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When You Tell Me That You Love Me
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You've selected:
When You Tell Me That You Love Me
Choral SATB
Sheetmusic to print
8 sheet music found
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1
When You Tell Me That You Love Me
When You Tell Me That You Love Me
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Choral SATB
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Contemporary
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American Idol Finalists Season
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Michael Derrick
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When You Tell Me That You Love
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Pink Singers
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.865893 By American Idol Finalists Season 4. By Albert Hammond and John Bettis. Arranged by Michael Derrick...
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Choral Choir (SATB) - Digital Download SKU: A0.865893 By American Idol Finalists Season 4. By Albert Hammond and John Bettis. Arranged by Michael Derrick. Contemporary. Octavo. 12 pages. Pink Singers #4280811. Published by Pink Singers (A0.865893).
$1.99 ≈
1.84€
50 Easy Worship Anthems for SATB Choir - W/Chords (Book 1&2)
50 Easy Worship Anthems for SATB Choir - W/Chords (Book 1&2)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Various
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César Madeira
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50 Easy Worship Anthems for SA
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Sheet Music To Play Editions
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1383010 Composed by Various. Arranged by César Madeira. A Cappella,Multicultural,Prais...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1383010 Composed by Various. Arranged by César Madeira. A Cappella,Multicultural,Praise & Worship,Religious,Sacred,World. 88 pages. Sheet Music To Play Editions #967438. Published by Sheet Music To Play Editions (A0.1383010). 50 Easy Worship Anthems for SATB Choir. Full Score with Chords. Enjoy it!Song List - Book 1All Creatures of our god and king. All Hail The Power of Jesus’ Name. A mighty fortress is our God. Be Thou My Vision. Christ Is Risen Today. God will take care of you. Great Is Thy Faithfulness. He hideth my soul. His Eye Is On The Sparrow. How Great Thou Art. Lift Every Voice and Sing. March of Three Kings. My jesus I love thee. My Lord, What A Morning! O Come, O come, Emmanuel. O Little Town of Bethlehem. Rock of ages. Softly and Tenderly, Jesus Is Calling. Tell me the story of Jesus. Turn your eyes upon jesus. What a friend we have in jesus. When I survey the wondrous cross. When We All Get to Heaven. Whispering Hope. Wonderful Words of LifeSong List - Book 2Amazing grace. Are you washed in the blood? Christ arose! Christmas bells. Draw me nearer. Glory to his name. God rest ye merry, gentlemen. Hark! the heralt angels sing. Higher ground. How firm a foundation. I need thee every hour. Jesus loves the little children. Joyful, joyful, we adore thee. My faith looks up to thee. O holy night. Open my eyes, that I may see. Pass me not, o gentle savior. Revive us again. Safe in the arms of jesus. Stand up, stand up for jesus. Tell me old, old story. The solid rock. Trusting jesus. We gather together. We three kings of orient areFor Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99 ≈
7.39€
Lesbia mi dicit semper male
Lesbia mi dicit semper male
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Choral SATB
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INTERMEDIATE
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Contemporary
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeto...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00 ≈
1.85€
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Choral SATB
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INTERMEDIATE
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Contemporary
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music...
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that’dshow healthy indifference;…
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
4.61€
Rock - a Roger Jones musical
Rock - a Roger Jones musical
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Choral SATB
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INTERMEDIATE
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Sacred music
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Music...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99 ≈
9.24€
I Did Not See Temple Spires - an original hymn for SATB voices
I Did Not See Temple Spires - an original hymn for SATB voices
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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I Did Not See Temple Spires -
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99 ≈
1.84€
La Mort des Amants
La Mort des Amants
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Choral SATB
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INTERMEDIATE/ADVANCED
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RKSouza
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La Mort des Amants
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RKSouza
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1009570 Composed by RKSouza. Contemporary,Wedding. Octavo. 7 pages. RKSouza #2011163. Published...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1009570 Composed by RKSouza. Contemporary,Wedding. Octavo. 7 pages. RKSouza #2011163. Published by RKSouza (A0.1009570). La Mort des Amants, for SATB div., is a piece composed for the French poem La Mort des Amants by Charles Baudelaire, a poem which answers the prompt of a lover telling her love I'm scared of this love, to which the poet replies We will have great memories, and our love will be like mirrors and flames, a constant connection of life and happiness. But there will come a time when you will die, and slowly but surely, my mirror will tarnish and my flame will die away. But at that moment, when my mirror is completely tarnished and my flame is nothing but ashes, an angel will swoop me up and bring me back to you. This piece's suspensions represent the flames, while the constant passing of motifs represent the mirrors. I urge you to enjoy singing this piece.
$5.35 ≈
4.95€
U. F. O. A new & original 'Sci-Fi' stage musical
U. F. O. A new & original 'Sci-Fi' stage musical
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Choral SATB
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INTERMEDIATE/ADVANCED
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Dennis A
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U. F. O. A new & original 'Sci
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Tyne Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.999346 Composed by Dennis A. Westgate. Contemporary,Musical/Show,Pop,World. Octavo. 107 pages. T...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.999346 Composed by Dennis A. Westgate. Contemporary,Musical/Show,Pop,World. Octavo. 107 pages. Tyne Music #5871343. Published by Tyne Music (A0.999346). U. F. O. : Is my newest sci-fi full length modern play in the TYNE ONSTAGE series of original musicals. I wrote this specifically for the senior students of the Performing Arts. It has many leading parts for both sexes and has a hint of the 60-70 style of writing found in those musicals of the times but modern in context. The story line includes opportunities for many individual performances covering song and dance numbers, group singing, contemporary dance, dramatic interludes and strong comedy parts. This is an original story taking a humorous look at a possible visitation from our space neighbours. The story begins with the arrival of GS2, an ‘Interstellar Space Surveyor’ on its mission to map this part of the Universe. Whilst reporting its position to the home base ‘Niva’, the surveyor informs them that one of the planets (Earth) appears to have intelligent life forms. On receiving this information Niva decides to dispatch a party of college students to study this unique planet, much to the annoyance of GS2 who take umbridge at being appointed, what he calls a Galactic Nanny! Events take a dramatic turn when the surveyor is called away on an ‘emergency rescue mission’ so has to beam the students down to planet Earth, where during transmutation, they are warned not to integrate with the population. But ‘students being students’ the consequences are both hilarious and profound.This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/u-f-oP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation, but this would be an excellent opportunity for any up and coming senior student to take on.SONG TITLES 1) Earthbound 2) Hold the Front Page 3) Sex Talk 4) We’re In This Together 5) The Annual Bazaar 6) You Are Me 7) Body Talk 8) Bionic Love
$70.00 ≈
64.71€
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