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Claude March
Piano solo
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1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
¥275.91
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
¥275.91
Clair de lune, arr. for the left hand
Clair de lune, arr. for the left hand
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Piano solo
#
Classical
#
Claude Debussy
#
James Marchand
#
Clair de lune, arr. for the le
#
James Marchand
#
SheetMusicPlus
Composed by Claude Debussy (1862-1918). Arranged by James Marchand. Impressionistic. 7 pages. Published by James Marchand (S0.158081). - - Impressionistic - Ja...
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Composed by Claude Debussy (1862-1918). Arranged by James Marchand. Impressionistic. 7 pages. Published by James Marchand (S0.158081). - - Impressionistic - James Marchand
$5.00 ≈
¥35.42
Doctor Gradus ad Parnassum, arr. for the left hand
Doctor Gradus ad Parnassum, arr. for the left hand
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Piano solo
#
Classical
#
Instructional
#
Claude Debussy
#
James Marchand
#
Doctor Gradus ad Parnassum, ar
#
James Marchand
#
SheetMusicPlus
Composed by Claude Debussy (1862-1918). Arranged by James Marchand. Impressionistic, Etudes and Exercises. 7 pages. Published by James Marchand (S0.164323). - ...
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Composed by Claude Debussy (1862-1918). Arranged by James Marchand. Impressionistic, Etudes and Exercises. 7 pages. Published by James Marchand (S0.164323). - - Impressionistic,Etudes and Exercises - James Marchand
$2.99 ≈
¥21.18
Reverie
Reverie
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy
#
Thomas Jancso
#
Reverie
#
Thomas Jancso
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.710737 Composed by Claude Debussy. Arranged by Thomas Jancso. 20th Century,Contemporary. Score. 4 pages. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.710737 Composed by Claude Debussy. Arranged by Thomas Jancso. 20th Century,Contemporary. Score. 4 pages. Thomas Jancso #6020923. Published by Thomas Jancso (A0.710737). Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer. Rêverie was written in 1890.
$4.99 ≈
¥35.35
10 Classical Masterpieces in Easy Piano Arrangements
10 Classical Masterpieces in Easy Piano Arrangements
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Piano solo
#
EASY
#
Classical
#
Claude Debussy, Edvard Grieg,
#
Glauco Fernandes
#
10 Classical Masterpieces in E
#
Glauco Fernandes
#
SheetMusicPlus
Piano - Level 2 - Digital Download SKU: A0.1470208 Composed by Claude Debussy, Edvard Grieg, Frederic Chopin, Johann Pachelbel, Ludwig van Beethoven, Pet...
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Piano - Level 2 - Digital Download SKU: A0.1470208 Composed by Claude Debussy, Edvard Grieg, Frederic Chopin, Johann Pachelbel, Ludwig van Beethoven, Peter Ilyich Tchaikovsky, and Wolfgang Amadeus Mozart. Arranged by Glauco Fernandes. Classical,Instructional,Romantic Period. Educational Method. 25 pages. Glauco Fernandes #1047955. Published by Glauco Fernandes (A0.1470208). Explore the definitive collection of classical piano music!Discover 10 Classical Pieces for Easy Piano, a carefully curated e-book for beginner pianists and classical music enthusiasts. This e-book offers simplified versions of iconic works by renowned composers such as Pachelbel, Mozart, Beethoven, Tchaikovsky, Chopin, Grieg, and Debussy. Each piece has been adapted to ensure accessibility without losing the beauty and essence of the original compositions.List of pieces:Canon by Pachelbel (simplified version)Turkish March by Mozart (simplified version)Symphony No. 40 by Mozart (simplified version)Lullaby by Mozart (simplified version)Für Elise by Beethoven (simplified version)Swan Lake by Tchaikovsky (simplified version)Nocturne Op. 9 No. 2 by Chopin (simplified version)In The Hall of the Mountain King by Grieg (simplified version)Morning Mood by Grieg (simplified version)Clair de Lune by Debussy (simplified version)Perfect for piano students and classical music lovers, this e-book provides an accessible introduction to globally recognized classical repertoire.Tags: Classical Music, Easy Piano, Sheet Music, Piano Beginners, Classical Piano, Music Education, Learn Piano, Piano Method, Piano Exercises.
$14.99 ≈
¥106.18
10 Classical Masterpieces in Easy Piano Arrangements (includes chord symbols)
10 Classical Masterpieces in Easy Piano Arrangements (includes chord symbols)
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Piano solo
#
EASY
#
Classical
#
Claude Debussy, Edvard Grieg,
#
Glauco Fernandes
#
10 Classical Masterpieces in E
#
Glauco Fernandes
#
SheetMusicPlus
Piano - Level 2 - Digital Download SKU: A0.1470198 Composed by Claude Debussy, Edvard Grieg, Frederic Chopin, Johann Pachelbel, Ludwig van Beethoven, Pet...
