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Piano solo
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15 sheet music found
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1
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Claude Debussy: Prléude à L'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
$10.35 ≈
$14.11
Moon River - arranged for solo piano by Kerin Bailey
Moon River - - solo piano by Kerin Bailey
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Piano solo
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INTERMEDIATE/ADVANCED
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Jazz
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Neil Sedaka
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Kerin Bailey
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Moon River - - solo piano by K
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Kerin Bailey
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SheetMusicPlus
By Neil Sedaka. Arranged by Kerin Bailey. Solo Part. 6 pages. Published by Kerin Bailey...
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By Neil Sedaka. Arranged by Kerin Bailey. Solo Part. 6 pages. Published by Kerin Bailey
This is an elegant, light jazz, poco rubato arrangement of this evergreen standard.
It is pianistic and accessible—fitting beautifully under the hand.
Phrasing, chord symbols, fingering and pedal suggestions included.
The theme is of such quality it is stated simply, followed by a tasteful
variation from bar 41-64—like an improvisation.
The 1/16th note passage from bar 49-51 is sequential and in 5-finger positions.
The suggested fingering will aid fluency here.
A facility with octave chords is required from bars 65-69. The lower
8ve notes here could be omitted to accommodate smaller hands
without compromising the integrity of the arrangement.
Studious preparation will result in an impressive solo for recital or exam repertoire.
https://www.youtube.com/watch?v=V0Ac0otAnRM&ab_channel=KerinBailey
$5.99 ≈
$8.16
Pure Imagination (solo piano)
Pure Imagination (solo piano)
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Leslie Bricusse and Anthony N
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Rupert Austin
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Pure Imagination
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Rupert Austin
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Leslie Bricusse and Anthony Newley. Arranged by Rupert Austin. 9 pages. Published by Rupert Austin...
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Piano Solo - Advanced Intermediate - Digital Download By Leslie Bricusse and Anthony Newley. Arranged by Rupert Austin. 9 pages. Published by Rupert Austin
An arrangement for solo piano of the much loved song from the 1971 film Willy Wonka and the Chocolate Factory. A performance can be viewed at youtube.com/c/rupertaustin/videos.
The song is first presented in a gentle jazz ballad style (bars 1-24). The tempo then picks up for a swing exploration, at a relaxed tempo, of the song in bars 25-74. During bars 70-74 the tempo slows and the mood changes in preparation for a very different dream-like presentation of the song, where the melody is mostly played by the left hand with the right hand providing a rippling accompaniment that gently splashes across a wide range of the keyboard. In this section the accent marks in the score do not indicate strong accents, but indicate where moderate emphasis is required to bring out the melody above the surrounding accompaniment. In bars 99-115 the arrangement returns to the style of the opening. From bar 116 a coda takes the opening three notes of the melody and wistfully explores them in a chromatic and richly harmonized descent towards a peaceful close.
Performance duration is about 6 minutes, but shorter versions of the arrangement are possible such that the swing section or the dream section (or both) can be omitted, with directions for this marked in the score in bars 25 and 74.
Fingering suggestions are provided in many places, but these will not suit all hands and alternative effective fingerings are possible.
$7.00 ≈
$9.54
From the Bavarian Highlands Op. 27, 4 hands piano accompaniment
From the Bavarian Highlands Op. 27, 4 hands piano accompaniment
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Edward Elgar
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Jordi Castellà Bové
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From the Bavarian Highlands Op
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Jordi CastellÃ
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.841318 Composed by Edward Elgar. Arranged by Jordi Castellà Bové. Romantic Period. Score. 46 pages....
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Piano Solo - Level 4 - Digital Download SKU: A0.841318 Composed by Edward Elgar. Arranged by Jordi Castellà Bové. Romantic Period. Score. 46 pages. Jordi Castellà #4596943. Published by Jordi Castellà (A0.841318). 4 hands piano accompaniment of the choral version of From the Bavarian Highlands.Includes:1- The Dance2- False Love4- Aspiration5- On the Alm6- The Marksman.It doesn't include number 3 (Lullaby), which can be downloaded from the following public domain link:https://imslp.org/wiki/Special:ImagefromIndex/07978/rfpgIt also doesn't include the choral score.
$19.99 ≈
$27.25
Prelude in G minor "Military" of Rachmaninoff for piano solo
Prelude in G minor "Military" of Rachmaninoff for piano solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Sergei Rachmaninoff
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Michael Bomier
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Prelude in G minor "Military"
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862662 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Concert,Romantic Period,...
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Piano Solo - Level 4 - Digital Download SKU: A0.862662 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Concert,Romantic Period,Standards. Score. 6 pages. Michael Butkus-Bomier #3619809. Published by Michael Butkus-Bomier (A0.862662). the Prelude in G minor, the Military did indeed inspire the Russian troops against the Nazi invasion. there is classic film footage of a young Emil Gilels playing the piece on a flatbed truck on an active airfield, with planes buzzing 'round. WOW! Well, our aim is not to shoot'em down, but to make music, so here is our revision of this classic two-handed unison work. In the original, the right and left are both jumping constantly, making the same music, but having to leave and leap on each 1/8-note. Our setting keeps all the melody, and all the chords intact, whilst re-distributing the same pitches to one or the other hand, not both. Some inversions have been changed to triads, or to the same inversion in both hands. Also, the LH arpeggiated accompaniment in the middle section has precisely 1/2 the notes of the original, while preserving the harmony being expressed. So, hear it on the MP3 and see how good an impression this resetting makes. The inner 2nd melody of the middle section is still outlined with parentheses, so as not to be missed. MBB.
