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7 sheet music found
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1
Let Us Break Bread Together
Let Us Break Bread Together
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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Anonymous
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Paul Thurmond
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Let Us Break Bread Together
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.828261 Composed by Anonymous. Arranged by Paul Thurmond. Christian,Gospel,Sacred,Spiritual. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.828261 Composed by Anonymous. Arranged by Paul Thurmond. Christian,Gospel,Sacred,Spiritual. Score. 4 pages. Paul Thurmond #4969095. Published by Paul Thurmond (A0.828261). Tune: LET US BREAK BREADUse: Prelude, Offertory, CommunionThis song is an African-American spiritual. Some of the text may date back as far as the 18th century. Although it has been used in communion since at least the Civil War, that may not have been its original intent.I have heard lectures given by researchers who claim that many African-American spirituals contain coded messages, intended for slaves, about secret meetings, clandestine worship services, and escape plans. Some songs are even said to contain maps.The texts are innocuous on the surface, so as to not alert the slave owners. Some of the double meanings seem obvious in retrospect:When Israel was in Egypt land,Let My people go.Oppressed so hard they could not stand,Let My people go.And:Steal away, steal away, steal away to Jesus!Steal away, steal away home. I ain’t got long to stay here.In Let Us Break Bread Together, this curious line may have a double meaning:When I fall on my knees, with my face to the rising sunCommunion needn’t take place at daybreak, nor while facing east. The lyrics could be a pointer to a specific time and place for a prohibited meeting.Whatever its original meaning, this and many other African-American spirituals are now an important part of many worship traditions.
$4.99 ≈
$6.88
Nocturne or Notturno in C major, Op.54 no.4 ALL original notes
Nocturne or Notturno in C major, Op.54 no.4 ALL original notes
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Piano solo
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INTERMEDIATE/ADVANCED
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Grieg, E
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Michael Bomier
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Nocturne or Notturno in C majo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862694 Composed by Grieg, E. Arranged by Michael Bomier. Romantic Period,Standards,Wedding. Score. 6 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.862694 Composed by Grieg, E. Arranged by Michael Bomier. Romantic Period,Standards,Wedding. Score. 6 pages. Michael Butkus-Bomier #4292477. Published by Michael Butkus-Bomier (A0.862694). This fine piece, well-known to players at the high-school, college and concert level, has some serious notational idiosyncrasies in its typical editions. 4/4 time , sometimes 12/8, and duplets and triplet interspersed, with stem conflicts abounding. Not so our GateWay Edition version, which has NO omissions from the original. We have endeavored to make the syncopation MUCH more clear to see, read, and thus, to play. Each beat has been turned into a 3/4 measure, and thus the melody emerges from the tangle of the traditional rhythmic notation. Double-stems OR accents show the tune. LH and RH indications may be altered or reversed, take Grieg's or try ours. original key, full-length, as are ALL GateWay Editions masterworks. MBB .
$2.25 ≈
$3.10
R. Nathaniel Dett - Dance (Juba) for solo piano
R. Nathaniel Dett - Dance (Juba) for solo piano
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Piano solo
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INTERMEDIATE/ADVANCED
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R
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Music for a While
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R. Nathaniel Dett - Dance
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Music for a While
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.914175 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,...
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Piano Solo - Level 4 - Digital Download SKU: A0.914175 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,Romantic Period. Score. 6 pages. Music for a While #6411603. Published by Music for a While (A0.914175). Dance (Juba) is the fifth piece from Dett’s piano suite In the Bottoms (1913) and was one of his most well known pieces. The work was performed and recorded by Percy Grainger, a fact that was used as marketing on the cover of the 1918 publication by Clayton F. Summy Co., Chicago. About the work, Dett wrote:Juba is a social group-dance that involves stamping on the ground with the foot and following it with two staccato pats of the hands in two-four time. At least one-third of the dancers keep time in this way, while the others dance. Sometimes all will combine together in order to urge on a solo dancer to more frantic (and at the same time more fantastic) endeavours. The band usually consists of a single fiddler perched high on a box or table; who, forgetful of self in the rather hilarious excitement of the hour, does the impossible in the way of double stopping and bowing. A word of warning in regard to the tempo. Do not take it too fast! Much of the dancing in the river bottoms is done with a grace and finish that a Presto tempo never could suggest.R. Nathaniel Dett
$1.99 ≈
$2.74
Dust In The Wind
Dust In The Wind
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Piano solo
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INTERMEDIATE/ADVANCED
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Rock
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Kansas
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Elena Fortin
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Dust In The Wind
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.744626 By Kansas. By Kerry Livgren. Arranged by Elena Fortin. Rock. Score. 6 pages. Elena Fortin #5727089...
