All site ▾
All site▾
Free sheet music
Sheet music books
Digital sheet music
Musical equipment
My account
(log-in)
¥
¥
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music ▾
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
Music Sheet Library ▾
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Musical Equipment ▾
GUITAR
|
KEYBOARD
|
PERCU.
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
TRAD.
|
FLIGHT
|
CABLES
|
ACC.
|
GIFT
|
BRANDS
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
some were not
Not classified
123
Piano & keyboards
Piano solo
35
Piano, Voice
7
Piano, Vocal and Guitar
7
C Instruments
2
1 Piano, 4 hands
1
Piano Accompaniment
1
Organ
1
+ 2 instrumentations
-
Retract
Guitars
Guitar
11
Guitar notes and tablatures
5
Ukulele
2
Melody line, (Lyrics) and Chords
1
Bass guitar
1
Voice
Choral SATB
16
Tenor voice
3
Soprano voice, Piano
1
Choral SSAA
1
Woodwind
2 Flutes, Piano
24
Saxophone ensemble
22
Saxophone Quintet: 5 Saxophones
14
Saxophone Quartet: 4 saxophones
13
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
10
Clarinet Ensemble
4
Flute ensemble
2
3 Clarinets (trio)
2
Flute Quintet : 5 flutes
2
3 Saxophones (trio)
2
Flute
1
Soprano Saxophone and Piano
1
Piccolo
1
Flute, Oboe, Clarinet, Bassoon
1
Alto Saxophone and Piano
1
Flute and Piano
1
Soprano Saxophone
1
Flute Trio: 3 flutes
1
+ 13 instrumentations
-
Retract
Woodbrass
Brass quartet : 2 trumpets, trombone, tuba
20
Brass Quintet: 2 trumpets, horn, trombone, tuba
8
Brass Quartet: 2 trumpets, horn, trombone
6
Trombone ensemble
4
Trumpet ensemble
2
Brass Quartet: 4 trombones
1
Trumpet, Trombone (duet)
1
French Horn and Piano
1
Brass Quartet
1
Trumpet, Piano
1
+ 5 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
14
Violin
4
Harp
4
String Trio: violin, viola, cello
3
Viola
2
Viola ensemble
2
Violin ensemble
2
String Quintet: 2 violins, viola, cello, bass
1
Violin, Cello (duet)
1
Cello Ensemble
1
Harp, Voice
1
+ 6 instrumentations
-
Retract
Percussion & orchestra
Concert band
11
Orchestra
6
Brass ensemble
6
String Orchestra
6
Jazz combo
3
Chamber Orchestra
3
Vibraphone
1
Jazz Ensemble
1
Handbells
1
+ 4 instrumentations
-
Retract
Others
Home
Best Sellers
New releases
Methods
Studies
Sellers
Sellers
Americans
At Musicnotes
At Sheetmusicplus
At Virtualsheetmusic
Europeans
At Tomplay
At Prof-Editions
At Note4piano
At Noviscore
At Quickpartitions
International artists list
French artists list
Top artists
Top artists
POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener
Christmas
Halloween
Easter
Wedding
Sacred
FREE SHEET MUSIC
187,000+ free sheet music
SHEET MUSIC LIBRARY
1,500,000+ buy and delivery
DIGITAL SHEET MUSIC
2,000,000+ buy and print
MUSICAL INSTRUMENTS
200,000+ buy and delivery
Sheet Music Membership ($37.75/year)
Digital sheet music, access after purchasing
Post mailing
Digital sheet music
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
some were not
avanced
Piano solo
Sheetmusic to print
35 sheet music found
<
1
26
Fire in the House
Fire in the House
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Damien Gauci
#
Fire in the House
#
Damien Gauci
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1425908 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 5 pages. Damien Gauci #1006672. ...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1425908 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 5 pages. Damien Gauci #1006672. Published by Damien Gauci (A0.1425908). There’s a funny little story with how I wrote this piece. I’ve got these dice called ‘Rory’s Story Cubes’ which have little pictures on them and they’re meant to be an ice breaker where you roll the dice and come up with a story based on the images that come up. Anyway, I thought of using them to help me come up with an idea for a new composition. So I rolled some of the dice and there was a picture of a fire, a house, and someone running - something like that, I can’t remember exactly what the pictures were. Then that prompted me to write this composition: ‘Fire in the House’. It was a great way to try something new and write something that I never would have thought to write if it were not for those dice.Through the piece I have written little annotations to explain what is happening in the story of the piece of music and the scene I was trying to reflect in the music. It was a fun little piece to write and I really enjoyed using the dice to come up with a story for me to write about - I should definitely do it more often to try something new and get out of my comfort zone. I highly recommend you pick some up one day if you write music too - they’re a great tool to have!
