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Fear Romantic
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You've selected:
Fear Romantic
Piano solo
Sheetmusic to print
11 sheet music found
<
1
Fearlessness
Fearlessness
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Piano solo
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INTERMEDIATE
#
Classical
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Tori Amos
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Todd J
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Fearlessness
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Todd J. Scallan
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1332052 By Tori Amos. By Tori Amos. Arranged by Todd J. Scallan. Classical,Romantic Period. Score. 7 page...
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Piano Solo - Level 3 - Digital Download SKU: A0.1332052 By Tori Amos. By Tori Amos. Arranged by Todd J. Scallan. Classical,Romantic Period. Score. 7 pages. Todd J. Scallan #918828. Published by Todd J. Scallan (A0.1332052). Sheet music arrangement for solo piano of Fearlessness, which is track #4 from the Tori Amos album Night of Hunters. This piece is a variation on Spanish Dance No. 2 from 12 Spanish Dances composed by Enrique Granados in 1890.
$5.99 ≈
¥42.84
Miscellany, 7 Short Movements For Piano Solo
Miscellany, 7 Short Movements For Piano Solo
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Piano solo
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ADVANCED
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PIano - Sebastian Kurz
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Miscellany, 7 Short Movements
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Geraldine
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1314290 By PIano - Sebastian Kurz. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporar...
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Piano Solo - Level 5 - Digital Download SKU: A0.1314290 By PIano - Sebastian Kurz. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score. 27 pages. Geraldine (Denny) Green at Oakmountmusic #903031. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314290). Written in 2008, Miscellany, 7 short movements for solo piano, was Commissioned by conductor/pianist Anthony Davie.Duration: approx 15 minutes in total.Inspired by friends, family and general life experiences, this set of short pieces encompasses a range of moods; from Romantic and melodic to comical and dissonant.Movement 1. Didi – Didi was a very unique and special friend for many years. She gave out great spiritual strength and insight into this very confusing world in which we all live. She was a real tower of quiet, gentle strength.Movement 2. Brew! – This movement was inspired directly by the Brewing Industry. It strives to depict the hustle and bustle of a busy, working brewery and the the many hilarious, fabulous people I met during my three years in the beer-making industry.Movement 3 – Convent Cherub – This little piece began life as the opening title music of a film score I worked on while at college. The film itself, entitled My Brother Rob, was made by Alison Hilder, a student director at the Harrow School of Film. The story told of a young boy traumatised by a convent boarding school up-bringing. I have felt for many years that this little main theme has needed an alternative home, as much film music is never played again.Movement 4 – Megan – This movement comes directly from my wonderful and beautiful daughter, who was 5 years old at the time of the writing of this piece. It seeks to express her wild vibrance, eternal cheekiness, infinite energy, sparkle and the utter fearlessness of youth.Movement 5 – Edward – This music is for my gorgeous little son, who has Down’s Syndrome, and was only 3 at the time of the writing of this piece. The opening came to me moments after the doctor had confirmed Edward had Down’s, when he was only 6 hours old. The music tries to convey the fear of the unknown, huge unconditional love and moments of uncertainty alternated by washes of strength. And yet, all through the fear the resolve to forever love and stay strong always wins.Movement 6 – Indifference – The opening 4 notes are the core of this movement, and the piece is built around and from them. This music is an observation of deep, rumbling frustration at the indifference growing in our fast moving, modern society.Movement 7 – “Wee Us†– This movement expresses family triumph, the gifts of life and love, and the glory of boundless, wild, youthful energy. This tune has not yet run its course. It will be back!
$12.00 ≈
¥85.83
The Last Rose of Summer, Op.73 - Thalberg
The Last Rose of Summer, Op.73 - Thalberg
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Piano solo
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ADVANCED
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Classical
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Sigismond Thalberg
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Editions Melodia
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The Last Rose of Summer, Op.73
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James Keenan
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SheetMusicPlus
Piano Solo - Advanced - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period. 10 pages. Published by ...
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Piano Solo - Advanced - Digital Download Composed by Sigismond Thalberg (1812-1871). Arranged by Editions Melodia. Romantic Period. 10 pages. Published by James Keenan
Originally a poem written by Thomas Moore in 1805, "The Last Rose of Summer" is based upon the Irish traditional tune of "Aislean an Oigfear", or "The Young Man's Dream."
Sigismond Thalberg was one of the most famous and most successful piano composers of the 19th century. During the 1830s and the 1840s his style was a major force in European piano-playing.[57] He was greatly in fashion and was imitated by others.[58] In 1852, Wilhelm von Lenz wrote:
'The piano playing of the present day, to tell the truth, consists only of Thalberg simple, Thalberg amended, and Thalberg exaggerated; scratch what is written for the piano, and you will find Thalberg.'
