Download Digital Sheet Music of Ted Baroque for Flute ensemble

All site ▾

My account (log-in)

EUR €USD $GBP £CAD $CNY ¥

Français

Free Sheet Music ▾
Digital Sheet Music
Music Sheet Library ▾
Musical Equipment ▾

Ted Baroque
Not classified 611

Piano & keyboards
Piano, Voice 185
Piano solo 174
Organ 19
Piano, Vocal and Guitar 8
Piano Trio: piano, violin, cello 5

Piano Quartet: piano, violin, viola, cello 4
Easy Piano 4
1 Piano, 4 hands 3
Harpsichord 2
1 Piano, 6 hands 1
C Instruments 1
Organ, Trumpet (duet) 1
Piano Quartet: piano, 2 violins, cello 1
2 Pianos, 4 hands 1
Accordion 1

+ 10 instrumentations

- Retract

Guitars
Guitar 29
Guitar notes and tablatures 22
3 Guitars (trio) 4
Ukulele 3
2 Guitars (duet) 3

Mandolin 3
4 Guitars (Quartet) 2
Bass guitar 2
Mandolin, Guitar (duet) 1
Guitar Ensemble 1

+ 5 instrumentations

- Retract

Voice
Choral SATB 37
Choral 3-part 15
Choral TTBB 7
Choral SSAA 4
Vocal duet, Piano 3

Tenor voice, Piano 2
Choral Unison 1
Medium voice, Piano 1
Low voice, Piano 1
Voice solo 1
Soprano voice, Piano 1
Alto voice, Piano 1

+ 7 instrumentations

- Retract

Woodwind
Flute, Oboe, Clarinet, Bassoon 50
2 Saxophones (duet) 45
2 Flutes (duet) 34
Clarinet Quartet: 4 clarinets 33
Saxophone Quartet: 4 saxophones 32

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 31
Flute and Piano 28
Clarinet and Piano 27
2 Clarinets (duet) 21
Oboe, Piano (duet) 21
2 Recorders (duet) 21
Alto Saxophone and Piano 19
Flute, Oboe, Clarinet (trio) 15
Saxophone Quintet: 5 Saxophones 15
Flute 15
Clarinet 13
Soprano Saxophone and Piano 13
3 Saxophones (trio) 12
Tenor Saxophone and Piano 12
2 Oboes (duet) 12
Flute, Clarinet (duet) 9
Baritone Saxophone, Piano 7
Flute, Clarinet and Bassoon. 7
Clarinet Quintet: 5 clarinets 7
Oboe 6
Clarinet Ensemble 6
3 Clarinets (trio) 6
Alto Saxophone 6
Oboe, Clarinet (duet) 5
Descent (Soprano) Recorder, Piano 5
Flute Trio: 3 flutes 5
Flute Quartet: 4 flutes 5
Tenor Saxophone 4
Flute, Violin 4
Clarinet, Violin (duet) 4
English horn, Piano 4
Flute ensemble 3

Saxophone, Clarinet (duet) 3
Flute, Violoncello 3
Flute and Guitar 3
Descant (Soprano) Recorder 3
Flute, Oboe, Bassoon 3
Oboe, Harp 3
Oboe, Bassoon (duet) 3
Flute, Clarinet, Piano (trio) 3
Clarinet, Bassoon (duet) 3
Recorder Quartet 3
3 Recorders (trio) 2
Baritone Saxophone 2
English Horn, Guitar (duet) 2
Saxophone ensemble 2
2 Flutes, Piano 2
Clarinet, Guitar (duet) 2
Recorder Ensemble 2
2 Clarinets, Bassoon 2
Clarinet, Harp (duet) 2
Clarinet, Cello (duet) 2
Flute, Oboe (duet) 2
Flute, Oboe, Piano (trio) 2
Soprano Saxophone 2
Flute, Violin, Piano 2
Flute Quintet : 5 flutes 2
Treble (Alto) Recorder 2
Clarinet, Trombone (duet) 1
Flute, Violin and Violoncello 1
Recorder 1
Flute, Trombone (duet) 1
Bass Clarinet, Piano 1
Flute, Violin, Violoncello and Piano 1
Flute, Bassoon, and Piano 1
Saxophone (band part) 1
Oboe, Flute 1
Flute and Strings Trio 1
Clarinet and Viola 1
Oboe, Clarinet, Bassoon (trio) 1
Clarinet, Trumpet (duet) 1
Flute, Trumpet (duet) 1
Flute, Cello, Piano (trio) 1
Flute, Viola (duet) 1
Tenor Recorder 1
Oboe (band part) 1
Flute, Saxophone (duet) 1
Flute, Cello, Guitar 1