$1.99 ≈
¥14.11
Once There Were Dragons (from "How to Train Your Dragon: The Hidden World")
Once There Were Dragons (from "How to Train Your Dragon: The Hidden World")
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Film/TV
#
Mario Stallbaumer
#
Once There Were Dragons
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Arranged by Mario Stallbaumer. 8 pages. Published by Mario Stallbaumer...
(+)
Piano Solo - Advanced Intermediate - Digital Download Arranged by Mario Stallbaumer. 8 pages. Published by Mario Stallbaumer
Here's how to play "Once There Were Dragons" from the soundtrack to How to Train Your Dragon 3!
With this sheet music, you can learn how to play "Once There Were Dragons" on piano.
It's an accurate piano arrangement of the whole piece, it's not too hard to play (although it comes with some challenges), and sounds fantastic!
The score to "How to Train Your Dragon: The Hidden World" was composed by John Powell.
"Once There Were Dragons" is a fantastic orchestral piece with many different parts - all of which sounds surprisingly awesome on piano.
If you like this arrangement, please consider leaving a review - it would help me a lot.
Enjoy!
$4.99 ≈
¥35.37
Ausente [piano solo]
Ausente [piano solo]
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Juan MarÃa Solare
#
Ausente [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.596539 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary. Score. 7 pages. Juan Maria So...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.596539 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary. Score. 7 pages. Juan Maria Solare #3880115. Published by Juan Maria Solare (A0.596539). Listen: https://soundcloud.com/juan-maria-solare/ausenteAusente (Abstent) is an atonal milonga. If Franz Liszt composed a Bagatelle without tonality, why not a milonga without tonality. This piece is placed somewhere between classical music and new tango. Moderator Louis Barabbas wrote about Ausente for the BBC blog Fresh On The Net nr. 305 (19 November 2018), http://freshonthenet.co.uk/2018/11/faves305 Described as 'somewhere between classical music and new tango' the artist’s phrasing here is telling: somewhere rather than something. For in Juan Maria Solare’s Ausente (absent) we are certainly transported. Each angular phrase jutting up like stone columns or distended stalactites in a limey cave. The trickling thrust of its furtive intent feels somehow elemental yet focused through an urban noir prism, drops of heavy water in varying temperatures, some icicles and some steam, shards of smoky light poking around slow moving fan blades and between the rusty teeth of ancient window grills, monstrous warped shadows cast up from humble orphaned minutiae. Music as beautiful and unsettling as it is hard to dance to. The idea of dancing this piece was a surprise for me, since tango music doesn't need to be danced to (you can also just listen to it). But if you wonder how this tango would appear danced, imagine it is not called tango but contemporary ballet rooted in tango - and suddenly you find ways of dancing it... provided an open-minded choreographer is on board! If someone wants to dance this music in the style of the tango of 1920, they will have a hard time. It would be like trying to dance Strawinsky's Le Sacre du printemps as if it were the Blue Danube Waltz. Juan MarÃa Solare http://www.JuanMariaSolare.com
$2.50 ≈
¥17.72
Mélodie
Mélodie
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Ignacy Jan Paderewski
#
Andy Schmidt
#
Mélodie
#
Andy Schmidt
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.890137 Composed by Ignacy Jan Paderewski (1860–1941). Arranged by Andy Schmidt. Romantic Period. S...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.890137 Composed by Ignacy Jan Paderewski (1860–1941). Arranged by Andy Schmidt. Romantic Period. Score. 2 pages. Andy Schmidt #2861193. Published by Andy Schmidt (A0.890137). The wonderful classic by the renowned Polish composer. Another case of beautiful music that pianists might avoid because of the technical challenges involved. Don’t worry...we’re going to get through this! Paderewski, we love you, but your hands were just too big. Mélodie has lots of large intervals in the left hand that many pianists can’t play comfortably. But that’s no excuse to give up on a lovely piece of piano music, right?My edition of this piece features helpful fingerings and grayed-out noteheads indicating which notes can be avoided. I’ve also highlighted some places where the right hand can reach down and play the highest note of some of these large chords, with the goal of being faithful to Paderewski’s intentions whenever possible. These places are indicated by my exclusive, ground-breaking green notehead technology, which is frequently seen in my other editions.
