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4 sheet music found
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1
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano solo
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ADVANCED
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. ...
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.
If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99
Three Contemporary Rags, Op. 224
Three Contemporary Rags, Op. 224
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Piano solo
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ADVANCED
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Ragtime
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Samuel Wellman
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Three Contemporary Rags, Op. 2
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Samuel Wellman
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.882093 Composed by Samuel Wellman. Contemporary,Ragtime. Score. 12 pages. Samuel Wellman #1942605. Publis...
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Piano Solo - Level 5 - Digital Download SKU: A0.882093 Composed by Samuel Wellman. Contemporary,Ragtime. Score. 12 pages. Samuel Wellman #1942605. Published by Samuel Wellman (A0.882093). The contemporary nature of these pieces comes partly from the individual titles. How many times have we heard on the phone, 'This conversation will be recorded for quality control'? So the first rag is 'This Piece May Be Recorded for Quality Control.' Why? Because the main sections are in seven sharps. Best of luck to you. The second rag refers to the modern computer age: 'Press Any Key to Continue,' and the beginning is indeed a seemingly random series of notes, which are then gathered together for a chord. This chord then forms basic material for the rest of the piece. The final rag borrows from merchants who may, for instance, have circulated an ad with a misprint. Correcting the misprint, the merchant then invariably offers this: 'We Apologize for Any Inconvenience.' So how inconvenient is the rag I have written? Haha: play through it and you will discover quite a few inconveniences. But I apologize for them in advance.
$10.00
Etude 1.0 + 2.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
Etude 1.0 + 2.0 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano solo
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ADVANCED
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Michael Bomier
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Etude 1.0 + 2.0 for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.862547 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-B...
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Piano Solo - Level 5 - Digital Download SKU: A0.862547 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2034415. Published by Michael Butkus-Bomier (A0.862547). The whole step and the major third are quite euphonious, and even fit into some keys where their usage in a tonal setting facilitates mirror fingerings and symmetry. E major, having four sharps, is just such a key. The scalar passages are strictly mirror-fingered. The octave displacement of the note in between the root and 3rd of the scale is also used throughout, in either hand. Tempo here is only a suggestion, as it may be a bit quick, the 9ths that change direction throughout being the chief technical challenge. The melody is, by default, the top notes of these octave-displaced figures. There are also thirds with broken octaves for accompaniment as well. Running time is approx.3 mins, 30 secs.,longer at a slightly slower pace. Pedaling is not specifically marked, but is given with general instructions rather than with traditional markings. MBB.
$2.50
Savior, like a Shepherd Lead Us
Savior, like a Shepherd Lead Us
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Piano solo
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ADVANCED
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William B
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Daniel Steenson
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Savior, like a Shepherd Lead U
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Daniel Steenson
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.905644 Composed by William B. Bradbury. Arranged by Daniel Steenson. Concert,Romantic Period,Sacred,Weddi...
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Piano Solo - Level 5 - Digital Download SKU: A0.905644 Composed by William B. Bradbury. Arranged by Daniel Steenson. Concert,Romantic Period,Sacred,Wedding. Score. 4 pages. Daniel Steenson #4782731. Published by Daniel Steenson (A0.905644). Daniel Steenson's early-advanced piano setting of Savior, like a Shepherd, Lead Us is suitable as an offertory, a meditation before communion, wedding prelude music, or a recital piece. The main challenge lies in the 2nd stanza (mm. 18-32). I chose F-sharp major (G-flat major) for its resonant and harmonious qualities. You will find a wide-variety of color contrasts in this rich key as you travel between registers. Use the black and gray zones of the keys (hand position should be closer to fall board) for smoother, lateral movement (avoid zig-zagging in and out of the black keys). Also, listen for the hymn tune in the alto line (m. 18). Create bell effects in mm. 26-32 (LH crossings are optional) using succinct and gentle finger-tip releases. Catch each harmonic bass-note change with a clean pedal. Double-check your note accuracy in m. 43, and play the C double-sharps! (it helps to hear this measure as a D major 7th chord in first inversion). Enjoy this transcription of Bradbury's ageless hymn - still cherished by young and old alike!
$3.99
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