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Piano - Level 2 - Digital Download SKU: A0.1470198 Composed by Claude Debussy, Edvard Grieg, Frederic Chopin, Johann Pachelbel, Ludwig van Beethoven, Peter Ilyich Tchaikovsky, and Wolfgang Amadeus Mozart. Arranged by Glauco Fernandes. Classical,Instructional,Romantic Period,Wedding. Educational Method. 25 pages. Glauco Fernandes #1047944. Published by Glauco Fernandes (A0.1470198). Explore the definitive collection of classical piano music!Discover 10 Classical Pieces for Easy Piano, a carefully curated e-book for beginner pianists and classical music enthusiasts. This e-book offers simplified versions of iconic works by renowned composers such as Pachelbel, Mozart, Beethoven, Tchaikovsky, Chopin, Grieg, and Debussy. Each piece has been adapted to ensure accessibility without losing the beauty and essence of the original compositions. The sheet music includes chord symbols for added context and ease of playing.List of pieces:1. Canon by Pachelbel (simplified version)2. Turkish March by Mozart (simplified version)3. Symphony No. 40 by Mozart (simplified version)4. Lullaby by Mozart (simplified version)5. Für Elise by Beethoven (simplified version)6. Swan Lake by Tchaikovsky (simplified version)7. Nocturne Op. 9 No. 2 by Chopin (simplified version)8. In The Hall of the Mountain King by Grieg (simplified version)9. Morning Mood by Grieg (simplified version)10. Clair de Lune by Debussy (simplified version)Perfect for piano students and classical music lovers, this e-book provides an accessible introduction to globally recognized classical repertoire.Tags:Classical Music, Easy Piano, Sheet Music, Piano Beginners, Classical Piano, Music Education, Learn Piano, Piano Method, Piano Exercises.
$14.99 ≈
¥106.18
La marseillaise (Piano Solo)
La marseillaise (Piano Solo)
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Piano solo
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EASY
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Piano Notion
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Bobby Cyr
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La marseillaise
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Bobby Cyr
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1107087 By Piano Notion. By Claude Joseph de Lisle. Arranged by Bobby Cyr. Folk,March,Patriotic,Tradition...
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Piano Solo - Level 2 - Digital Download SKU: A0.1107087 By Piano Notion. By Claude Joseph de Lisle. Arranged by Bobby Cyr. Folk,March,Patriotic,Traditional. Score. 2 pages. Bobby Cyr #709897. Published by Bobby Cyr (A0.1107087). A simplified piano solo version that you can play.
$3.99 ≈
¥28.26
Wedding Classics Refreshed, Book 2: Processionals and Recessionals (a Collection of 20 Piano Solos)
Wedding Classics Refreshed, Book 2: Processionals and Recessionals (a Collection of 20 Piano Solos)
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Piano solo
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INTERMEDIATE
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Wedding/Ballad
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Wedding/Ballad
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Various
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Wedding Classics Refreshed, Bo
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Sharon Wilson
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SheetMusicPlus
Composed by Various. Arranged by Sharon Wilson. Romantic Period, Classical Period, Baroque Period, Christian, Wedding. Sheet Music Single. 62 pages. Publis...
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Composed by Various. Arranged by Sharon Wilson. Romantic Period, Classical Period, Baroque Period, Christian, Wedding. Sheet Music Single. 62 pages. Published by Sharon Wilson
This collection of intermediate piano solos includes 20 arrangements of favorite classical pieces frequently used for weddings. All the songs in this collection are well-suited for processionals and recessionals of the ceremony participants (bride, groom, bridesmaids, groomsmen, parents/family, flower girl, Bible boy, ring bearer, etc.). Several of these songs can also be used as part of the prelude, as interludes during candle-lighting, or as background music for a reception.
These arrangements were created to make challenging classical music more accessible for the intermediate player or easier to sight-read by more advanced players (comes in handy when asked to perform on short notice). Another feature of these arrangements is they are consistent at the intermediate to advanced-intermediate skill level throughout each piece. Many have been simplified and only include excerpts from the longer original movements. Other simplified characteristics include easier key signatures, timings, and fingerings and some melodies were modified to create a more contemporary sound.
Each of the 20 arrangements is also available separately with accompanying preview pages and audio samples.
Titles in this collection include:
Air from ?The Water Music? (George Frideric Handel)
Arrival of the Queen of Sheba from ?Solomon? (George Frideric Handel)
Bridal Chorus from ?Lohengrin? (Richard Wagner)
Clair de Lune from ?Suite Bergamasque? (Claude Debussy)
Fanfare (Jacques-Nicolas Lemmens)
Für Elise (Ludwig van Beethoven)
Grand Processional from ?Symphony No. 1? (Johannes Brahms)
Hornpipe with Bourrée from ?The Water Music? (George Frideric Handel)
Jesu, Joy of Man?s Desiring (Johann Sebastian Bach)
Largo from ?Xerxes? (George Frideric Handel)
Lascia Ch?io Pianga from ?Rinaldo? (George Frideric Handel)
Prelude No. 1 in C Major (Johann Sebastian Bach)
Rondeau from ?Theme from Masterpiece Theater? (Jean Joseph Mouret)
Serenade from ?Swan Song? (Franz Schubert)
Sleepers, Awake from ?Cantata No. 140? (Johann Sebastian Bach)
Spring from ?The Four Seasons? (Antonio Vivaldi)
St. Anthony Chorale from ?Variations on a Theme of Haydn? (Johannes Brahms)
Trumpet Tune (Jeremiah Clarke)
Trumpet Voluntary (Jeremiah Clarke)
Wedding March from ?A Midsummer Night?s Dream? (Felix Mendelssohn)
$18.99 ≈
¥134.52
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