Ten years later, in 1862, a London correspondent of the Revue et gazette musicale wrote:
'Nobody in fact has been so much imitated; his manner has been parodied, exaggerated, twisted, tortured, and it may have happened more than once to all of us to curse this Thalbergian school'.
Expressions like "exaggerated", "twisted" and "tortured" indicate that some contemporaries were starting to feel jaded of his style. It was at this time when Thalberg's career as composer and as virtuoso came to an end.
In the late 19th century, Thalberg's fame had come to depend on his association with a single piano technique, the 'three-hand effect'. Carl Friedrich Weitzmann, in his Geschichte des Klavierspiels (1879), wrote about this.
'His bravura pieces, fantasies on melodies from Rossini's Mosè and La donna del lago, on motifs from Bellini's Norma and on Russian folk-songs, became extraordinarily popular through his own, brilliant execution; however, they treat their subjects always in one and the same way, [namely] ... to let the tones of a melody be played in the medium octave of the keyboard now by the thumb of the right, now of the left hand, while the rest of the fingers are executing arpeggios filling the whole range of the keyboard.'
$3.00 ≈
¥21.46
24 Keys
24 Keys
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Piano solo
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INTERMEDIATE
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Peter Bmus
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24 Keys
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Peter Batley
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1435646 Composed by Peter Bmus. 20th Century,21st Century,Instructional. Score. 37 pages. Peter Batley #1...
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Piano Solo - Level 3 - Digital Download SKU: A0.1435646 Composed by Peter Bmus. 20th Century,21st Century,Instructional. Score. 37 pages. Peter Batley #1015735. Published by Peter Batley (A0.1435646). 24 pieces for piano, each in a different key. Suitable for players in their 3rd to 5th year, and beyond. I have used them as a teaching aid, for my students to become comfortable in the different keys, (no fear for 5 flats!) and as stand-alone recital pieces. Each piece also explores different genres, blues, romantic, song without words etc. You are able to listen to them at https://soundcloud.com/search?q=Peter%20Bmus.
$24.00 ≈
¥171.66
Piano Sonata in F Minor - III. Funeral March
Piano Sonata in F Minor - III. Funeral March
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Piano solo
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INTERMEDIATE/ADVANCED
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Gabriel Lagos
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Gabriel Lagos
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Piano Sonata in F Minor - III.
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Lagos Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Roman...
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Piano Solo - Level 4 - Digital Download SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Score. 5 pages. Lagos Music #847828. Published by Lagos Music (A0.1254257). The third movement is done! Plenty of crunchy diminished and augmented fifth intervals in this work to give it some darkness. I also chose to keep the register fairly low. The feeling I'm trying to capture: despair; knowing that everyone's fate is to fade into the wind and there's nothing anyone can do about it. There's nothing wrong with that; I've come to a place where I no longer fear death, but it's a reality of life that, at times, is impossible to ignore. There is a positive side, though. For one, the contrasting section is in A flat major and picks up tempo briefly! Before inevitably falling back into F minor... Also, on a funny note, the entire main theme is based off of an old song I wrote for my high school rock band (in like, 2004-ish?), using a commonly used chord progression: I, VI, iv, V7. This was when I was first learning to write music but I remember always thinking it would sound good as a funeral march. The song was called One More Life and the lyrics were about shedding the old, beginning anew, asking the universe for one more life. It feels good to finally have written this movement, though. I hope you enjoy it :)Thank you,Gabe.
$4.99 ≈
¥35.69
Beautiful Isle of Somewhere
Beautiful Isle of Somewhere
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Piano solo
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Beautiful Isle of Somewhere
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Sharon Wilson
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SheetMusicPlus
By Sharon Wilson. By Jessie Brown Pounds, John Sylvester Fearis, and John S. Fearis. Arranged by Sharon Wilson. 163, Christian, Folk, Romantic Period,...
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By Sharon Wilson. By Jessie Brown Pounds, John Sylvester Fearis, and John S. Fearis. Arranged by Sharon Wilson. 163, Christian, Folk, Romantic Period, Sacred. Score. 4 pages. Sharon Wilson #712173. Published by Sharon Wilson
$4.99 ≈
¥35.69
Prelude op.28#8 ("Desperation")
Prelude op.28#8 ("Desperation")
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Piano solo
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Classical
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Frederic Chopin
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Paul Taylor
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Prelude op.28#8
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Paul Taylor
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SheetMusicPlus
Piano - Digital Download SKU: A0.1069149 Composed by Frederic Chopin. Arranged by Paul Taylor. Romantic Period. Full Performance. Duration 197. Paul Tayl...
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Piano - Digital Download SKU: A0.1069149 Composed by Frederic Chopin. Arranged by Paul Taylor. Romantic Period. Full Performance. Duration 197. Paul Taylor #3102257. Published by Paul Taylor (A0.1069149). Pianist Paulus Tailurian performs Chopin's Prelude in f# minor. This prelude by Chopin according to his biographer, depicted Chopin's desperation about his companion's (George Sand) failure to return home as scheduled. The seasonal storms were particularly heavy at that time of year, and he feared that her coach may have been lost in the storm.
