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Not Enough Time
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51
Sometimes, Words Are Not Enough • John D. Wattson Series
Sometimes, Words Are Not Enough • John D. Wattson Series
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Piano solo
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INTERMEDIATE
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Matt Johnson
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John D
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Sometimes, Words Are Not Enoug
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Dolce & Nuit Productions
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1343547 By Matt Johnson. By Matt Johnson. Arranged by John D. Wattson. 21st Century,Classical,Contemporar...
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Piano Solo - Level 3 - Digital Download SKU: A0.1343547 By Matt Johnson. By Matt Johnson. Arranged by John D. Wattson. 21st Century,Classical,Contemporary,Jazz,New Age. Score. 12 pages. Dolce & Nuit Productions #929076. Published by Dolce & Nuit Productions (A0.1343547). “Sometimes, Words Are Not Enough†for solo piano ~ one of Matt’s favorite pieces from his “Conversations†recording.The John D. Wattson Series showcases the music of Matt Johnson with abridged and accessible piano solo arrangements.Contemporary lyrical and rhythmic repertoire for piano students of varying degrees.View Johnson's original score:SheetMusicDirect: https://www.sheetmusicdirect.com/en-US/se/ID_No/1005379/Product.aspxSheetMusicPlus: https://www.sheetmusicplus.com/en/product/sometimes-words-are-not-enough-20764852.htmlWeb2: https://www.MattJohnsonMusic.comWeb3: MattJohnsonMusic.x
$4.99 ≈
4.58€
Sometimes, Words Are Not Enough
Sometimes, Words Are Not Enough
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Piano solo
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INTERMEDIATE/ADVANCED
#
Matt Johnson
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Sometimes, Words Are Not Enoug
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Dolce & Nuit Productions
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.909167 By Matt Johnson. By Matt Johnson. 20th Century,Jazz,New Age. Score. 7 pages. Dolce & Nuit Producti...
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Piano Solo - Level 4 - Digital Download SKU: A0.909167 By Matt Johnson. By Matt Johnson. 20th Century,Jazz,New Age. Score. 7 pages. Dolce & Nuit Productions #3554677. Published by Dolce & Nuit Productions (A0.909167). Sometimes, Words Are Not Enough…from the Conversations recording.www.MattJohnsonMusic.com.
$4.95 ≈
4.54€
Chopin - Prelude - Opus 28, No. 14 - (Key Map Tablature)
Chopin - Prelude - Opus 28, No. 14 - (Key Map Tablature)
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Piano solo
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INTERMEDIATE
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Classical
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Frederic Chopin
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John M
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Chopin - Prelude - Opus 28, No
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.984719 Composed by Frederic Chopin. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music...
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Piano Solo - Level 3 - Digital Download SKU: A0.984719 Composed by Frederic Chopin. Arranged by John M. Honeycutt. Romantic Period. Score. 6 pages. Music Innovators Workshop #4359399. Published by Music Innovators Workshop (A0.984719). This incredibly difficult-to-read piece is tamed by the key maps tablature. The traditional notation for this piece is at the extreme of its ability to notate piano music - and it fails miserably! It is playable only by the gifted few who have the tenacity to race through reading this incredibly fast 6 flat Eb minor notation. with its additional double flats and accidentals, some of which must be played on white keys. Surely the piece must be some kind of joke - Chopin's way of thumbing his nose at those bold enough to try to play it. It surely is NOT the great music that Chopin usually crafted.The joke is that it is not really difficult to play. It is just incredibly difficult to READ! The music can be played, although without its breakneck speed, by students at the intermediate level if reading from a key map. This piece is an extreme example of how much easier playing from key maps can be.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.)The key map staff is based on an Octave Group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.
$2.00 ≈
1.83€
Never Enough Piano Solo (2 for the price of 1 !!), 2 keys are included (Original Key Ab major and Easy Key C major) Nice Piano Cover
Never Enough Piano Solo (2 for the price of 1 !!), 2 keys are included (Original Key Ab major and Easy Key C major) Nice Piano Cover
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Piano solo
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ADVANCED
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Lauren Allred
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Cres Ho
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Never Enough Piano Solo
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SheetMusicPlus
Piano Solo - Advanced - Digital Download By Lauren Allred. Arranged by Cres Ho. Score. 6 pages. Published by Published by Cres Ho...