$2.99 ≈
$4.08
Etude Op.25 No.1 in Ab major "Aeolian Harp" of Chopin
Etude Op.25 No.1 in Ab major "Aeolian Harp" of Chopin
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Piano solo
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INTERMEDIATE/ADVANCED
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Chopin, F
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Michael Bomier
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Etude Op.25 No.1 in Ab major "
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862690 Composed by Chopin, F. Arranged by Michael Bomier. 20th Century,Concert,Instructional,Romantic Per...
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Piano Solo - Level 4 - Digital Download SKU: A0.862690 Composed by Chopin, F. Arranged by Michael Bomier. 20th Century,Concert,Instructional,Romantic Period,Standards. Score. 6 pages. Michael Butkus-Bomier #3865093. Published by Michael Butkus-Bomier (A0.862690). The Chopin etudes are the Romantic era pinnacle of technical demands inextricably intertwined with artistic expression. Thus, knowing them is like knowing any basic, essential level information that makes one a part of A Larger World. So, to accommodate those persons with an average hand and technique, we offer this version.The main feature that is Missing from our rendition is the change of direction in each measure in the right hand. We have opted for a uniformly contrary-motion concept throughout. The span of each hand, which originally overlapped several times, has here been re-configured to keep the hands from doing so, whilst retaining all the harmony and motion of the original. The tune is original, of course. The duple-triple opposition is notated with dots and flags, rather than using a 2 against 3 presentation. Fingerings are offered. New version as of 4/23/19 with better editorial detail and error corrections. Full-length, original key, how could it be otherwise here! MBB
$2.99 ≈
$4.08
Awakening (Piano Solo with Optional Countermelody)
Awakening (Piano Solo with Optional Countermelody)
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Piano solo
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INTERMEDIATE/ADVANCED
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Odette Bilby
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Awakening
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Partita Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1196944 By Odette Bilby. By Odette Bilby. Chamber,Contemporary,Film/TV,Holiday,Instructional. Score. 3 pa...
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Piano Solo - Level 4 - Digital Download SKU: A0.1196944 By Odette Bilby. By Odette Bilby. Chamber,Contemporary,Film/TV,Holiday,Instructional. Score. 3 pages. Partita Music #796103. Published by Partita Music (A0.1196944). A haunting melody with a hypnotic waltz rhythm, this piece will transport your listeners. Enhance it further by adding another instrument, to play the optional, but very beautiful, countermelody. (The recording uses a string sound on an electric piano.) The piano part is in C minor/E-flat major with many sequential patterns. Includes a big climax and gentle ending. Approx. Grade 6 (UK) standard, on 3 pages. 1'50 duration. Suitable for smaller hands.
$2.99 ≈
$4.08
Oh My Goodness
Oh My Goodness
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Joy Gilmore
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Oh My Goodness
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Joyful Sound Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.906759 Composed by Joy Gilmore. Contemporary. Score. 6 pages. Joyful Sound Music #4616227. Published by J...
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Piano Solo - Level 4 - Digital Download SKU: A0.906759 Composed by Joy Gilmore. Contemporary. Score. 6 pages. Joyful Sound Music #4616227. Published by Joyful Sound Music (A0.906759). About this song:One of my students loves a song of mine, titled, Holy Moly Wow Wow Wow. She told me that I should write another song called, Oh! My Gosh or Oh! My God. I said I would think about it. Later, I felt as if it was strange to have God’s name in the title, so this is the reason why I changed the title to Oh! My Goodness.This is a light, lively song. It is especially for the teen.From ms. 1 to 4, both hands are following the syllables of Oh! My Good-ness with the triads going down from A to G to F and E. The triad movement makes a sound of surprise like a scream.Watch for the coordination between the two hands on ms. 10, 14, 18,In ms. 28 and 29, the same two measures appear again with different fingering.The tempo control on this song is very important. Make sure not to drag or speed up in the middle of the song.This PDF is designed for two-sided printing. It is going to look like a sheet music book. This is the reason why there is one blank page in some of the songs. You can also just print the sheet music pages only.
$2.99 ≈
$4.08
ISADAR - The Journey (complete collection)
ISADAR - The Journey (complete collection)
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Piano solo
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INTERMEDIATE/ADVANCED
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New Age
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Isadar
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ISADAR - The Journey
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published by Mainya Music Publishing (BMI) (A0.1224308). Sounds like:  Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContents: 1. Joyful Running 2. Fountain Of Life 3. Voice Of God (Thanksgiving) 4. Pocket Change 5. The Journey 6. Smoke Signals 7. Horseman's Thrill Ride 8. End Of The LineAlbum & Songbook review by:  Kathy Parsons (MainlyPiano.com):Isadar’s fourth solo piano album is a blend of smooth jazz and new age stylings, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album.The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording.  A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players.  Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier.  None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands.  My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line.Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player piano.
