Download Digital Sheet Music of Take on Me Flute for Oboe, Piano (duet)

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Take on Me Flute
Not classified 36

Piano & keyboards
Piano, Vocal and Guitar 3
C Instruments 2
Piano, Voice 1
Piano solo 1
Piano Accompaniment 1

Guitars
Guitar notes and tablatures 2

Voice
Choral SATB 5
Choral 3-part 4

Woodwind
Flute 38
Flute and Guitar 13
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 10
Flute and Piano 9
Flute, Oboe, Clarinet, Bassoon 6

Flute (band part) 5
2 Flutes (duet) 4
Flute Quartet: 4 flutes 3
Oboe, Piano (duet) 3

Flute Quintet : 5 flutes 2
Flute ensemble 2
Clarinet 2
3 Saxophones (trio) 1
Saxophone Quintet: 5 Saxophones 1
Oboe, Flute 1
Flute, Violin 1
Flute, Oboe, Clarinet (trio) 1
Alto Saxophone and Piano 1

+ 13 instrumentations

- Retract

Woodbrass
Trombone and Piano 1

Strings
Doublebass (band part) 1
Violin and Piano 1
2 Harps (duet) 1

Percussion & orchestra
Concert band 7
Orchestra 5
Chamber Orchestra 2
Handbells 1
Xylophone, Piano 1

Drum (band part) 1
String Orchestra 1
Marching band 1

+ 3 instrumentations

- Retract

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Take on Me Flute

Oboe, Piano (duet)

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3 sheet music found

Take On Me

Take On Me #Oboe, Piano (duet) #INTERMEDIATE #a-ha #Lawrence H Underwood #Take On Me #Lawrence H Underwood #SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download SKU: A0.1091740 By a-ha. By Magne Furuholmne, Morton Harket, and Pal Waaktaar. Arranged by Lawrence H Underwood. ...(+)

Oboe,Piano - Level 3 - Digital Download SKU: A0.1091740 By a-ha. By Magne Furuholmne, Morton Harket, and Pal Waaktaar. Arranged by Lawrence H Underwood. 20th Century,Pop. Score and part. 11 pages. Lawrence H Underwood #695895. Published by Lawrence H Underwood (A0.1091740). This classic from Norwegian new-wave band, A-ha, took the world by storm when it was released with its groundbreaking video in 1985. Now available as an instrumental solo with piano accompaniment, itâ€™s as much fun to perform as it is to hear! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!

$5.99 ≈ 5.37€

An Avaloch Divertimento

An Avaloch Divertimento #Oboe, Piano (duet) #INTERMEDIATE/ADVANCED #Contemporary #Brett L #An Avaloch Divertimento #Sonata Grendel Publishing #SheetMusicPlus

Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Co...(+)

Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn ForchÃ©â€™s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, AmhrÃ¡n, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes

$25.55 ≈ 22.90€

Sonata Franckoniana

Sonata Franckoniana #Oboe, Piano (duet) #ADVANCED #Contemporary #Cesar Auguste Franck #Robert Fruehwald #Sonata Franckoniana #Robert Fruehwald #SheetMusicPlus

Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th...(+)

Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.

$8.99 ≈ 8.06€