$2.00 ≈
¥14.18
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Ludwig van Beethoven, Cees Nie
#
Fantasia Sonata in D Major for
#
Upstream Music
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00 ≈
¥205.55
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Juan MarÃa Solare
#
Bad Hombres Jumping Over my Wa
#
Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. J...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare #3621769. Published by Juan Maria Solare (A0.596525). The piano piece Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!' was composed in Bremen, Germany, in August 2018, for the project 45miniatures by pianist Nick Phillips. The overall character of this piece responds vaguely to Nicholas Phillips' suggestion: playful/childish outbursts, in the form of heckler chords or bad hombre-like non-chord tones. The title depicts a surrealistic, clownesque, ridiculous situation; a dream for some and a nightmare for others.For those totally unaware: the expression Bad Hombres was used by president Donald Trump during the third 2016 United States Presidential Debate. While answering a question about his immigration policy, Donald Trump stated that there were a lot of drug lords in the United States and that they needed to be removed. He concluded his comment by saying we have some bad hombres here and we have to get them out. (thus implying that the responsible of US' drug problems are Latinos)Character and moods: happy, merry, mysterious. About the performance All the piece consists of mini clusters (two minor seconds). The notation can be sometimes obscure (due to the many unavoidable accidentals). To facilitate the reading (deciphering) of the score, the easiest is to follow the highest note of each cluster: they usually form a simple chord. For instance, bar 17 is (melodically speaking) a F7 chord. Got it? L = Left Hand R = Right Hand The verbal comments along the music are not meant to be actually read aloud, but alla mente (like in some Satie's music). However, if you want to recite them at concert, go ahead.Juan MarÃa Solare (http://www.JuanMariaSolare.com)
$2.00 ≈
¥14.18
Wachet Auf (Classical Music for Tablet Series)
Wachet Auf (Classical Music for Tablet Series)
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Stephen R Dalrymple
#
Edited by Stephen R
#
Wachet Auf
#
Stephen R Dalrymple
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.818280 By Stephen R Dalrymple. By Johann Sebastian Bach (piano transcription by Busoni). Arranged by Edit...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.818280 By Stephen R Dalrymple. By Johann Sebastian Bach (piano transcription by Busoni). Arranged by Edited by Stephen R. Dalrymple (Dalrymple Designs). Baroque,Sacred. Score. 14 pages. Stephen R Dalrymple #4898545. Published by Stephen R Dalrymple (A0.818280). Wachet auf, ruft uns die Stimme (Awake, the Voice commands) by JS Bach BWV 645 from Cantata BWV 140 - choral prelude for pipe organ by Johann Sebastian Bach (from Das Orgelbuchlein 1713-17) from Ten Chorale-Preludes “Transcribed for the piano in chamber style†by Ferruccio Busoni (between 1907-1909) ♫ Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. ♫ From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. ♫ He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach … (condensed from Wikipedia October 2022) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
¥28.28
Nun komm der Heiden Heiland (Classical Music for Tablet Series)
Nun komm der Heiden Heiland (Classical Music for Tablet Series)
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Stephen R Dalrymple
#
edited by Stephen R Dalrymple
#
Nun komm der Heiden Heiland
#
Stephen R Dalrymple
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.818289 By Stephen R Dalrymple. By Composer – Johann Sebastian Bach (piano transcription by Busoni)...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.818289 By Stephen R Dalrymple. By Composer – Johann Sebastian Bach (piano transcription by Busoni). Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Baroque,Christmas. Score. 13 pages. Stephen R Dalrymple #4985125. Published by Stephen R Dalrymple (A0.818289). ♫ Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. ♫ From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. ♫ He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach … (condensed from Wikipedia October 2022) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
¥28.28
In dir ist freude (Classical Music for Tablet Series)
In dir ist freude (Classical Music for Tablet Series)
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Stephen R Dalrymple
#
edited by Stephen R Dalrymple
#
In dir ist freude
#
Stephen R Dalrymple
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.818307 By Stephen R Dalrymple. By Johann Sebastian Bach (Busoni transcription). Arranged by edited by Ste...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.818307 By Stephen R Dalrymple. By Johann Sebastian Bach (Busoni transcription). Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Baroque. Score. 15 pages. Stephen R Dalrymple #5322405. Published by Stephen R Dalrymple (A0.818307). In dir ist Freude (In You is Joy) choral prelude for pipe organ by Johann Sebastian Bach (from Das Orgelbuchlein 1713-17) from Ten Chorale-Preludes “Transcribed for the piano in chamber style†by Ferruccio Busoni (between 1907-1909) ♫ Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. ♫ From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. ♫ He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach … (condensed from Wikipedia October 2022) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
¥28.28
Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Sergei Rachmaninoff
