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Watch You Burn
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You've selected:
Watch You Burn
Choral SATB
Sheetmusic to print
5 sheet music found
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1
Brightly Beams Our Father's Mercy (SATB)
Brightly Beams Our Father's Mercy (SATB)
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Choral SATB
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EASY
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Sacred music
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Philip Paul Bliss
#
Garrett Breeze
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Brightly Beams Our Father's Me
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Lagom Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.723269 Composed by Philip Paul Bliss. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.723269 Composed by Philip Paul Bliss. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred. Octavo. 10 pages. Lagom Music #6078269. Published by Lagom Music (A0.723269). Enjoy this peaceful new setting of Philip Paul Bliss’s popular Christian hymn arranged by Garrett Breeze. The multiple voicings make it accessible for any ensemble, and a piano version of the accompaniment is available for times when an organ is not available. Also available in SATB, SSA, and TTB.Purchase piano accompaniment here: http://bit.ly/35jOoQNAlso available in:SSA: http://bit.ly/3oobbT0TTB: http://bit.ly/3bjcxuGTwo-Part: http://bit.ly/35jzwlzVisit https://garrettbreeze.com to read my blog and discover new music!Check out my catalog of choral music at https://holidaychoirmusic.com!Subscribe to my YouTube channel at https://bit.ly/35HZC2d!Lyrics:Brightly beams our Father's mercy from His lighthouse ever more, but to us He gives the keeping of the lights along the shore. Let the lower lights be burning, send a gleam across the wave. Some poor fainting, struggling seaman you may rescue, you may save.Dark the night of sin has settled, loud the angry billows roar. Eager eyes are watching, long-ing, for the lights along the shore. Trim your feeble lamp, my neighbor; some poor sailor, tempest tossed, trying now to make the harbor, in the darkness may be lost. Let the lower lights be burning, send a gleam across the wave. Some poor fainting, struggling seaman you may rescue, you may save.Let the lower lights be burning, send a gleam across the wave. Some poor fainting, struggling seaman you may rescue, you may save.
$2.75 ≈
£2.09
The Old Lie - powerful setting of Wilfred Owen's WW1 poetry - choral score
The Old Lie - powerful setting of Wilfred Owen's WW1 poetry - choral score
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Choral SATB
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Contemporary
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Jon Arterton
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Jon Arterton
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The Old Lie - powerful setting
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Jon Arterton
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.776997 Composed by Jon Arterton. Arranged by Jon Arterton. Contemporary. Octavo. 19 pages. Jon Arterton #3...
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Choral Choir (SATB) - Digital Download SKU: A0.776997 Composed by Jon Arterton. Arranged by Jon Arterton. Contemporary. Octavo. 19 pages. Jon Arterton #34811. Published by Jon Arterton (A0.776997). This dramatic 12-minute piece captures the agony and brutality of the First World War. It begins with a gentle setting of Robert Burns' famous poem Red, Red Rose. The lyrical sounds of the bucolic countryside gradually give way to the electrifying poetry of First World War poet Wilfred Owen. The horrors of gas warfare are brought to life with rhythmic intensity and passion. The title Dulce et Decorum Est is the old lie according to Owen: It is sweet and right to die for your country. The piece ends with a comforting chorale-like setting of the composer's words: Light eternal shines all around them, resting forever, finally at rest. A performance of the piece with accompanying images can be seen on Youtube at https://www.youtube.com/watch?v=-Z-PPk6uXAI. Scored for SATB chorus, narrator, piano/organ, flute, trumpet, timpani/chime and strings. Choral Score with piano reduction. Full Score (JA222) and parts (JA223) also available. https://www.youtube.com/watch?v=-Z-PPk6uXAI&t=206s.
$2.50 ≈
£1.90
The Old Lie - powerful setting of Wilfred Owen's WW1 poetry - full score
The Old Lie - powerful setting of Wilfred Owen's WW1 poetry - full score
#
Choral SATB
#
Contemporary
#
Jon Arterton
#
The Old Lie - powerful setting
#
Jon Arterton
#
SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.776998 Composed by Jon Arterton. Contemporary. Octavo. 33 pages. Jon Arterton #34815. Published by Jon Art...
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Choral Choir (SATB) - Digital Download SKU: A0.776998 Composed by Jon Arterton. Contemporary. Octavo. 33 pages. Jon Arterton #34815. Published by Jon Arterton (A0.776998). This dramatic 12-minute piece captures the agony and brutality of the First World War. It begins with a gentle setting of Robert Burns' famous poem Red, Red Rose. The lyrical sounds of the bucolic countryside gradually give way to the electrifying poetry of First World War poet Wilfred Owen. The horrors of gas warfare are brought to life with rhythmic intensity and passion. The title Dulce et Decorum Est is the old lie according to Owen: It is sweet and right to die for your country. The piece ends with a comforting chorale-like setting of the composer's words: Light eternal shines all around them, resting forever, finally at rest. A performance of the piece with accompanying images can be seen on Youtube at https://www.youtube.com/watch?v=-Z-PPk6uXAI. Scored for SATB chorus, narrator, piano/organ, flute, trumpet, timpani/chime and strings. Full Score. Chorus with piano reduction (JA221) and parts (JA223) also available. https://www.youtube.com/watch?v=-Z-PPk6uXAI&t=206s.
$8.95 ≈
£6.80
The Old Lie - orchestral parts
The Old Lie - orchestral parts
#
Choral SATB
#
Contemporary
#
Jon Arterton
#
The Old Lie - orchestral parts
#
Jon Arterton
#
SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.776999 Composed by Jon Arterton. Contemporary. Octavo. 28 pages. Jon Arterton #34817. Published by Jon Art...
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Choral Choir (SATB) - Digital Download SKU: A0.776999 Composed by Jon Arterton. Contemporary. Octavo. 28 pages. Jon Arterton #34817. Published by Jon Arterton (A0.776999). This dramatic 12-minute piece captures the agony and brutality of the First World War. It begins with a gentle setting of Robert Burns' famous poem Red, Red Rose. The lyrical sounds of the bucolic countryside gradually give way to the electrifying poetry of First World War poet Wilfred Owen. The horrors of gas warfare are brought to life with rhythmic intensity and passion. The title Dulce et Decorum Est is the old lie according to Owen: It is sweet and right to die for your country. The piece ends with a comforting chorale-like setting of the composer's words: Light eternal shines all around them, resting forever, finally at rest. A performance of the piece with accompanying images can be seen on Youtube at https://www.youtube.com/watch?v=-Z-PPk6uXAI. Scored for SATB chorus, narrator, piano/organ, flute, trumpet, timpani/chime and strings. Orchestral parts. Full Score (JA222) and Chorus with piano reduction (JA221) also available.
$8.95 ≈
£6.80
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Choral SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages...
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99 ≈
£10.62
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