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Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #...
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00 ≈
26.88€
ISADAR - The Journey (complete collection)
ISADAR - The Journey (complete collection)
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Piano solo
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INTERMEDIATE/ADVANCED
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New Age
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Isadar
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ISADAR - The Journey
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published by Mainya Music Publishing (BMI) (A0.1224308). Sounds like:  Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContents: 1. Joyful Running 2. Fountain Of Life 3. Voice Of God (Thanksgiving) 4. Pocket Change 5. The Journey 6. Smoke Signals 7. Horseman's Thrill Ride 8. End Of The LineAlbum & Songbook review by:  Kathy Parsons (MainlyPiano.com):Isadar’s fourth solo piano album is a blend of smooth jazz and new age stylings, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album.The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording.  A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players.  Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier.  None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands.  My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line.Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player piano.
$49.99 ≈
46.33€
Bagatelle (vol. 1)
Bagatelle (vol. 1)
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Mario Totaro
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Bagatelle
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Preludio s.r.l.
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.808952 Composed by Mario Totaro. 20th Century,Contemporary. Score. 44 pages. Preludio s.r.l. #6140709. Pu...
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Piano Solo - Level 4 - Digital Download SKU: A0.808952 Composed by Mario Totaro. 20th Century,Contemporary. Score. 44 pages. Preludio s.r.l. #6140709. Published by Preludio s.r.l. (A0.808952). Six Bagatelles for piano written by italian composer Mario Totaro.In the summer of 2016 Preludio asks the composer Mario Totaro to write some pieces for piano intended for sync advertising, movies and television. However, in the publisher’s intention, these pieces would have to possess a number of specific features: simplicity, neutral expressivity, positivity, in order to be functional to the objective. Mario Totaro accepted the challenge, and the five bagatelles published in this volume are his personal «answer».Maintaining a balance between individuality and business needs can be very difficult, as it can be hard to reach a certain level of «acceptability» in this field. Difficult, but not impossible. Yet such a challenge can also be as stimulating as amusing experience. Moreover, these bagatelles prove it: despite being quite simple, they reveal a care for detail and a significant daintiness; they are indeed expressive, but they refer to the imagination of their author; finally, they are functional to their purpose without showing it, as too often happens to a certain type of «musical wallpaper» to which we are accustomed. In short, Totaro can measure out all the elements without sacrificing his compositive personality or artistic integrity, and this is definitely a goal that not all composers (sometimes even the biggest) can achieve.
$19.99 ≈
18.53€
The Island
The Island
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Jesse Holan
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The Island
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Jesse Holan Enterprises
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1026725 Composed by Jesse Holan. 20th Century,Concert,Contemporary. Score. 3 pages. Jesse Holan Enterpris...
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Piano Solo - Level 4 - Digital Download SKU: A0.1026725 Composed by Jesse Holan. 20th Century,Concert,Contemporary. Score. 3 pages. Jesse Holan Enterprises #6359527. Published by Jesse Holan Enterprises (A0.1026725). The Island is the sister vignette another piano piece I wrote, Fives, now focusing on color as a design principle instead of rhythm. Since sound is heard from 20 to 20k Hz and light is perceived from about 375 to 750 THz, there is a huge speed difference between the two kinds of waves, but overall, waves are waves. My synesthetic view of reality allows me to see pictures and colors when I hear tones. To me, C is White, Db is Orange, D is Yellow, Eb is Seafoam, E is Green, F is Brown, Gb is Red, G is Grey, Ab is Violet, A is Pink, Bb is Gold, and B is Blue. There is some logical flow to my chromatic rainbow, but admittedly it’s a little interpretive. It’s just what I see! Associating colors with notes is a personalized thing; two of my friends both have perfect pitch yet each perceive unique chromatic schemes in their minds for tones, which also differ from mine. This project shows how I use my mental color wheel to musically paint a stormy island sunset.
$4.99 ≈
4.63€
Nocturne No.1 in Bb major
Nocturne No.1 in Bb major
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Piano solo
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INTERMEDIATE/ADVANCED
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John Field
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Michael Bomier
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Nocturne No.1 in Bb major
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862666 Composed by John Field. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standard...
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Piano Solo - Level 4 - Digital Download SKU: A0.862666 Composed by John Field. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 5 pages. Michael Butkus-Bomier #3626721. Published by Michael Butkus-Bomier (A0.862666). NOCTURNE is a genre we associate with Chopin, of course, as well we should. Yet, this whole idea of music of the night did not originate with him, but with John Field. Clementi's sorely-tried apprentice and protege', and a confirmed alcoholic, moved from London and Clementi's captivity to spend his adulthood, short as it was, in Moscow, of all places. It was there he began to write his long series of romantic, ( small R? ) pieces, with simple vocalistic melodies, over an arpeggiated left-hand bass. This piece marks the beginning of the genre, and, as such, warrants the attention of everyone who admires Chopin's works. Our setting here uses chord symbols for every LH arpeggio, so that the player can get used to harmonic identification as the primary means of seeing and hearing the LH. All the ornamentation is written out, for stylistic clarity. As with so much classical music, a slow pace brings out lingering subtleties, while a faster one can create movement and excitement, if one has the technique! MBB .
$2.50 ≈
2.32€
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