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Piano Solo - Advanced - Digital Download By Lauren Allred. Arranged by Cres Ho. Score. 6 pages. Published by Published by Cres Ho
Arranger: Cres Ho
Key: 2 Versions (and#65279;Ab major and C major key)
Time Signature: 4/4
Number of Pages: 3 pages for each key (Total: 6 pages)
Difficulty: Advanced Intermediate to Advanced (Grade 5 and above)
Note: The introduction was derived from the original song and a nice ending was added to the song. Dynamic markings are included too.
Listen to the full song here:
https://youtu.be/FXjEzO4rOHQ (Ab major)
https://youtu.be/XNwaLfZBIaE (C major)
For more piano arrangements, visit http://www.cresho.net
About the Pianist-Composer:
Cres Ho has more than 10 years of piano teaching experience and he knows what makes a piece of music easy or hard to play. With that knowledge, he can create a beautiful piece that is easy to play and enjoy.and#65279;
2018 Instrumental Arranging Contest Entry
$6.88 ≈
6.31€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano solo
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ADVANCED
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instru...
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.66€
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #...
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00 ≈
26.60€
Legends
Legends
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Piano solo
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INTERMEDIATE
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Contemporary
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Sean Perry
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Legends
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Rats in the Practice Room
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1209506 Composed by Sean Perry. Classical,Contemporary. Score. 10 pages. Rats in the Practice Room #80764...
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Piano Solo - Level 3 - Digital Download SKU: A0.1209506 Composed by Sean Perry. Classical,Contemporary. Score. 10 pages. Rats in the Practice Room #807648. Published by Rats in the Practice Room (A0.1209506). A 3-movement piano sonata in C# minor, Legends tells the tragic tale of two lovers cursed by the Greek god Poseidon. The first movement depicts the journey of the first lover, a semi-mortal demigod who sets out on a quest to challenge Poseidon for control of the seas. He loses the battle and is cursed to remain lost at sea forever, caught in a vortex with enough strength to swim forever, but not enough to escape. The second movement depicts his mortal human lover, who remains on land. As time continues, the lover grows concerned; they don't know when—or if—their beloved will return. After months have passed, the human decides to go on a quest of their own to find their beloved. The human learns of the demigod's fate, and must make a choice: To live the rest of their life in solitude, separated from the one they love—or to jump into the vortex and doom both of them. The third movement depicts this choice; the human decides to be selfish, and cherish one last moment with the demigod before they both sink to the bottom of the ocean and die in each other's arms.
$10.00 ≈
9.17€
What The World Needs Now Is Love
What The World Needs Now Is Love
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Piano solo
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INTERMEDIATE
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Jackie DeShannon
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Timothy Stapay
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What The World Needs Now Is Lo
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1249719 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/T...
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Piano Solo - Level 3 - Digital Download SKU: A0.1249719 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #844110. Published by Timothy Stapay (A0.1249719). What The World Needs Now Is Love is written in a relaxed waltz style.What the World Needs Now Is Love is a 1965 popular song with lyrics by Hal David and music composed by Burt Bacharach. First recorded and made popular by Jackie DeShannon, it was released on April 15, 1965, on the Imperial label after a release on sister label Liberty records the previous month was canceled. It peaked at number seven on the US Hot 100 in July of that year. In Canada, the song reached number one. The song's success caught the two songwriters completely by surprise, since they were very aware of the controversy and disagreements among Americans about the Vietnam War, which was the subtext for David's lyrics. Bacharach has continuously used the song as the intro and finale for most of his live concert appearances well into the 2000s. Lyrics:What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No not just for some but for everyone.Lord, we don't need another mountain,There are mountains and hillsides enough to climbThere are oceans and rivers enough to cross,Enough to last till the end of time.What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No, not just for some but for everyone.Lord, we don't need another meadowThere are cornfields and wheat fields enough to growThere are sunbeams and moonbeams enough to shineOh listen, lord, if you want to know.What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No, not just for some but for everyone.No, not just for some, oh, but just for everyone.
$5.99 ≈
5.49€
Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
Prelude Op.3 in C# minor, "Bells of Moscow" for Piano Solo of Rachmaninoff
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Piano solo
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INTERMEDIATE/ADVANCED
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Sergei Rachmaninoff
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Michael Bomier
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Prelude Op.3 in C# minor, "Bel
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862657 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Sc...
