All site ▾
All site▾
Free sheet music
Sheet music books
Digital sheet music
Musical equipment
My account
(log-in)
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music ▾
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
Music Sheet Library ▾
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Musical Equipment ▾
GUITAR
|
KEYBOARD
|
PERCU.
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
TRAD.
|
FLIGHT
|
CABLES
|
ACC.
|
GIFT
|
BRANDS
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
some were not
Not classified
66
Piano & keyboards
Piano, Vocal and Guitar
311
Piano solo
85
Piano, Voice
55
Piano Trio: piano, violin, cello
2
C Instruments
2
Easy Piano
1
+ 1 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
11
Guitar
7
Bass guitar
2
2 Guitars (duet)
2
Ukulele
1
Banjo
1
+ 1 instrumentations
-
Retract
Voice
Choral SATB
12
Alto voice, Piano
5
Choral 3-part
2
Choral TTBB
2
Vocal duet, Piano
2
Soprano voice, Piano
1
Choral SSAA
1
Soprano voice
1
Vocal duet
1
Choral 2-part
1
+ 5 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
15
Saxophone Quartet: 4 saxophones
7
Clarinet Quartet: 4 clarinets
4
Flute, Oboe, Clarinet, Bassoon
4
Flute and Piano
4
Soprano Saxophone and Piano
3
Clarinet Ensemble
3
Flute Quartet: 4 flutes
3
Flute, harp and violin
2
2 Flutes (duet)
2
Oboe, Piano (duet)
2
Flute, Oboe, Clarinet (trio)
2
Alto Saxophone and Piano
2
Flute ensemble
2
Saxophone Quintet: 5 Saxophones
2
2 Flutes, Piano
1
2 Clarinets, Piano
1
Clarinet Quintet: 5 clarinets
1
2 Saxophones (duet)
1
Descant (Soprano) Recorder
1
Bass Clarinet
1
Flute, Clarinet and Bassoon.
1
Bass Clarinet, Piano
1
Oboe, Harp
1
Flute Quintet : 5 flutes
1
Clarinet and Piano
1
Clarinet
1
+ 22 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
11
Brass quartet : 2 trumpets, trombone, tuba
9
Brass Quartet: 2 trumpets, horn, trombone
3
Brass Quartet
2
Trumpet ensemble
2
French Horn and Piano
2
4 Tubas
1
Brass Quartet: 4 trombones
1
Trombone ensemble
1
2 French horns (duet)
1
Trombone
1
+ 6 instrumentations
-
Retract
Strings
Harp
10
String Quartet: 2 violins, viola, cello
8
String Trio: violin, viola, cello
6
Violin
3
Violin and Piano
3
Viola, Piano
3
4 Cellos
2
Cello, Piano
2
Harp and Piano
1
2 Violins (duet)
1
Violin ensemble
1
Harp, Voice
1
Violin, Cello (duet)
1
Viola ensemble
1
String Trio: 2 violins, cello
1
String Trio: 3 cellos
1
String Quartet : 4 violas
1
Double bass, Piano (duet)
1
Harp, Flute (duet)
1
String quartet: 4 violins
1
4 Double Basses
1
+ 16 instrumentations
-
Retract
Percussion & orchestra
String Orchestra
8
Chamber Orchestra
5
Concert band
5
Brass ensemble
3
Jazz combo
2
Jazz Ensemble
2
Handbells
1
Orchestra
1
Percussion Ensemble
1
+ 4 instrumentations
-
Retract
Others
Home
Best Sellers
New releases
Methods
Studies
Sellers
Sellers
Americans
At Musicnotes
At Sheetmusicplus
At Virtualsheetmusic
Europeans
At Tomplay
At Prof-Editions
At Note4piano
At Noviscore
At Quickpartitions
International artists list
French artists list
Top artists
Top artists
POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener
Christmas
Halloween
Easter
Wedding
Sacred
FREE SHEET MUSIC
185,000+ free sheet music
SHEET MUSIC LIBRARY
1,500,000+ buy and delivery
DIGITAL SHEET MUSIC
2,000,000+ buy and print
MUSICAL INSTRUMENTS
200,000+ buy and delivery
Sheet Music Membership ($37.75/year)
Digital sheet music, access after purchasing
Post mailing
Digital sheet music
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
some were not
intermediate
Piano solo
Sheetmusic to print
85 sheet music found
<
1
26
51
76
Hark the Herald Angels Sing with ΔÏŒξα á¼ν ὑψίστοις θεá¿· (Glory to God in the Highest)
Hark the Herald Angels Sing with ΔÏŒξα á¼ν ὑψίστοις θεá¿· (Glory to God in the Highest)
#
Piano solo
#
INTERMEDIATE
#
Stephen R Dalrymple
#
Stephen R Dalrymple
#
Hark the Herald Angels Sing wi
#
Stephen R Dalrymple
