 7].ISWC: T-041.574.843-4ISMN: 979-0-707704-16-5.
$3.00 ≈
£2.24
Hear, O Israel (Downloadable)
Hear, O Israel (Downloadable)
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Choral SATB
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INTERMEDIATE
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Rex Isenberg
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Psalm 72:19
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Hear, O Israel
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and organ or piano - Medium - Digital Download SKU: MQ.8866-E Composed by Rex Isenberg. 11 pages. E. C. Schirmer Music Company - Digital #8866...
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SATB choir and organ or piano - Medium - Digital Download SKU: MQ.8866-E Composed by Rex Isenberg. 11 pages. E. C. Schirmer Music Company - Digital #8866-E. Published by E. C. Schirmer Music Company - Digital (MQ.8866-E). English. Deuteronomy 6:4-9; Psalm 72:19; Numbers 15:40-41.An English-language setting of the Sh’ma and V’ahavta prayers from the Jewish tradition. Shared across Jewish and Christian liturgy, these biblical passages (Deuteronomy 6:4–9, Psalm 72:19, Numbers 15:40–41) comprise the essential Jewish “credo†recited by observant Jews in their daily prayer. This text is presented in a joyous, triumphal setting which is suitable for Christian and Jewish contexts alike.
$2.65 ≈
£1.98
In Joseph's Lovely Garden
In Joseph's Lovely Garden
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Choral SATB
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Sacred music
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Clarence Dickinson
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Choral Octavo
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In Joseph's Lovely Garden
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H. W. Gray
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SheetMusicPlus
Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-GSC00135 Arranged by Clarence Dickinson. Choral (Sacred); Choral Octavo; Performance Mu...
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Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-GSC00135 Arranged by Clarence Dickinson. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: H. W. Gray Publications. Easter; Latin; Lent; Sacred; Spring. Choral Octavo. 12 pages. H. W. Gray #00-GSC00135. Published by H. W. Gray (JX.00-GSC00135). English. Traditional Spanish Carol.The Belwin catalog is filled with a wealth of material that still speaks to choirs today. A fine example of this long-established tradition is Clarence Dickinson's lovely arrangement of the Spanish carol, appropriate for Easter. The work may be sung a cappella or with organ accompaniment.
$2.25 ≈
£1.68
Silent Night, Holy Night
Silent Night, Holy Night
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Choral SATB
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Sacred music
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Hal H
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Choral Octavo
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Silent Night, Holy Night
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H. W. Gray
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SheetMusicPlus
Choir Sacred Organ and Opt. Strings (SATB choir) - Grade 3 - Digital Download SKU: JX.00-GCMRM03001 Composed by Hal H. Hopson and Stille Nacht. Choral (S...
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Choir Sacred Organ and Opt. Strings (SATB choir) - Grade 3 - Digital Download SKU: JX.00-GCMRM03001 Composed by Hal H. Hopson and Stille Nacht. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: H. W. Gray Publications. Christmas; Sacred. Choral Octavo. 12 pages. H. W. Gray #00-GCMRM03001. Published by H. W. Gray (JX.00-GCMRM03001). English. Stille Nacht; setting by Hal H. Hopson.From the larger work Sing Noel! comes this gorgeous setting of the beloved German carol for choir and congregation. The beautiful introduction leads into the first verse for choir and congregation. The second verse is for choir alone, while verses three and four again join choir and congregation together. Originally intended for use during Holy Communion on Christmas Eve, this stunning setting is destined to become a Christmas tradition. A must do for everyone with strings at Christmas.
$2.25 ≈
£1.68
While shepherds watched their flocks by night
While shepherds watched their flocks by night
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Choral SATB
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EASY
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Thurlow Weed
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While shepherds watched their
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Thurlow B. Weed
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.982686 Composed by Thurlow Weed. A Cappella,Christmas,Classical,Sacred. Octavo. 2 pages. Thurlow...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.982686 Composed by Thurlow Weed. A Cappella,Christmas,Classical,Sacred. Octavo. 2 pages. Thurlow B. Weed #3469966. Published by Thurlow B. Weed (A0.982686). A very lively setting of the familiar text, in the English Georgian West Gallery tradition. SATB choir with organ accompaniment, or can be sung a cappella.
$2.25 ≈
£1.68
The City In the Sea: Choral Tone Poem
The City In the Sea: Choral Tone Poem
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Choral SATB
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ADVANCED
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Contemporary
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60 ≈
£4.18
Yekteniya Malaya (People's Prayer)
Yekteniya Malaya (People's Prayer)
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Choral SATB
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Sacred music
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Ildar Khannanov
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Ildar Khannanov
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Yekteniya Malaya
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MThRI
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SheetMusicPlus
Choir (SATB) - Digital Download By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Christmas, Easter, Multicultural, Praise & W...
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Choir (SATB) - Digital Download By Ildar Khannanov. By Ildar Khannanov. Arranged by Ildar Khannanov. Christmas, Easter, Multicultural, Praise & Worship, Sacred, World. Choral. 7 pages. Published by MThRI
Yektenia's text is taken from the Liturgy of John Chrysostom in English translation. It combined the deacon's Invitation to the Prayer from Eastern Orthodox tradition and the People's Prayer from the Episcopalian rite. The syle is related to style antico of the Byzantinian psaltica. The mood is majestic and didactic, with a significant rhetorical component. Can be performed before or as a part of the People's Prayer. The accompaniment can be given to piano, organ, or strings.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$2.99 ≈
£2.23
St. Luke's Mass
St. Luke's Mass
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Choral SATB
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Sacred music
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Ildar Khannanov
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St. Luke's Mass
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MThRI
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SheetMusicPlus
Choir (SATB) - Digital Download By Ildar Khannanov. By Ildar Khannanov. Multicultural, Praise & Worship, Sacred, Spiritual, Traditional, World. C...
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Choir (SATB) - Digital Download By Ildar Khannanov. By Ildar Khannanov. Multicultural, Praise & Worship, Sacred, Spiritual, Traditional, World. Choral. 63 pages. Published by MThRI
St. Luke's mass is a traditional setting of 12 numbers based upon the texts in six languages: English, Latin, Greek, Hebrew, Arabic, and Russian. Each number is unique and specific for an ethnic tradition and a period. The styles are intentionally diverse; the music is tonal. The Mass can be performed in small churches as well as in large cathedrals. The accompaniment is limited to grand piano and/or organ. The Mass can be performed as a whole during the Lent or Easter season. Separate numbers can be performed throughout the year as the anthems and the elements of service music.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$50.00 ≈
£37.34
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