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Piano Solo - Level 4 - Digital Download SKU: A0.862657 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score. 5 pages. Michael Butkus-Bomier #3601985. Published by Michael Butkus-Bomier (A0.862657). The Prelude in C# minor was the bane of Rachmaninoff's existence as a performer. Audiences could NOT get enough of it, and he could not bear to play it one more time! Such is Fame and Success. Well, we Normal Humans have had to look at the traditional setting of it, in two grand staves, with enough double-accidentals to blind a scribe, and try to emulate The Master from that pirate's treasure map. No longer. Here is a single-grand staff setting, with only the most minor modifications to accommodate the average hand, and spellings that show the true nature of the chords. The single best aspect of our setting here is the Total Elimination of the crossed-hand octaves throughout. When I realized these were only three or four-note triads, and not a pile of interlocking harmonies, I determined to make things clearer, for myself, and other players. The low notes all correspond to Rachmaninoff's bassline, except for one passage near the end. Only TWO octave doublings have been removed to make a smaller leap from the former lower grand staff to the upper. When I was a young student, this sort of music was baffling to my eyes, but not my ears. Now we can all see it and play it for what it is, an early masterwork, based on S.R.'s training in harmony from the Moscow Conservatory. A note can be the root, 3rd, 5th, 7th, and even 9th of some chord. They are all on display here, with a nice summation at the end, in quietude. MBB.
$3.99 ≈
3.66€
Numb
Numb
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Piano solo
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INTERMEDIATE
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Isadar
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Numb
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 7 pages. Mainya Music Publis...
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Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 7 pages. Mainya Music Publishing (BMI) #801732. Published by Mainya Music Publishing (BMI) (A0.1203048). Contains:Numb - taken from the Isadar solo piano collection, The Purple Heart (improvisational solo piano) (available soon on SMP) Sounds like: Keith Jarrett's Köln Concert, Bill Evans, Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:  Kathy Parsons (MainlyPiano.com):The Purple Heart is Isadar’s solo piano tribute and memorial to the people who lost their lives in the 9/11/01 tragedy. Recorded as a 56-minute improvisation on 12/25/02, the music is thoughtful, somber, and quite elegant. There are actually thirteen pieces on the CD, but they segue into each other, making it difficult to tell where one song ends and another begins. This is very definitely NOT a problem, as the album unfolds naturally and organically, asking questions, looking inward, and expressing shock and grief. However, this is not music about only despair or rage. I also hear hope and determination as well as quiet reverence - the strange mix of emotions we all felt during those dark days. Titles include From Cradle to Coffin, Bravery, Numb, New York Skyline, and Truth. Isadar has a wonderful way of wearing his heart on his musical sleeve, pouring deep emotion and heartfelt expression into his music. The music was recorded in one take, but rather than meandering all over the place, Isadar used recurring themes that make the work cohesive and consistent enough to hold together even after many listens. This is a very strong and passionate work, but it was recorded with a rather quiet voice which allows it to be very comfortable and soothing background music as well as evocative solo piano music for concentrated and focused listening. The Purple Heart Sheet Music Collection is a note-for-note solo piano transcription of Isadar’s 2003 memorial CD by the same name (transcribed by David Shenton). The recording and book are a tribute to those who died in the attacks of 9/11/2001. The music was recorded in one take and although there are thirteen titles, the pieces segue into each other, creating a seamless 56-minute improvisation. The book indicates where the various pieces begin and end, but can also be played as one long piece. Although the theme of the music is very somber and bleak, the music covers the broad range of emotions we all felt during that period - anger, sadness, hope, determination, resolve, fear, grief, etc. Although the recording is an improvisation, Isadar incorporates a recurring theme that holds the work together as a single entity. Some pieces are very slow while others are lively and even fast. All thirteen pieces are in C minor/Eb major, but the variety of moods and tempos keep the music evolving without becoming repetitious. When the recurring theme pops up, it’s like seeing an old friend!The difficulty in playing someone’s improvisation is that the creation of the music was spontaneous and free-flowing. It isn’t easy to read an improvisation and give the music that quality of freedom. Less advanced pianists might find this frustrating. The time signatures change frequently, but a competent pianist will have no trouble with that. As I was playing this book, I sensed that I was looking directly into Isadar’s heart and feeling what he was feeling as the music was being born - a very powerful experience! Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, featuring today's biggest names in solo piano music.
