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PIANO Ravel advanced
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
£29.75
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
£29.75
Wood Works for Piano
Wood Works for Piano
#
Piano solo
#
Sacred music
#
Dale Wood
#
Wood Works for Piano
#
Sacred Music Press
#
SheetMusicPlus
Piano - Moderately Advanced SKU: LO.70-1186S Nine Settings of Hymns and Folk Tunes. Composed by Dale Wood. Sacred. Sacred Music Press #70/1186S. P...
(+)
Piano - Moderately Advanced SKU: LO.70-1186S Nine Settings of Hymns and Folk Tunes. Composed by Dale Wood. Sacred. Sacred Music Press #70/1186S. Published by Sacred Music Press (LO.70-1186S). UPC: 000308038507.The series of WOOD WORKS FOR ORGAN have long been best sellers, and now the composer has transcribed many of these popular works for piano. The piano settings bear the incomparable imprint of a composer whose hallmark is highly respected throughout the church music circles. Moderately easy, the music is all truly memorable.
Song List
: In Thee Is Gladness Come O Thou Traveler Unknown My Shepherd Will Supply My Need Gift To Be Simple The Aria On Jewels Were You There Beautiful Savior Brother James Air Shall We Gather At The River
$22.95 ≈
£17.53
Three Chromicons for piano solo
Three Chromicons for piano solo
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Joseph Dillon Ford
#
Three Chromicons for piano sol
#
David Warin Solomons
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 2...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00 ≈
£9.17
Boléro - Ravel (Advanced Piano)
Boléro - Ravel (Advanced Piano)
#
Piano solo
#
ADVANCED
#
Maurice Ravel
#
PianoForEveryone
#
Boléro - Ravel
#
PianoForEveryone
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1400013 By Maurice Ravel. By Maurice Ravel. Arranged by PianoForEveryone. 20th Century,Classical. Score. ...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1400013 By Maurice Ravel. By Maurice Ravel. Arranged by PianoForEveryone. 20th Century,Classical. Score. 7 pages. PianoForEveryone #983243. Published by PianoForEveryone (A0.1400013). An advanced piano arrangement of Ravel's 'Boléro.' The music has been shortened, however the performer is welcome to repeat if desired. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing.
$1.99 ≈
£1.52
Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
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Piano solo
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INTERMEDIATE/ADVANCED
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Nicole Elyse DiPaolo
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Vignettes - 5 Late-Intermediat
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1490673 Composed by Nicole Elyse DiPaolo. 20th Century,Classical,Contest,Festival,Instructional. Score. 1...
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Piano Solo - Level 4 - Digital Download SKU: A0.1490673 Composed by Nicole Elyse DiPaolo. 20th Century,Classical,Contest,Festival,Instructional. Score. 18 pages. Nicole Elyse DiPaolo #1067479. Published by Nicole Elyse DiPaolo (A0.1490673). Vignettes is a set of 5 short (2 or 3-page) late-intermediate piano pieces that introduce unique aspects of Maurice Ravel's piano writing that students tend to find challenging. Given that Ravel himself wrote very little at the intermediate level for solo piano (except the recently rediscovered Prelude in A minor), I saw a great need for appropriate Ravel-preparatory repertoire.Notes on the Pieces in Vignettes1. Réminiscences d’EspagneThis work is an homage to Maurice Ravel's Habañera-styled pieces. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: numerous hand and arm crossings, 3-against-4 polyrhythms as evident in the habañera, very high registers, dissonances like German 7th chords and diminished thirds, and Spanish-flavored modal writing, to name a few. This piece also recalls my time as a cruise ship duo pianist aboard the ms Maasdam, which visited five ports in Spain.2. Le jardin des papillons (The Butterfly Garden)Le jardin des papillons is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music.3. Le jardin englouti (The Sunken Garden)Le jardin englouti is an homage to Maurice Ravel's minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). This piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of solo and collaborative repertoire before moving away in 2019. The Biology Building greenhouse now sits on the former Sunken Garden site.4. Point PeléePoint Pelée is an homage to Maurice Ravel's toccata-style movements, like the finale of the Sonatine or the toccata from Le tombeau de Couperin. This piece can be programmed with Le jardin des papillons and Le jardin englouti to form a three-movement suite that roughly corresponds to the Sonatine. This movement was inspired by Point Pelée National Park, in Ontario, Canada, a frequent roosting spot for monarch butterflies making the long migration from Canada to southern Mexico. In this piece I tried to capture the flutters of the roosting monarchs' wings as they'd settle into the trees at night and venture out across Lake Erie after resting. You can find more information on the park here: https://www.pc.gc.ca/en/pn-np/on/pelee/nature/faune-wildlife/monarque-monarch5. À la manière d'une PavaneÀ la manière d'une Pavane is an homage to Maurice Ravel's piano writing as shown in his Pavane pour une infante défunte and the Pavane from the Mother Goose suite. It combines Baroque-reminiscent polyphony with the clarity and delicacy of articulation required more widely in the Ravel repertoire.
