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You've selected:
Nat Ayer Low voice, Piano
Piano solo
Sheetmusic to print
8 sheet music found
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1
Almost May for Piano Solo
Almost May for Piano Solo
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Piano solo
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,...
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.62€
Preghiera
Preghiera
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Piano solo
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Monica Bergo
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Preghiera
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Monica Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.976836 Composed by Monica Bergo. Christian,Sacred,Spiritual. Score. 7 pages. Monica Bergo #3235483. Published by Mo...
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Piano Solo - Digital Download SKU: A0.976836 Composed by Monica Bergo. Christian,Sacred,Spiritual. Score. 7 pages. Monica Bergo #3235483. Published by Monica Bergo (A0.976836). 2017 Holiday Contest EntryPrayer I remember, as a child That church scared me low voices, eyes down And people did not laugh Your suffering face From the cross looking at me your hands tormented And the blood dripping And I remember those nights when I will praying and invoked you Change quickly my life Only this I was wondering And I was fragile Like a leaf in the wind so useless prey to every torment and I was still but always in motion voice of the soul screaming without complaint I remember gray days in which I was looking for you, and you begged and the silence around me amplified my empty and retrace the hours when there was nothing to hold onto and the question was: God exist or not? Kneeling in your church They say this is your home I am seeking warmth and yet I feel stateless And it was cold the bench, as my heart I look at your mother and her pain To be loved, is what I want too And I will pray It will be an incredible dialogue Inside me I hear you in every fiber of my being and reborn we are born to regret because every day here we die a little ' I will rise again? and I will pray and your voice that will envelop me already it turns into freedom you, father, friend You know that peace do not ever leave me stops my time at this moment while you're in me, so present I ask for nothing more and you are shelter and belief a search of attention I always hovering well between damnation and redemption no fate is already sealed and you delete my past and my days without faith I leave them behind me a thousand prayers I will invent I do not follow a book, I have only one chant written by my Lord, I do not see but it is always beside me ... .. Monica Bergo
$3.99 ≈
3.62€
New Heart Hymns: 10 Familiar Hymns for Piano
New Heart Hymns: 10 Familiar Hymns for Piano
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Piano solo
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INTERMEDIATE
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Sacred music
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Jennie Rhodes
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Jennie Rhodes
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Worship, Sacred
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New Heart Hymns: 10 Familiar H
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Jennie Rhodes Music
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SheetMusicPlus
By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contemporary, Instructional, Praise & Worship, Sacred. Score. 26 pages. ...
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By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contemporary, Instructional, Praise & Worship, Sacred. Score. 26 pages. Jennie Rhodes Music #164842. Published by Jennie Rhodes Music
Collection of 10 beloved, multi-denominational hymns arranged with the aim of being easy enough for young players to master, yet beautiful enough for advanced musicians to enjoy. Perfect as short featured solos, or use the optional attaccas and links connecting the entire set for prelude/postlude settings. Also available for solo violin, viola, cello, flute, oboe, and clarinet.Listen to a playlist of the entire collection (as arranged for violin) on YouTube.Piano score: 21 pagesAll texts included.SONG LIST:Abide With MeCome, Come Ye Saints (All is Well)Come, Follow MeCome, Thou Fount of Every BlessingCount Your BlessingsHow Firm a FoundationI Know that My Redeemer LivesI Stand All AmazedLead, Kindly LightNearer, My God, to Theewww.jennierhodesmusic.com.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$19.95 ≈
18.08€
My Song Is Love Unknown
My Song Is Love Unknown
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Piano solo
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INTERMEDIATE/ADVANCED
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Text Samuel Crossman, Tune J
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Daniel Steenson
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My Song Is Love Unknown
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Daniel Steenson
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.905645 Composed by Text Samuel Crossman, Tune J. Baptiste Calkin. Arranged by Daniel Steenson. Easter,Hol...
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Piano Solo - Level 4 - Digital Download SKU: A0.905645 Composed by Text Samuel Crossman, Tune J. Baptiste Calkin. Arranged by Daniel Steenson. Easter,Holiday,Sacred. Score. 4 pages. Daniel Steenson #4853765. Published by Daniel Steenson (A0.905645). Daniel Steenson's meditative piano setting of Samuel Crossman's text My Song Is Love Unknown reflects upon the beauty and mystery of Christ's atonement for the sinner. Read Crossman's unique text at hymnary.org. This colorful arrangement of J. Baptiste Calkins' wistful tune features a flowing LH ostinato background leading to sonorous arpeggi. The melodic layer must clearly sing above the accompanying ostinato. Listen for voice-leading in the ostinato, and pedal harmonically with finesse. Let it breathe at m. 14; then respond to the rise-and-fall of the sweeping harmonic gestures during the interlude and coda (mm. 15-23, mm. 39-50). Dynamics marked pp or ppp should give a parenthetical effect (these measures should be heard within the surrounding envelope of sound).