$5.99 ≈
5.49€
Vocalise of S. Rachmaninoff Op.34, No.14 for Piano Solo
Vocalise of S. Rachmaninoff Op.34, No.14 for Piano Solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Sergei Rachmaninoff
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Michael Bomier
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Vocalise of S. Rachmaninoff Op
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862647 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Contemporary,Romantic Pe...
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Piano Solo - Level 4 - Digital Download SKU: A0.862647 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Contemporary,Romantic Period,Standards. Score. 6 pages. Michael Butkus-Bomier #3584637. Published by Michael Butkus-Bomier (A0.862647). The Vocalise is a time-honored recital program item. Yet, there are only a handful, no pun intended, I guess! of reasonable arrangements for piano solo. The Kocsis setting has a TON of extra arpeggios, mostly derived from the orchestral treatment by the composer. My setting here takes the most economical and stylistically precise approach to integrating the original melody and accompaniment into a single musical expression. There are NO notes that are not directly on the page of the accomp or the tune. Notwithstanding,the piece is by no means a simple one, given its key, and the composer's penchant for borrowed chords. So, we have done our best to make the altered spellings both clear and still voice and key-relevant. A nice four-pages-facing layout for a single-sided printer. A modest tempo is presented, and the piece can go faster if you have the time to practice it enough! New edition has some changes to R-L hand distribution, and three editorial fixes. MBB .
$3.95 ≈
3.62€
Étude No. 1 "La Danse en Fuite"
Étude No. 1 "La Danse en Fuite"
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Piano solo
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ADVANCED
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Maxwell Olson
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Étude No. 1 "La Danse en Fuit
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Jake Madeira
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1028034 Composed by Maxwell Olson. Contemporary,Jazz,Latin,World. Score. 7 pages. Jake Madeira #3223163. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1028034 Composed by Maxwell Olson. Contemporary,Jazz,Latin,World. Score. 7 pages. Jake Madeira #3223163. Published by Jake Madeira (A0.1028034). This étude is one of energetic character with simple, yet powerful melodies and rhythms that create a sense of curiosity. I composed this piece in a simpler form when I was around 17, in my high school music theory class. All of the ideas were there, melody and structure, but what it lacked was experience. It felt flat. So, 5 years later, after I rediscovered the piece, I decided to put some time into adding flavor, excitement, and intrigue. In doing so, I hope that I've created not only a technical challenge that will strengthen your skills, but a fun piece of music that you'll love to play!Split into three parts in an ABA format, this piece features a main theme divided by a softer second theme, both of which provide technical challenges in their own rights. The first focus of this étude is to build stamina in maintaining rapid octave progressions in each hand. This is coupled with quick jumps in the right hand that require precise and deliberate movements to perfect. The second focus is to strengthen control over legato passages in rolling arpeggios, while maintaining a delicate touch for the melody, and exercising the dynamic range of the fingers.In practicing this piece, it is very important to start slowly and with definitive control in all sections! It cannot be stressed enough how much of an impact bad habits can make on the execution of this étude. If you work diligently on finger control and technique, it will stick with you in all of your future endeavors! Be warned though: this is a difficult piano solo. It will take time and effort to learn, however, those efforts will all pay off in the end. Don't let it discourage you. I wish you all luck in learning this étude, and if you have any questions at all, please feel free to email me at walkingreject@gmail.com.
$6.99 ≈
6.41€
Namely You
Namely You
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Piano solo
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INTERMEDIATE
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Jazz
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Gene De Paul and Johnny Mercer
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Martyn Clive Johnson (aka Mart
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Namely You
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Martyn Johnson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1354717 Composed by Gene De Paul and Johnny Mercer. Arranged by Martyn Clive Johnson (aka Martycli Piano ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1354717 Composed by Gene De Paul and Johnny Mercer. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Contemporary,Film/TV,Jazz,Ragtime. Score. 8 pages. Martyn Johnson #939414. Published by Martyn Johnson (A0.1354717). This is an up tempo Stride piano version of Namely You. The song comes from the musical and film 'Li'l Abner' a spoof about hillbillies. It was written in 1956. I take the tune through the 3 keys of Bb, B and C major. The left hand is sometimes a little bit tricky in Stride piano but the tenths can be played in single notes or octaves or can be 'rolled' if the hands are not large enough.I don't include fingering or dynamics in my pieces and prefer to leave these up to the individual pianist as no two piano teachers ever agree on these things. I do include chord symbols as I find these the most useful in learning and memorising music. Many people have recorded this tune including Diana Dors, Carmen Macrae, Sonny Rollins, Fred Hersch etc. It is, though, perhaps less well known than other jazz standards but is nontheless a wonderfully melodic tune. Hope you enjoy my version.