$16.99 ≈
£12.98
Come and Rest All Ye Weary Travellers
Come and Rest All Ye Weary Travellers
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Piano solo
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INTERMEDIATE/ADVANCED
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James Michael Stevens
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James Michael Stevens
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Come and Rest All Ye Weary Tra
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.571577 Composed by James Michael Stevens. Arranged by James Michael Stevens. Contemporary,Jewish,Sacred,S...
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Piano Solo - Level 4 - Digital Download SKU: A0.571577 Composed by James Michael Stevens. Arranged by James Michael Stevens. Contemporary,Jewish,Sacred,Spiritual,World. Score. 4 pages. James M Stevens Music ASCAP #16527. Published by James M Stevens Music ASCAP (A0.571577). Come and Rest All Ye Weary Travellers is an original piano composition included in the 2013 piano book/CD, Romanza of the Heart. The music is described as romantic piano compositions for relaxation and contemplation. This sheet music is an exact arrangement as heard on the CD and featured on Pandora Radio. The difficulty of the songs fall within an advanced intermediate to early advanced level. James Michael Stevens is a prolific composer residing in Nashville, TN where he serves as the Music Department Chairman at Welch College. He is known internationally for his choral anthems, piano arrangements/compositions, and piano improvisation workshops.
$4.99 ≈
£3.81
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
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Piano solo
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INTERMEDIATE/ADVANCED
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elys...
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Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49 ≈
£1.90
Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
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Piano solo
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INTERMEDIATE
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Nicole Elyse DiPaolo
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Le jardin des papillons - Inte
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elys...
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Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791445. Published by Nicole Elyse DiPaolo (A0.799620). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was also inspired by my main non-music hobby: raising and releasing butterflies. An upcoming relocation will allow me to build my own butterfly garden in my new home, and I can't wait to create my own butterfly-friendly outdoor paradise filled with native plants and wildflowers. I hope my garden will have as many butterflies flitting through it as are depicted in the 32nd-note passages in this piece!
$2.49 ≈
£1.90
Ravel - "Mother Goose" (Ma Mère l’Oye), arranged for Piano solo
Ravel - "Mother Goose" (Ma Mère l’Oye), - Piano solo
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Piano solo
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ADVANCED
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Maurice Ravel
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Len Rhodes
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Ravel - "Mother Goose"
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Len Rhodes Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.739953 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Concert,Holiday,Wedding. Score. 8 ...
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Piano Solo - Level 5 - Digital Download SKU: A0.739953 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Concert,Holiday,Wedding. Score. 8 pages. Len Rhodes Music #3570051. Published by Len Rhodes Music (A0.739953). Len Rhodes has transcribed Ravel's orchestral suite for piano solo. In his book Impressionism, author Pierre Courthion writes how Ravel's Mother Goose Suite seems like a musical commentary to Monet's Waterlilies. Len has titled his transcription - Reflections - containing the main movements from Mother Goose (Ma Mère l’Oye), with beautifully crafted segue's that create uninterrupted flow from movement to movement. Ravel originally wrote this ballet as a charming, delicate and imaginative suite of fairytale pieces. This transcription is a continuous work featuring - (i) the Prelude, (ii) Pavane de la Belle au Bois dormant (Pavane of the Sleeping Beauty), (iii) Les entretiens de la Belle et de la Bête (Conversation of Beauty and the Beast), (iv) Petit Poucet (Little Tom Thumb), and Le jardin féerique (The Fairy Garden). It is suitable for the more advanced (ABRSM grade 6/7) pianist, but will be appreciated by all lovers of Ravel, and Ma Mère l’Oye in particular. The music contains some larger chords so not entirely suitable for small hands. This is an extended work - 8 pages of music.
