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Debussy century Intermediate
Piano solo
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26
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
$53.93
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
$53.93
Debussy and Satie Piano Favorites Collection - Piano Solo
Debussy and Satie Piano Favorites Collection - Piano Solo
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Claude Debussy, Erik Satie
#
Debussy, Satie
#
Debussy and Satie Piano Favori
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Claude Debussy, Erik Satie. Arranged by Debussy, Satie. 20th Century, Romantic Period, Contemporary...
(+)
Piano Solo - Intermediate - Digital Download Composed by Claude Debussy, Erik Satie. Arranged by Debussy, Satie. 20th Century, Romantic Period, Contemporary Classical, Impressionistic, Recital. 47 pages. Published by Diamond S Music
Debussy and Satie Piano Favorites Collection- Piano Solo. This is a collection of 9 popular Piano Solos by Claude Debussy and Erik Satie. The contents are: SATIE: Gymnopédie No. 1-3 DEBUSSY: Claire de Lune, Arabesques No. 1 and 2, Rêverie, and 2 pieces from ?The Children?s Corner? - Doctor Gradus ad Parnassum, and Golliwog?s Cakewalk. Also contains a short bio of each composer, Debussy and Satie. 41 pages of music.
$14.99 ≈
$20.75
DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy
#
DOCTOR GRADUS AD PARNASSUM fro
#
Diamond S Music
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Impressionistic, Post-Romantic, Recital. 8 pages. Publi...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Impressionistic, Post-Romantic, Recital. 8 pages. Published by Diamond S Music
DOCTOR GRADUS AD PARNASSUM from ‘Children’s Corner Suite’ by CLAUDE DEBUSSY for PIANO SOLO. The Latin phrase gradus ad Parnassum means "steps to Parnassus”. Debussy composed Children's Corner between 1906 and 1908. This piece is actually a rather ingenious study in finger independence with a Twentieth Century vocabulary. In the middle, the pianist slows down and tries his material in other keys for exercise. Debussy's Doctor Gradus Ad Parnassum is of intermediate difficulty and requires experienced fingers. The pianist gets wilder toward the end and finishes the piece with a bang. Debussy told his publisher that the movement should be played "very early in the morning".This edition also includes a short biography of Debussy and some facts about the piece.
Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.99 ≈
$6.91
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Claude Debussy: Prléude à L'
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
$10.35 ≈
$14.33
Arabesque No. 1 - Debussy (Intermediate Piano)
Arabesque No. 1 - Debussy (Intermediate Piano)
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Piano solo
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INTERMEDIATE
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Classical
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Claude Debussy
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PianoForEveryone
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Arabesque No. 1 - Debussy
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PianoForEveryone
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1397215 By Claude Debussy. By Claude Debussy. Arranged by PianoForEveryone. 19th Century,Classical,Romant...
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Piano Solo - Level 3 - Digital Download SKU: A0.1397215 By Claude Debussy. By Claude Debussy. Arranged by PianoForEveryone. 19th Century,Classical,Romantic Period. Score. 7 pages. PianoForEveryone #980530. Published by PianoForEveryone (A0.1397215). An intermediate piano arrangement of Debussy's 'Arabesque No. 1.' The voicing has been reduced whilst still retaining the melody. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing.
$1.99 ≈
$2.76
Clair de Lune - Debussy (Intermediate Piano)
Clair de Lune - Debussy (Intermediate Piano)
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Piano solo
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INTERMEDIATE
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Classical
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Claude Debussy
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PianoForEveryone
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Clair de Lune - Debussy
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PianoForEveryone
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1107499 By Claude Debussy. By Claude Debussy. Arranged by PianoForEveryone. 20th Century,Classical. Score...
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Piano Solo - Level 3 - Digital Download SKU: A0.1107499 By Claude Debussy. By Claude Debussy. Arranged by PianoForEveryone. 20th Century,Classical. Score. 4 pages. PianoForEveryone #710165. Published by PianoForEveryone (A0.1107499). An intermediate piano arrangement of Claude Debussy's 'Clair de Lune.' The key has been transposed down a semitone to simplify, and voices reduced whilst still retaining the original melody. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing.
