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Here It Comes Again
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You've selected:
Here It Comes Again
Piano solo
Sheetmusic to print
21 sheet music found
<
1
Here It Comes Again
Here It Comes Again
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Piano solo
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Pop music
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Melanie C
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Here It Comes Again
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Melanie C. For piano. Pop. Piano chords. 2 pages. Published by Hal Leonard - Digital Sheet Music...
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By Melanie C. For piano. Pop. Piano chords. 2 pages. Published by Hal Leonard - Digital Sheet Music
$1.99 ≈
¥14.48
Robert Howard: Here It Comes Again for piano solo
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Piano solo
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INTERMEDIATE
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Pop music
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Robert Howard
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Virtualsheetmusic
Instantly printable sheet music by Melanie Chisholm for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop
Instantly printable sheet music by Melanie Chisholm for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop
$3.97 ≈
¥28.89
Plush
Plush
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Piano solo
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INTERMEDIATE
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Damien Gauci
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Plush
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1425811 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #1006571. Pu...
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Piano Solo - Level 3 - Digital Download SKU: A0.1425811 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #1006571. Published by Damien Gauci (A0.1425811). I wanted to write something a bit simpler which is how this piece came about. I remember one of my composition lecturers teaching us how to write a melody with a strong structure that a lot of film composers use for film scores. It was a really good way to write something quickly and it allowed me to come up with this piece a lot quicker than the other ones. While the overall structure of the piece is important to have a balance between repetition and variation as well as new ideas, the smaller structure of a melody is quite important too for the same reasons. You don’t want to just repeat the same melody over and over again or else it gets boring, but you also don’t want to just have 10 different melodic ideas because then the idea of the piece becomes lost and it’s hard to follow where it’s going.As for the name of the piece, I came up with it after I had written it so it didn’t influence the composition process in any way. I listened back to the piece a few times to come up some ideas and write some different names down but this word stood out to me. It has a gentle feel and a kind of curious mood to it as well.
$1.99 ≈
¥14.48
I Heard the Bells on Christmas Day
I Heard the Bells on Christmas Day
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Piano solo
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ADVANCED
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Christmas
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Michael Swedberg
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Terrence Niska
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I Heard the Bells on Christmas
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1125799 By Michael Swedberg. By Jean Baptiste Calkin. Arranged by Terrence Niska. Christmas,Contemporary,...
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Piano Solo - Level 5 - Digital Download SKU: A0.1125799 By Michael Swedberg. By Jean Baptiste Calkin. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726539. Published by Niska Music Publishing (A0.1125799). I must admit that I was far more familiar with the 1956 setting of this poem as sung by Bing Crosby to music by Johnny Marks than I was to the one found in many hymnals. It was on several of the Christmas albums that would be played on the phonograph in our house during the holiday season. However, I chose to arrange the carol setting for this collection as it resonated more deeply with me and seemed to better capture the essence of the poem by Longfellow. He wrote it during the Civil War, on Christmas Day of 1863, and several of the verses make reference to the war. While I did not set any of the Civil War verses, there is an almost martial quality to the opening music and one can almost hear the brass choir ringing out in the first verse. With each subsequent verse, the rhythm of the right hand becomes quicker, moving from half notes to quarter note triplets to eighth notes and finally to eighth note triplets in the final verse. For the most part, the left hand maintains the steady beat of quarter notes, with the exception of the final verse where it begins to move in eighth notes setting up a two-against-three pattern between the hands. It is the most jubilant of the verses and feels like an explosion of sound as the bells ring out across all the land proclaiming God is not dead, nor doth He sleep; The Wrong shall fail, The Right prevail, With peace on earth, good-will to men..
$3.99 ≈
¥29.03
Reflection Underwater æ°´ã®æ³¢ã®å½±
Reflection Underwater æ°´ã®æ³¢ã®å½±
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Piano solo
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INTERMEDIATE
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Dan Lee
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Reflection Underwater æ°´ã
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Dan Lee
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1284624 By Dan Lee. By Dan Lee. Broadway,Contemporary,Film/TV,Musical/Show,Romantic Period,Video Game. Sc...
