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Rest Thy Head
Piano solo
Sheetmusic to print
7 sheet music found
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1
60 Easy Hymn Settings for Piano-Digital Download
60 Easy Hymn Settings for Piano-Digital Download
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Piano solo
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EASY
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Sacred music
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60 Easy Hymn Settings for Pian
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SheetMusicPlus
Easy Piano Arrangements Here are 60 familiar hymns, carols and spirituals all keenly crafted into moderately easy settings which you will find to be fresh and f...
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Easy Piano Arrangements Here are 60 familiar hymns, carols and spirituals all keenly crafted into moderately easy settings which you will find to be fresh and full of interest. Most pianist will have no problem mastering them, and many can be sight-read by the more accomplished. The wide selection of titles affords ample options for preludes, offertories and special occasions throughout the year. A useful subject index offers easy referencing. The average length of each solo is 2:30
Song List
: A Mighty Fortress Is Our God Amazing Grace America, the Beautiful Ave Maria Away in a Manger Be Still, My Soul Be Thou My Vision Children of the Heavenly Father Christ the Lord Is Risen Today Come, Thou Almighty King Come, Thou Fount of Every Blessing Crown Him with Many Crowns Down to the River to Pray Every Time I Feel the Spirit Fairest Lord Jesus Faith of Our Fathers For All the Saints For the Beauty of the Earth Good King Wenceslas Glorious Things of Thee Are Spoken Great Is Thy Faithfulness He's Got the Whole World in His Hands His Eye Is on the Sparrow How Great Thou Art I Am a Poor Wayfaring Stranger Jesus Walked This Lonesome Valley Joy to the World! Joyful, Joyful, We Adore Thee Let All Things Now Living Let Us Break Bread Together Let Us Talents and Tongues Employ Lift High the Cross Lord of the Dance Love Divine, All Loves Excelling Morning Has Broken My Country, 'Tis of Thee My Jesus, I Love Thee Nearer, My God, to Thee O Little Town of Bethlehem O Perfect Love O Sacred Head, Now Wounded Peace Like a River Praise to the Lord, the Almighty Put Peace into Each Other's hands Savior, Like a Shepherd Lead Us Silent Night Softly and Tenderly Sweet Hour of Prayer Swing Low, Sweet Chariot The Gift of Love The Solid Rock To God Be the Glory We Gather Together Were You There We Shall Overcome We Three Kings What Child Is This What a Friend We Have in Jesus What Wondrous Love Is This When the Saints Go Marching In
$69.95 ≈
63.79€
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
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Piano solo
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ADVANCED
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99 ≈
4.55€
80 Christmas Carols from Beginner to Advanced Sheet Collection Piano
80 Christmas Carols from Beginner to Advanced Sheet Collection Piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Christmas
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Roxana Belibou
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80 Christmas Carols from Begin
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Roxana Belibou
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Arranged by Roxana Belibou. Christian, Sacred, Christmas. 142 pages. Published by Roxana Belibo...
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Piano Solo - Advanced Intermediate - Digital Download Arranged by Roxana Belibou. Christian, Sacred, Christmas. 142 pages. Published by Roxana Belibou
As with Gladness Men of Old;Auld Lang Syne; Bright and Joyful is the Morn;Brightest and Best of the Sons of the Morning; Bring a Torch, Jeannette, Isabella; Calm on the Listening Ear;Christ Was Born on Christmas Day;Christians, Awake;Cold is the Morning;Deck the Halls;Entre le Boeuf et L‘ Ane Gris;To Us a Child of Hope is Born;From Heaven Above to Earth I Come;From the Eastern Mountains;God Rest Ye Merry Gentlemen;Good Christian Men, Rejoice;Good King Wenceslas;Hark! The Herald Angels Sing;Here We Come A-Caroling;How Brightly Shines the Morning Star; I am so Glad Each Christmas Eve; I Saw Three Ships;In Dulci Jubilo;Infant Holy, Infant Lowly; It Came Upon the Midnight Clear;Jingle Bells; Jolly Old St. Nicholas; Kling, Glockchen; Lo, How a Rose Ever Blooming;Noel Nouvelet;O, Little Town of Bethlehem;Pat-a-Pan; The First Noel;The Holly and the Ivy; We Wish You a Merry Christmas;All Through the Night;Away in a Manger; Birthday of a King; Break Forth, O Beauteous Heavenly Light ;Gaudete;Gesu Bambino;Go, Tell it on the Mountain;Greensleeves;I Heard the Bells on Christmas Day; In the Bleak Midwinter;O, Christmas Tree;O, