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There's Not Much Left
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Piano solo
Sheetmusic to print
9 sheet music found
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1
Prélude for Left Hand Alone
Prélude for Left Hand Alone
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Stephen R Dalrymple
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Edited by Stephen R Dalrymple
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Prélude for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 4 - Digital Download SKU: A0.818321 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by Edited by Stephen R Dalrymple. R...
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Instrumental Solo - Level 4 - Digital Download SKU: A0.818321 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 5 pages. Stephen R Dalrymple #5997057. Published by Stephen R Dalrymple (A0.818321). Prélude for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (piano solo) Opus 9 Number 1 - (Classical Music for Tablet Series) ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ Prélude for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
Introspection 1
Introspection 1
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by ...
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Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99
Run, Rabbit, Run!
Run, Rabbit, Run!
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Piano solo
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INTERMEDIATE/ADVANCED
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Noel Gay and Ralph Butler
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Martyn Clive Johnson (aka Mart
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Run, Rabbit, Run!
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Martyn Johnson
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1404521 Composed by Noel Gay and Ralph Butler. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy)....
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Piano Solo - Level 4 - Digital Download SKU: A0.1404521 Composed by Noel Gay and Ralph Butler. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Comedy,Jazz,Ragtime,Standards. Score. 9 pages. Martyn Johnson #987601. Published by Martyn Johnson (A0.1404521). This song was written in 1939 by Noel Gay and Ralph Butler and popularised by Flanagan and Allen, the music hall duo. It was written for the Noel Gay show 'The Little Dog Laughed'. It's a fun song that apparently was one of Winston Churchill's favourites. So my arrangement is a tribute to Bud, Chesney and Winston!My version features a left hand stride piano/ragtime style and goes through the keys of C and F major. There are lots of stride idioms and riffs in the right hand from the likes of Scott Joplin, Fats Waller and early jazz styles as well as popular pianists such as Russ Conway and Winnifred Attwell. If you have problems with the 10ths in the bass just play octaves or single bass notes instead or possibly 'rolling' or 'bouncing' them ie playing one note and jumping as quickly as possible to the next so as to play almost simultaneously.I don't notate dynamics, fingering or pedalling and prefer to leave these to the discretion of the individual pianist as no two teachers ever agree on such matters.Hope you have as much fun playing it as I did arranging it.
$4.99
Heart
Heart
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Niccolò Trivieri
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Niccolò Trivieri
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Heart
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Niccolò Trivieri
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1337248 By Niccolò Trivieri. By Niccolò Trivieri. Arranged by Niccolò Trivieri. Contemporary,Fil...
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Piano Solo - Level 4 - Digital Download SKU: A0.1337248 By Niccolò Trivieri. By Niccolò Trivieri. Arranged by Niccolò Trivieri. Contemporary,Film/TV,New Age,Pop,Spiritual. Score. 6 pages. Niccolò Trivieri #923057. Published by Niccolò Trivieri (A0.1337248). A message from the author:This piece is very important to me, each note has its own meaning. The video - with its simple sound and visual effects - tells a story, but... I leave the pleasure of discovering new worlds with this music to your imagination! Inebriate yourself with the mystery of these particular, dark harmonies... and surprise yourself with unexpected sparks of light scattered here and there. This music is for you if you love rainy days, atmospheres of nostalgic beauty and some disturbing little vibes from exploring abandoned houses: there is magic in everything around us, just open your eyes and listen more carefully. This piece came to you for a reason: never stop believing in what your Heart feels; even if you can't prove it at the moment and even if the world works against you. If your Heart is right, in the end you will always have answers, you will always get what you want. Heart was born precisely from this feeling... the certainty that sooner or later, everything will arrive. This composition is definitely a message: in the certainty that it will reach the right person, it is (obviously) also dedicated to all of you who listen to it and play it, so that it can inspire you to never give up and explore the innermost parts of yourself... as a musician, this is my main mission and my joy! May this piece resonate in as many places as possible! Thank you so much.NiccolòP.S. there are some suggestions in the score to make the piece a little easier and with fewer jumps. Also feel free to make a few small changes to the rhythm of the irregular groups only if they are too difficult for you (even if they have a precise meaning) playing them simultaneously with the accompaniment notes of the left hand, and not 'out of phase'. After all, the most important thing is... Heart!
$5.00
Prelude in C Major, Op. 1, No. 1
Prelude in C Major, Op. 1, No. 1
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Piano solo
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INTERMEDIATE/ADVANCED
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Michael Swedberg
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Prelude in C Major, Op. 1, No.
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1248121 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publi...
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Piano Solo - Level 4 - Digital Download SKU: A0.1248121 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publishing #842684. Published by Niska Music Publishing (A0.1248121). This charming little prelude was not actually the first one I wrote for this collection, but rather a replacement for the original which felt out of place with the rest of the pieces. At first glance, it appears to be a study in thirds for the right hand while the left left hand keeps a steady underlying motion, but it is much more than that. There is a feeling of a journey, as though a leaf is floating down a stream. It starts out simple enough, with an air of peace and the image of sunlight on the water. There are moments when the trees block out the sun and the leaf goes in and out of the shimmering reflections, caught in the pull of the current, but nevertheless carried along without any concern as to where it is heading.The music takes on a minor feel as the leaf enters the rapids and is tossed about from whirlpool to whirlpool, nearly being submerged but always finding its way to the surface before finally breaking free and continuing it’s journey with the same sense of tranquility with which it began.
$3.99
Nocturne No.1 in Bb major
Nocturne No.1 in Bb major
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Piano solo
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INTERMEDIATE/ADVANCED
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John Field
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Michael Bomier
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Nocturne No.1 in Bb major
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862666 Composed by John Field. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standard...
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Piano Solo - Level 4 - Digital Download SKU: A0.862666 Composed by John Field. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 5 pages. Michael Butkus-Bomier #3626721. Published by Michael Butkus-Bomier (A0.862666). NOCTURNE is a genre we associate with Chopin, of course, as well we should. Yet, this whole idea of music of the night did not originate with him, but with John Field. Clementi's sorely-tried apprentice and protege', and a confirmed alcoholic, moved from London and Clementi's captivity to spend his adulthood, short as it was, in Moscow, of all places. It was there he began to write his long series of romantic, ( small R? ) pieces, with simple vocalistic melodies, over an arpeggiated left-hand bass. This piece marks the beginning of the genre, and, as such, warrants the attention of everyone who admires Chopin's works. Our setting here uses chord symbols for every LH arpeggio, so that the player can get used to harmonic identification as the primary means of seeing and hearing the LH. All the ornamentation is written out, for stylistic clarity. As with so much classical music, a slow pace brings out lingering subtleties, while a faster one can create movement and excitement, if one has the technique! MBB .
$2.50
Rustle of Spring for Piano Solo
Rustle of Spring for Piano Solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Sinding, C
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Michael Bomier
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Rustle of Spring for Piano Sol
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862664 Composed by Sinding, C. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standard...
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Piano Solo - Level 4 - Digital Download SKU: A0.862664 Composed by Sinding, C. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 9 pages. Michael Butkus-Bomier #3621857. Published by Michael Butkus-Bomier (A0.862664). Rustle of Spring has been a encore favorite for classical recitalists since its introduction. Its constant arpeggiation and its basic melody combine for a clear yet luminescent effect. Our edition uses a 2/4 time signature, so that each measure has been divided in half, to provide for more clarity about accidentals, to insure there are NO clef changes in the middle of a measure, and to use metric groupings, especially in the left-hand, that are not 7's and five, but 2's and threes, which are much more familiar to the average player, for who ALL our editions are intended. A 7 can usually be broken into a 4 and a 3, and a five into a two and a three, avoiding the need to mentally or sonically integrate all these odd sets under a duple melody. The piece has its tempo mark at a conservative place, but could go faster should the player achieve that. The final set of arpeggios is reset for better hand-to-hand clarity. MBB.
$2.50
Three Chromicons for piano solo
Three Chromicons for piano solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Joseph Dillon Ford
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Three Chromicons for piano sol
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David Warin Solomons
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 2...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
Waiting
Waiting
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Piano solo
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INTERMEDIATE/ADVANCED
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Jazz
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Isadar
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Waiting
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Musi...
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Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing (BMI)
Contains:
"Waiting"
- taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)
Album & Songbook Review by: Kathy Parsons
I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.
The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious.
From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording.
“Feu Follet (the ‘spook’ light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.
Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!
Active Imagination Sheet Music Collection is the companion songbook to Isadar’s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of “Wind and Wire” magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.
One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, “Throwing the Dice,” “Where the Wild Things Are,” and “Feu Follet (the ‘spook’ light).” “Waiting,” “Love Chaconne,” and “Uncertainty” are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story’s “Wedding Rain,” but the sheet music for that song is available in some of Ms. Story’s own collections.
Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.
If you haven’t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$6.99
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