+ 78 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 49
Trumpet ensemble 38
Trombone and Piano 29
Trumpet, Piano 18
French Horn and Piano 17

Brass quartet : 2 trumpets, trombone, tuba 16
2 Trumpets (duet) 15
Trumpet 14
2 Trombones (duet) 13
2 French horns (duet) 11
Tuba and Piano 11
Trumpet, Trombone (duet) 9
2 Tubas (duet) 8
Brass Quartet: 2 trumpets, horn, trombone 8
Trombone 8
Tuba 7
French horn 6
Brass Quartet: 4 horns 4
English horn, Piano 4
Brass Quartet: 4 trumpets 3
Horn Ensemble 3
Euphonium, Piano (duet) 3
Brass Quartet: 4 trombones 3
Brass Quartet 2
Trumpet, Saxophone (duet) 2
Horn, Tuba (duet) 2
Trumpet, Harp 2
English Horn, Guitar (duet) 2
Trumpet, Horn (duert) 2
French Horn and Harp 2
Trombone ensemble 1
Euphonium 1
Brass Quartet: 2 trumpets, 2 trombones 1

+ 28 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 79
Harp 44
Violin and Piano 38
Viola, Piano 34
2 Violins (duet) 31

Cello, Piano 28
String Trio: violin, viola, cello 28
Violin, Cello (duet) 17
Violin 15
2 Cellos (duet) 14
Violin, Viola (duet) 14
2 Violas (duet) 14
Cello (band part) 13
Double bass, Piano (duet) 10
Viola 8
Cello 8
4 Cellos 7
2 Double basses (duet) 7
Double Bass 6
2 Harps (duet) 6
String Trio: 2 violins, cello 6
String Quintet: 2 violins, viola, cello, bass 5
Harp, Violin (duet) 4
Piano Trio: Violin, Viola, Piano 4
String Trio: 2 violins, viola 3
Harp, Flute (duet) 3
String quartet: 4 violins 3
Violin, Guitar (duet) 3
Viola, Guitar (duet) 3
Viola (band part) 2
Cello, Guitar (duet) 2
Violin, Cello, Clarinet 2
Viola, Cello (duet) 2
Viola and Harp 2
String Trio: 3 cellos 1
Harp, Trombone (duet) 1
String Quartet : 4 violas 1
Cello Ensemble 1
Harp, Cello (duet) 1
Cello, Organ 1
Harp, Violin, Violoncello 1
Violin, Organ 1
Violin, Bassoon (duet) 1

+ 38 instrumentations

- Retract

Percussion & orchestra
String Orchestra 47
Chamber Orchestra 13
Brass ensemble 13
Concert band 8
Handbells 6

Orchestra 4
Jazz Ensemble 1
Percussion Ensemble 1
Vibraphone 1
Xylophone 1

+ 5 instrumentations

- Retract

Others

Home Best Sellers

New releases Methods Studies

Sellers

AmericansAt Musicnotes At Sheetmusicplus At Virtualsheetmusic
EuropeansAt Tomplay At Prof-Editions At Note4piano At Noviscore At Quickpartitions

International artists list

French artists list

Top artists

POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener

FREE SHEET MUSIC
185,000+ free sheet music

SHEET MUSIC LIBRARY
1,500,000+ buy and delivery

DIGITAL SHEET MUSIC
2,000,000+ buy and print

MUSICAL INSTRUMENTS
200,000+ buy and delivery

Sheet Music Membership ($37.75/year)

Digital sheet music, access after purchasing

Post mailing Digital sheet music

Sorting and filtering :

with audio

with video

with play-along

You've selected:

Ted Baroque

intermediate

Flute ensemble

Sheetmusic to print

3 sheet music found

Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir

Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir #Flute ensemble #INTERMEDIATE #Gabrieli #James M #Gabrieli: Canzon Septimi Toni #jmsgu3 #SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 ...(+)

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae SymphoniaeÂ (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.

$47.95

Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir

Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir #Flute ensemble #INTERMEDIATE #Gabrieli #James M #Gabrieli: Sonata Pian e Forte #jmsgu3 #SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 ...(+)

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics â€“ or was rather the first to indicate them such as in his Sonata Pianâ€™ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieliâ€™s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments â€“ which calls Sinfonia â€“ and smaller sections for vocal soloists, accompanied by a basso continuo.

$47.95

Bach: Wachet auf for Flute Choir

Bach: Wachet auf for Flute Choir #Flute ensemble #INTERMEDIATE #Classical #Johann Sebastian Bach #James M # #Bach: Wachet auf for Flute Cho #jmsgu3 #SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Conce...(+)

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â€“ in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hÃ¶rt die WÃ¤chter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six SchÃ¼bler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager

$39.95