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Piano Solo - Level 3 - Digital Download SKU: A0.1284624 By Dan Lee. By Dan Lee. Broadway,Contemporary,Film/TV,Musical/Show,Romantic Period,Video Game. Score. 3 pages. Dan Lee #412341. Published by Dan Lee (A0.1284624). 香港女作曲家 - Dan Lee æŽä¸¹ æ°´ã®æ³¢ã®å½± - 純鋼ç´ä½œå“ Flashes Underwater - Piano Bagatelle Hong Kong female composer: Dan Lee 音樂背後: 曾經有éŽä¸€æœ¬ç•«å†Šï¼Œæ˜¯é—œæ–¼ä¸–ç•Œå„地海水湛è—çš„å½±åƒï¼Œé›–然ç¾åœ¨å·²ç¶“éºå¤±äº†å®ƒï¼Œä½†é‚„記得當時在哪è£è²·åˆ°é€™æœ¬æ›¸ï¼Œä»¥åŠå¾Œä¾†çš„故事。 當時åå…«æ²äº†ï¼Œé‚„未懂得游泳。 但海水之光影太美,決æ„努力習泳,在水底下看éŽé£½ã€‚ 早幾天早上游泳的時候,åˆè¢«é€™å…‰å½±è¿·ä½äº†ï¼Œå›žå®¶å®å®å®å¯«äº†å‰å¥ï¼Œå†å¯«å‰¯æŒï¼Œç„¶å¾Œæ‰æœ‰ä¸»ç·šã€‚ 希望大家喜æ¡ðŸ’• Behind the Scene: I used to have a picture album about images of the blue waters around the world. Although it has been lost now, I still remember where I bought the book at that time and the story afterwards. I was eighteen years old and didn't know how to swim. But the light and shadow of the sea water are too beautiful, so I decided to learn swimming then I could swim and enjoy the beautiful scene all around the world. In one refreshing morning last week while I was swimming, I was fascinated by the flashes and light shadow again. I went home and wrote the prelude, and then the chorus, and then here comes my new piece! Hope you like it! Thank you! Dan.
$4.11 ≈
¥29.91
Yuki-Onna (piano solo)
Yuki-Onna (piano solo)
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Piano solo
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INTERMEDIATE/ADVANCED
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99 ≈
¥43.59
Spellbound. Original for Solo Piano.
Spellbound. Original for Solo Piano.
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Piano solo
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INTERMEDIATE
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Grant Horsley
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Spellbound. Original for Solo
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Grant Horsley
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1459801 Composed by Grant Horsley. Classical,Contemporary,Film/TV,Halloween,Thriller. Score. 8 pages. Gra...
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Piano Solo - Level 3 - Digital Download SKU: A0.1459801 Composed by Grant Horsley. Classical,Contemporary,Film/TV,Halloween,Thriller. Score. 8 pages. Grant Horsley #1038756. Published by Grant Horsley (A0.1459801). Spellbound is a mysterious piece full of secrets and it intended to hold your attention so you can’t think about anything else! It is written in the most part in A minor, with sustained eerie like chords to set the mood. The piece begins tonally but there are several uses of discords and sharpened 4th’s in the harmony to give the piece unease and an edge! The middle section breaks out in A flat major into some tonality, but this is largely dominated by discords again and won’t let the piece settle. Then comes a few bars of sustained chords to act as a link and to return to section one. This time is has continual eighth note movement in the left hand and the piece ends again with a few eerie discords before the final flourish. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. It is 7 pages long- 5 mins 20 secs. Something different to add to the repertoire!!
$5.00 ≈
¥36.38
Balta ainava
Balta ainava
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Piano solo
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INTERMEDIATE
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Contemporary
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Peteris Vasks
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Balta ainava
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate - Digital Download (White Scenery (Winter)). Composed by Peteris Vasks (1946-). This edition: single sheet. Downloadable. Duration...
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Piano - intermediate - Digital Download (White Scenery (Winter)). Composed by Peteris Vasks (1946-). This edition: single sheet. Downloadable. Duration 7 minutes. Schott Music - Digital #Q12485. Published by Schott Music - Digital
Peteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.
"I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."
The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.
In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.
Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.
Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.
Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."
Christoph Schluren
Translation: John Patrick Thomas and W. Richard Rieves
$10.99 ≈
¥79.97
Minimalist Tribute to Darius Milhaud for Piano Solo from Three Minimalist Tributes
Minimalist Tribute to Darius Milhaud for Piano Solo from Three Minimalist Tributes
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Piano solo
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INTERMEDIATE/ADVANCED
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Michael Bomier
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Minimalist Tribute to Darius M
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862537 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-B...