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1325492 By Stephen R Dalrymple. By Charles Wesley & Felix Mendelssohn (WH Cummings). Arranged by Stephen ...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1325492 By Stephen R Dalrymple. By Charles Wesley & Felix Mendelssohn (WH Cummings). Arranged by Stephen R Dalrymple. Advent,Sacred. Score. 17 pages. Stephen R Dalrymple #913719. Published by Stephen R Dalrymple (A0.1325492). Hark the Herald Angels Sing♫ by Charles Wesley (1739) and Felix Mendelsohn (adapted by W H Cummings (1857) ♫ with  Δόξα á¼Î½ ὑψίστοις θεῷ (Glory to God in the Highest) ♫ original song © 2023 Stephen R Dalrymple♫ piano solo arrangement by Stephen R Dalrymple♫ performed by the arranger♫ music © 2023 Stephen R Dalrymple ♫ recording â„—  2023 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ Charles Wesley started his poem with ‘Listen to the angels !’ This started me wondering, what did the angels’ voices sound like ? ♫ Prosody is study of the intonation, stress, and rhythm of the speech of a language (contrasted with the sounds of the vowels and consonants.) Could I replicate the angel’s basic speech patterns? My study of Greek in seminary has given me a pretty good idea of how to pronounce the consonants and vowels of the Greek language. But I would want to listen to someone who actually speaks Greek as their mother tongue to have an idea of the prosody. After further study, I have rewritten the angels’ music; this update represents my latest understanding.♫ Although Latin was the language of the Roman conquerors, Greek was the lingua franca of the Mediterranean world of the first century. Some scholars want us to believe that most of the Jews were not erudite enough to speak Greek. ♫ Yet those of us who have travelled to countries like Haiti, are not surprised that many people there speak Kreyòl, French, English and Spanish!♫ I began searching for someone who actually spoke Greek conversationally to pronounce Luke 2 :14 in Greek. After I found a reliable source, I reduced the rhythm and the accented sylables to simpified music notation. I pulled from my knowledge of ancient modes and used my imagination to add pitches and repetitions of phrases. The melodic and harmonic result is completely inventive, but I believe the basic rhythm of the speech is fairly accurate.♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ A duplicate YouTube Video is available in French (Écoutez le chant des anges) https://youtu.be/9_equasuWR4YouTube Channel: @DalrympleDesigns.
$4.50
Clair de Lune (with piano fingering as needed)
Clair de Lune (with piano fingering as needed)
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Claude Debussy
#
Scott Camp
#
Clair de Lune
#
Scott Camp
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedd...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible: no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece. In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions. Playing a piece of music is not the same as mastering it. Surviving a performance is not the same as playing with confidence. There is no joy in being vulnerable to embarrassing mistakes. It is no way to live. You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are. The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate. If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music. Debussy broke the boundaries of conventional piano notation. That means contradictions and ambiguity, which must be addressed.A note about fingering: where and why it is or is not presented. I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece. My goal is to include information that the pianist needs, but does not already know. For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution. For example, m9-24, and m61-62, fall into this category. Octaves can only practically be played with fingers 1 and 5. I provide a lot of finger numbers, but that is not the same as creating an edition that can be played without significant staff reading. The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced. Attempting to bridge more than one level is not my goal.