$4.99 ≈
4.58€
Looking For Jesus
Looking For Jesus
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Piano solo
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Sacred music
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Gospel/Spiritual
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THEMIS KOUTRAS
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Looking For Jesus
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - Digital Download SKU: A0.1066771 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 426. THEMIS KOU...
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Piano - Digital Download SKU: A0.1066771 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 426. THEMIS KOUTRAS #5196763. Published by THEMIS KOUTRAS (A0.1066771). Another way to interpret this song is this is how the righteous people of GOD do seek for JESUS CHRIST for forgiveness so on of GOD so on they come to him for there wrongs to be exposed before him that he will help them overcome all wrongs as they trust him to the full and do find him those that do not seek for him never find him because they are too evil and are afraid to go to him because there evil will be exposed before him and they fear his judgment there can be other reasons also that they never seel for him like some of those that do seek for him but have not found him yet well you have not sought hard enough do not give in the search and he will answer you at your right time JESUS CHRIST own words say seek and you shall find
$3.99 ≈
3.66€
Piano Concerto (Piano Reduction for two pianos)
Piano Concerto (Piano Reduction for two pianos)
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Piano solo
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ADVANCED
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Contemporary
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John Carbon
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Piano Concerto
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John Carbon
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1131618 Composed by John Carbon. 20th Century,Classical,Contemporary. S...
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Instrumental Duet Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1131618 Composed by John Carbon. 20th Century,Classical,Contemporary. Score and parts. 128 pages. John Carbon #731840. Published by John Carbon (A0.1131618). The Piano Concerto for piano and large orchestra was written especially for William Koseluk and the Czech Radio Orchestra as part of their historic first American tour in 1998. Mr. Koseluk writes the following about the concerto: “With an intensity and gestural language in the tradition of the Brahms D minor, the Liszt E-flat major and other notable works in the same genre, John Carbon’s Piano Concerto makes an effective new mark in a medium too long overburdened with the piano-as-noise. Indeed, this new work recognizes the piano as melodic and seeks to exploit this instrument in a manner that shows its many riches and colors. This is not to suggest that the work is a throwback to sentiment or a mere example of neo-romanticism. Rather, it is certainly new, with enough complex formal and harmonic constructs – disjunct in the romantic mold – to escape being seen as a return to a bygone era. Certainly, polychordal and dissonant dialogues between orchestra and piano bring this piece to the contemporary field. Serenity, though, and tender melodic consideration are also an important part of the compositional fabric and provide the listener with a rich, varied, experience..
$20.00 ≈
18.35€
Hymns for Solo and Duet Instruments Piano Accompaniment Recording
Hymns for Solo and Duet Instruments Piano Accompaniment Recording
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Piano solo
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Sacred music
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Chris Cooke
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Hymns for Solo and Duet Instru
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Chris Cooke
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SheetMusicPlus
Piano - Digital Download SKU: A0.1071368 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Accompaniment. Duration 4241. Chris Cooke #3004317. ...
