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You've selected:
Let Music Fill the Air
Piano solo
Sheetmusic to print
5 sheet music found
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1
The Rainbow Connection
The Rainbow Connection
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Piano solo
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INTERMEDIATE
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Kenny Ascher and Paul Williams
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The Rainbow Connection
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1192328 Composed by Kenny Ascher and Paul Williams. Arranged by Arranged by Elena Fortin. Children,Contem...
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Piano Solo - Level 3 - Digital Download SKU: A0.1192328 Composed by Kenny Ascher and Paul Williams. Arranged by Arranged by Elena Fortin. Children,Contemporary,Film/TV,Standards. Score. 5 pages. Elena Fortin #791761. Published by Elena Fortin (A0.1192328). The Rainbow Connection from The Muppet MovieIntermediate Piano Solo arrangement by Elena Fortin. Original words and music by Kenneth L. Ascher and Paul Williams.Most people hear the intro of this piece and immediately think of Kermit the Frog, strumming his banjo and singing this beautiful little melody. It is one of the very first sheets of music that I went out and purchased at our local music store. I was so excited to learn it! Fast forward many years later (ahem!) and I am so happy to see it entertaining a whole new generation of people. On YouTube, Kermit uploaded a special performance of it in April 2020!I performed it as a duet with a student at a recital and it was a big hit (we even came up with our own choreography to go along with the piece!) This melody is one of those timeless and iconic pieces that will forever live in my heart. I was excited to see that I would be able to share an arrangement I made!My version starts out in the key of A major and offers a simple, more pianistic left hand accompaniment. Smooth, flowing arpeggios accompany most of the piece. The first verse is left to be fairly simple and lets the melody shine. The second verse has more harmony in the right hand and some fills that build on the melody. The key change has more movement and signals the last verse done in a very full, orchestra-like sound. The finish brings us back to a more simple arrangement--back to it's humble beginnings!I hope I made Kermit proud!Please check out my other arrangements available on SheetMusicPlus and Sheet Music Direct.WIth love,Elena
$4.99 ≈
4.63€
Let's Bring Joy to Life
Let's Bring Joy to Life
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Piano solo
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INTERMEDIATE/ADVANCED
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Jeffrey Pettijohn
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Let's Bring Joy to Life
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Jeffrey Pettijohn
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.979243 Composed by Jeffrey Pettijohn. Praise & Worship,Spiritual. Score. 6 pages. Jeffrey Pettijohn #6891...
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Piano Solo - Level 4 - Digital Download SKU: A0.979243 Composed by Jeffrey Pettijohn. Praise & Worship,Spiritual. Score. 6 pages. Jeffrey Pettijohn #6891225. Published by Jeffrey Pettijohn (A0.979243). The path to a life of consistently unfolding fulfillment is through music. But for the character in this piece, rediscovering that path, after falling into deep despair, takes the help of a few friends and one bass player.
$4.99 ≈
4.63€
Marching to Zion (LARGE PRINT Piano Solo)
Marching to Zion (LARGE PRINT Piano Solo)
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Piano solo
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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Marching to Zion
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.565411 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sac...
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Piano Solo - Level 3 - Digital Download SKU: A0.565411 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sacred,Traditional. Score. 2 pages. Sharon Wilson #4320335. Published by Sharon Wilson (A0.565411). Designed for those times when a short, musical interlude is needed, here is a 2-page, LARGE PRINT piano solo arrangement of the beloved hymn We’re Marching to Zion. This flowing, yet upbeat arrangement will inspire its listeners and fill their hearts with hope and joy. This song is a perfect choice to use as an offertory or postlude.This arrangement is one of the 7 songs in the collection Hymns of Heaven. Each song in this collection was chosen because the lyrics talk about the joys of heaven.  Lyrics by Isaac Watts:Verse 1:Come, we that love the Lord,And let our joys be known;Join in a song with sweet accord,Join in a song with sweet accord,And thus surround the throne,And thus surround the throne.Chorus:We’re marching to Zion,Beautiful, beautiful Zion;We’re marching upward to Zion,The beautiful city of God.Verse 2:Let those refuse to singWho never knew our God;But children of the heav’nly King,But children of the heav’nly KingMay speak their joys abroad,May speak their joys abroad.Verse 3:The hill of Zion yieldsA thousand sacred sweetsBefore we reach the heav’nly fields,Before we reach the heav’nly fieldsOr walk the golden streets,Or walk the golden streets.Verse 4:Then let our songs aboundAnd ev’ry tear be dry;We’re marching thru Immanuel’s ground,We’re marching thru Immanuel’s groundTo fairer worlds on high,To fairer worlds on high.
$2.99 ≈
2.77€
Almost May for Piano Solo
Almost May for Piano Solo
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Piano solo
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,...
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.70€
Debussy, Claude : Goliwogg's Cake-Walk (Collection Anacrouse)
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Piano solo
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French Songs
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Debussy, Claude
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Goliwogg's Cake-Walk
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Note4Piano
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époq...
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Golliwogg's Cake-Walk est la dernière et sixième pièce d'un recueil de suites pour piano intitulé Children's Corner (« le coin des enfants »). Debussy commence à composer en 1906 ce petit recueil plein de féérie, une dédicace à sa fille Claude-Emma, plus connue sous le surnom de Chouchou, en 1908. C'est cette même année que le recueil est publié chez les éditions Durand, avec une couverture originale et plaisante faite par le compositeur lui-même. La première écoute officielle est créée au Cercle Musical à Paris le 18 décembre 1908 par Harold Bauer. Quelques années plus tard, Children's Corner est retranscrit pour orchestre par le compositeur André Caplet. Son audition est conduite par Debussy lui-même le 25 mars 1911. Bien que ces six petites suites soient dédicacées à sa fille avec les mots suivants : « A ma très chère petite Chouchou, avec les tendres excuses de son père pour ce qui va suivre », elles ne s'adressent pas à des mains d'enfants. Car elles possèdent, pour certaines, des difficulté techniques inaccessibles pour de très jeunes éxécutants. Les six pièces ont toutes un titre anglais, peut être faut-il y voir une aimable moquerie à l'anglomanie dominante de cette époque : 1) Doctor Gradus ad Parnassum 2)Jimbo's Lullaby (Berceuse des éléphants) 3)Serenade for the doll (Sérénade à la poupée) 4)The snow is dancing (La neige danse) 5)The litthe shepherd (Le petit berger) 6)Golliwogg's cake-walk Golliwogg's Cake-walk (allegro giusto, mi bémol à 2/4) est la pièce la plus célèbre du recueil, surnommée par le pianiste Alfred Cortot « Ataxique et dégingandée ». Elle représente l'apothéose finale de ce recueil. Il faut noter que le terme Cake-Wake correspond à une danse noire américaine et le mot Golliwogg représente une poupée de nègre en étoffe. Debussy emprunte pour la première fois la musique jazz pour exprimer la danse des gestes articulés et saccadés de cette poupée nègre. Au milieu du Cake-Walk, il cite à demi-ironique les premières mesures de Tristan de Wagner en indiquant une annotation piquante : « avec une grande émotion »! puis reprend une deuxième citation dans l'accord final. Gràce à cette pièce pleines d'effets musicaux et de contre temps rythmiques, le pianiste interprète développera un touché nuancé, de la sensibilité et de l'imagination dans l'éxécution pour faire vivre une oeuvre sautillante très originale. Partition + Biographie + Notes sur l'oeuvre
3.30€
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