$1.99
Three Piano Pieces For Shira
Three Piano Pieces For Shira
#
Piano solo
#
INTERMEDIATE
#
Nick Norton
#
Three Piano Pieces For Shira
#
Bathysphere Music
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1160853 Composed by Nick Norton. Chamber,Children,Classical,Contemporary. Score. 7 pages. Bathysphere Mus...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1160853 Composed by Nick Norton. Chamber,Children,Classical,Contemporary. Score. 7 pages. Bathysphere Music #761164. Published by Bathysphere Music (A0.1160853). Three Piano Pieces for Shira is a gift for my friends Matthew and Sarah's daughter, Whitney. I was thinking about how much I’d love to teach her about music someday and got into listening to piano pieces written for young musicians that, though easier to play, don’t compromise artistically. The Notebook for Anna Magdalena Bach, Schubert’s and Tchaikovsky’s Albums for the Young, and Stravinsky’s Les cinq doigts (a personal favorite) were inspirations for my work here.Though these three pieces are a probably a little tough for a two year old, and I have no idea if she’ll ever take up piano, I do hope that other young musicians will be able to get something out of them. They may be a good way to introduce advanced students to some of the techniques commonly used in modern music, such as mixed or phasing meters and spatial notation.In any case I hope that Whitney enjoys listening. I enjoyed writing them.
$15.00
The arrival
The arrival
#
Piano solo
#
INTERMEDIATE
#
New Age
#
Contemporary
#
Juan Manuel Ruiz
#
Juan Manuel Ruiz
#
The arrival
#
Juan Manuel Ruiz
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1358844 By Juan Manuel Ruiz. By Juan Manuel Ruiz. Arranged by Juan Manuel Ruiz. Classical,Contemporary,Ne...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1358844 By Juan Manuel Ruiz. By Juan Manuel Ruiz. Arranged by Juan Manuel Ruiz. Classical,Contemporary,New Age. Score. 3 pages. Juan Manuel Ruiz #943294. Published by Juan Manuel Ruiz (A0.1358844). The arrival song belongs to the album The returnIn some situations we return to those diffuse memories, that we do not know if they happened as we remember, or that cause us sadness or restlessness, for those who are no longer here, those we lost or because they were not pleasant moments
$3.00
Light sleep
Light sleep
#
Piano solo
#
INTERMEDIATE
#
New Age
#
Contemporary
#
Juan Manuel Ruiz
#
Juan Manuel Ruiz
#
Light sleep
#
Juan Manuel Ruiz
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1358846 By Juan Manuel Ruiz. By Juan Manuel Ruiz. Arranged by Juan Manuel Ruiz. Classical,Contemporary,Ne...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1358846 By Juan Manuel Ruiz. By Juan Manuel Ruiz. Arranged by Juan Manuel Ruiz. Classical,Contemporary,New Age. Score. 3 pages. Juan Manuel Ruiz #943296. Published by Juan Manuel Ruiz (A0.1358846). Light sleep song belongs to the album The returnIn some situations we return to those diffuse memories, that we do not know if they happened as we remember, or that cause us sadness or restlessness, for those who are no longer here, those we lost or because they were not pleasant moments
$3.00
Consciousness 2.0
Consciousness 2.0
#
Piano solo
#
INTERMEDIATE
#
Jasmine LAI
#
Consciousness 2.0
#
Jasmine LAI
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by ...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0.933947). This is my first time I have written a piece that doesnot have a standard structure. It is also the first time that I have expressed my feelings about Australia through music, inspired by Lawson’s moving poem. The reason why I name my piece ‘Consciousness2.0’ is because it depicts a picture of how people rise and fall in life. An example of this is what happened during the Australian bushfires, which was a time when people were very aware of what was happening. Consciousness means to be aware and responsive to the surroundings, and it can also mean a person’s perspective of events. My piece begins with a soft introduction, which describes the life of Australia and its unique environment. From the bustling cities to the open country, there is always some life around Australia. Sometimes there is also some wild weather, which is represented in the arpeggiated left hand (bars 10-14). The story then shifts its focus to the animals, through short 2-part phrase in bars 23-26. The animals areenjoying their time in nature. The phrase is in Aeolian mode, so there is a