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Piano Solo - Level 4 - Digital Download SKU: A0.744626 By Kansas. By Kerry Livgren. Arranged by Elena Fortin. Rock. Score. 6 pages. Elena Fortin #5727089. Published by Elena Fortin (A0.744626). DUST IN THE WIND - By Kerry LivgrenArranged by Elena Fortin for Intermediate - Early Advanced PlayersThe group Kansas made a recording of this song by Kerry Livgren. The popularity of the song has stood the test of time. The lyrics refer to how quickly time passes and is a lovely reminder to take each day as it comes and make the most of it.The arrangements I am working on this year are songs that I consider to be important. This song is one of my favourites--I loved the Kansas version of it--with the violin, voice, and two guitars.My arrangement is written in 4/4 time with an almost constant left hand arpeggio bass as a nod to the guitar arrangement. The verse and chorus are repeated three times, each time a little bit differently and explores the full range of the piano. I write this for intermediate to early advanced players--it is a good challenge! There are tricky double-note passages, and some interesting syncopated rhythms. There are full four-note chords in some areas and you need a quick left hand to make some of the harmonic changes!You can check out my other arrangements on my publisher page: https://www.sheetmusicplus.com/search?Ntt=Elena+fortin or come and visit me at my website https://www.the-piano-studio.comYou can see some of my work on my YouTube channel (the-piano-studio.com)
$4.99 ≈
$6.88
The Raymond Variations for Piano (Set 1)
The Raymond Variations for Piano (Set 1)
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Piano solo
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INTERMEDIATE/ADVANCED
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S
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these include a
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The Raymond Variations for Pia
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S. G. Potts
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #3512109. Published by S. G. Potts (A0.499760). The Raymond Variations for Piano (Set 1), received its world premiere on 2nd December 2015 at the 1901 Arts Club London, performed by Lorraine Womack-Banning as part of a memorial tribute concert to her late husband Raymond Banning (former professor of pianoforte at Trinity College London). The Variations are based on the three Andantino themes which form a central part of the ‘Raymond Overture’ written in 1851 by French composer Ambroise Thomas: 1811-1896. There are nine piano variations in total; these include a mix of both full and short partial variations (including a very short declamatory two chord introductory variation). The variations are not numbered or set-apart in a conventional manner, rather they form part of a continuous whole, and are separated only by bridge passages and/or cadence points; they last a little under eight minutes in duration, and strongly exploit the passionate elements of Thomas’s themes. They have been written for the most part in an accessible tonal style (with a passing nod to Messrs. Beethoven and J.S. Bach) and are based predominately in the home key of D minor, but they do also take advantage of many 20th and 21st century harmonic techniques where deemed appropriate: e.g. added note chords; cluster chords; percussive chords, and melodic deflection. In particular, the interval of the major 7th and its enharmonic equivalent(s) (the most distinctive interval in the main andantino theme from the overture) is heard in various different guises throughout the variations: this includes its inversion the minor 2nd which has a very distinctive sharp dissonant quality. Much play is made of these intervals – to somewhat humorous effect in variation 8 (the joker in the pack) heard some three quarters into the set, here the dissonant interval is pounded out double forte before hastily leading into some boisterous cluster harmonic instability; then quietly begins variation 9 which duly brings the set to a close. Look out for the sting in the tail!
$9.99 ≈
$13.77
Away in a Manger
Away in a Manger
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Piano solo
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INTERMEDIATE/ADVANCED
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Christmas
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James R
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Renee Hyche McKee
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Away in a Manger
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Renee H. McKee
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.835644 Composed by James R. Murray, Johannes Brahms, and William J. Kirkpatrick. Arranged by Renee Hyche ...
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Piano Solo - Level 4 - Digital Download SKU: A0.835644 Composed by James R. Murray, Johannes Brahms, and William J. Kirkpatrick. Arranged by Renee Hyche McKee. Children,Christian,Christmas,Concert. Score. 4 pages. Renee H. McKee #5995123. Published by Renee H. McKee (A0.835644). I never get tired of looking at the manger scene during the holidays and thinking about the way God chose to bring Himself into the world. The amazing story of Jesus’s mercy and forgiveness began for many of us in the songs of Christmas; I think Away in a Manger is the most innocent and tender of them all. Two melodies have been written for this song; I have used both tunes here, along with a touch of a famous lullaby you are certain to recognize! The double bar lines show where each Away in a Manger melody begins, and each section could be used as a tiny piece of music itself. As an entire piece it is beautiful as a Christmas-time prelude, offertory or a holiday recital piece for an advanced intermediate to advanced student. The simple lines of the melodies take turns being played by right and left hands with one instance of a hand crossing. A few fingerings are suggested in the various accompaniment patterns, and pedaling is left up to your sensitive ear. Large hands are not necessary to play this piece; a tender touch will make it glow. Allow the ending to linger...it will satisfy you and your listeners with a sense of peace.
$4.99 ≈
$6.88
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