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Piano Solo - Level 4 - Digital Download SKU: A0.862537 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 5 pages. Michael Butkus-Bomier #2033827. Published by Michael Butkus-Bomier (A0.862537). Darius Milhaud was NOT a member of the insider's group of Old Guard French composers, epitomized by Debussy and Ravel. Ravel had usupred Debussy's place as the pre-eminent modernist, and he rightly understood it was the duty of the next generation to rebel against his own work, and find their own ways and voices. Hence, Les Six was formed to accomplish this, just as Ravel's Les Apaches, ( not a Native American meaning, but a general reference to being musical warriors) had, by turns, admired, undermined, and then surpassed Debussy. The music here uses Milhaud's best-known contribution to modernity, bi-tonality. It takes the form of arpeggiated augmented major 7th chords played against each other: as the relationship between the chords comes to the tritone, each iteration slows down, but only to De-Emphasize the stark contrast, rather than bring it out. A second section uses mirrored, symmetrical patterns in each hand. The finale concludes with plain triads juxtaposed in a bi-tonal fashion, with the same contrary motion towards the tritone using a ritard and diminuendo. Approx. running time is 4 mins 30 secs. Easy to play, easy to read, not as easy to hear! Pedaling is fully indicated throughout. Debussy never used bi-tonality, and Ravel hinted at it a few times, but it was Milhaud's stock-in-trade. We'll see you on the Roof, with the Cows! Thanks for listening to ( and buying, and playing?! )these three updated French bon-bons. MBB.
$2.50 ≈
¥18.19
O The Deep, Deep Love of Jesus (Ton-y-Botel) Tune in a Bottle
O The Deep, Deep Love of Jesus (Ton-y-Botel) Tune in a Bottle
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Piano solo
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ADVANCED
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Celtic/Irish
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Thomas John Williams
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Renee Hyche McKee
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O The Deep, Deep Love of Jesus
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Renee H. McKee
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.835643 Composed by Thomas John Williams. Arranged by Renee Hyche McKee. Celtic,Contemporary,Easter,Gradua...
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Piano Solo - Level 5 - Digital Download SKU: A0.835643 Composed by Thomas John Williams. Arranged by Renee Hyche McKee. Celtic,Contemporary,Easter,Graduation,Sacred. Score. 4 pages. Renee H. McKee #6168319. Published by Renee H. McKee (A0.835643). Legend has it that this old tune was discovered written on a scrap of paper found in a bottle which washed up on a beach in North Wales around 1900; its Welsh nickname Ton-y-Botel (Tune in a Bottle) comes from this story. The melody is also known as Ebenezer, named for Ebenezer Chapel where the actual composer attended services while writing this tune. Lyrics in sacred and secular contexts alike have been set to this famous melody. This dramatic piece begins with the arranger's original music rising in a theme accompanied by triplets, then moves into the powerful Welsh tune itself which in this creative arrangement is tossed from voice to voice, hand to hand. A strong sense of the love of Jesus rolling as a mighty ocean in its fullness over me as well as a tender confidence in it underneath me, all around me, is the current of thy love are the lingering emotions one feels as the same original music closes the piece with an impression of wonder. Some fingerings are included to facilitate reading but are merely suggestions. Pedaling has been written in, but again, is a suggestion. Because of its history, this music is adaptable to almost any circumstance, secular or sacred, where people gather for meaningful events: civic or military ceremonies, graduations, memorials, weddings, or church services of any denomination.
$4.99 ≈
¥36.31
Nullabor
Nullabor
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Ben Clapton
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Nullabor
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Ben Clapton
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.842484 Composed by Ben Clapton. 20th Century,Contemporary. Score. 18 pages. Ben Clapton #5828377. Publish...