$5.99 ≈
£4.58
Réminiscences d'Espagne (Habañera) - Intermediate Impressionist Piano Piece for Ravel Preparation
Réminiscences d'Espagne (Habañera) - Intermediate Impressionist Piano Piece for Ravel Preparation
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Piano solo
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INTERMEDIATE
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Nicole Elyse DiPaolo
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Réminiscences d'Espagne
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.799622 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elys...
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Piano Solo - Level 3 - Digital Download SKU: A0.799622 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791457. Published by Nicole Elyse DiPaolo (A0.799622). From my in-progress collection of intermediate and late-intermediate piano pieces in Impressionist styles, this is an homage to Maurice Ravel's Habañera-styled pieces (including the Vocalise-étude, the Habañera from the Rapsodie Espagnole, and others).It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: numerous hand and arm crossings, 3-against-4 polyrhythms as evident in the habañera, very high registers, dissonances like German 7th chords and diminished thirds, and Spanish-flavored modal writing, to name a few.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's work.
$2.49 ≈
£1.90
Ravel "Minuet" (2nd mvt) from Sonatine. Solo Piano Simplified version.
Ravel "Minuet" (2nd mvt) from Sonatine. Solo Piano Simplified version.
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Piano solo
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INTERMEDIATE/ADVANCED
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M Ravel
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Grant Horsley
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Ravel "Minuet"
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Grant Horsley
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.785746 Composed by M Ravel. Arranged by Grant Horsley. 20th Century,Contemporary,Romantic Period,Wedding....
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Piano Solo - Level 4 - Digital Download SKU: A0.785746 Composed by M Ravel. Arranged by Grant Horsley. 20th Century,Contemporary,Romantic Period,Wedding. Score. 6 pages. Grant Horsley #6066877. Published by Grant Horsley (A0.785746). This minuet from the fabulous sonatine by Ravel, has been carefully arranged for pianist who would like a slightly easier version to play.It has been arranged in D major from the original D flat for ease of reading. Some large chords have been compromised but all essential harmony is present. Finally, I have re-voiced a few areas where hands collide in the original to make it easier to negotiate.It is advanced Intermediate is level although a competent Intermediate pianist may be ok with it. Best to look at the youtube to judge which has the whole score. It is 5 pages and roughly 3 mins 15 in length.It really is a wonderful piece- especially used for concert's weddings, recitals, encore, incidental, recitals etc.
$5.50 ≈
£4.20
THE GREAT WALL CONCERTO Arranged For 2 Pianos, 4 Hands
THE GREAT WALL CONCERTO Arranged For 2 Pianos, 4 Hands
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Piano solo
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ADVANCED
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO Arrang
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White Piano International Publishing
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - Digital Download SKU: A0.1316925 Composed by ROBERT VAN HORNE. Arranged by ROBERT VA...
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Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - Digital Download SKU: A0.1316925 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 33 pages. White Piano International Publishing #905605. Published by White Piano International Publishing (A0.1316925). THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands 33 Pages(Piano I Original Piano Score)           &(Piano II Orchestra Adaptation)Advanced Approx. Duration 13 minutes; 30 secondsBy ROBERT VAN HORNE Composing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto, capturing the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression of seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the original Conductor’s Piano & Orchestra Score of the concerto with instrumental parts (currently available at Sheet Music Plus and Sheet Music Direct), the Duo Piano Score of THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands is now also available at those two websites.Both Piano I and Piano II parts are clearly notated with phrasing, dynamics, accents, suggested fingerings and musical word descriptions for 2 Pianos, 4 Hands performances. THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands makes a wonderful and memorable performance piece for two piano recitals as well as a score for practicing with an orchestra, since Piano I is the original piano part.A 2 Pianos, 4 Hands recording or video of THE GREAT WALL CONCERTO is not available at this time, however, a 2006 recorded version with Piano & Orchestra is available for demo purposes only. Except for the piano, all other instruments included are digital samples. A YouTube video can be viewed at: http://www.youtube.com/watch?v=S_Zr10XMnJc In conclusion, THE GREAT WALL CONCERTO For Piano and Orchestra is not only a tribute to the Great Wall of China, but also to the power of music in expressing the inexpressible.Published by White Piano International Publishing Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$15.99 ≈
£12.21
AMOUR LOINTAIN (LOVE FROM AFAR) Piano Solo by ROBERT VAN HORNE
AMOUR LOINTAIN (LOVE FROM AFAR) Piano Solo by ROBERT VAN HORNE
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Piano solo
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INTERMEDIATE/ADVANCED
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ROBERT VAN HORNE
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AMOUR LOINTAIN
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.914972 Composed by ROBERT VAN HORNE. 20th Century,Classical,Instructional,New Age,Romantic Period. Score....