bit of mystery instead of having an obvious key. Then, the parallel fifths depict the openness and vastness of the land. The transition is shown in bars 32-34 by a smooth 4-part phrase going downwards. The next fast section (bars 35-47) describes the rise of panic, just like a howling heat of the bushfire. The chromatic 7th chords (bars 36,38) make a sense of tension, and after 3 times, the chromaticism makes its way to a recent memory of the rushing semiquavers (bars 43-44) After the bushfires came closer, animals panicked as they rushed and left their precious homes. It was devastating to see how many people were affected, with houses destroyed, people and animals burning into the ashes (bars 48-54). Then there is another new section (bars 55-68) which describes the uncertainty, for example, the right-handquavers describe a flashback of nature planning itself to create a bushfire, or the times when people were planning a solution to this incident. The uncertainty was unfolded when the fast right hand semiquavers come back, (bars 69-82) creating a whoosh of destruction disappointment and adjustment. The last part is the ending of story (bars 84 to end). Though the fire has made a lot of destruction, with Aussie spirit, there is always hope that everyone can rebuild a new and better community in the future
$3.49
"Sarabande" From Pour le Piano- C. Debussy- Solo Piano. Simplified Version
"Sarabande" From Pour le Piano- C. Debussy- Solo Piano. Simplified Version
#
Piano solo
#
INTERMEDIATE
#
C Debussy
#
Grant Horsley
#
"Sarabande" From Pour le Piano
#
Grant Horsley
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.785742 Composed by C Debussy. Arranged by Grant Horsley. 20th Century,Standards,Wedding. Score. 5 pages. ...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.785742 Composed by C Debussy. Arranged by Grant Horsley. 20th Century,Standards,Wedding. Score. 5 pages. Grant Horsley #6058137. Published by Grant Horsley (A0.785742). This is an easier arrangement of this very well known and loved piece by Debussy.I wanted to give pianists an opportunity to play a simpler version if they were not quite ready for the original.Firstly, I have arranged it in the key of F major from the original E for ease of reading. Secondly, the very big chords in each hand have been economised carefully so to produced the nearest effect of the original. Thirdly, some original areas have now been divided between the hands for simplicity.It is 5 minutes long-Intermediate level/associated board grade 6.Great piece for concerts, weddings, recitals, incidental music, relaxation etc.
$5.25
Songs Without Words (20 Intermediate-Level Piano Solos in Contemporary Styles)
Songs Without Words (20 Intermediate-Level Piano Solos in Contemporary Styles)
#
Piano solo
#
INTERMEDIATE
#
Peter Saltzman
#
Songs Without Words
#
Salt Muse, Inc
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1452650 By Peter Saltzman. By Peter Saltzman. Blues,Classical,Folk,Jazz,Pop. Score. 56 pages. Salt Muse, ...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1452650 By Peter Saltzman. By Peter Saltzman. Blues,Classical,Folk,Jazz,Pop. Score. 56 pages. Salt Muse, Inc #1031941. Published by Salt Muse, Inc (A0.1452650). Dive into Peter Saltzman’s Songs Without Words, a captivating collection of intermediate piano pieces that traverse contemporary styles, from the pulse of dance-pop to the grace of ballads and the imaginative worlds of movie and video game music to the soul of the blues.Listen to the composer's recordings of all the tracks here. More than a series of compositions, this collection comes with the composer's insights into each piece's structure and challenges, providing players with a deeper understanding of technical and musical expression. It also includes exercises for improvisation and composition, offering avenues to enhance and personalize the learning experience.In the introductory remarks, the composer states: “Each composition in this collection found first life during lessons with my students, mainly over the last two years, always serving a dual purpose: to educate and to enchant. They were not originally intended to fill a book; they were crafted in the moment to offer something beyond the confines of the method books – a piece that resonated with the individual in front of me.”The result is a rich collection of highly lyrical piano music accessible to intermediate and advanced intermediate pianists of all ages.
$19.95
What The World Needs Now Is Love
What The World Needs Now Is Love
#
Piano solo
#
INTERMEDIATE
#
Jackie DeShannon
#
Timothy Stapay
#
What The World Needs Now Is Lo
#
Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1249719 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/T...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1249719 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #844110. Published by Timothy Stapay (A0.1249719). What The World Needs Now Is Love is written in a relaxed waltz style.What the World Needs Now Is Love is a 1965 popular song with lyrics by Hal David and music composed by Burt Bacharach. First recorded and made popular by Jackie DeShannon, it was released on April 15, 1965, on the Imperial label after a release on sister label Liberty records the previous month was canceled. It peaked at number seven on the US Hot 100 in July of that year. In Canada, the song reached number one. The song's success caught the two songwriters completely by surprise, since they were very aware of the controversy and disagreements among Americans about the Vietnam War, which was the subtext for David's lyrics. Bacharach has continuously used the song as the intro and finale for most of his live concert appearances well into the 2000s. Lyrics:What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No not just for some but for everyone.Lord, we don't need another mountain,There are mountains and hillsides enough to climbThere are oceans and rivers enough to cross,Enough to last till the end of time.What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No, not just for some but for everyone.Lord, we don't need another meadowThere are cornfields and wheat fields enough to growThere are sunbeams and moonbeams enough to shineOh listen, lord, if you want to know.What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No, not just for some but for everyone.No, not just for some, oh, but just for everyone.
$5.99
Seven Pieces in Twentieth-Century Styles
Seven Pieces in Twentieth-Century Styles
#
Piano solo
#
INTERMEDIATE
#
James Siddons
#
Seven Pieces in Twentieth-Cent
#
James Siddons Music and Writings
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Sid...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
The Painter
The Painter
#
Piano solo
#
INTERMEDIATE
#
Louis Landon
#
The Painter
#
Landon Creative, Inc.
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.761847 Composed by Louis Landon. New Age,Spiritual. Score. 5 pages. Landon Creative, Inc. #3129855. Publi...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.761847 Composed by Louis Landon. New Age,Spiritual. Score. 5 pages. Landon Creative, Inc. #3129855. Published by Landon Creative, Inc. (A0.761847). Healing Hearts is the fourth solo piano release from Louis Landon in less than two years, an indication that his 2013 move to Sedona, AZ sparked an amazing creative streak for him. Since his move, Landon has established Healing Piano of Sedona which offers a unique sound healing experience to create mental, physical and emotional well-being. Landon is a Steinway Artist who has toured internationally and has released seventeen albums, eleven of which are solo piano (one is a best of). He has been using the techniques of Gurdjieff and Ouspensky for spiritual development since 1980. Healing Piano of Sedona was created to help people live life joyously, passionately, stress- and disease-free.The thirteen tracks on Healing Hearts were created spontaneously to assist individuals in their emotional and spiritual well-being. I have to admit that in the past, I have had a strong preference for Landon’s more composed music, but he is improvising and performing so much now that his spontaneous music is incredibly cohesive and complete and the emotional content is rich and sincere. Landon has performed house concerts in my series every year for the past seven years and while his music has always been exceptionally good, now it’s often breathtaking in its beauty and honesty. Nothing is held back, coming from the purest source of creativity. I’m blown away by the music on Healing Hearts and am certain that it will be the second of Landon’s albums on my Favorites list for 2014.Most of the tracks overflow with peace and serenity. In fact, Louis calls his home studio The Peace Palace and I can see why! A couple of pieces are a bit livelier, but the entire album is perfect for a warm and soothing background. However, be sure to treat your mind and soul to a blissful hour of calming music that can effortlessly heal the spirit and wash away the cares of the moment, the day, or life in general - at least for a while. All of the tracks are exceptional, but I’ll mention a few favorites. Amy’s Song is a breath of fresh air - graceful, tender and very warm. Gorgeous! Desert Peace is somewhat more ambient and so peaceful. I love the title track, which is more minor and a bit darker, but so poignant and compelling. Now or Never seems to be offering support and encouragement to move forward - gently but firmly. Sacred is almost hymn-like. The Great Unknown is dedicated to a young family member who passed away recently. Dark and sometimes painfully sad, there is hope as the healing process takes place - an amazing piece of music! The Painter expresses the passionate spirit that can flow from one artist to another. Unstoppable begins quietly and simply, gradually building energy, strength and power. Unstoppable, indeed! A great, upbeat ending to a fantastic album!Healing Hearts is a must-hear! It is available from louislandon.com, Amazon, iTunes, and CD Baby. Very highly recommended!
$5.25
Colores de un otoño incipiente
Colores de un otoño incipiente
#
Piano solo
#
INTERMEDIATE
#
Juan MarÃa Solare
#
clipboard-write
#
Colores de un otoño incipient
#
Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.742752 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructiona...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.742752 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pages. Juan Maria Solare #350886. Published by Juan Maria Solare (A0.742752). Colores de un otoño incipiente -- Colors of an incipient autumn seven somewhat abstract pieces for piano Recording of Colores de un otoño incipiente - piano in several platforms Colores de un otoño incipiente -- on Spotify In this work, an idea that has haunted me for a long time crystallizes: that the titles of the individual pieces are read like lines of a poem. Colores de un otoño incipiente Declina el dÃa. Cobriza de hojarasca, la tierra aguarda. Inocencia Apergaminada por las largas vigilias. Frugal ante la desmesura, Se resignó a lo inconcluso Y dejó un hueco de luz en esta nada. Colors of an incipient autumn The day declines. Coppery with old leaves, the earth awaits. Innocence Parched by the long vigils. Frugal in the face of excess, He resigned himself to the unfinished And he left a hole of light in this nothingness. Such a poem alludes without great subtlety to decadence and aging. The title Apergaminada por las largas vigilias is taken from a poem by Pedro Lastra. Y dejó un hueco de luz en esta nada comes from a micropoem attributed to Alejandro Güerri, written in memory of Javier Adúriz. This seventh piece, transparent and delicate, pictures a being definitively transformed into light. The idea of desmesura (excess) arises from the prologue by Javier Adúriz to his book Solos de conciencia (1985): Faced with the excess of death, consciousness perceives the weakness of its willful affirmation, the one for which it feels itself unique and safe from all decrepitude. Adúriz was one of the fundamental figures in my artistic training. And apparently he still is. Musically, this cycle of works abounds in harmony of chords by fourths in a minimalist neoclassical aesthetic. The way of working texturally with the piano as an instrument - my instrument - highlights the pedal, the resonances, the third dimension of sound. These seven somewhat abstract pieces were composed at the end of 2019 in and around Bremen, in several cases with my new-born daughter Laura in my arms, trying to put her at to sleep and staying asleep. This explains the cautious nature of the music and its prudent dynamics that never reach a mezzoforte. There were several unsuccessful attempts to release this recording (initially planned for September 2020, at the beginning of autumn in the northern hemisphere). Finally, the album will be released (on Spotify and other streaming platforms) on 22 April 2022, coinciding with what would be my father's 103rd birthday. It is also autumn but in the southern hemisphere. Recorded on a Steinway B grand piano (serial number: 568208) at the Musikschule Bremen (Germany) with two Neumann KM-184 microphones. Recording and mastering technician: Alexander Derben. For the artwork, the impressive photographer and visual storyteller Leon Drago, from London, has kindly authorised the use of his photograph Pathway, The Garden House and Pergola, Hampstead Heath extension, London. The recording of Colores de un otoño incipiente (with the composer on piano) can be found here: Colores de un otoño incipiente - piano
$5.00
Schumann - Knecht Ruprecht in A Minor - Intermediate
Schumann - Knecht Ruprecht in A Minor - Intermediate
#
Piano solo
#
INTERMEDIATE
#
Robert Schumann
#
Piacere Music Sheets
#
Schumann - Knecht Ruprecht in
#
Piacere Music Sheets
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1352491 Composed by Robert Schumann. Arranged by Piacere Music Sheets. Chamber,Children,Christmas,Instruc...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1352491 Composed by Robert Schumann. Arranged by Piacere Music Sheets. Chamber,Children,Christmas,Instructional,Standards. Score. 4 pages. Piacere Music Sheets #937301. Published by Piacere Music Sheets (A0.1352491). Opus/Catalog Number: Op. 68, No. 12Key/Tone: A minorYear/Date of Composition: 1848Difficulty: Grade 8/12 (Intermediate)Obs.: This energic piece is the twelfth of 43 short piano pieces in Robert Schumann's Album for the Young.Note: in measure 28, many editions have B3 as the last note of the left hand. However, Schumann's autograph shows a B3 that was scratched out and replaced with the D4.The character Knecht Ruprecht is also known as Servant Ruprecht.Ruprecht travels with Santa Claus, carrying with him a rod and a sack. He is sometimes dressed in black rags, bearing a soot-blackened face and unruly black hair.According to the legend, the children are summoned to the door to perform tricks, such as a dance or a song to show Santa and Ruprecht that they were good children throughout the year. Those who performed badly would be beaten soundly by Servant Ruprecht, and those who performed well were given a gift or some treats. Those who preformed very badly or had committed other misdeeds during the year were put into Ruprecht's sack and taken away to Ruprecht’s home in the Black Forest.
$6.95
Three Homages [piano solo]
Three Homages [piano solo]
#
Piano solo
#
INTERMEDIATE
#
Juan MarÃa Solare
#
Three Homages [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.596596 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.596596 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527. Published by Juan Maria Solare (A0.596596). Three Homages for piano solo1 - Seduce us badly (to Claude Debussy)2 - Ave Verdi (to Giuseppe Verdi) 3 - Schubertango (to Franz Schubert)Three Homagesfor piano solo1) Seduce us badly is an anagram of Claude Debussy. Stephen Porter's project Re-Imagining Debussy required the work to interact in some way with the music or compositional spirit of Debussy. I answered by using some of his technical devices: chords parallelisms, whole-tone scales, brief melodic shapes, central notes and a broad multi-layered texture. 2) Ave VerdiA miniature composed on the death-day of Verdi (27th January 2013). The piece is based on the 7-tone scala enigmatica used by Giuseppe Verdi in his Ave Maria (1889, first from Quattro Pezzi Sacri) and its complement (the missing 5 notes), treated as twelve-tone field. The piece is dedicated to that other Giuseppe: Lupis. The scala enigmatica: [Do - Reb - Mi - Fa# - Sol# - La# - Si] Complement: [Re - Mib - Fa - Sol - La]Original Tone Row: 0 1 4 6 8 10 11 2 3 5 7 9 3) SchubertangoTango music has more to do with Franz Schubert than with any other classical composer. Harmonies and types of melody are extremely similar. Such similarities cease, at the latest, when we come to rhythm. This miniature shows how Schubert's melodies can be flawlessly integrated into the musical language of tango. If one doesn't know the original pieces, you will not even recognize at all that there is a quotation. In the score, the composer kindly tags the sources of the quotations; nevertheless, there is also a hidden quotation (or rather an allusion) that doesn't stem from Schubert: it is the chord progression (not the melody) of a very well known tango of the modern era. Do you find it? The Schubertango was composed in Bremen (Germany) on 28 November 2014 and has a duration of 1 minute. The piece is dedicated to pianist Stephen Porter, in the frame of his project Re-Imagining Schubert, hosted by Vox Novus (New York City) and their cycle Fifteen Minutes of Fame. Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (contemporary & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Find his music on Spotify, Apple Music, Napster, etc. https://sptfy.com/jmsolare 
$3.00
Aphelion
Aphelion
#
Piano solo
#
INTERMEDIATE
#
Contemporary
#
M
#
Aphelion
#
M.Y Owusu
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194). Aphelion is one of my few pieces that's meant to tell a story and it's not incredibly specific, but here is the story of Aphelion. However, the definition of aphelion first is incredibly important.aphelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun.And it's very important to know the definition of its absolute antonym: perihelion.perihelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun.These are terms used in astronomy to describe a celestial object's extreme distance from the sun. I'm using this to describe a relationship between two people. The type of relationship does not matter, it is simply just a relationship. However, you perceive it: platonic, romantic, etc.That is up to your interpretation.Aphelion follows the story of two people, with the start of the piece not actually being the aphelion, but however the perihelion, starting in D Major.It highlights their relationship as perfect, well-rounded, and flawless relationship. Some may call it a honeymoon era/phase or just the possible closest two people could be, i.e the perihelion.Then the two slowly drift away, with a shift to B Minor and D Minor. Issues, flaws, and problems that weren't there before begin to appear. These issues are quickly shoved under the rug, and the two pretend that they are nonexistent. The piece shifts back to D major incredibly quickly, however, there is a slight sense of uneasiness within the piece that I intended to create as it goes through this relationship that is clearly rocky, but it isn't being addressed because neither are choosing to communicate these issues.Then, the mysterious part hits very quickly, this is the aphelion. following a D Minor chord progression, then a shift into D minor itself. This part is where the relationship issues reach a boiling point, neither can stand the other and any attempt to resolve the issues is essentially useless. They stay in a toxic relationship. However, it's labeled as mysterious because the future is an absolute mystery to the two. They don't know what will happen. Then, one confronts the other, they choose to genuinely communicate.It's where the shift back to D Major occurs. They finally come to an understanding. At this point, they can choose to stay in the relationship, and work on the issues, or come to an understanding that it might not work from here, because a relationship takes two. There is a sense of peace, they are finally at peace with one another and their situation. Life can continue moving on, and the piece ends on an A Major chord. This is because A Major can be interpreted as one finally becoming content.That is the story that I intended to tell by writing Aphelion.
