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Piano solo
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39 sheet music found
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1
26
alt.Callahans Reel
alt.Callahans Reel
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Piano solo
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INTERMEDIATE/ADVANCED
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Celtic/Irish
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #62...
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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50 ≈
£5.61
Over The Rainbow
Over The Rainbow
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Piano solo
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INTERMEDIATE/ADVANCED
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Broadway
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Film/TV
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Judy Garland
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Thomas Gunther
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Over The Rainbow
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1164828 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Thomas Gunther. Film/TV,Jazz,S...
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Piano Solo - Level 4 - Digital Download SKU: A0.1164828 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Thomas Gunther. Film/TV,Jazz,Standards. Score. 3 pages. Thomas Gunther Music Productions #765152. Published by Thomas Gunther Music Productions (A0.1164828). This is my (Thomas Gunther’s) Solo Piano Arrangement of Over The Rainbow. (Also see PopJazzKeys.com/Over-The-Rainbow).I believe the arrangement is suited for intermediate to advanced players. There are different technically demanding elements to it, from polyphony (which require great finger independence), to the techniques associated with the Romantic period (like the ability to work the sustain pedal, arpeggios, and playing thick chords). The video below shows me performing it (with close-up of hands and sheet music), followed by important practice tips!) WHO IS IT FOR?I think classical and jazz pianists will both love it for different reasons. Classical musicians might like to play something more contemporary with a jazzy touch. And jazz musicians might like to studying it for inspiration, or to improve their sight reading and technical skills, or simply because they love it.ABOUT THE SONG Over The Rainbow is one of my favorite classic jazz standards. Most of you might know it from the classic movie The Wizard Of Oz, for which it was actually composed (and sung by Judy Garland).I love everything about this song, it’s melody (which is so cleverly based on a descending diatonic stepwise motion during the [A] section), the harmony, and of course the lyrics that inspire us to believe there might actually be more to life than what we are experiencing day in and day out, well worth dreaming about and searching for.ABOUT THE IMPORTANCE OF LYRICSTo me it is important to study the lyrics of a song before I start arranging it. The lyrics guide me in my search for how I want the arrangement to impact the listener emotionally.Â
$4.99 ≈
£3.73
From The Start
From The Start
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Piano solo
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INTERMEDIATE/ADVANCED
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Laufey
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Mario Stallbaumer
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From The Start
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1401449 By Laufey. By Laufey and Spencer Stewart. Arranged by Mario Stallbaumer. Jazz,Pop. Score. 3 pages...
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Piano Solo - Level 4 - Digital Download SKU: A0.1401449 By Laufey. By Laufey and Spencer Stewart. Arranged by Mario Stallbaumer. Jazz,Pop. Score. 3 pages. Mario Stallbaumer #984644. Published by Mario Stallbaumer (A0.1401449). With this sheet music, you can play From the Start by Laufey on the piano!It's an accurate, carefully created piano arrangement of the full song. From the Start is a song from Laufey's 2023 album Bewitched, which earned her a Grammy Award for Best Traditional Pop Vocal Album.Released as the album's first single, the bossa nova inspired tune is a fantastic jazz pop ballad, and it makes for a wonderful piano cover!If you want to see more of my work, you can visit my YouTube channel.
$4.99 ≈
£3.73
From The Start
From The Start
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Piano solo
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INTERMEDIATE/ADVANCED
#
Laufey
#
Mario Stallbaumer
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From The Start
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1401450 By Laufey. By Laufey and Spencer Stewart. Arranged by Mario Stallbaumer. Jazz,Pop. Score. 3 pages...
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Piano Solo - Level 4 - Digital Download SKU: A0.1401450 By Laufey. By Laufey and Spencer Stewart. Arranged by Mario Stallbaumer. Jazz,Pop. Score. 3 pages. Mario Stallbaumer #984645. Published by Mario Stallbaumer (A0.1401450). With this sheet music, you can play From the Start by Laufey on the piano!It's an accurate, carefully created piano arrangement of the full song. PLEASE NOTE: For better playability, the song has been transposed by one half step from its original key (from Db to C major). However, the same arrangement is also available in the song's original key!From the Start is a song from Laufey's 2023 album Bewitched, which earned her a Grammy Award for Best Traditional Pop Vocal Album.Released as the album's first single, the bossa nova inspired tune is a fantastic jazz pop ballad, and it makes for a wonderful piano cover!If you want to see more of my work, you can visit my YouTube channel.
$4.99 ≈
£3.73
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #...