#
Michael Bomier
#
Prelude Op.3 in C# minor, "Bel
#
Michael Butkus-Bomier
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862657 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Sc...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.862657 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score. 5 pages. Michael Butkus-Bomier #3601985. Published by Michael Butkus-Bomier (A0.862657). The Prelude in C# minor was the bane of Rachmaninoff's existence as a performer. Audiences could NOT get enough of it, and he could not bear to play it one more time! Such is Fame and Success. Well, we Normal Humans have had to look at the traditional setting of it, in two grand staves, with enough double-accidentals to blind a scribe, and try to emulate The Master from that pirate's treasure map. No longer. Here is a single-grand staff setting, with only the most minor modifications to accommodate the average hand, and spellings that show the true nature of the chords. The single best aspect of our setting here is the Total Elimination of the crossed-hand octaves throughout. When I realized these were only three or four-note triads, and not a pile of interlocking harmonies, I determined to make things clearer, for myself, and other players. The low notes all correspond to Rachmaninoff's bassline, except for one passage near the end. Only TWO octave doublings have been removed to make a smaller leap from the former lower grand staff to the upper. When I was a young student, this sort of music was baffling to my eyes, but not my ears. Now we can all see it and play it for what it is, an early masterwork, based on S.R.'s training in harmony from the Moscow Conservatory. A note can be the root, 3rd, 5th, 7th, and even 9th of some chord. They are all on display here, with a nice summation at the end, in quietude. MBB.
$3.99 ≈
¥28.28
Consolation No. 3 in D Flat Major, S. 172
Consolation No. 3 in D Flat Major, S. 172
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Franz Liszt
#
Arte Nova Music Lab
#
Consolation No. 3 in D Flat Ma
#
Arte Nova Music Lab
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.742468 Composed by Franz Liszt. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards. Score...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.742468 Composed by Franz Liszt. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards. Score. 7 pages. Arte Nova Music Lab #4412089. Published by Arte Nova Music Lab (A0.742468). The Consolations are a set of six solo piano works by Franz Liszt. The compositions take the musical style of Nocturnes with each having its own distinctive style. Each Consolation is composed in either the key of E major or D-flat major. E major is a key regularly used by Liszt for religious themes. There exist two versions of the Consolations. The first (S.171a) was composed by Liszt between 1844 and 1849 and published in 1992 by G. Henle Verlag. The second (S.172) was composed between 1849 and 1850 and published in 1850 by Breitkopf & Härtel, containing the familiar Consolation No. 3, Lento placido, in D-flat Major. The third Consolation is in D-flat major and initially marked as Lento placido. It is the most popular of the Consolations and also a favorite encore piece. Its style is similar to the Chopin Nocturnes, in particular, it seems to have been inspired by Chopin’s Nocturne Op. 27 No. 2. The similarity between the two works has been interpreted as a tribute to Chopin who died in 1849, a year before the Consolations were published. This third Consolation is however one of several of Liszt's works that take a style reminiscent of Chopin; some examples include Liszt's Polonaises, Berceuse, Mazurka brillante, and his Ballades. In 1883, years after composing the Consolation, Liszt received a Grand piano from the Steinway Company with a design that included a sostenuto pedal. Liszt began transcribing this Consolation for the new sostenuto pedal and in a letter to Steinway he wrote: In relation to the use of your welcome tone-sustaining pedal I inclose two examples: Danse des Sylphes, by Berlioz, and No. 3 of my Consolations. I have today noted down only the introductory bars of both pieces, with this proviso, that, if you desire it, I shall gladly complete the whole transcription, with exact adaptation of your tone-sustaining pedal. Liszt recommended sparing usage of the sostenuto pedal in the interpretation of this Consolation and opined on the positive effect it would have on the more tranquil passages. Notes taken from https://en.wikipedia.org/wiki/Consolations_(Liszt)#cite_note-
$5.00 ≈
¥35.44
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
¥276.08
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
¥276.08
Desafinado
Desafinado
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Antonio Carlos Jobim and Newto
#
John Fries
#
Desafinado
#
John Fries
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1493808 Composed by Antonio Carlos Jobim and Newton Mendonça. Arranged by John Fries. 20th Century,Jazz,...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1493808 Composed by Antonio Carlos Jobim and Newton Mendonça. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Score. 3 pages. John Fries #1070475. Published by John Fries (A0.1493808). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Desafinado was originally a response to critics who claimed that bossa nova was a new genre for singers who can't sing. The English language lyrics were written by Jon Hendricks and Jessie Cavanaugh (a pseudonym used by The Richmond Organisation). Another English lyric, more closely based on the original Portuguese lyric (but not a translation) was written by Gene Lees, and appears on some recordings as well.
