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Lost In Love
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You've selected:
Lost In Love
avanced
Piano solo
Sheetmusic to print
13 sheet music found
<
1
Remembering Our Lost
Remembering Our Lost
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Piano solo
#
INTERMEDIATE/ADVANCED
#
New Age
#
Contemporary
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Gavin Koh
#
Remembering Our Lost
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Gavin Koh
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.874428 Composed by Gavin Koh. 20th Century,Concert,Contemporary,New Age. Score. 5 pages. Gavin Koh #42888...
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Piano Solo - Level 4 - Digital Download SKU: A0.874428 Composed by Gavin Koh. 20th Century,Concert,Contemporary,New Age. Score. 5 pages. Gavin Koh #4288827. Published by Gavin Koh (A0.874428). Remembering Our Lost is a sad piece about remembering someone we loved so dearly in life. It also contains a small waltz where we remember the good memories we had with the one we have lost. I had also composed this piece just immediately after a local actor, Aloysius Pang, had passed away in my country of Singapore and this song was in a way to commemorate his passing. Enjoy listening and leave comments on what you think about it. Follow the composer at https://www.facebook.com/gavinkoh1970
$3.99 ≈
£2.98
Hearts have Lost, On Russet Floors (No. 9), Leon Gray
Hearts have Lost, On Russet Floors (No. 9), Leon Gray
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Piano solo
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INTERMEDIATE/ADVANCED
#
Contemporary
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Leon Gray
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Hearts have Lost, On Russet Fl
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Leon Gray
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1011561 Composed by Leon Gray. 20th Century,Contemporary. Score. 7 pages. Leon Gray #6510809. Published b...
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Piano Solo - Level 4 - Digital Download SKU: A0.1011561 Composed by Leon Gray. 20th Century,Contemporary. Score. 7 pages. Leon Gray #6510809. Published by Leon Gray (A0.1011561). In his piano prelude, Hearts that have lost their own… Leon Gray explores the bittersweet melancholy of lost love, with a gently sad romance.
$3.99 ≈
£2.98
Lost in Love
Lost in Love
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Eric Bingham-Kumpf
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Lost in Love
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Eric Bingham-Kumpf
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1098812 Composed by Eric Bingham-Kumpf. 20th Century,Wedding. Score. 2 pages. Eric Bingham-Kumpf #702660....
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Piano Solo - Level 4 - Digital Download SKU: A0.1098812 Composed by Eric Bingham-Kumpf. 20th Century,Wedding. Score. 2 pages. Eric Bingham-Kumpf #702660. Published by Eric Bingham-Kumpf (A0.1098812).
$2.50 ≈
£1.87
Lost in Your Love
Lost in Your Love
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Piano solo
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INTERMEDIATE/ADVANCED
#
Ronald J
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Ronald J
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Lost in Your Love
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Ronald J Karle
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1494844 By Ronald J. Karle. By Ronald J. Karle. Arranged by Ronald J. Karle. Classical,Contemporary,Instr...
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Piano Solo - Level 4 - Digital Download SKU: A0.1494844 By Ronald J. Karle. By Ronald J. Karle. Arranged by Ronald J. Karle. Classical,Contemporary,Instructional. Score. 5 pages. Ronald J Karle #1071411. Published by Ronald J Karle (A0.1494844).
$5.99 ≈
£4.48
Lost in Wonder, Love, and Praise
Lost in Wonder, Love, and Praise
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Piano solo
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INTERMEDIATE/ADVANCED
#
Sacred music
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Mary McDonald
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Lost in Wonder, Love, and Prai
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Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Dramatic Hymn Settings for the Solo Pianist with optional Orchestra Trax (sold separately). Arranged by Mary McDonald. Sacred. Church Piano. 56 pages....
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Dramatic Hymn Settings for the Solo Pianist with optional Orchestra Trax (sold separately). Arranged by Mary McDonald. Sacred. Church Piano. 56 pages. Lorenz Publishing - Digital Sheet Music #9780834182615. Published by Lorenz Publishing - Digital Sheet Music
$22.95 ≈
£17.16
The End Of The World
The End Of The World
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Piano solo
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INTERMEDIATE/ADVANCED
#
Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Mus...