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Piano - Digital Download SKU: A0.1071368 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Accompaniment. Duration 4241. Chris Cooke #3004317. Published by Chris Cooke (A0.1071368). This book is a recording of the printed piano accompaniment book in this series. Besides accompanying solo or duet instruments, these recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version (also available on Sheet Music Plus) contains only one verse with no introduction. All hymns are in a good vocal range except Christ the Lord is Risen Today which is in F to accommodate a more accessible playing range. The only hymn not included in this recording (that occurs in the print book) is Great is Thy Faithfulness, since I only have print publication rights to this piece. This is one large file, containing all 34 accompaniments. For this reason, I have notated the cue point, i.e. the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 10-minute recording. For instance, the second hymn would be found at the 2-minute and 17-second time point. The full list of hymns, with their concert keys, cue points, and length of the introduction, is below: Abide with Me, C; 4-measure intro All Hail the Power of Jesus’ Name, E-flat; cue point: 0:2:17; 4-measure intro Am I A Soldier of the Cross; E-flat; cue point: 0:4:18; 4-measure intro Amazing Grace, E-flat; cue point: 0:5:33; 4-measure intro Blessed Assurance, B-flat; cue point: 0:8:11; 2-measure intro Blest Be the Tie That Binds, E-flat; cue point 0:10:19; 3-measure intro Christ the Lord is Risen Today, F; cue point: 0:12:12; 2-measure intro Come Thou Almighty King, E-flat; cue point: 0:14:36; 4-measure intro Come Thou Fount of Ev’ry Blessing, B-flat; cue point: 0:16:21;4-measure intro Count Your blessings, B-flat; cue point: 0:18:01; 4-measure intro Crown Him With Many Crowns, B-flat; cue point: 0:20:36; 4-measure intro Doxology, E-flat; cue point: 0:22:55; 4-measure intro For the Beauty of the Earth, C; cue point: 0:23:14; 4-measure intro God of Grace and God of Glory, F; cue point: 0:25:49; 2-measure intro Holy, Holy, Holy, B-flat; cue point: 0:27:39; 4-measure intro I Surrender All, C; cue point: 0:30:34; 2-measure intro In Christ There is No East or West, B-flat; cue point: 0:33:26;2-measure intro It is Well with My Soul, B-flat; cue point: 0:35:33; 3-measure intro Jesus Loves Me, B-flat; cue point: 0:36:50; 4-measure intro Jesus the Very Thought of Thee, F; cue point: 0:39:08; 2.75 measure intro Joyful, Joyful, We Adore Thee, C; cue point: 0:40:35; 4-measure intro Love Divine, All Loves Excelling, E-flat; cue point: 0:43:11; 4-measure intro My Country Tis of Thee, E-flat; cue point: 0:45:51; 4-measure intro O Sacred Head, Now Wounded, E-minor; cue point: 0:47:45; 4-measure intro O For A Thousand Tongues to Sing, F; cue point: 0:49:58; 4-measure intro Oh God, Our Help in Ages Past, B-flat; cue point: 0:51:00; 4-measure intro Onward Christian Soldiers, B-flat; cue point: 0:52:46; 4-measure intro Praise Him, Praise Him All Ye Little Children, B-flat; cue point:0:56:08; 4-measure intro Praise to the Lord, the Almighty, E-flat; cue point: 0:57:07; 4-measure intro Sweet Hour of Prayer, B-flat; cue point: 0:59:12; 4-measure intro Take My Life and Let It Be, E-flat; cue point: 1:02:22; 8-measure intro The Battle Hymn of the Republic, B-flat; cue point: 1:04:15; 2-measure intro What a Friend We Have in Jesus, C; cue point: 1:06:33; 4-measure intro Whisper a Prayer, E-flat; cue point: 1:09:12; 4-measure intro
$9.97 ≈
9.15€
50 Favorite Hymns Piano Accompaniment Tracks
50 Favorite Hymns Piano Accompaniment Tracks
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Piano solo
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Sacred music
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Gospel/Spiritual
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Chris Cooke
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50 Favorite Hymns Piano Accomp
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Chris Cooke
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SheetMusicPlus
Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #30...