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Piano Solo - Level 4 - Digital Download SKU: A0.842484 Composed by Ben Clapton. 20th Century,Contemporary. Score. 18 pages. Ben Clapton #5828377. Published by Ben Clapton (A0.842484). A minimalist piano piece inspired by a roadtrip across the Nullabor, the stretch of road between Adelaide and Perth in Australia.After an interrupted start, it expands into a molto perpetuo that depicts the continuous movement as you drive across this large continent. It expands, and changes in style, yet there is familiarity through the sections. It then cuts - almost abruptly - into a slower, reflective space. Driving across for the first time, there is a sense of awe that comes at certain parts, as you reflect on what you are doing. But that reflection can't last forever, and it transitions back into the molto perpetuo once again. The piece closes with more reflection, remembering the incredible journey. This piece would be excellent for a recital or performance. Length: 13-14 minutes.If you're performing this piece, please let me know through my socials - Ben Clapton Music on all platforms - or through my website - http//benclapton.id.au - I'd love to send through some encouragement.
$6.97 ≈
¥50.72
12. Ubhejane the Rhino
12. Ubhejane the Rhino
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Louise du Toit
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Louise du Toit
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12. Ubhejane the Rhino
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1138739 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 10 pages. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1138739 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 10 pages. Louise du Toit #739041. Published by Louise du Toit (A0.1138739). Ubhejane the Rhino is the twelfth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Ubhejane the rhino is fuming. A born fire-fighter, he is used to stamping out small fires with his huge feet, protecting his natural surroundings from careless humans who often leave their camping sites without extinguishing the campfires. Today he picked up the infuriating scent of black smoke from a fire in nearby Umfolozi and upon reaching the camp where the blaze is rapidly growing bigger, he storms right through it, angrily snorting while extinguishing the flames on his way. After running around in beautiful Zululand, he finally comes to rest at a waterhole where he quenches his thirst among a herd of waterbucks before wallowing in a mud pit to cool off. When the wind carries the smell of a female rhinoceros towards him, he runs off again in search of some company. On top of his back sits a small parasite bird, clinging to his thick, leathery skin and listening to the grunts, snorts and snuffs of the two white rhinos as they prepare their lunch, grasping and pulling plants from the ground..
$4.99 ≈
¥36.31
8. Intshe the Ostrich
8. Intshe the Ostrich
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Piano solo
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ADVANCED
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Contemporary
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Louise du Toit
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Louise du Toit
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8. Intshe the Ostrich
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1138474 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 17 pages. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1138474 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 17 pages. Louise du Toit #738812. Published by Louise du Toit (A0.1138474). Intshe the Ostrich is the eighth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Intshe the old ostrich is in a very good mood. Walking through the South African fields surrounding Oudtshoorn, he comes across a narrow road leading to a desolated farmyard where a lot of delicious junk is waiting to be explored. He sees two ancient metal spoons and swallows it; then he gulps down an empty beer bottle, an old, broken wristwatch and a few shiny metal pieces. On his way back to the fields, he adds two round stones to his collection of strange, edible things. Feeling extremely happy after the gourmet meal, he starts moving around in a very weird way, dancing his heart out until his legs are like jelly. Every now and then he stands still for a few moments, opening and closing his wings to cool down from the heat of the exercise; then he dances again until he collapses of exhaustion, ready to take a very long nap in the hot South African sun. .
$4.99 ≈
¥36.31
HOLY LORD 3
HOLY LORD 3
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Piano solo
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Sacred music
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Gospel/Spiritual
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THEMIS KOUTRAS
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HOLY LORD 3
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - Digital Download SKU: A0.1066574 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 211. THEMIS KOU...