$49.99 ≈
$68.14
Shape Of You
Shape Of You
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Piano solo
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INTERMEDIATE/ADVANCED
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Pop music
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Ed Sheeran
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Bernardo Pereira
#
Shape Of You
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Bernardo Pereira
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.745522 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Co...
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Piano Solo - Level 4 - Digital Download SKU: A0.745522 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Pop,R & B,Singer/Songwriter. Score. 6 pages. Bernardo Pereira #353441. Published by Bernardo Pereira (A0.745522). This arrangement is a version for advanced-intermediate piano of the Pop and R&B song Shape Of You. The singer and songwriter Ed Sheeran performs the song. It presents main intro with the main Latin rhythm played by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The chord progression of C♯m–F♯m–A–B is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material. Fingering suggestions and chord symbols are available throughout the arrangement.
$4.99 ≈
$6.80
Shape Of You
Shape Of You
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Ed Sheeran
#
Bernardo Pereira
#
Shape Of You
#
Bernardo Pereira
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1039558 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka C...
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Piano Solo - Level 4 - Digital Download SKU: A0.1039558 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Multicultural,Pop,R & B,Wedding,World. Score. 6 pages. Bernardo Pereira #644475. Published by Bernardo Pereira (A0.1039558). This arrangement of Shape Of You is a is a transposed version in E minor. It presents the main intro with the main rhythmic pattern by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The main chord progression is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material.
$4.99 ≈
$6.80
Shape Of You
Shape Of You
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Ed Sheeran
#
Bernardo Pereira
#
Shape Of You
#
Bernardo Pereira
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1037005 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka C...
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Piano Solo - Level 4 - Digital Download SKU: A0.1037005 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Multicultural,Pop,R & B,Wedding,World. Score. 6 pages. Bernardo Pereira #641982. Published by Bernardo Pereira (A0.1037005). This arrangement of Shape Of You is a is a transposed version in D minor. It presents the main intro with the main rhythmic pattern by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The main chord progression is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material.
$4.99 ≈
$6.80
Shape Of You
Shape Of You
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Ed Sheeran
#
Bernardo Pereira
#
Shape Of You
#
Bernardo Pereira
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1037437 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka C...
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Piano Solo - Level 4 - Digital Download SKU: A0.1037437 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Multicultural,Pop,R & B,Wedding,World. Score. 6 pages. Bernardo Pereira #642406. Published by Bernardo Pereira (A0.1037437). This arrangement of Shape Of You is a clean sheet music without chords symbols and fingerings. It is also transposed version in D minor. The arrangement presents the main intro with the main rhythmic pattern by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The main chord progression is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material.
$4.99 ≈
$6.80
Shape Of You
Shape Of You
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Ed Sheeran
#
Bernardo Pereira
#
Shape Of You
#
Bernardo Pereira
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1037001 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka C...
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Piano Solo - Level 4 - Digital Download SKU: A0.1037001 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Multicultural,Pop,R & B,Wedding,World. Score. 6 pages. Bernardo Pereira #641978. Published by Bernardo Pereira (A0.1037001). This arrangement of Shape Of You is a transposed version in A minor. It presents the main intro with the main rhythmic pattern by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The main chord progression is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material.
$4.99 ≈
$6.80
Shape Of You
Shape Of You
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Ed Sheeran
#
Bernardo Pereira
#
Shape Of You
#
Bernardo Pereira
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1037434 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka C...
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Piano Solo - Level 4 - Digital Download SKU: A0.1037434 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Bernardo Pereira. Hip-Hop,Latin,Multicultural,Pop,R & B,Wedding,World. Score. 6 pages. Bernardo Pereira #642403. Published by Bernardo Pereira (A0.1037434). This arrangement of Shape Of You is a clean sheet music without chords symbols and fingerings. It is also transposed version in A minor. The arrangement presents the main intro with the main rhythmic pattern by both hands (bars 1-4). The main theme of the intro consists of double notes in the right-hand. Most of them sixths. The bass line in the left hand follows the percussive swing in the right hand. The verse features the main melody in the right hand with some passing and neighbor tones in determinate points. The main chord progression is present in the left-hand with leaps alternating between the bass and chord notes. On the second verse and the chorus, the melody has notes that fill the harmony on the second layer (bars 13-36). The leaps in the left hand are maintained. Then, the same structure from the first verse returns on the first ending and go back to second verse on page 2. In the bridge (bars 45-48), the main melody is in octaves with a pedal point on the left hand. Afterwards, the intro material played in the left-hand (bars 49-53) replaces the pedal point. In the final section, the chorus reappears and later the bridge material dialogues with the last fragment of the chorus (bars 54-69). At the end of the song, the intro material is recollected (bars 70-73). In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the percussive sway of the intro material.
$4.99 ≈
$6.80
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