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Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published by Chris Cooke (A0.1071369). This is a recording of the printed piano accompaniment book. (Other Books also available are for flute, clarinet/trumpet, alto sax, French horn, and trombone.) These recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version contains only one verse with no introduction. Many hymns are in their original hymnal keys, but if not, they have been adjusted slightly for a better playing range.This is one large file, containing all 50 accompaniments, plus one bonus recording-a harpsichord version of the first piece. For this reason, the cue point is given which is the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 59-minute MP3. For instance, And Can It Be would be found at the 6-minute and 12-second time point. The full list of hymns, with their concert keys, cue points, and length of introduction, is below:All Things Bright and Beautiful (alternate tune, Monk), C,harpsichord; 4-measure introAll Things Bright and Beautiful, piano, cue point: 0:3:06; 4-measure introAnd Can It Be, F; cue point: 0:06:12; 4-measure introAre You Washed in the Blood, G; cue point: 0:09:33; 4-measure introAt Calvary, C; cue point: 0:11:25; 4-measure introBe Thou My Vision, E-flat; cue point: 0:13:44; 4-measure introBlessed Be the Name, A-flat; cue point: 0:15:29; 4-measure introBreathe on Me, Breath of God, F; cue point: 0:17:47; 4-measure introCome, Christians Join to Sing, E-flat; cue point: 0:19:16; 4-measure introFaith is the Victory, E-flat; cue point: 0:21:02; 4-measure introGlory to His Name, G; cue point: 0:23:21; 4-measure introHe Keeps Me Singing, A-flat; cue point: 0:25:40; 4-measure introHeavenly Sunlight, F; cue point: 0:27:58; 4-measure introI Know Whom I Have Believed, A-flat; cue point: 0:29:39; 4-measure introI Love to Tell The Story, A-flat; cue point: 0:32:06; 4-measure introImortal, Invisible, God Only Wise, A-flat; cue point: 0:34:52; 4-measure introIt Is Mine, B-flat; cue point: 0:36:27; 4-measure introJesus Saves, G; cue point: 0:38:22; 4-measure introJoy Unspeakable and Full of Glory, A-flat; cue point: 0:40:22; 4-measure introJust as I am , E-flat; cue point: 0:42:41; 6-measure introLeaning on the Everlasting Arms, A-flat; cue point: 0:46:36; 4-measure introLike a River Glorious F; cue point: 0:48:23; 4-measure introLove Lifted Me, B-flat; cue point: 0:50:32; 4-measure introMy Faith Looks Up to Thee, D; cue point: 0:53:19; 4-measure introNothing But the Blood, A-flat; cue point: 0:55:32; 4-measure introOh How I Love Jesus, A-flat; cue point: 0:57:51; 4-measure introOn Jordan’s Stormy Banks, E-flat; cue point: 0:59:37; 4-measure introPraise Him! Praise Him! F; cue point: 1:01:56; 4-measure introRedeemed, How I Love to Proclaim It, A-flat; cue point: 1:04:14; 4-measure introRejoice, The Lord Is King! C; cue point: 1:05:49; 4-measure introRevive Us Again, F; cue point: 1:07:52; 4-measure introRock of Ages, B-flat; cue point: 1:09:36; 4-measure introSend the Light, F; cue point: 1:10:54; 4-measure introSince I Have Been Redeemed, F; cue point: 1:13:34; 4-measure introSince Jesus Came Into My Heart, G; cue point: 1:16:02; 4-measure introSoftly and Tenderly, F; cue point: 1:18:30; 4-measure introStand Up, Stand Up for Jesus, G; cue point: 1:22:29; 4-measure introStanding on the Promises, B-flat; cue point: 1:24:48; 4-measure introSunshine in My Soul, F; cue point: 1:27:06; 2-measure introThe Old Rugged Cross, B-flat; cue point: 1:29:21; 4-measure in.
$9.97 ≈
9.15€
Aria for Piano
Aria for Piano
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Piano solo
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ADVANCED
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Rocco Di Pietro
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Aria for Piano
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Rocco Di Pietro
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1311946 Composed by Rocco Di Pietro. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. S...
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Piano Solo - Level 5 - Digital Download SKU: A0.1311946 Composed by Rocco Di Pietro. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 25 pages. Rocco Di Pietro #900839. Published by Rocco Di Pietro (A0.1311946). The Left hand plays the note first, while the right hand bounces off the same note in a ricochet.Use the right-forte pedal lightly and constantly, but do not blur, the pedal must be used in accordance with each rubato and phrase, as in Chopin but subtly enough to render Molto Cantabile e Brilliante. Constantly, means up and down frequently, do not hold pedal down, a cluster blur is not desired, in this first part of the score. Later on, pedal markings will indicate a blend of the sound, when  wanted.The first performance was by the composer at The Darmstadt Ferienkurse für Neue Musik in 1978. The work was part of the piano seminar of Herbrt Hencke and was considered unplayable by one pianist.The American premire took place by the composer in 1979 on Julius Eastman's Festival at the The Third Street Music School in New York.The local premiere took place once again by the composer on a Creative Associates concert in Baird Hall at SUNY Buffalo in 1979 on a program of works by Giacinto Scelsi.The Ohio premeire took place in 1995 at the Wexner Center for the Arts at The Ohio State University played by the composer for the last time where it was danced by the Vicki Uris Dance Company.
$16.00 ≈
14.68€
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