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00 ≈
£21.69
Scales on Fire in C, A Minor and All Sharped Keys
Scales on Fire in C, A Minor and All Sharped Keys
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Piano solo
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INTERMEDIATE/ADVANCED
#
Kathi Kerr
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Scales on Fire in C, A Minor a
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Melody Music Publishers
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.950581 Composed by Kathi Kerr. Contemporary,Pop,Rock. Score. 65 pages. Melody Music Publishers #6572843. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.950581 Composed by Kathi Kerr. Contemporary,Pop,Rock. Score. 65 pages. Melody Music Publishers #6572843. Published by Melody Music Publishers (A0.950581). The Scales on Fire series offers a fun, rhythmic approach to learning the major and relative minor scales. Here are the C and A Minor scales and all the sharps. Play with an intensity (con bio, meaning on fire), and with a bounce. Make sure the left hand doesn't overpower the right hand. Starting with measure 9, the chord numbers are labeled. Notice the major-VI chord in measure 12, which requires an accidental which is the raised 1 of the scale. Listen to how it sounds. And most of all, have fun!
$10.99 ≈
£8.22
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
£29.13
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
£29.13
Yuki-Onna (piano solo)
Yuki-Onna (piano solo)
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Piano solo
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INTERMEDIATE/ADVANCED
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99 ≈
£4.48
Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
Peaceful Measures - Interchangeable, Repeatable Phrases for Background Piano Music
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Renee Hyche McKee
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Peaceful Measures - Interchang
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Renee H. McKee
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. S...
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Piano Solo - Level 4 - Digital Download SKU: A0.885159 By Renee Hyche McKee. By Renee Hyche McKee. New Age,Praise & Worship,Sacred,Traditional,Wedding. Score. 28 pages. Renee H. McKee #491468. Published by Renee H. McKee (A0.885159). Classically-trained pianists are often asked to “play some quiet background music†which is non-invasive, that will support the event without bringing attention to the music itself, and can be brought to a graceful close quickly. “What to play?†is not the only challenge, but also, “What do I do if I run out of music before the event is done?†or, How can I bring a piece to a close if I'm told to stop playing before the piece is over?†“HELP! I can't improvise! I offer you a set of beautiful phrases that are uniquely purposed to fill these needs - and more. Peaceful Measures is a set of twelve four-measure, repeatable, interchangeable phrases with very little melodic distraction. Start with any phrase that suits your need, such as background music for a pastoral prayer. Repeat one phrase indefinitely or flow directly to any other. Skip around. Each phrase leads to all others, and all lead to your choice of two clearly labeled Endings. Because this download includes the seven most commonly used major keys, Peaceful Measures can also be used as vamping material until the song you are accompanying is ready to sing. Or use a phrase to extend a song in order to continue its mood. Print only the pages of the key you need now, or the whole set for quick referrals later. Explore their flexibility for other purposes, such as the passing of Communion for example: find your favorite phrases to repeat, then flow into the Ending that will serve the best timing. Need quiet music filler for an unknown length of time? Choose a phrase and repeat, then go to an Ending of your choice. Everything is written out for easy navigation and on-the-spot reading. The recording I have included is a series of phrases, some repeated, in F Major and uses Ending I. Pianists will discover even more settings for these versatile phrases! Not only are they great for worship services of any faith, they serve as background music for speeches, funeral prelude music, dedications of any kind, wedding filler music, civil ceremonies, personal prayer, and calming meditation music for groups large or small. For some, the most enjoyable thing is to just play them randomly and enjoy the calm they bring for yourself. It is my heart’s desire that these lovelies will serve you, the pianist, the one who is so often called upon to serve others. Blessings, - Renee PS I've included a bonus page that has an extended version of one of the phrases. Enjoy!
$7.99 ≈
£5.98
No More Pain by Anton
No More Pain by Anton
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Piano solo
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INTERMEDIATE/ADVANCED
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Anton R
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No More Pain by Anton
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Antonality
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #46...
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Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064). No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.But then not long afterward, she passed away-more than 13,000 kilometres away from me.I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!P.S. Musicians who hear this will recognize it as the Tierce de Picardie.
$10.99 ≈
£8.22
Beyond The Sea
Beyond The Sea
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Piano solo
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INTERMEDIATE/ADVANCED
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Bobby Darin
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Tobi A Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Conte...
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Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00 ≈
£18.70
Naturszenen Op. 3, No. 20 "Der Sturm"
Naturszenen Op. 3, No. 20 "Der Sturm"
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Michael Swedberg
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Naturszenen Op. 3, No. 20 "Der
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1077067 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Nisk...
