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Europe Guitar
C Instruments
Sheetmusic to print
5 sheet music found
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1
Serenata Rimpianto Op. 6, lead sheet, guitar chords (C Major)
Serenata Rimpianto Op. 6, lead sheet, guitar chords (C Major)
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C Instruments
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INTERMEDIATE
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Classical
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Enrico Toselli
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Klas Krantz
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Serenata Rimpianto Op. 6, lead
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Amadeus Music
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1376824 By Enrico Toselli. By E. Toselli. Arranged by Klas Krantz. 20th Century,Classical,Romantic Peri...
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C Instrument - Level 3 - Digital Download SKU: A0.1376824 By Enrico Toselli. By E. Toselli. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period. Lead Sheet / Fake Book. 1 pages. Amadeus Music #961375. Published by Amadeus Music (A0.1376824). Enrico Toselli (1883-1926) was an Italian pianist and composer. At a very early age he started on a brilliant career as a concert pianist in Italy, the principal European capitals and America. He composed a number of songs, of which the Serenata Rimpianto Op.6 was the most popular.
$2.95 ≈
¥21.41
Serenata Rimpianto Op. 6, lead sheet, guitar chords (D Major)
Serenata Rimpianto Op. 6, lead sheet, guitar chords (D Major)
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C Instruments
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INTERMEDIATE
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Classical
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Enrico Toselli
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Klas Krantz
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Serenata Rimpianto Op. 6, lead
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Amadeus Music
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1376777 By Enrico Toselli. By E. Toselli. Arranged by Klas Krantz. Classical,Romantic Period. Lead Shee...
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C Instrument - Level 3 - Digital Download SKU: A0.1376777 By Enrico Toselli. By E. Toselli. Arranged by Klas Krantz. Classical,Romantic Period. Lead Sheet / Fake Book. 1 pages. Amadeus Music #961325. Published by Amadeus Music (A0.1376777). Enrico Toselli (1883-1926) was an Italian pianist and composer. At a very early age he started on a brilliant career as a concert pianist in Italy, the principal European capitals and America. He composed a number of songs, of which the Serenata Rimpianto Op.6 was the most popular.
$2.95 ≈
¥21.41
Bluesette
Bluesette
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C Instruments
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INTERMEDIATE/ADVANCED
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Toots Thielmans
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John Fries
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Bluesette
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.499938 By Toots Thielmans. By Jean Thielemans and Norman Gimbel. Arranged by John Fries. 20th Century,J...
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C Instrument - Level 4 - Digital Download SKU: A0.499938 By Toots Thielmans. By Jean Thielemans and Norman Gimbel. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113183. Published by John Fries (A0.499938). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Jean-Baptiste Frédéric Isidor, Baron Thielemans (29 April 1922 – 22 August 2016), known professionally as Toots Thielemans, was a Belgian jazz musician. He was mostly known for his chromatic harmonica playing, as well as his guitar, whistling skills, and composing. His first professional performances were with Benny Goodman's band when they toured Europe in 1949 and 1950. He emigrated to the U.S. in 1951, becoming a citizen in 1957. From 1953 to 1959 he played with George Shearing, and then led his own groups on tours in the U.S. and Europe.
$3.99 ≈
¥28.96
Europa
Europa
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C Instruments
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EASY
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Santana
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Noemi Bretas
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Europa
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Marcelo Borba
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1365754 By Santana. By Carlos Santana and Tom Coster. Arranged by Noemi Bretas. Folk,Jazz,Latin,Multicu...
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C Instrument - Level 2 - Digital Download SKU: A0.1365754 By Santana. By Carlos Santana and Tom Coster. Arranged by Noemi Bretas. Folk,Jazz,Latin,Multicultural,Pop,World. Lead Sheet / Fake Book. 7 pages. Marcelo Borba #950098. Published by Marcelo Borba (A0.1365754). Arrangement in Lead Sheet format with accompaniment parts, harmony and guitar chords. General and individual score! The song Europa (Earth's Cry Heaven's Smile) is an instrumental composition by legendary Mexican guitarist Carlos Santana. The track was released on the album Amigos in 1976. Europa is one of Santana's best-known and most appreciated songs, and is considered a classic piece in his repertoire.The composition presents a fusion of Latin, jazz and rock influences, hallmarks of Santana's style. Santana's guitar is prominent on the track, with emotional solos and catchy melodies. The song evokes a sense of beauty and emotion, and many consider it an instrumental masterpiece.The title Europa suggests a connection to the European continent, but the specific inspiration behind the song is not detailed in publicly available information. Carlos Santana is known for incorporating elements from diverse cultures into his music, and Europa is an example of this eclectic approach.Over the years, Europa became an enduring hit and a centerpiece in Santana's live shows. His unique guitar skills, combined with the emotional intensity of the song, make it a memorable experience for fans and admirers of instrumental music.
$3.99 ≈
¥28.96
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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C Instruments
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EASY
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Renaissance
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Various
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563-...
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C Instrument - Level 2 - Digital Download By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or “choirs” of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.
Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.
I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.
At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at
https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS
As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the “standards” that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46 ≈
¥83.19
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