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Ave Maria String Quartet
Not classified 26

Piano & keyboards
Piano Quartet: piano, violin, viola, cello 3
Piano Accompaniment 3
Piano solo 2

Piano Quintet: piano, 2 violins, viola, cello 2
Piano, Voice 1

Guitars

Voice
Choral SATB 2
Choral TTBB 2
Choral 1
Choral 2-part 1

Woodwind
Flute, Oboe, Clarinet, Bassoon 6
Clarinet Quartet: 4 clarinets 2
Saxophone Quartet: 4 saxophones 2
Flute Quartet: 4 flutes 1

Woodbrass
Tuba ensemble 1
Brass Quartet 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Brass Quartet: 2 trumpets, horn, trombone 1

Strings
String Quartet: 2 violins, viola, cello 197
4 Cellos 6
Violin, Cello (duet) 5
String quartet: 4 violins 5
String Quartet : 4 violas 4

String Trio: violin, viola, cello 4
Violin 2
String Quintet: 2 violins, viola, cello, bass 1
String Quintet: 2 violins, 2 violas, cello 1
Double bass, Piano (duet) 1
4 Double Basses 1
Viola 1
Violin and Piano 1
String trio 1
Cello, Piano 1
Double Bass 1

+ 11 instrumentations

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Percussion & orchestra
Chamber Orchestra 10
String Orchestra 8

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Ave Maria String Quartet

Piano solo

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Piano Accompaniment String Sampler Sheet Music

Piano Accompaniment String Sampler #Piano solo #Contemporary #Robin Kay Deverich #Piano Accompaniment String Sam #Global Music School String Publications #SheetMusicPlus

Piano Solo - Digital Download SKU: A0.902211 Arranged by Robin Kay Deverich. Contemporary. Score. 173 pages. Global Music School String Publications #535...(+)

Piano Solo - Digital Download SKU: A0.902211 Arranged by Robin Kay Deverich. Contemporary. Score. 173 pages. Global Music School String Publications #5355075. Published by Global Music School String Publications (A0.902211). Violin Online String Sampler Piano Accompaniment features the piano accompaniment to Violin Online String Sampler Violin Sheet Music. 54 pieces are included in this collection, representing a variety of styles and music history periods and cultures, including Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin!*No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kempâ€™s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Modelâ€™d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by FaurÃ©; Meditation from ThaÃ¯s by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devilâ€™s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.

$4.99 ≈ $6.90

Haydn Piano Sonata 40.2 Presto (Classical Music for Tablet Series)

Haydn Piano Sonata 40.2 Presto (Classical Music for Tablet Series) #Piano solo #INTERMEDIATE #Classical #Stephen R Dalrymple #edited by Stephen R Dalrymple #Haydn Piano Sonata 40.2 Presto #Stephen R Dalrymple #SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.818283 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrympl...(+)

Piano Solo - Level 3 - Digital Download SKU: A0.818283 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 14 pages. Stephen R Dalrymple #4967139. Published by Stephen R Dalrymple (A0.818283). Piano Sonata 40.2 Presto (Classical Music for Tablet Series) Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. â™« His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldnâ€™t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. â™« In 1752 he was employed by Count Karl Joseph Morzin, leading the Countâ€™s small orchestra and writing the first of his symphonies. â™« In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. â™« In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. â™« Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydnâ€™s reputation grew to international fame. â™« Haydn wrote 104 Symphonies. (Some count 107.) Not unlike George Washington, nicknamed the â€œFather of our Countryâ€, yet had no children, Haydn is known as the â€œFather of the Symphony.â€ and the â€œFather of the string Quartet.â€ â™« Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydnâ€™s home where Haydn lay dying. â™« The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. â™« The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composerâ€™s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. â™« Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. â™« Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.

$3.99 ≈ $5.51