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Piano - Digital Download SKU: A0.1066574 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 211. THEMIS KOUTRAS #4765867. Published by THEMIS KOUTRAS (A0.1066574). This song was written in my hardest times i was given the gift of knowing the word of GOD off by heart ye true but Satan did not like that and he got me ill sick coursing me to forget everything concerning the word of GOD at the time off my hardest hour tempted by Satan well well well the Holy Spirit inspired me to write this song instantly after i wrote it i remembered the word of GOD ones again saying woo this song is coming directly from the book of revelation written about 96 years after JESUS CHRIST was risen saying how did he ever new i would write this saying certainly he knows all things there are truthfully none like him praying my memory comes back
$4.99 ≈
¥36.31
Duplicitous Heart
Duplicitous Heart
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Piano solo
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ADVANCED
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Contemporary
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Dakota Anthony
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Duplicitous Heart
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Dakota Anthony
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (A0.1015500). This is a 5-6 minute long piano solo piece that uses styles from blues, jazz, and contemporary genres. If you have questions please contact me at one of the following:Facebook page- https://www.facebook.com/dakanthony1Email- dakanthony1@gmail.comI write a poem for all of my songs. Hopefully it helps give a little meaning to its purpose!One songIt just takes one song to move myself to another world,And my heart beats faster.One songMakes me feel I can conquer every problem-All the world's disasters.One songIt makes my heart break and mend itself overAnd overAnd overUntil it's a whole new heartWith a whole new stature.One songI hear joy. I hear peace.But it's all for myself.It doesn't even matter.One songI don't know how to share what I hear.One songSo what I hear disappears.One songTurns to none, so I fear,And try to find another one songThat I can hold dear.One song,But it all happens again.One songBreaks a heart that's already bee mendedBy the first one song,And the heart's offended.Now there's two songs;The one song has ended.Two songs Clash and pretend thatTwo songsAre unique but they can't be - insteadTwo songsAffected the same heart.With two songsThe first's uniqueness is upended.Two songsSplit the heartHalf as powerfulAs the start,So I need another two one songsTo double the power.But the result is the same, And the dilution gets stronger.And what was difficult to share initiallyBecomes impossible because my heart isn't free.It's torn into a million piecesEach tied to a one song, each song with the thesisThat I want to share my songs to everyoneBecause of how it broke and mended my heart.But too many songs made my heart hardenedUntil the songs hardly affect a heart - just scar it.By the time I learn how to share any songThey'll all be goneJust the heart's shadow of what it longed to share.So I watch others to see if my one song was a myth.They all have one songs creating the semblance of mended heart.So my one song could only make another heart splitDiluting their one song to half as powerful as its start.
$7.99 ≈
¥58.14
A Prayer and a Prelude
A Prayer and a Prelude
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Piano solo
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INTERMEDIATE
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Contemporary
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Peter Daniel Klein
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A Prayer and a Prelude
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #53...
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Piano Solo - Level 3 - Digital Download SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published by Peter Daniel Klein (A0.1029559). I have written a programmatic, neo-romantic/post-romantic prose and musical fragment/miniature based on Schlegel's writings about a Hedgehog. Fragment in the sense that it is not fully developed, yet, in another sense, it is overdeveloped for its length. There are several modern elements in that it is bitonal at one point. At another point, I pit Scriabin's mystic chord, which is his synthetic mode, against what I feel is its nearest aeolian mode, c-minor, which is modernistically dissonant. It is written in 'classicized' AABA popular song form, which is perfect for a miniature. It revolves around the programmatic, free verse' Prayer,' a plea to God for sleep, elusive due to the mourning of lost love and the associated emptiness and grief felt deep in the night. It is motivic in that there is a repeated augmented 6 to a half-diminished cadence that introduces the theme and then serves to transition each small section, in a secondary dominant style repetition until reaching tonic. -A1 is a simple statement of the linear theme and harmony in 6ths, and 9ths, almost in keeping with the introductory and transitionary cadence, at least intervallically. -A2 is a restatement of that theme with an added countermelody (which becomes the subject of section B) woven between the upper linear melody and the altered bass accompaniment. -B begins with a short statement of the countermelody bi-tonally, the left hand in c minor, the right in g minor. There is a brief transposition between several keys, bitonally, while the sostenuto pedal holds a pedal tone until it attenuates completely. The two measures build from repressed despondency to rage, as strong emotions often do, quickly turning to dissonant chaos. The dynamics and intensity build to a diminished chord whose top note moves up half a step to a Scriabin mystic chord arpeggio. The held sustain pedal melds the dissonance together with emotional tumult, which fades as quickly as it came, as outbursts often do. -A3 starts with the motivic cadence and a deep bass pedal tone. This section is the crowning moment in the piece. In sixths, the macabre accompaniment moves to the right-hand upper tessitura as the more developed 'A' melody moans below in the bass and baritone as the music ebbs away. A simple c-minor arpeggio strains against a very similar Scriabin mystic chord arpeggio, an octave or a minor seventh apart, ending on an A major and A flat in sweet, gentle, unresolved dissonance against a dying root pedal tone, the final teardrop.
$4.99 ≈
¥36.31
What Child Is This?
What Child Is This?
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Piano solo
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INTERMEDIATE/ADVANCED
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Christmas
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Traditional English Melody
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Terrence Niska
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What Child Is This?