$5.99 ≈
¥42.46
Two Scarlatti Sonatas in B minor K.27 and K.87
Two Scarlatti Sonatas in B minor K.27 and K.87
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Alessandro Scarlatti
#
Michael Bomier
#
Two Scarlatti Sonatas in B min
#
Michael Butkus-Bomier
#
SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.862645 Composed by Alessandro Scarlatti. Arranged by Michael B...
(+)
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.862645 Composed by Alessandro Scarlatti. Arranged by Michael Bomier. Baroque,Sacred,Standards. Score and parts. 7 pages. Michael Butkus-Bomier #3543635. Published by Michael Butkus-Bomier (A0.862645). The first sonata is faster-paced and has hand-crossing throughout. It was used as a showpiece early in the career of Arturo Benedetti Michaelangeli. Video of him playing this piece is on YT. The slower one was a favorite of Horowitz at the end of his career. Audio sample here is the fast one. Video of Horowitz is also up on YT. Both pieces were pedaled by these masters, and I use it as well!Our editions favor the utmost in visual clarity, not for voices as in much counterpoint, but in simultaneous notes, such that the intervals are solid and not delineated as to each voice. The hand-crossings and clearly labeled, with NO clef changes, as some editions have. If your LH is UP, it's in the Treble Clef, along with the RH. Ideal pageturns ro ease of practise and performance. MBB/GateWay
$4.50 ≈
¥31.90
Piano Sonata in F Minor - III. Funeral March
Piano Sonata in F Minor - III. Funeral March
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Gabriel Lagos
#
Gabriel Lagos
#
Piano Sonata in F Minor - III.
#
Lagos Music
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Roman...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Score. 5 pages. Lagos Music #847828. Published by Lagos Music (A0.1254257). The third movement is done! Plenty of crunchy diminished and augmented fifth intervals in this work to give it some darkness. I also chose to keep the register fairly low. The feeling I'm trying to capture: despair; knowing that everyone's fate is to fade into the wind and there's nothing anyone can do about it. There's nothing wrong with that; I've come to a place where I no longer fear death, but it's a reality of life that, at times, is impossible to ignore. There is a positive side, though. For one, the contrasting section is in A flat major and picks up tempo briefly! Before inevitably falling back into F minor... Also, on a funny note, the entire main theme is based off of an old song I wrote for my high school rock band (in like, 2004-ish?), using a commonly used chord progression: I, VI, iv, V7. This was when I was first learning to write music but I remember always thinking it would sound good as a funeral march. The song was called One More Life and the lyrics were about shedding the old, beginning anew, asking the universe for one more life. It feels good to finally have written this movement, though. I hope you enjoy it :)Thank you,Gabe.