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Piano Solo - Level 4 - Digital Download SKU: A0.914972 Composed by ROBERT VAN HORNE. 20th Century,Classical,Instructional,New Age,Romantic Period. Score. 9 pages. White Piano International Publishing #6448451. Published by White Piano International Publishing (A0.914972). AMOUR LOINTAIN (LOVE FROM AFAR) Advanced Intermediate Piano Soloby ROBERT VAN HORNE9 Pages In 2010, AMOUR LOINTAIN (LOVE FROM AFAR) won 2nd in the Division 7 State Contest sponsored by the Music Teachers' Association Of California. After attending a piano concert in 2009 featuring several works by Maurice Ravel, Robert was inspired to write this piano work in the style of the Impressionistic French composers. It comprises lyrical melodies in mostly 9/8 and 5/4 meters and sequential patterns, using predominately notes from the whole tone scales. The left hand ostinato occurs mostly throughout while the right hand melody is heard in different keys. As the piece concludes, there is a brief reprise of the waltz melody that slowly fades away. The score is clearly and carefully notated with dynamic marks, phrasing, pedal indications, suggested fingerings, and appropriate musical terms for playing. This piano solo makes a wonderful recital and encore piece that will delight audiences...ideal for both students and professionals. Duration time is about 4:30. A 2021 Youtube video of Robert's performance is available at: https://www.youtube.com/watch?v=V-i0GHRycok AMOUR LOINTAIN was premiered by pianist, Karen Sugano on July 3, 2010 at the 100th Music Teachers' Association of California Convention held at the LAX Marriott Hotel in Los Angeles.  Here is the video link of her performance: http://www.youtube.com/watch?v=yQUzUezA-vo Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.comRobert is a member of ASCAP       Â
$6.99 ≈
£5.34
Piano Accompaniment String Sampler Sheet Music
Piano Accompaniment String Sampler
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Piano solo
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Contemporary
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Robin Kay Deverich
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Piano Accompaniment String Sam
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Global Music School String Publications
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.902211 Arranged by Robin Kay Deverich. Contemporary. Score. 173 pages. Global Music School String Publications #535...
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Piano Solo - Digital Download SKU: A0.902211 Arranged by Robin Kay Deverich. Contemporary. Score. 173 pages. Global Music School String Publications #5355075. Published by Global Music School String Publications (A0.902211). Violin Online String Sampler Piano Accompaniment features the piano accompaniment to Violin Online String Sampler Violin Sheet Music. 54 pieces are included in this collection, representing a variety of styles and music history periods and cultures, including Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin!*No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99 ≈
£3.81
Three Pieces for Piano
Three Pieces for Piano
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Piano solo
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ADVANCED
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Michael S
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Three Pieces for Piano
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Bryson Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.933374 Composed by Michael S. Bryson. 20th Century,Contemporary,Standards. Score. 13 pages. Bryson Music ...
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Piano Solo - Level 5 - Digital Download SKU: A0.933374 Composed by Michael S. Bryson. 20th Century,Contemporary,Standards. Score. 13 pages. Bryson Music #495011. Published by Bryson Music (A0.933374). An exciting advanced piano solo. Duration: approx. 8 min. 1. Marche Humoresque - an energetic march that includes LH tone clusters. Inspired by the finale of Ravel's Piano Concerto for the LH. People often comment that this movement reminds them of a parade of cartoon characters. 2. Nocturne - begins as a gentle lullaby that builds to a majestic climax before fading away into mysterious chords. The return of the tender opening melody will bring tears to your listeners' eyes. 3. Presto - blurring and frantically playful with a bombastic conclusion to the set. Michael S. Bryson (ASCAP) www.michaelsbryson.com Contact me with any questions: michaelsbryson@gmail.com.
$6.95 ≈
£5.31
Fantasie#1 The Fairies Escape (solo piano)
Fantasie#1 The Fairies Escape (solo piano)
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Piano solo
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ADVANCED
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Dave Kenney
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Fantasie#1 The Fairies Escape
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davekenneymusic
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.966494 Composed by Dave Kenney. 20th Century,Contemporary,Romantic Period. Score. 22 pages. Davekenneymus...
