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F Lydian Mode
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You've selected:
F Lydian Mode
Piano solo
Sheetmusic to print
6 sheet music found
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1
The Modal Piano No. 1 - F Lydian
The Modal Piano No. 1 - F Lydian
#
Piano solo
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INTERMEDIATE
#
James Michael Stevens
#
James Michael Stevens
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The Modal Piano No. 1 - F Lydi
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James M Stevens Music ASCAP
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.525181 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Centur...
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Piano Solo - Level 3 - Digital Download SKU: A0.525181 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Contemporary,Instructional,New Age. Score. 4 pages. James M Stevens Music ASCAP #135714. Published by James M Stevens Music ASCAP (A0.525181). Written January 8, 2022, this is a an original piano composition in the ancient mode of F Lydian. Lydian is similar to the major scale except that it has raised 4th. We are so used to hearing music in Major and Minor that when it is a mode at moments it can feel a little unsettling because the notes and chords don’t go exactly where we are expecting, yet if you allow for that it can be very beautiful. This is the first in a new collection where I will be writing compositions in all of the modes except for Ionian (Major). James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$3.99 ≈
3.66€
Prelude 20 in F# MInor Aolian
Prelude 20 in F# MInor Aolian
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 20 in F# MInor Aolian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.50€
Prelude 10 in F Minor Phrygian
Prelude 10 in F Minor Phrygian
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 10 in F Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812805. Published by Brian Golden (A0.1216194). Prelude 10 in F Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.50€
Prelude 13 in F# Major Ionian
Prelude 13 in F# Major Ionian
#
Piano solo
#
ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 13 in F# Major Ionian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.50€
What Can Wash Away My Sin?
What Can Wash Away My Sin?
#
Piano solo
#
INTERMEDIATE
#
Sacred music
#
Stephen R Dalrymple
#
Stephen R Dalrymple
#
What Can Wash Away My Sin?
#
Stephen R Dalrymple
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1171750 By Stephen R Dalrymple. By Robert Lowry, John Hart Stockton, & Ira D Sankey. Arranged by Stephen ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1171750 By Stephen R Dalrymple. By Robert Lowry, John Hart Stockton, & Ira D Sankey. Arranged by Stephen R Dalrymple. Christian,Sacred. Score. 11 pages. Stephen R Dalrymple #772028. Published by Stephen R Dalrymple (A0.1171750). What Can Wash Away My Sin?♫ piano solo arrangement by Stephen R Dalrymple♫ Based on the public domain hymns What Can Wash Away My Sin? by Robert Lowry (1826-1899)♫ and Only Trust Him by John Hart Stockton (1813-1877) & Ira D Sankey (1840-1908)♫ arranged by Stephen R. Dalrymple♫ piano solo arrangement by Stephen R Dalrymple♫ music © 2023 Stephen R Dalrymple♫ recording ℗ 2023 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ performed by the arranger♫ Resetting the first hymn in the G Mixolydian mode and the second in F Lydian mode, this arrangement uses only the white keys of the piano. Since the G Mixolydian uses F natural and the F Lydian uses B natural, both mode scales use the same notes (in a different sequence) and the result creates a tension between the G chord and the F chord througout the arrangement.♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50 ≈
4.13€
Two dancers
Two dancers
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Piano solo
#
INTERMEDIATE
#
Contemporary
#
Allan F Moore
#
Two dancers
#
Freebardgate
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.989452 Composed by Allan F Moore. 20th Century,Contemporary. Score. 18 pages. Freebardgate #2873701. Publ...
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Piano Solo - Level 3 - Digital Download SKU: A0.989452 Composed by Allan F Moore. 20th Century,Contemporary. Score. 18 pages. Freebardgate #2873701. Published by Freebardgate (A0.989452). Two dance-like pieces, based on phrygian and lydian modes.
$12.99 ≈
11.93€
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