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At Voice, Easy piano
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Piano solo
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3 sheet music found
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1
Minimalist Tribute to Darius Milhaud for Piano Solo from Three Minimalist Tributes
Minimalist Tribute to Darius Milhaud for Piano Solo from Three Minimalist Tributes
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Piano solo
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INTERMEDIATE/ADVANCED
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Michael Bomier
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Minimalist Tribute to Darius M
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862537 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-B...
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Piano Solo - Level 4 - Digital Download SKU: A0.862537 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2033827. Published by Michael Butkus-Bomier (A0.862537). Darius Milhaud was NOT a member of the insider's group of Old Guard French composers, epitomized by Debussy and Ravel. Ravel had usupred Debussy's place as the pre-eminent modernist, and he rightly understood it was the duty of the next generation to rebel against his own work, and find their own ways and voices. Hence, Les Six was formed to accomplish this, just as Ravel's Les Apaches, ( not a Native American meaning, but a general reference to being musical warriors) had, by turns, admired, undermined, and then surpassed Debussy. The music here uses Milhaud's best-known contribution to modernity, bi-tonality. It takes the form of arpeggiated augmented major 7th chords played against each other: as the relationship between the chords comes to the tritone, each iteration slows down, but only to De-Emphasize the stark contrast, rather than bring it out. A second section uses mirrored, symmetrical patterns in each hand. The finale concludes with plain triads juxtaposed in a bi-tonal fashion, with the same contrary motion towards the tritone using a ritard and diminuendo. Approx. running time is 4 mins 30 secs. Easy to play, easy to read, not as easy to hear! Pedaling is fully indicated throughout. Debussy never used bi-tonality, and Ravel hinted at it a few times, but it was Milhaud's stock-in-trade. We'll see you on the Roof, with the Cows! Thanks for listening to ( and buying, and playing?! )these three updated French bon-bons. MBB.
$2.50 ≈
2.24€
F. Schubert Two Impromptus, Op. 90, Nos 3, 4 in Gb, Ab, for Piano Solo
F. Schubert Two Impromptus, Op. 90, Nos 3, 4 in Gb, Ab, for Piano Solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Franz Schubert
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Michael Bomier
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F. Schubert Two Impromptus, Op
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862644 Composed by Franz Schubert. Arranged by Michael Bomier. Classical,Instructional,Romantic Period. S...
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Piano Solo - Level 4 - Digital Download SKU: A0.862644 Composed by Franz Schubert. Arranged by Michael Bomier. Classical,Instructional,Romantic Period. Score. 18 pages. Michael Butkus-Bomier #3538691. Published by Michael Butkus-Bomier (A0.862644). Franz Schubert wrote many piano pieces for concert performers and are accessible to students seeking a repertoire. These two pieces have maintained themselves in the rep since their inception. All-original notes, but NO pagebacks, facing pages that make for easy pageturns, and notation that emphasizes what you must play when, and not multiple voices or less relevant detail, as is so often presented in scholarly editions. Both with pedaling throughout, at the performer's discretion. Tempos marked are modest, and each piece can go faster if you are able. Audio sample is No. 3 in Gb. Dynamic range is wide, so set your speakers to a low volume, to accomodate the crescendos. MBBMBB / GateWay Editions.
$5.99 ≈
5.37€
Passacaglia
Passacaglia
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Passacaglia
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.873027 Composed by Sally Whitwell. Contemporary. Score. 5 pages. Sally Whitwell #3867219. Published by Sa...
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Piano Solo - Level 4 - Digital Download SKU: A0.873027 Composed by Sally Whitwell. Contemporary. Score. 5 pages. Sally Whitwell #3867219. Published by Sally Whitwell (A0.873027). At the end of July 2016, I was in my hometown Canberra for a job interview. I was sick as a dog with laryngitis for the interview and audition. Imagine me trying to take a choir rehearsal with no voice? It was never going to happen for me and I was feeling pretty sorry for myself. Halfway back to Sydney on the bus, I get a text from my dear friend Emma. I don’t remember the exact words, but the gist of it was No easy way to say this. We lost Jeff today. Jeff being Emma’s beloved husband and all round awesome human. It was truly devastating. I didn’t know what to do. I felt terribly guilty for thinking of myself and my employment failure all day instead of thinking of Emma and Jeff, even though that was completely irrational. Didn’t want to call because I knew she’d have enough stuff to deal with. Couldn’t turn around cos Public Transport. Had lost the ability to formulate sentences because in that situation, there are no words. So I fell back into the place where I express most clearly. Music. And into my native habitat, the piano. Passacaglia came flowing out very quickly. I hardly stopped to edit. Normally I would try to plan a composition a bit, so that it’s structurally sound. I didn’t do that but somehow it just emerged fully formed. I sent it to Emma who asked if I could come and perform it at the memorial service. But I couldn’t make it to the memorial. And you know what the saddest thing is? I can’t even now remember why, which means it can’t have actually been that important. Instead I created an electronic file of the piece, with more sounds than just piano. I hope it worked ok. Emma told me later that after the funeral when she suddenly found herself alone, she just played it over and over again on repeat. So I guess it did its job, but now it’s ready to make its own way in the world in its original version for solo piano. I hope it can bring some solace to others in grief
$2.99 ≈
2.68€
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