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Piano Solo - Level 5 - Digital Download SKU: A0.966494 Composed by Dave Kenney. 20th Century,Contemporary,Romantic Period. Score. 22 pages. Davekenneymusic #3444709. Published by davekenneymusic (A0.966494). This advanced work is the first of a collection of Fantasies or miniature tone poems for piano . The piece is in three sections and has numerous influences, some Impressionistic, some Romantic and it always is difficult to try and fuse these styles while keeping them congruent. The shimmering opening portrays a fairie being chased by something or someone, which seems to gets closer and closer to her. This section ends with a series of dominant seventh/nine chords and a rallentando. The slower middle segment introduces a new melody and is where she is able to hide and catch her breath which then segues (via an accelerando) leading to her discovery and the chase resumes until her escape at the very end (I hope). The challenging left hand is the main engine for the melody, which is stated in the first measure and is presented again and again in different keys and accompaniment styles. The arpeggiated figures are influences of Ravel and Liszt but I tried to imbue it with a sense of delicacy even in some of the more powerful moments. This produces a light, which I imagine would coruscate in the evening forest. This work is appropriate for all pianist. The duration is approximately 6 minutes and 35 seconds.copyright 2017 davekenneymusic
$4.50 ≈
£3.44
Three Piano Pieces
Three Piano Pieces
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Piano solo
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ADVANCED
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Classical
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Mark Lungershausen
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Three Piano Pieces
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Mark Lungershausen
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.789079 Composed by Mark Lungershausen. Classical. Score. 16 pages. Mark Lungershausen #396403. Published ...
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Piano Solo - Level 5 - Digital Download SKU: A0.789079 Composed by Mark Lungershausen. Classical. Score. 16 pages. Mark Lungershausen #396403. Published by Mark Lungershausen (A0.789079). A varied set of three character pieces, quasi-preludes. They are technically advanced, suitable for study and enjoyment. Number one is murky, with a melody bordering on serialism. Fast rippling octave arpeggios present the main technical challenge, and musically the difficulty lies in creating a delicate tonal balance of melody and accompaniments. Number two presents much material using double thirds in duple meter against an accompaniment in compound meter. It is triumphant and mostly optimistic in character. Number three is inspired by the harmonies of Ravel and explores the technical problem of maintaining a melody line with accompaniment that frequently jumps registers in the same hand. The melody is found in the grace notes of the right hand, and they should be mostly played on the beat. I hope that these are enjoyed by anyone who stumbles upon them!
$8.00 ≈
£6.11
Valsa Carioca (Cariocan Waltz), advanced piano solo
Valsa Carioca (Cariocan Waltz), advanced piano solo
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Piano solo
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ADVANCED
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Kevin G
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Valsa Carioca
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Kevin G. Pace
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1046267 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. 20th Century,Classical,Contemporary,Mult...
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Piano Solo - Level 5 - Digital Download SKU: A0.1046267 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. 20th Century,Classical,Contemporary,Multicultural,World. Score. 7 pages. Kevin G. Pace #650773. Published by Kevin G. Pace (A0.1046267). After finishing my service as a young missionary for the Church of Jesus Christ of Latter-day Saints, a small group of us traveled from São Paulo to Rio de Janeiro, Brasil. I fell in love with this beautiful city. This piano solo is a reminiscence of my thoughts of Rio. It is not traditional Brazilian music, but music by a North American describing his feeling about this Brazilian city. Note: the term Carioca is used to describe people from Rio de Janeiro.
$3.99 ≈
£3.05
Solitary Traveller
Solitary Traveller
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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Solitary Traveller
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate to advanced - Digital Download SKU: S9.Q51920 From: Lyrics Pices, Op. 43 No. 2. Composed by Edvard Grieg. Edited by Monika Tw...
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Piano - intermediate to advanced - Digital Download SKU: S9.Q51920 From: Lyrics Pices, Op. 43 No. 2. Composed by Edvard Grieg. Edited by Monika Twelsiek. This edition: Sheet music. (c) 2019 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 43/2. 3 pages. Schott Music - Digital #Q51920. Published by Schott Music - Digital (S9.Q51920). Key: G major.Digital publication of the piece found in the following print music collection: Portraits - 45 Easy Piano Pieces from 4 Centuries.
$2.99 ≈
£2.28
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