$1.99 ≈
¥14.23
Meraki [5 piano pieces]
Meraki [5 piano pieces]
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Piano solo
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EASY
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Juan MarÃa Solare
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Meraki [5 piano pieces]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.596578 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 13 pages. Juan Maria...
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Piano Solo - Level 2 - Digital Download SKU: A0.596578 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 13 pages. Juan Maria Solare #4892571. Published by Juan Maria Solare (A0.596578). Meraki: five piano pieces Simple but not superficial music. Five Neo-classical, post-Romantic piano pieces with unconventional titles. Listen to them here: https://juanmariasolare.bandcamp.com/album/meraki Meraki, in recording for felted piano, will be released in 2020 (Spotify, Apple Music, etc.) through the label Double J Music. (felted piano sounds are produced by putting a piece of felt or cloth between the strings and the hammers.) Meraki (Greek) is when you put your soul into something you are doing. Meraki is a word that modern Greeks often use to describe what happens when you leave a piece of yourself (your soul, creativity, or love) in your work. When you love doing something, anything, so much that you put something of yourself into it. Meraki means to do something with passion, with absolute devotion, with undivided attention. Meraki is derived from the Turkish Merak (Labor of love, to do something with pleasure). Usually applied to tasks, usually, creative or artistic tasks, but can be applied to any task at all. Lumokinesis (4:00). Lumokinesis is the ability to manipulate and control the element light at will. Kenopsia (4:00). Kenopsia is the eerie atmosphere of a place usually full of peple, but now abandoned and calm. Ataraxia (4:30). Tranquility, imperturbability, absence of wishes or fears. Petricor (3:30). Petrichor is the earthy scent produced when rain falls on dry soil. Exulansis (3:45). The tendency to stop talking of one's experiences because people cannot reate to them.
$6.00 ≈
¥42.92
Through the Woods
Through the Woods
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Piano solo
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INTERMEDIATE
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Trew Jackson
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Through the Woods
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Trew Jackson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1007101 Composed by Trew Jackson. 20th Century,Contemporary,Romantic Period. Score. 6 pages. Trew Jackson...
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Piano Solo - Level 3 - Digital Download SKU: A0.1007101 Composed by Trew Jackson. 20th Century,Contemporary,Romantic Period. Score. 6 pages. Trew Jackson #2899153. Published by Trew Jackson (A0.1007101). Only through conquering our fears can we become our truest selves.Only you can interpret this piece for yourself, but it is a melody that possessed me, that haunted me, that frightened me, so thus I had to put in down in writing. The ending of this piece is one of my personal favorites-riddled with despair. If you enjoy this piece, please feel free to write a review and try my other works and let others know too!
$2.99 ≈
¥21.39
Somewhere Over The Rainbow (solo piano)
Somewhere Over The Rainbow (solo piano)
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Piano solo
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INTERMEDIATE/ADVANCED
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Broadway
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Film/TV
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Harold Arlen and E
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Rupert Austin
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Somewhere Over The Rainbow
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Rupert Austin
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SheetMusicPlus
By Harold Arlen and E. Y. Harburg. Arranged by Rupert Austin. 6 pages. Published by Rupert Austin...
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By Harold Arlen and E. Y. Harburg. Arranged by Rupert Austin. 6 pages. Published by Rupert Austin
An arrangement of the timeless classic song that combines the rich harmonic palette of the jazz idiom with some keyboard techniques of the 19th century romantic composers. Performance duration is about 3 minutes 45 seconds, and a performance can be viewed at youtube.com/c/rupertaustin/videos.
A six bar introduction hints at the bridge of the song before the first two verses are presented; the first with chordal writing and the second introducing some left hand arpeggios. The first appearance of the bridge stays close to the original. This is followed by two more verses where the right hand takes flight with figurations that at first outline the famous melody, before the roulades of notes lose sight of the melody and instead weave around the harmonic changes. At bar 48 the bridge reappears with the melody incorporated into a right hand figuration inspired by passages from a Chopin etude (Op. 25, No. 11). However, the much slower tempo makes this section far more approachable than Chopin's fearsome etude. At bar 56 an earlier version of the verse is repeated, which then leads to the close.
A flexible tempo should be used, with generous rubato in appropriate places. In particular, bar 41 should not sound rushed and tempo can be held back significantly here. Fingering suggestions are given in many places, but these will not suit all hands. The closest attention to fingering is required in bars 48-49 and 52-54. The dynamic markings should be viewed as a rough guide and the performer is encouraged to find their own interpretation.
$6.50 ≈
¥46.49
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