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.950931 Composed by Traditional English Melody. Arranged by Terrence Niska. Christmas. Score. 8 pages. Nis...
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Piano Solo - Level 4 - Digital Download SKU: A0.950931 Composed by Traditional English Melody. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466313. Published by Niska Music Publishing (A0.950931). Based on the traditional English folk song, Greensleeves, there is a haunting, soulful quality to the melody that inspired me to write this prelude. It starts simply enough with the similar lullaby-like quality found in Away in a Manger, but the minor key makes it less restful and more contemplative in nature. It gradually becomes more complex, adding a harmony above the melody before the first statement of the refrain occurs adding another voice to the chords and ultimately leading to four-part chords. I then transition to a figure in the right hand to represent the twinkling of the stars as the melody is woven into the pattern before reaching a climax with the final statement of the refrain in full-throated adoration. The prelude then draws back in intensity, closing with the twinkling of the stars once again in the right hand and resolving to a major chord.
$3.99 ≈
¥29.03
Toccata In B Flat Minor For Piano
Toccata In B Flat Minor For Piano
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Piano solo
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ADVANCED
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Thomas R
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Toccata In B Flat Minor For Pi
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Thomas R. Schadl
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas...
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Piano Solo - Level 5 - Digital Download SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #3916053. Published by Thomas R. Schadl (A0.912497). Toccata In B Flat Minor, by Thomas R. Schadl, explores rhythmic energy and lyricism. The exposition (bars 1-18) consists of the static rhythm, where the the first beat is accented. The melodic part of the exposition is lyrical and has syncopation that provide contrast to the driving rhythm. The transition exists from bar 19 to 56, but unlike the traditional sonata form where the transition moves on to the second theme in the exposition, the main theme re-appears briefly from bar 57 to 64 and then it moves on to the second theme (bars 65-100). Sonata form includes the development section that involves the working of a theme or themes that were stated in the exposition, but this work does not have a development part; so in its place is the transition that spans from bar 101 to 114, leading to the recapitulation (restatement of the first theme in the exposition). Following the restatement, the second theme comes in at bars 133 to 140 and is restated at bars 157 to 176; transition is inserted at bars 141 to 156. As the piece progresses toward the end, the fragmented portion of the second theme repeats with diminishing sound intensity, followed by a brief transition stated in the first few bars after measure 19. The piece ends with a loud B Flat, after a one bar rest. Anyone planning to analyse this composition will come to realize that since the development section does not exist, one may conclude that the work is composed in a modified sonata form. Toccata In B Flat Minor requires steady rhythmic sense, quick left-hand jump between bass notes to eighth-note passages in the second theme, and a good sense of rhythm when executing four eighth notes against triplets. Slow practice speed is advised in order to master the technical challenges. The piece is suitable for education and concert purposes, and may be performed in silent movies or stage shows.
$9.99 ≈
¥72.69
In dulci jubilo
In dulci jubilo
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Piano solo
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ADVANCED
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Christmas
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Traditional German Melody
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Terrence Niska
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In dulci jubilo
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.950927 Composed by Traditional German Melody. Arranged by Terrence Niska. Christmas. Score. 8 pages. Nisk...
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Piano Solo - Level 5 - Digital Download SKU: A0.950927 Composed by Traditional German Melody. Arranged by Terrence Niska. Christmas. Score. 8 pages. Niska Music Publishing #6466295. Published by Niska Music Publishing (A0.950927). I again returned to ChopÃn for inspiration in this piece as the left hand opening is quite reminiscent of his Prelude Op. 28, No. 3 (though not nearly as fast). In fact, the first measure is identical to ChopÃn’s and they’re both in the same key. However, it immediately becomes apparent that this prelude is more inspired by George Winston than ChopÃn. My goal was to capture the sheer joy of the melody and the lyrics. In dulci jubilo translates as in sweet rejoicing and that’s what I wanted to bring to my arrangement. There is a somewhat extended opening section before getting to the actual melody found within a constant stream of sixteenth notes in the right hand: A challenge for the pianist to bring out the line amongst all those notes. There is also a secondary melody to be found in the left hand hidden among its own torrent of notes. There is an almost chorale-like closing for several bars before a final flourish brings the prelude to a joyous close.
$3.99 ≈
¥29.03
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