Download Digital Sheet Music of This is a tonal work for Oboe, Piano (duet)

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This is a tonal work
Not classified 102

Piano & keyboards
Piano solo 85
Piano, Voice 48
Organ 18
Easy Piano 7
1 Piano, 4 hands 4

Piano Trio: piano, violin, cello 3
Piano, Vocal and Guitar 2
Harpsichord 2
Piano Quintet: piano, 2 violins, viola, cello 2
Piano Quartet: piano, violin, viola, cello 2
Organ, Trumpet (duet) 1
C Instruments 1

+ 7 instrumentations

- Retract

Guitars
Guitar 21
Guitar notes and tablatures 4
4 Guitars (Quartet) 2
Dulcimer 1
Piano, Guitar (duet) 1

Voice
Choral SATB 39
Choral 3-part 4
Choral TTBB 4
Choral 2-part 3
Choral SSAATTBB 2

Choral Unison 2
Low voice, Piano 1
High voice 1
Soprano voice 1
Choral SSAA 1

+ 5 instrumentations

- Retract

Woodwind
Saxophone Quartet: 4 saxophones 13
Flute and Piano 11
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 8
Clarinet 8
Clarinet and Piano 7

2 Flutes (duet) 5
2 Saxophones (duet) 5
Clarinet Quartet: 4 clarinets 5
Tenor Saxophone and Piano 5
Saxophone Quintet: 5 Saxophones 5
Alto Saxophone and Piano 5
3 Saxophones (trio) 4
Flute, Oboe, Clarinet, Bassoon 4
Baritone Saxophone, Piano 4
Oboe, Piano (duet) 3

Flute Quartet: 4 flutes 3
Clarinet Ensemble 3
Alto Saxophone 2
Recorder Quartet 2
Flute 2
Clarinet Quintet: 5 clarinets 2
Oboe, Clarinet, Bassoon (trio) 2
English horn, Piano 2
3 Clarinets (trio) 1
2 Recorders (duet) 1
Ocarina 1
3 Recorders (trio) 1
Flute ensemble 1
Flute and Guitar 1
Soprano Saxophone and Piano 1
Saxophone (band part) 1
Flute, Clarinet and Bassoon. 1
Bass Clarinet, Piano 1
Flute Quintet : 5 flutes 1
4 Oboes 1
Treble (Alto) Recorder, Basso continuo 1
Oboe (band part) 1
Flute Trio: 3 flutes 1
2 Clarinets (duet) 1
Clarinet, Bassoon (duet) 1
English horn, Harp (duet) 1
2 Oboes (duet) 1

+ 37 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 7
Trombone and Piano 5
Trumpet 4
Tuba and Piano 4
Euphonium, Piano (duet) 3

Brass Quartet: 4 horns 3
Trumpet, Piano 3
Brass quartet : 2 trumpets, trombone, tuba 3
French Horn and Piano 2
Brass Quartet: 4 trumpets 2
3 Trombones (trio) 2
English horn, Piano 2
Brass Quartet: 4 trombones 2
Trombone 1
French horn 1
Euphonium 1
Euphonium, Tuba (duet) 1
Brass Trio 1
Trumpet ensemble 1
2 Euphoniums and 2 Tubas 1
Tuba 1
Brass Quartet 1
Horn Ensemble 1
English horn, Harp (duet) 1

+ 19 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 32
Violin and Piano 10
Cello, Piano 10
Viola, Piano 9
Violin 6

Viola 4
Double Bass 3
2 Violins (duet) 3
Violin (band part) 2
Violin, Cello (duet) 2
String Trio: 3 cellos 2
Harp, Flute (duet) 2
Doublebass (band part) 1
2 Violas (duet) 1
Violin, Viola (duet) 1
Viola (band part) 1
String Trio: 3 violins 1
String Trio: 3 violas 1
Double bass, Piano (duet) 1
4 Cellos 1
Harp 1
String Quartet : 4 violas 1
Viola, Cello (duet) 1

+ 18 instrumentations

- Retract

Percussion & orchestra
Concert band 24
Orchestra 23
String Orchestra 20
Chamber Orchestra 12
Brass ensemble 6

Percussion Ensemble 4
Handbells 3
Jazz Ensemble 2
Vibraphone 2
Drum (band part) 1
Piano and Orchestra 1
Xylophone 1

+ 7 instrumentations

- Retract

Others
Music Theory 1

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This is a tonal work

Oboe, Piano (duet)

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3 sheet music found

Minuet by Boccherini for Oboe

Minuet by Boccherini for Oboe #Oboe, Piano (duet) #BEGINNER #Luigi Boccherini #Ander #Minuet by Boccherini for Oboe #Woods Only, Arrangements #SheetMusicPlus

Oboe,Piano - Level 1 - Digital Download SKU: A0.1160604 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedd...(+)

Oboe,Piano - Level 1 - Digital Download SKU: A0.1160604 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760899. Published by Woods Only, Arrangements (A0.1160604). This simple arrangement adapted for oboe and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.

$1.99 ≈ 1.80€

Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano

Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano #Oboe, Piano (duet) #INTERMEDIATE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romanti...(+)

Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$19.95 ≈ 18.00€

Fauré: Élégie Op. 24 for Oboe & Piano

Fauré: Élégie Op. 24 for Oboe & Piano #Oboe, Piano (duet) #INTERMEDIATE/ADVANCED #Classical #Gabriel Faure #James M #Fauré: Élégie Op. 24 for Ob #jmsgu3 #SheetMusicPlus

Oboe,Piano - Level 4 - Digital Download SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romanti...(+)

Oboe,Piano - Level 4 - Digital Download SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531383. Published by jmsgu3 (A0.549726). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral.FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs AprÃ¨s un rÃªve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faureâ€™s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except of course, in England. Legacy: Historians often describe FaurÃ©'s music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by the time of FaurÃ©'s death, jazz and atonal music, in particular, had come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faureâ€™s final works.

$32.95 ≈ 29.72€