$4.99 ≈
¥35.37
Auld Lang Syne
Auld Lang Syne
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Claudio Rosati
#
Auld Lang Syne
#
Claudio Rosati
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.835344 Arranged by Claudio Rosati. Christmas,Folk,Holiday,Pop. Score. 7 pages. Claudio Rosati #6666169. P...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.835344 Arranged by Claudio Rosati. Christmas,Folk,Holiday,Pop. Score. 7 pages. Claudio Rosati #6666169. Published by Claudio Rosati (A0.835344). From Wikipedia:Popular song, particularly in the English-speaking world.The text (not included in the score) is a Scots-language poem written by Robert Burns in 1788 but based on an older Scottish folk song. In 1799, it was set to a traditional tune, which has since become standard.Robert Burns sent a copy of the original song to the Scots Musical Museum in 1788 with the remark, The following song, an old song, of the olden times, and which has never been in print, nor even in manuscript until I took it down from an old man. Some of the lyrics were indeed collected rather than composed by the poet; the ballad Old Long Syne printed in 1711 by James Watson shows considerable similarity in the first verse and the chorus to Burns' later poem, and is almost certainly derived from the same old song.This piano solo arrangement is for an advanced intermediate player. Its was driven by a single note always repeated during the whole piece.Performing Rights Organisation: SIAE (Italy), IPI: 00459688194, CAE: I-002214414-3 Contact: claudio.rosati@mac.com
$7.00 ≈
¥49.62
Four Mythological Pieces
Four Mythological Pieces
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Evan Schwartzman
#
Four Mythological Pieces
#
Evan Schwartzman
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.930541 Composed by Evan Schwartzman. 20th Century,Contemporary. Score. 35 pages. Evan Schwartzman #476722...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.930541 Composed by Evan Schwartzman. 20th Century,Contemporary. Score. 35 pages. Evan Schwartzman #4767227. Published by Evan Schwartzman (A0.930541). Four pieces for solo piano on mythological themes. The four pieces are: Voyage to Cythera, Circe’s Palace, Sirens, and Erinyes, the Mist Walker. I. Voyage to Cythera (ΚÏθηÏα) describes a sea voyage to the home of Aphrodite. The music captures some of the intense ambivalence of Baudelaire’s poem of the same title, alternating between feelings of expectation and dread. II. Circe’s Palace describes Odysseus’ crew coming upon the enchantress Circe (ΚίÏκη) in her stone palace, sitting at her loom. She invites them to a feast, where she drugs them and transforms them into swine. III. Sirens (ΣειÏῆνας) also paints a scene from the Odyssey. The Sirens were sea nymphs who would entice sailors to their deaths through their seductive singing. When Odysseus and his men draw near to the Sirens, he orders them to stuff their ears with beeswax so that they cannot hear clearly. Odysseus has himself bound to the mast of his ship, so that he can hear the song without risking his life. IV. The Erinyes (ΕÏινυες) were an early Greek form of the Roman Furies. They were chthonic deities, born from the blood shed by Uranus when he was castrated by Cronus. Their role was to punish men and women who had broken natural law, usually by driving their victims mad. The piece opens with the victim wandering about in mist, after which he is set upon and torn to pieces in a frenzy.
$7.99 ≈
¥56.63
The Phoebe Returns
The Phoebe Returns
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Kathleen Ryan
#
The Phoebe Returns
#
Indigo Mesa Music LLC
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1204372 By Kathleen Ryan. By Kathleen Ryan. Classical,New Age. Score. 7 pages. Indigo Mesa Music LLC #802...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1204372 By Kathleen Ryan. By Kathleen Ryan. Classical,New Age. Score. 7 pages. Indigo Mesa Music LLC #802852. Published by Indigo Mesa Music LLC (A0.1204372). As composed and performed by Kathleen Ryan on her CD Under the Greenwood Tree.Kathleen's notes: When we were building our home, my husband had a big goal of not making it possible for birds to nest on the house or over the porches. (Our rental home had barn swallow nests at both the front and back doors, and it was just too messy.)But the second spring after we moved in, some Say’s phoebes showed up and wanted to nest on the house; and my husband totally fell in love with them and built them a special platform — the phoebe condo. We had 5 fledglings that year! The next spring the phoebes returned! More nests, more fledglings, more joy.When I wanted music that was lively in a gentle way, and just completely happy, I naturally thought of the phoebes. Listen for the phoebe call in the middle section.Late intermediate.
$5.25 ≈
¥37.21
Beyond The Sea
Beyond The Sea
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Bobby Darin
#
Tobi A Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Conte...
(+)
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00 ≈
¥177.20
<
1
26
