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• Ides Of March [The]
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You've selected:
Flute solo March
intermediate
Piano solo
Sheetmusic to print
5 sheet music found
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1
Nutcracker Suite Highlights Masterpiece Edition for Piano Solo
Nutcracker Suite Highlights Masterpiece Edition for Piano Solo
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Piano solo
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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Alexander Cole
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Overture
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Nutcracker Suite Highlights Ma
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Michael K Jipson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.920449 Composed by Peter Ilyich Tchaikovsky. Arranged by Alexander Cole. Christmas,Concert,Romantic Perio...
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Piano Solo - Level 3 - Digital Download SKU: A0.920449 Composed by Peter Ilyich Tchaikovsky. Arranged by Alexander Cole. Christmas,Concert,Romantic Period,Standards. Score. 18 pages. Michael K Jipson #6303153. Published by Michael K Jipson (A0.920449). The Nutcracker Suite transcribed by Alexander Cole highlights the most popular themes from the classic Tchaikovsky Ballet. This Christmas collection, arranged for intermediate piano, is an absolute favorite for the holidays! The Nutcracker Suite Highlights for Piano Solo includes the following eight sections; Overture; March; Arab Dance; Chinese Dance; Russian Dance (Trepak); Dance of the Reed -Flutes; Waltz of the Flowers; Dance of the Sugar Plum Fairy.
$6.95 ≈
$9.38
The Nutcracker Suite (Complete Collection for Piano Solo)
The Nutcracker Suite (Complete Collection for Piano Solo)
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Piano solo
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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Sharon Wilson
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The Nutcracker Suite
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Sharon Wilson
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SheetMusicPlus
Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Sharon Wilson. Romantic Period, Classical Period, Broadway, Musicals, Christmas. Sheet M...
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Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Sharon Wilson. Romantic Period, Classical Period, Broadway, Musicals, Christmas. Sheet Music Single. 34 pages. Published by Sharon Wilson
This collection contains all eight movements of Peter Ilyich Tchaikovsky’s ever-popular “Nutcracker Suite, Op. 71a.” While maintaining characteristics of the original work, subtle variations add a contemporary interpretation creating simplified, yet festive piano solos. This collection is the perfect addition to the classical holiday repertoire for the intermediate pianist.
These arrangements were created to make challenging classical music more accessible for the intermediate player or easier to sight-read by more advanced players. Another feature of these arrangements is they are consistent at the intermediate skill level throughout each piece. Many have been simplified and only include excerpts from the longer original movements. Other simplified characteristics include easier key signatures and timings and some melodies were modified to create a smoother flow between phrases.
Each of the 8 arrangements is also available separately with accompanying preview pages and audio samples.
Titles in this collection include:
Miniature Overture
March
Dance of the Sugar Plum Fairy
Russian Dance (Trepak)
Arabian Dance
Chinese Dance
Dance of the Reed Flutes
Waltz of the Flowers
$10.00 ≈
$13.50
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Piano solo
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INTERMEDIATE
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL FUOCO R
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publish...
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Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95 ≈
$10.73
Wedding March for flute or violin and easy piano
Wedding March for flute or violin and easy piano
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Piano solo
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INTERMEDIATE
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Classical
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Wedding/Ballad
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F
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Klas Krantz
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Wedding March for flute or vio
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Amadeus Music
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SheetMusicPlus
Composed by F. Mendelssohn (1809-47). Arranged by Klas Krantz. For Piano, Violin. Romantic Period, Wedding. Intermediate. Individual Part, Score. Published by A...
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Composed by F. Mendelssohn (1809-47). Arranged by Klas Krantz. For Piano, Violin. Romantic Period, Wedding. Intermediate. Individual Part, Score. Published by Amadeus Music
$3.95 ≈
$5.33
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