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Touch It
Not classified 581

Piano & keyboards
Piano solo 323
Piano, Voice 136
Easy Piano 131
Piano Accompaniment 53
C Instruments 45

Piano, Vocal and Guitar 29
Organ 15
Piano Trio: piano, violin, cello 12
Piano Quartet: piano, violin, viola, cello 3
1 Piano, 4 hands 3
Piano (band part) 2
Harpsichord 2
Piano Quintet: piano, 2 violins, viola, cello 2
2 Pianos, 4 hands 2
Piano Quartet: piano, 2 violins, cello 1

+ 10 instrumentations

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Guitars
Guitar 29
Ukulele 15
Guitar notes and tablatures 14
Bass guitar 5
Melody line, (Lyrics) and Chords 4

Piano, Guitar (duet) 3
Guitar (band part) 2
2 Guitars (duet) 1
4 Guitars (Quartet) 1
2 Ukuleles 1
Electric Bass (band part) 1

+ 6 instrumentations

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Voice
Choral SATB 136
Choral 3-part 69
Tenor voice, Piano 69
Soprano voice, Piano 62
Alto voice, Piano 57

Choral TTBB 36
Choral SSAA 35
Choral 2-part 30
Baritone voice, Piano 27
Tenor voice 4
Choral Unison 3
Vocal duet, Piano 3
Medium voice, Piano 2
High voice 2
Mezzo-Soprano voice, Piano 1
Vocal duet 1
Low voice 1
Soprano voice 1
Voice solo 1
Low voice, Piano 1

+ 15 instrumentations

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Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 123
Saxophone Quartet: 4 saxophones 112
2 Saxophones (duet) 111
Flute, Oboe, Clarinet, Bassoon 102
Saxophone Quintet: 5 Saxophones 101

Flute 81
Clarinet and Piano 76
Flute and Piano 74
Oboe, Piano (duet) 67
Alto Saxophone and Piano 63
Clarinet 60
Alto Saxophone 59
2 Flutes (duet) 59
Saxophone (band part) 41
Tenor Saxophone and Piano 37
Oboe (band part) 34
Soprano Saxophone and Piano 33
Baritone Saxophone, Piano 32
Tenor Saxophone 31
2 Clarinets (duet) 30
2 Oboes (duet) 27
Oboe 26
3 Saxophones (trio) 23
2 Recorders (duet) 17
Clarinet Quartet: 4 clarinets 15
Baritone Saxophone 14
Soprano Saxophone 14
Clarinet Ensemble 11
Flute Quartet: 4 flutes 11
Clarinet, Bassoon (duet) 11
Clarinet Quintet: 5 clarinets 11
Flute, Oboe, Clarinet (trio) 10
Saxophone ensemble 10
Flute, Clarinet (duet) 10
Oboe, Bassoon (duet) 9
English horn, Piano 8
Oboe, Clarinet (duet) 7
Oboe, Cello 7
3 Clarinets (trio) 7
Clarinet (band part) 7
Flute, Violoncello 7
Piccolo, Piano 6
Oboe, Clarinet, Bassoon (trio) 6
Clarinet, Violin (duet) 6
5 Recorders 6
Flute ensemble 5
Flute Quintet : 5 flutes 5
Recorder 5
Clarinet, Cello (duet) 5
Clarinet and Viola 4
Flute, Clarinet and Bassoon. 4
Flute, Oboe, Bassoon 4
Oboe and viola (duet) 4
Recorder Ensemble 4
3 Recorders (trio) 4
Oboe, Violin (duet) 4
English Horn 4
Flute, Violin 4
Flute, Viola (duet) 4
Flute (band part) 4
Recorder Quartet 4
Flute Trio: 3 flutes 4
Flute, Violin, Piano 3
Flute, Oboe (duet) 3
2 Saxophones, Piano 2
Flute, Cello, Piano (trio) 2
Bass Clarinet 2
Clarinet, Double bass (duet) 2
Treble (Alto) Recorder, Piano 2
4 Oboes 2
Flute, Trombone (duet) 1
Bagpipe 1
Clarinet, Trombone (duet) 1

+ 68 instrumentations

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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 119
Trombone and Piano 72
Trumpet 72
French Horn and Piano 69
Brass Quartet: 2 trumpets, horn, trombone 65

