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C Libretto
Piano solo
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4 sheet music found
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1
Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment)
Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment)
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Piano solo
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Flavio Regis Cunha
#
Bach: Erbarme dich mein Gott -
#
Flavio Regis Cunha
#
SheetMusicPlus
Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1134097 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1134097 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Wedding. Score and individual part. 12 pages. Flavio Regis Cunha #734195. Published by Flavio Regis Cunha (A0.1134097). Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment) Optional: Flute, Oboe and Violin. This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for C instruments and Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha.
$4.99 ≈
4.67€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. ...
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99 ≈
6.54€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. ...
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99 ≈
6.54€
J.S. Bach - "Erbarme dich" from "Matthäus-Passion" (St. Matthew Passion) BWV 244 (for Piano Solo)
J.S. Bach - "Erbarme dich" from "Matthäus-Passion" (St. Matthew Passion) BWV 244 (for Piano Solo)
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Flavio Regis Cunha
#
J.S. Bach - "Erbarme dich" fro
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1136271 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Easte...
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1136271 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Easter,Instructional,Sacred,Wedding. Score. 12 pages. Flavio Regis Cunha #736279. Published by Flavio Regis Cunha (A0.1136271). Bach: Erbarme dich mein Gott - Matthäuspassion - (for Piano Solo).This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano Solo. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra. Advanced Intermediate.Format: Concert 9 x 12 inches.12 Pages.
$4.99 ≈
4.67€
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