$3.99 ≈
3.62€
A Moment In The Present
A Moment In The Present
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Piano solo
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INTERMEDIATE
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Blaze Scheuerman
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A Moment In The Present
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Blaze Scheuerman
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1084402 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Contest,Festival,Ro...
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Piano Solo - Level 3 - Digital Download SKU: A0.1084402 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Contest,Festival,Romantic Period. Score. 6 pages. Blaze Scheuerman #688577. Published by Blaze Scheuerman (A0.1084402). The second movement of Blaze's Piano Sonata in E Major No. 1, following A Look Into The Past, A Moment In The Present was primarily inspired by Beethoven’s Piano Sonata in F Minor No. 1 and Piano Sonata in C Minor No. 8 “Pathetiqueâ€. I gave it its name because I find it to be a very relaxing and dawdling piece. It reminds me of someone just lounging around and enjoying nothing but taking in the moment. The syncopated melody gives off the feeling that his thoughts are also jumbled together. He is not actively trying to achieve anything, but instead just letting anything come to him. It is supposed to contrast the first movement by being simpler and more relaxing (where the first is dominating and complex). I especially wanted a much more lyrical and monophonic (single voiced) piece to contrast with the polyphony (many voiced) and layers of the first.
$4.99 ≈
4.52€
The End Of The World
The End Of The World
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Piano solo
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INTERMEDIATE/ADVANCED
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Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Mus...
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Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99 ≈
6.33€
Op.3 No.10-12 by In Son Zeng
Op.3 No.10-12 by In Son Zeng
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Piano solo
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INTERMEDIATE
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In Son Zeng
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In Son Zeng
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Op.3 No.10-12 by In Son Zeng
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In Son Zeng
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1486801 By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. 20th Century,Instructional,Jazz. Score. ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1486801 By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. 20th Century,Instructional,Jazz. Score. 7 pages. In Son Zeng #1063868. Published by In Son Zeng (A0.1486801). Introduction of Op.3 No.10-12 by In Son Zeng:Op.3 No.1-12 is composed by In Son Zeng (from Macau) to cater to a variety of musical tastes and skill levels, offering a diverse range of experiences for the player.Op. 3 No. 10 How Beautiful the CountrysideThe tenth song in Op.3 uses an old country musical style. It depicts a gently flowing river, which does not create large ripples throughout the day, yet the surroundings are so beautiful that one cannot help but be captivated! The entire piece extensively designs two voice parts at the higher range. The upper voice often features non-legato triplets, while the left-hand employs a fixed rhythm common in country music, enhancing the picturesque scenery that the music evokes.Op. 3 No. 11 Charming New OrleansThe eleventh song is composed in a New Orleans jazz style that traces back to the origin of Jazz music! Being one of the ancestors of jazz, it poetically and lyrically reflects a refined lifestyle. This music is a great companion to the beauty of nature: listening to the relaxed, old-style jazz while strolling through a New Orleans park is truly invigorating!The entire piece is written in A-flat major and is divided into two short sections, both in an AA format (where the two sections are similar but differ in chord density). When practicing, it is important to prepare for an increase in intensity and atmosphere one measure before transitioning into the second section.Op. 3 No. 12 Summer SunThe twelfth song, in terms of jazz style, is a lively Boogie Woogie piece. Playing this music conjures images of people in bikinis dancing rhythmically on the beaches of Macedonia, surrounded by enthusiastic beach-loving tourists. The bustling crowd adds vibrant color to the hot summer beach.The entire piece is written in E-flat major and is also divided into two short sections in an AA format. During practice, there is a breathe and relax moment one measure before transitioning to the second section. It is important to play with a sense of relaxation at that point, followed by an augmented chord leading into the next section.
$5.99 ≈
5.43€
Let's Groove
Let's Groove
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Piano solo
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ADVANCED
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Soul/R&B
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Earth Wind and Fire
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Steve Burks
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Let's Groove
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Steven L. Burks
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.902511 By Earth Wind and Fire. By Maurice White and Wayne Vaughn. Arranged by Steve Burks. R & B. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.902511 By Earth Wind and Fire. By Maurice White and Wayne Vaughn. Arranged by Steve Burks. R & B. Score. 5 pages. Steven L. Burks #6294019. Published by Steven L. Burks (A0.902511). This advanced arrangement of the well-known, energetic classic can be programmed for advanced piano students' concerts and recitals, as a change of pace from standard piano literature.This arrangement seeks to emulate the recording, implying horn lines, vocal lines, and so forth; there are various textural shifts and leaps (in the right hand) that players should consider carefully during study. The arrangement shifts between the treble and bass clefs periodically in the right hand, and the 8va designation that appears beneath the bass clef indicates that the bass line should be played an octave lower (sometimes marked as 8vb). It is essential to listen to the original recording in order to make sense of what might otherwise seem odd considered in light of traditional voice-leading practice.The duration of this abbreviated arrangement is approximately 2:38.I am a member of ASCAP. You may email me at steveburks@outlook.com. Thanks for listening.
$4.99 ≈
4.52€
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