French horn 64
Trombone 56
Trumpet, Piano 55
Tuba and Piano 50
Tuba 49
2 Trombones (duet) 29
2 French horns (duet) 28
Brass quartet : 2 trumpets, trombone, tuba 27
2 Trumpets (duet) 27
Trumpet (band part) 18
Trombone (band part) 15
2 Tubas (duet) 13
Trumpet, Trombone (duet) 12
Brass Quartet 10
English horn, Piano 8
Trumpet ensemble 6
Trombone, Tuba (duet) 5
Euphonium, Piano (duet) 5
Trumpet, Horn (duert) 4
Trombone ensemble 4
Horn Ensemble 4
Brass Trio 4
Tuba (band part) 4
English Horn 4
Brass Quartet: 4 trombones 4
Brass Quartet: 4 horns 3
3 Trombones (trio) 2
Trombone, Horn (duet) 2
Brass Quartet: 4 trumpets 2
Trumpet, Tuba (duet) 2
Horn, Cello (duet) 2
Euphonium, Tuba (duet) 1
3 Tubas (trio) 1
3 French horns (trio) 1
Trumpet, Trombone, Piano 1
2 Euphoniums and 2 Tubas 1
French horn (band part) 1
4 Tubas 1
Trumpet, Cello (duet) 1
Euphonium 1
Trombone, Violin (duet) 1
French horn and Basson (duet) 1

+ 42 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 229
Cello 89
String Quintet: 2 violins, viola, cello, bass 88
Cello, Piano 86
Violin and Piano 85

Viola, Piano 82
Violin 71
Viola 53
Double Bass 38
Violin, Cello (duet) 35
2 Cellos (duet) 34
Double bass, Piano (duet) 33
2 Violas (duet) 31
2 Violins (duet) 31
String Trio: violin, viola, cello 19
String Trio: 2 violins, cello 15
Violin, Viola (duet) 14
Harp 12
Viola (band part) 10
2 Double basses (duet) 9
Viola, Cello (duet) 6
Violin, Bassoon (duet) 6
Cello, String Bass (duet) 6
Violin (band part) 5
Doublebass (band part) 4
Viola and Bassoon 3
String Trio: 2 violins, viola 3
String Trio: 3 violins 3
String Quintet: 2 violins, viola, 2 cellos 3
String Trio: 3 cellos 3
String Quintet: 2 violins, 2 violas, cello 3
Cello, Guitar (duet) 2
Flute, Doublebass (duet) 2
Violin, Guitar (duet) 2
4 Harps 2
String Trio: 3 violas 2
Piano Trio: Violin, Viola, Piano 2
String quartet: 4 violins 1
4 Cellos 1
Violin, Tuba (duet) 1
Cello Ensemble 1
String Quartet : 4 violas 1

+ 37 instrumentations

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Percussion & orchestra
Concert band 63
Orchestra 37
Handbells 21
String Orchestra 20
Jazz Ensemble 14

Brass ensemble 9
Jazz combo 7
Percussion (band part) 5
Drum (band part) 5
Marimba 5
Marching band 5
Chamber Orchestra 4
Xylophone, Piano 4
Percussion Ensemble 3
Xylophone 3
Vibraphone 2
Orchestra, Violin 2

Drums 1

+ 13 instrumentations

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Orchestra, Violin

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2 sheet music found

Cadenzas

Cadenzas #Orchestra, Violin #ADVANCED #Contemporary #Thomas Ades #Cadenzas #Schott Music - Digital #SheetMusicPlus

Violin - difficult - Digital Download Concerto for violin and orchestra. Composed by Thomas Ades (1971-). This edition: single sheet. Cadenza. Downlo...(+)

Violin - difficult - Digital Download Concerto for violin and orchestra. Composed by Thomas Ades (1971-). This edition: single sheet. Cadenza. Downloadable. Duration 2 minutes 30 seconds. Schott Music - Digital #Q18204. Published by Schott Music - Digital
In a conversation with the violinist Peter Herresthal, we touched on the "invitation" in the score of Ligeti's Violin concerto to provide a cadenza for the work. Peter suggested that I answer this invitation and I was happy to accept. I followed all the composer's directions exactly: the cadenza may use material from all five movements, and should be of "hectic" character throughout. I also aimed to write a cadenza of which the closing orchestral coda would be an inevitable result. (Thomas Ades)

The cadenza can also be composed by the soloist and can last up to 1-2 minutes. It should be hectic throughout (continuation of the appassionata agitato molto), but can incorporate melodic material ad lib. from all five movements. Towards the end, the tempo should be prestissimo with alternating arco and left hand pizz. in mad virtuosity. The cadenza has no real end and is suddenly interrupted by the orchestra at R (as agreed between soloist and conductor). This interruption occurs suddenly as if unprepared. The soloist should at this point be playing in high positions (on the top string) at maximum velocity. The solo violin abruptly falls silent on the entry of the high woodblock. Gyorgy Ligeti

$6.99 ≈ £5.22

Nocturne for violin and orchestra

Nocturne for violin and orchestra #Orchestra, Violin #Classical #Nocturne for violin and orches #Schott Music - Digital #SheetMusicPlus

Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Clau...(+)

Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).

We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.

My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.

$19.99 ≈ £14.93