$1.99 ≈
$2.76
The Girl With the Flaxen Hair - Debussy (Intermediate Piano)
The Girl With the Flaxen Hair - Debussy (Intermediate Piano)
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Piano solo
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INTERMEDIATE
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Classical
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Claude Debussy
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PianoForEveryone
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The Girl With the Flaxen Hair
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PianoForEveryone
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1197453 By Claude Debussy. By Claude Debussy. Arranged by PianoForEveryone. 20th Century,Classical. Score...
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Piano Solo - Level 3 - Digital Download SKU: A0.1197453 By Claude Debussy. By Claude Debussy. Arranged by PianoForEveryone. 20th Century,Classical. Score. 4 pages. PianoForEveryone #796625. Published by PianoForEveryone (A0.1197453). An intermediate piano arrangement of Debussy's 'The Girl With the Flaxen Hair.' The key has been transposed, and some voicing removed, whilst still retaining the melody, bass and important harmony from the original. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing.
$1.99 ≈
$2.76
Le Petit Negre The Little Nigar (Grade 5) DEBUSSY Intermediate Piano Sheet Music with note names
Le Petit Negre The Little Nigar (Grade 5) DEBUSSY Intermediate Piano with note names
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Piano solo
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INTERMEDIATE
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Classical
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Claude Debussy
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Teacher Valarie
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Le Petit Negre The Little Niga
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Published Harmony Valarie
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1241169 Composed by Claude Debussy. Arranged by Teacher Valarie. 19th Century,20th Century,21st Century,C...
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Piano Solo - Level 3 - Digital Download SKU: A0.1241169 Composed by Claude Debussy. Arranged by Teacher Valarie. 19th Century,20th Century,21st Century,Children,Contemporary. Score. 4 pages. Published Harmony Valarie #836563. Published by Published Harmony Valarie (A0.1241169). Easy for students to learn and also easy for teachers to teacher, in person or online lessons. Grear for performances, videos, shorts, recitals, concerts and competitions. Added note names, performances details and meanings.
$4.99 ≈
$6.91
ARABESQUE No.2 (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
ARABESQUE No.2 (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Diamond S Music
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No
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ARABESQUE No.2
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Diamond S Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.790109 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century. Score. 9 pages. Diamond S M...
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Piano Solo - Level 4 - Digital Download SKU: A0.790109 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century. Score. 9 pages. Diamond S Music #3622501. Published by Diamond S Music (A0.790109). ARABESQUE No.2 (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains ONLY Arabesque No.1. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately or Both together in the set. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.50 ≈
$6.23
ARABESQUE No.1 in E Major (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
ARABESQUE No.1 in E Major (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Diamond S Music
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No
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ARABESQUE No.1 in E Major
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Diamond S Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.790108 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 9 pages. Dia...
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Piano Solo - Level 4 - Digital Download SKU: A0.790108 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 9 pages. Diamond S Music #3622487. Published by Diamond S Music (A0.790108). ARABESQUE No.1 in E Major (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains ONLY Arabesque No.1. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately or Both together in the set. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.50 ≈
$6.23
Arabesque No. 1 (Debussy) with piano fingering
Arabesque No. 1 (Debussy) with piano fingering
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Piano solo
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INTERMEDIATE
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Classical
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Claude Debussy
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Scott Camp
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Arabesque No. 1
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Scott Camp
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.553102 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Standards,Wedding. Score....