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Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99 ≈
£5.23
Echo
Echo
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Jeffrey J
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Echo
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Jeffrey J Torres
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1189581 Composed by Jeffrey J. Torres. Classical. Score. 6 pages. Jeffrey J Torres #789200. Published by ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1189581 Composed by Jeffrey J. Torres. Classical. Score. 6 pages. Jeffrey J Torres #789200. Published by Jeffrey J Torres (A0.1189581). This composition is a musical interpretation of Christina Rossetti's (1830-1894) poem “Echo†which she put to paper in 1854. In the text, the subject is reminiscing about lost love and their wishes for their lover to return to them in real life, or even in dreams, like an echo. They describe the memories of their love as something that shall always be a part of their life, much like the way it is in every heartbreaking relationship. The poem, and thus the music, is filled with the emotions of deep yearning, along with joy of memories past and hope- until it all fades away at the end and reality sets back in......Echo will be my featured compostion to celebrate International Piano Day on March 29th, 2023.
$5.00 ≈
£3.74
Meeting Place
Meeting Place
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Piano solo
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INTERMEDIATE/ADVANCED
#
Alex Turner and Miles Kane
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Isaac Regules
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Meeting Place
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Isaac Regules
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1494549 Composed by Alex Turner and Miles Kane. Arranged by Isaac Regules. 21st Century,Baroque,Pop,Rock,...
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Piano Solo - Level 4 - Digital Download SKU: A0.1494549 Composed by Alex Turner and Miles Kane. Arranged by Isaac Regules. 21st Century,Baroque,Pop,Rock,Singer/Songwriter. Score. 7 pages. Isaac Regules #1071136. Published by Isaac Regules (A0.1494549). Meeting Place (sometimes titled The Meeting Place) by The Last Shadow Puppets, is a standout track from their debut album The Age of the Understatement. The song blends symphonic pop, pop rock and baroque pop, creating a sound that feels nostalgic, haunting and cinematic. This piano solo arrangement of this piece captures the essence of the original, distilling its qualities into a format that allows for an intimate and expressive performance.The song, written by Alex Turner and Miles Kane, explores themes of love, loss, and the lingering impact of memories associated with a particular place. It tells the story of a man who, after a difficult breakup, finds himself reflecting on a relationship that was as fleeting as it was meaningful. The lyrics paint a vivid picture of a couple who, for a short time, found solace in their meeting place, even as they understood their time together was limited. The inevitable end of the relationship, initiated by the woman, leaves the man grappling with heartache and a profound sense of longing.As the man wrestles with his emotions, he is caught between wishing the relationship had never happened and being unable to forget it. The orchestral elements and bittersweet melody underscore the melancholic tone of the song, culminating in a reflective conclusion that leaves a lasting impression of love lost.Miles Kane has mentioned that the inspiration for this song came from his own experiences at Heebie Jeebies, a beloved Liverpool venue where his first girlfriend worked.This piano solo arrangement translates the intricate melodies and uplifting accompaniment into a format that is both accessible and challenging for performers. Intended for intermediate to advanced players, it offers an opportunity to delve into the emotional nuances of the piece while improving technical skills.Engage with this arrangement, and allow the piano to evoke the feelings of longing, memory, and the inevitable pain of break-ups. This sheet music, transcribed and arranged by a life-long TLSP fan, faithfully captures the spirit of Meeting Place”.Listen to the arrangement now on YouTube—find the link in the post details.Contact: wnis4659@gmail.comJust for the love of music.
$5.99 ≈
£4.48
Peg O' My Heart
Peg O' My Heart
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Piano solo
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INTERMEDIATE/ADVANCED
#
Alfred Bryan and Fred Fisher
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Timothy Stapay
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Peg O' My Heart
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Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1399497 Composed by Alfred Bryan and Fred Fisher. Arranged by Timothy Stapay. Broadway,Celtic,Film/TV,Iri...