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Piano Solo - Level 4 - Digital Download SKU: A0.1077067 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishing #681209. Published by Niska Music Publishing (A0.1077067). A sense of foreboding fills the air as this piece begins. There is a darkness on the horizon and it can mean only one thing: the storm approaches. The simple chords of the intro present a feeling of calm that belies the impending torrent. The music takes a deep breath and then…it begins. In the left hand, a figure reminiscent of Chopin’s “Revolutionary†Etude begins (though not nearly as quick). The rains start to fall and the winds begin to blow as the storm builds in intensity. Measure by measure the music grows in strength until the climax is reached and the gales begin to subside with the last crashes of thunder. For all its fury, the storm is over. The clouds begin to recede across the horizon and in the end, a single ray of sunlight breaks through the gloom.
$3.99 ≈
£2.98
Under The Dancing Leaves Original Autumn Late Intermediate Piano Sheet Music Solo
Under The Dancing Leaves Original Autumn Late Intermediate Piano Solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Amanda Tero
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Under The Dancing Leaves Origi
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1102445 Composed by Amanda Tero. Contemporary. Score. 5 pages. Amanda Tero #705856. Published by Amanda T...
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Piano Solo - Level 4 - Digital Download SKU: A0.1102445 Composed by Amanda Tero. Contemporary. Score. 5 pages. Amanda Tero #705856. Published by Amanda Tero (A0.1102445). Under the Dancing Leaves piano sheet music is the perfect fall repertoire for advancing intermediate students, featuring polyrhythms with triplets. Musical Elements - Key of D - Triplets - Polyrhythms (triplets against duplets) - Ledger lines - Octaves - 8va and 15ma - Left hand in treble clef - Left hand crossing over right hand Teaching Tip: Polyrhythms can be a challenge for students to master. Some students may find the polyrhythms in measures 37-39 with basic octave repeated notes easier than measures 15-19, so that may be the better place to start. Encourage students to keep their playing light and not to force the rhythms. #sheetmusic #pianomusic #originalcomposition.
$5.99 ≈
£4.48
Weekend Sonatina
Weekend Sonatina
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Joshua Allen
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Weekend Sonatina
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Joshua Allen Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.941029 Composed by Joshua Allen. Contemporary. Score. 5 pages. Joshua Allen Music #3491375. Published by ...
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Piano Solo - Level 4 - Digital Download SKU: A0.941029 Composed by Joshua Allen. Contemporary. Score. 5 pages. Joshua Allen Music #3491375. Published by Joshua Allen Music (A0.941029). Weekend Sonatina for solo piano features two movements: I. Saturday and II. Sunday.I. Saturday is light and frolicking, the beginning of the weekend where exciting possibilities await. Contrasts in staccato and legato contrast the two primary themes of this small sonata form movement. A brief Beethoven-esque development leads to a recapitulation and a light-hearted conclusion.II. Sunday features a leisurely descending chromatic theme in the left hand against a simple, pensive melody in the right. After an accompanimental variation of the theme and a brief inversion of the chromatic line against a secondary theme, the piece draws to a close and the listener can hear the sun setting as the weekend slowly ends.From start to finish, Weekend Sonatina is close to 4 minutes in length. Each movement can stand alone or be performed together. The chromaticism in the left hand, stylistic variations, and ranges covered in each hand make this piece suitable for the advancing intermediate to advanced student.
$3.50 ≈
£2.62
11. Inyoka the Snake
11. Inyoka the Snake
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Louise du Toit
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Louise du Toit
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11. Inyoka the Snake
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1138616 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 5 pages. L...
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Piano Solo - Level 4 - Digital Download SKU: A0.1138616 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 5 pages. Louise du Toit #738964. Published by Louise du Toit (A0.1138616). Inyoka the Snake is the eleventh in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Inyoka the snake lurks behind a heap of stones in the dry Kalahari Desert. It is a few moments before sunrise, and he is aware of a small ground squirrel running around in the distance. He starts to move forward slowly, but soon his beautiful, patterned body sways left and right with exquisite elasticity as it rapidly glides over the dunes through the patches of dry yellow grass towards his devastated victim. Frantically trying to escape, the squirrel disappears into a tiny hole in the sand and after a few efforts to reach his prey, Inyoka decides to let go of it, not willing to get stuck in a narrow tunnel for his breakfast. Enjoying the early sunrays on his body, he glides lazily towards a dry riverbed, soon drifting off into a deep sleep..
