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On the Third Day
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On the Third Day
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Piano solo
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6 sheet music found
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1
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano solo
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ADVANCED
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. ...
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.
If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
£4.70
I Heard the Bells On Christmas Day
I Heard the Bells On Christmas Day
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Piano solo
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ADVANCED
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Christmas
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Raluca Bojor
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Raluca Bojor
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I Heard the Bells On Christmas
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Raluca Bojor
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1337985 By Raluca Bojor. By John Calkin. Arranged by Raluca Bojor. Christian,Christmas,Holiday,Sacred. Sc...
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Piano Solo - Level 5 - Digital Download SKU: A0.1337985 By Raluca Bojor. By John Calkin. Arranged by Raluca Bojor. Christian,Christmas,Holiday,Sacred. Score. 3 pages. Raluca Bojor #923733. Published by Raluca Bojor (A0.1337985). A beautiful, harmonically rich advanced piano arrangement of the Christmas hymn “I Heard the Bells on Christmas Day.†It is based on Raluca’s performance from her Peaceful Christmas piano album, with an added third verse featuring a modulation and an uplifting, triumphant texture. Towards the end, this arrangement will return to its previous peaceful sound, this time in pianissimo. LISTEN to the full recording below!Product details:• sheet music PDF• 3 (three) pages long• difficulty: advanced• key of E flat major with a modulation to E major• performance time 2’50â€DOWNLOAD the sheet music PDF now!
$5.99 ≈
£4.70
Carson Cooman: Biblicals: Concerto for Solo Piano
Carson Cooman: Biblicals: Concerto for Solo Piano
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Piano solo
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ADVANCED
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Carson Cooman
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Carson Cooman: Biblicals: Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Mu...
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Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.
$16.95 ≈
£13.30
Chromatic Prelude in B major
Chromatic Prelude in B major
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Piano solo
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ADVANCED
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Christopher McWilliams
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Chromatic Prelude in B major
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Christopher McWilliams
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1008279 Composed by Christopher McWilliams. Baroque,Contemporary. Score. 6 pages. Christopher McWilliams ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1008279 Composed by Christopher McWilliams. Baroque,Contemporary. Score. 6 pages. Christopher McWilliams #4632439. Published by Christopher McWilliams (A0.1008279). For the Prelude, I have incorporated variations of the iconic chord progression from Pachelbel's Canon in D major and took the liberty to quote three themes from other sources at three distinct points throughout. The first one marks the conclusion from the first movement of Vivaldi's Guitar Concerto in D major. The source for the second borrowed theme is unknown, and the third theme is derived from the song Somedays featured in Paul McCartney's 1997 album Flaming Pie. The main motive of the prelude is loosely based on a rhythmic figure found in a typical prelude by J.S. Bach. Although the harmony is largely diatonic, I have clearly marked key modulations that descend by chromatic steps during the episodes from B major to B major. .
$3.99 ≈
£3.13
Open My Eyes, That I May See
Open My Eyes, That I May See
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Piano solo
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ADVANCED
#
Raluca Bojor
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Raluca Bojor
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Open My Eyes, That I May See
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Raluca Bojor
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1089944 By Raluca Bojor. By Clara H. Scott. Arranged by Raluca Bojor. Praise & Worship,Sacred,Spiritual,T...
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Piano Solo - Level 5 - Digital Download SKU: A0.1089944 By Raluca Bojor. By Clara H. Scott. Arranged by Raluca Bojor. Praise & Worship,Sacred,Spiritual,Traditional. Score. 4 pages. Raluca Bojor #694168. Published by Raluca Bojor (A0.1089944). This is the prefect piano hymn arrangement to play on Pentecost Sunday (or any other Sunday, for that matter). In this text, the author invites the Holy Spirit to transform her life by opening her eyes, her mouth, her ears. Each stanza ends with “illumine me, Spirit divine!†May that be our motto every day of our lives! The piano arrangement is structured in three sections (one style for each verse). In the first section the hands stay close to the middle register and the voicing is modest. And the oom-pah-pah rhythms will give it a light bounce that will bring a smile to whoever plays or listens. On the second verse the hands move to a higher register where the music suddenly becomes more delicate. Think of a music box! Lastly, on the third verse we pull all the stops! Large leaps in the left hand between the bass note and the chords plus full chords and octaves in the right hand. Download the PDF sheet music now:.
$6.00 ≈
£4.71
O Little Town of Bethlehem
O Little Town of Bethlehem
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Piano solo
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ADVANCED
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Michael Swedberg
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Terrence Niska
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O Little Town of Bethlehem
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1125787 By Michael Swedberg. By Louis H. Redner. Arranged by Terrence Niska. Christmas,Contemporary,Holid...
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Piano Solo - Level 5 - Digital Download SKU: A0.1125787 By Michael Swedberg. By Louis H. Redner. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 4 pages. Niska Music Publishing #726527. Published by Niska Music Publishing (A0.1125787). This is another lullaby in my favorite meter of 7/4. The melody floats along as though on a peaceful river of eighth-notes supplied by the left hand. In the first verse, the melody is played in octaves with the occasional addition of an alto voice at the ends of phrases, which seems to comment upon the music..to reinforce what was just said. In the second verse, there is the addition of harmony in the right hand in either sixths or thirds. Soon the texture grows thicker as the chords become three-part and finally arriving at five-part chords as the piece reaches its climax. There is a dream-like quality to this arrangement which is never disturbed throughout. The music feels like a gentle balm for the weary soul… a soul which is accosted by trials every day, but that can take solace in the promise of the babe born this night.
$3.99 ≈
£3.13
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