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Piano Solo - Level 3 - Digital Download SKU: A0.553102 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Standards,Wedding. Score. 10 pages. Scott Camp #4303545. Published by Scott Camp (A0.553102). Beautiful piano music by Claude Debussy. This edition includes fingering so that students can spend their time reinforcing proper technique, rather than struggling to figure out the correct fundamental technique of fingering and hand positions. This edition will not enable a beginner to play a beautiful performance of Debussy. However, this edition will enable the appropriate Intermediate Level pianist who knows and loves the sound of this piece to succeed. This student needs to reinforce the proper fingering and technique, not figure it out. This student know this piece is legato throughout, and understands how to apply the damper pedal appropriately. This student is motivated by the beauty of this piece, and Impressionism in general. The editing principle is to present and clarify the information that the student does not already know for themselves. For this reason, traditional slurs are not included. This is not Mozart, Beethoven, or Bach. This is Impressionism. Debussy requires harmonic clarity by means of the damper (sustain) pedal and smooth (legato) melodic execution by means of the proper fingering. Pedal indications are not included because this piece is not appropriate for use as the introduction to the pedal. Slurs are not included because, with the correct fingering included, students will automatically achieve a legato performance.
$3.99 ≈
$5.52
DEUX ARABESQUES (2 Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
DEUX ARABESQUES (2 Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
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Piano solo
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Classical
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Claude Debussy
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Diamond S Music
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No
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DEUX ARABESQUES
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Diamond S Music
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.790107 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 16 pages. Diamond S Mu...
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Piano Solo - Digital Download SKU: A0.790107 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 16 pages. Diamond S Music #3622481. Published by Diamond S Music (A0.790107). DEUX ARABESQUES (2 Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains both Arabesque No.1 & No.2 as a set. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.50 ≈
$11.77
"Sarabande" From Pour le Piano- C. Debussy- Solo Piano. Simplified Version
"Sarabande" From Pour le Piano- C. Debussy- Solo Piano. Simplified Version
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Piano solo
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INTERMEDIATE
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C Debussy
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Grant Horsley
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"Sarabande" From Pour le Piano
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Grant Horsley
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.785742 Composed by C Debussy. Arranged by Grant Horsley. 20th Century,Standards,Wedding. Score. 5 pages. ...
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Piano Solo - Level 3 - Digital Download SKU: A0.785742 Composed by C Debussy. Arranged by Grant Horsley. 20th Century,Standards,Wedding. Score. 5 pages. Grant Horsley #6058137. Published by Grant Horsley (A0.785742). This is an easier arrangement of this very well known and loved piece by Debussy.I wanted to give pianists an opportunity to play a simpler version if they were not quite ready for the original.Firstly, I have arranged it in the key of F major from the original E for ease of reading. Secondly, the very big chords in each hand have been economised carefully so to produced the nearest effect of the original. Thirdly, some original areas have now been divided between the hands for simplicity.It is 5 minutes long-Intermediate level/associated board grade 6.Great piece for concerts, weddings, recitals, incidental music, relaxation etc.
$5.25 ≈
$7.27
"Cakewalk" from Children's Corner- Debussy. Solo Piano- Simplified version
"Cakewalk" from Children's Corner- Debussy. Solo Piano- Simplified version
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Piano solo
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INTERMEDIATE/ADVANCED
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C Debussy
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Grant Horsley
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"Cakewalk" from Children's Cor
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Grant Horsley
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.785747 Composed by C Debussy. Arranged by Grant Horsley. 20th Century,Instructional,Standards,Wedding. Sc...
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Piano Solo - Level 4 - Digital Download SKU: A0.785747 Composed by C Debussy. Arranged by Grant Horsley. 20th Century,Instructional,Standards,Wedding. Score. 7 pages. Grant Horsley #6069191. Published by Grant Horsley (A0.785747). Cakewalk-No 4 from Children's Corner has been carefully arranged here to enable more pianists to play it.I have arranged it into the key of G major from E Flat for ease of reading. Some difficult to negotiate areas have now been re- voiced and large stretches avoided. I've also limited the jumping of the left hand.It's a great piece to play and add to a repertoire list-Â 6 pages long- around 3 minutes in length- Advanced IntermediateThe Whole score is on the youtube link for you to assess suitability.Works very well for concerts, recitals, weddings, background, incidental music etc.