$4.99 ≈
£3.73
Suddenly, He Heard Footsteps Approaching
Suddenly, He Heard Footsteps Approaching
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Piano solo
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INTERMEDIATE/ADVANCED
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Damien Gauci
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Suddenly, He Heard Footsteps A
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1495484 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1072001. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1495484 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1072001. Published by Damien Gauci (A0.1495484). Whiskers ears prick up as he hears that he is not the only creature inside this mysterious house. His little heart begins to race which is reflected in the opening of this piece. Whiskers knows that he isn’t the only one in this house but he is curious as to who else might be in here. He finds a safe spot under a table but keeps his ears and eyes out to hear who might be creeping around.The footsteps stop and start, they sound small but he’s not too sure. Whiskers once again can’t help his curious nature and he decides to venture out and find who or what this other creature is that has the same idea to explore this house. He makes sure to keep his footsteps light to not bring any attention to himself and not scare away the other creature. He looks around one room, and then another, covering almost the entire house except the attic. Whiskers decides to climb up into to the attic to find out once and for all what this other creature is.
$6.00 ≈
£4.49
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Flavio Regis Cunha
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Beethoven: 7 Variations on 'Go
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Roman...
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Piano Solo - Level 4 - Digital Download SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.
$4.99 ≈
£3.73
Spirals in the Sky
Spirals in the Sky
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Piano solo
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INTERMEDIATE/ADVANCED
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Martha Hill Duncan
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Spirals in the Sky
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Abundant Silence
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1260605 Composed by Martha Hill Duncan. 21st Century,Classical,Contemporary. Score. 27 pages. Abundant Si...
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Piano Solo - Level 4 - Digital Download SKU: A0.1260605 Composed by Martha Hill Duncan. 21st Century,Classical,Contemporary. Score. 27 pages. Abundant Silence #853798. Published by Abundant Silence (A0.1260605). SPIRALS IN THE SKY, BY MARTHA HILL DUNCANFOR SOLO PIANO, LATE INTERMEDIATE, 21 PAGES.....................................In this whimsical marriage of astronomy and music, my husband,  astrophysicist, Dr. Martin Duncan and I have combined our talents to celebrate the beauty of the night sky and the magic of music. M.H. DuncanMartha Hill Duncan’s passion for music started early, inspired by her mother, who sang and played the piano by ear. Martha was a member of the first graduating class of the Houston High School for Performing and Visual Arts and earned a Bachelor of Music degree in Composition from the University of Texas at Austin.Her piano works have been inspired, at least in part, by her long-time career as a piano teacher and some of these pieces, as well as her art songs, appear in educational publications and syllabi. Piano collection titles include The Sunken Garden, Isla Vista Suite, Precipitations, Angular Measures, Limestone Etchings, Rainy Days and Cottage Days. Since moving from the United States to Canada, many of her compositions have been inspired by Canadian landscapes and texts. In January 2014, her youth opera, Searching the Painted Sky, with poet/librettist Janet Windeler Ryan, was premiered at the National Opera Association Convention in New York City. She was named a finalist for the 2020 Louis Applebaum Award.A former piano examiner for the Royal Conservatory of Music, she is also a founding member of Red Leaf Pianoworks, a self-publishing composers’ collective. Originally from Houston, Texas, Martha and her husband Martin have lived in Kingston, Ontario since 1988. She also conducts the women’s choir She Sings! and has two grown children and two granddaughters. To explore more of her music, please visit www.marthahillduncan.comDr. Martin Duncan was born in London, England and was raised in Montreal, Canada. As a child, his biggest question was, “What would happen if...?†His first experiments involved creating foul-smelling concoctions with his chemistry set in hisparents’ basement. He survived and went on to complete an Honours Physics degree at McGill University, followed by graduate degrees in astronomy at the Universities of Toronto and Texas at Austin. Post-doctoral research was performed at Cornell University, the University of Toronto and the University of California, Santa Cruz. In 1988, he became a professor of astronomy and physics at Queen’s University in Kingston, Ontario.In his academic career he has co-authored over 120 scientific papers, which have been cited over 8,000 times. He has presented numerous invited talks at international scientific conferences and has been the guest speaker at many public lectures. His research has ranged from the study of black holes to simulations of the formation and orbital evolution of planets and comets. He is best known for the prediction of the existence of a disk of small icy bodies beyond Neptune, which he and his colleagues called the Kuiper Belt. In 1996, the International Astronomical Union named Asteroid 6115 “martinduncan†in honor of his contributions to planetary dynamics.
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