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Claude Gervaise
Not classified 25

Piano & keyboards
Piano solo 3
C Instruments 2

Guitars
Guitar Ensemble 3

Voice

Woodwind
Flute and Piano 2
Clarinet, Guitar (duet) 2
Flute and Guitar 2
English horn, Harp (duet) 1
Alto Saxophone and Piano 1

Recorder, Harp 1
English horn, Piano 1
Recorder Quartet 1
Clarinet, Harp (duet) 1
Saxophone and Guitar 1
English Horn, Guitar (duet) 1
Clarinet and Piano 1

+ 7 instrumentations

- Retract

Woodbrass
Brass Quartet: 4 horns 2
English horn, Harp (duet) 1
English horn, Piano 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
English Horn, Guitar (duet) 1

Strings
Violin (band part) 5
Cello (band part) 3
Viola (band part) 2
Harp, Flute (duet) 2
Viola, Piano 1

Cello, Piano 1
Violin and Piano 1
Doublebass (band part) 1
Viola and Harp 1
Cello, Guitar (duet) 1
Harp, Violin (duet) 1
Harp 1
Viola 1
Violin, Guitar (duet) 1
Harp, Cello (duet) 1
Viola, Guitar (duet) 1

+ 11 instrumentations

- Retract

Percussion & orchestra
Brass ensemble 2
String Orchestra 1

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Claude Gervaise

C Instruments

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Chording to the Consort, - Melody and Chords for 35 Renaissance Dance Consort Pieces and Chansons

Chording to the Consort, - Melody and Chords for 35 Renaissance Dance Consort Pieces and Chansons #C Instruments #EASY #Anonymous, Claude Gervaise, Cl #Alastair Lodge #Chording to the Consort, - Mel #Wold Meridian #SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1243664 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Gasparo Zanetti, Guillaume Costeley...(+)

C Instrument - Level 2 - Digital Download SKU: A0.1243664 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Gasparo Zanetti, Guillaume Costeley, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, Tielman Susato, and etc. Arranged by Alastair Lodge. Early Music,Historic,Renaissance. Lead Sheet / Fake Book. 52 pages. Wold Meridian #838214. Published by Wold Meridian (A0.1243664). 35 pieces from the late 15th to the early 17th Century,Â Fully supported by YouTube Playlist demonstrating every piece in the collection, featuring the solo line with the chords as well as sections with the original full part harmony.Â Videos are educational with period artworks and historical information.Â https://www.youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnx.

$14.00 ≈ 12.62€

Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces

Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces #C Instruments #EASY #Renaissance #Various #Chording to the Dance Masters #Wold Meridian #SheetMusicPlus

C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563-...(+)

C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.

Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.

I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.

At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at

https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS

As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.

$11.46 ≈ 10.33€