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Piano Solo - Level 4 - Digital Download SKU: A0.1399497 Composed by Alfred Bryan and Fred Fisher. Arranged by Timothy Stapay. Broadway,Celtic,Film/TV,Irish,Musical/Show,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #982786. Published by Timothy Stapay (A0.1399497). Peg o' My Heart was written in 1912 by Alfred Bryan and was based on a musical comedy by the same name. While it was first performed in New York City, the song has long been associated with St. Patrick's Day because of the Irish connections in the musical.The beauty of this song lies in its ability to transcend time and connect with listeners on a personal level. Its simple yet profound lyrics capture the essence of love and longing, allowing listeners to reflect on their own experiences and emotions. Whether it reminds you of a lost love, a distant memory, or a cherished moment, “Peg O’ My Heart†has a way of evoking raw emotions and stirring the soul.Lyrics: Peg O' My Heart, I love you, We'll never part, I love you, hear little girl, Sweet little girl, Sweeter than the rose of Erin, are your winning smiles endearin', Peg O' My Heart, Your glances with Irish art entrance us, Come, be my own, Come, make your home in my heart.
$6.99 ≈
£5.23
Passacaglia
Passacaglia
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Piano solo
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INTERMEDIATE/ADVANCED
#
Contemporary
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Sally Whitwell
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Passacaglia
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.873027 Composed by Sally Whitwell. Contemporary. Score. 5 pages. Sally Whitwell #3867219. Published by Sa...
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Piano Solo - Level 4 - Digital Download SKU: A0.873027 Composed by Sally Whitwell. Contemporary. Score. 5 pages. Sally Whitwell #3867219. Published by Sally Whitwell (A0.873027). At the end of July 2016, I was in my hometown Canberra for a job interview. I was sick as a dog with laryngitis for the interview and audition. Imagine me trying to take a choir rehearsal with no voice? It was never going to happen for me and I was feeling pretty sorry for myself. Halfway back to Sydney on the bus, I get a text from my dear friend Emma. I don’t remember the exact words, but the gist of it was No easy way to say this. We lost Jeff today. Jeff being Emma’s beloved husband and all round awesome human. It was truly devastating. I didn’t know what to do. I felt terribly guilty for thinking of myself and my employment failure all day instead of thinking of Emma and Jeff, even though that was completely irrational. Didn’t want to call because I knew she’d have enough stuff to deal with. Couldn’t turn around cos Public Transport. Had lost the ability to formulate sentences because in that situation, there are no words. So I fell back into the place where I express most clearly. Music. And into my native habitat, the piano. Passacaglia came flowing out very quickly. I hardly stopped to edit. Normally I would try to plan a composition a bit, so that it’s structurally sound. I didn’t do that but somehow it just emerged fully formed. I sent it to Emma who asked if I could come and perform it at the memorial service. But I couldn’t make it to the memorial. And you know what the saddest thing is? I can’t even now remember why, which means it can’t have actually been that important. Instead I created an electronic file of the piece, with more sounds than just piano. I hope it worked ok. Emma told me later that after the funeral when she suddenly found herself alone, she just played it over and over again on repeat. So I guess it did its job, but now it’s ready to make its own way in the world in its original version for solo piano. I hope it can bring some solace to others in grief
$2.99 ≈
£2.24
Melody - from the Opera “Orpheus and Eurydice” Act 2
Melody - from the Opera “Orpheus and Eurydice” Act 2
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Piano solo
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INTERMEDIATE/ADVANCED
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Various
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Thomas Ling of Sibu
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Melody - from the Opera “Orp
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1096731 By Various. By Christoph Willibald Von Gluck. Arranged by Thomas Ling of Sibu. Classical,Instruct...
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Piano Solo - Level 4 - Digital Download SKU: A0.1096731 By Various. By Christoph Willibald Von Gluck. Arranged by Thomas Ling of Sibu. Classical,Instructional,Opera. Score. 3 pages. Thomas Swee Chin #700724. Published by Thomas Swee Chin (A0.1096731). This haunting melody does bring out the mood of the lost love of Orpheus. Arranged here in C minor, a more accessible key but no less dramatic.
$5.99 ≈
£4.48
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Claude Debussy: Prléude à L'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
$10.35 ≈
£7.74
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