$5.00 ≈
$6.92
Réminiscences d'Espagne (Habañera) - Intermediate Impressionist Piano Piece for Ravel Preparation
Réminiscences d'Espagne (Habañera) - Intermediate Impressionist Piano Piece for Ravel Preparation
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Piano solo
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INTERMEDIATE
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Nicole Elyse DiPaolo
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Réminiscences d'Espagne
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.799622 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elys...
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Piano Solo - Level 3 - Digital Download SKU: A0.799622 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791457. Published by Nicole Elyse DiPaolo (A0.799622). From my in-progress collection of intermediate and late-intermediate piano pieces in Impressionist styles, this is an homage to Maurice Ravel's Habañera-styled pieces (including the Vocalise-étude, the Habañera from the Rapsodie Espagnole, and others).It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: numerous hand and arm crossings, 3-against-4 polyrhythms as evident in the habañera, very high registers, dissonances like German 7th chords and diminished thirds, and Spanish-flavored modal writing, to name a few.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's work.
$2.49 ≈
$3.45
Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
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Piano solo
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INTERMEDIATE
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Nicole Elyse DiPaolo
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Le jardin des papillons - Inte
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elys...
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Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791445. Published by Nicole Elyse DiPaolo (A0.799620). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was also inspired by my main non-music hobby: raising and releasing butterflies. An upcoming relocation will allow me to build my own butterfly garden in my new home, and I can't wait to create my own butterfly-friendly outdoor paradise filled with native plants and wildflowers. I hope my garden will have as many butterflies flitting through it as are depicted in the 32nd-note passages in this piece!
$2.49 ≈
$3.45
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
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Piano solo
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INTERMEDIATE/ADVANCED
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elys...
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Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49 ≈
$3.45
Clair de lune (easier to play intermediate arrangement)
Clair de lune (easier to play intermediate arrangement)
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Piano solo
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INTERMEDIATE
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Classical
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Claude Debussy
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Gaili Schoen for UpperHandsPia
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Clair de lune
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UpperHandsPiano.com
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.787617 Composed by Claude Debussy. Arranged by Gaili Schoen for UpperHandsPiano.com. 20th Century,Romanti...
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Piano Solo - Level 3 - Digital Download SKU: A0.787617 Composed by Claude Debussy. Arranged by Gaili Schoen for UpperHandsPiano.com. 20th Century,Romantic Period. Score. 3 pages. UpperHandsPiano.com #5203339. Published by UpperHandsPiano.com (A0.787617). Upper Hands Piano creates arrangements that are inexpensive, and easy to play with beautiful chords. For free monthly sheet music and important piano practice tips, follow our blog at http://UpperHandsPiano.com/blog/. You can find our Upper Hands Piano method books for adults 50+ and Songs of the Seasons books on Amazon.com: http://amzn.to/2z49qAq or search for Upper Hands Piano in BOOKS. Thanks for your purchase!
$3.25 ≈
$4.50
Iberian Tango
Iberian Tango
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Piano solo
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INTERMEDIATE
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Classical
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Claude Debussy
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Stanley M
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Iberian Tango
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stanleymhoffman.com
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Stanley M. Hoffman. 21st Century, Impressionistic. S...
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Piano Solo - Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Stanley M. Hoffman. 21st Century, Impressionistic. Score. 4 pages. Published by stanleymhoffman.com
This piece was composed for a call for scores for Vox Novus' 15 Minutes of Fame series for pianist Stephen Porter; he did not choose it for performance in his "Debussy Reimagined" concert, but the composer is very fond of the music this call for scores left behind. Iberian Tango is inspired by motifs taken from Iberia, the second movementof Claude Debussy’s triptych Images pour orchestre. While quite takenwith all three movements, the composer found himself being drawn most to the movement called Ibéria,especially the melody which forms the basis of the opening and closing sectionsof the Tango.
$2.00 ≈
$2.77
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