$5.00
Lucky Nucky's RagTime Two-step
Lucky Nucky's RagTime Two-step
#
Piano solo
#
INTERMEDIATE
#
Paul Taylor
#
Lucky Nucky's RagTime Two-step
#
Paul Taylor
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1207731 Composed by Paul Taylor. Jazz,Pop,Ragtime,Singer/Songwriter,Traditional. Score. 3 pages. Paul Tay...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1207731 Composed by Paul Taylor. Jazz,Pop,Ragtime,Singer/Songwriter,Traditional. Score. 3 pages. Paul Taylor #805857. Published by Paul Taylor (A0.1207731). A rag written in the dance style of the Two-step popular in the late 1800's . This was the composer's go to piece back in the day when pianists still had to win crowd approval or else get bumped by another pianist. These afterhours places were at bars, store basements or else somebody's house and our pay was exclusively through tips. Tempo shouldn't be too fast due to the dance pattern of step-together-step. Also, pianists are encouraged to use as much or as little pedal as they feel is appropriate. Also, stomping the right pedal on the piano is encourage in order to keep a strong beat as Scott Joplin demonstrated in some of his rags.
$1.99
Four a Mentor
Four a Mentor
#
Piano solo
#
INTERMEDIATE
#
Daniel Burwasser
#
Four a Mentor
#
Head and Stem
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1330331 Composed by Daniel Burwasser. 20th Century,Contemporary. Score. 7 pages. Head and Stem #918212. P...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1330331 Composed by Daniel Burwasser. 20th Century,Contemporary. Score. 7 pages. Head and Stem #918212. Published by Head and Stem (A0.1330331). These four piano pieces were compiled as a set and dedicated to the memory of David Del Tredici. The idea for Four a Mentor was sparked by the recent death of the composer, David Del Tredici with whom Burwasser studied while working toward completing his Ph.D. in composition at the CUNY Graduate School. When hearing of his passing, Burwasser immediately searched for some old pieces he had written under Del Tredici's tutelage during the late 1980s. He unearthed two pieces which were composed with him, “Mini Waltzâ€, when Burwasser was tasked to write a piece in the style of Chopin, and a short, jazzy arrangement of the 19th-century Christian hymn and Christmas carol, “O Come, O Come, Emmanuelâ€. The other two works while not directly associated with Del Tredici, were composed during the same era. “Lullaby†was written in honor of the birth of a friend’s niece. The “Preludeâ€, originally named “Title Sequenceâ€, was based on a film project the composer was working on that never came to fruition (like “Three Shades of Lennyâ€). All four pieces have been minimally revised. .
$12.00
Sonata Hymnica No. 5
Sonata Hymnica No. 5
#
Piano solo
#
INTERMEDIATE
#
James Siddons
#
Sonata Hymnica No. 5
#
James Siddons Music and Writings
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons M...
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672). Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion. Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues: On which the Prince of Glory dy’d, . . . See from His Head, his Hands, his Feet, Sorrow and Love flow mingled down! In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight. The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra. A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.
$9.50
<
1
26
51
76
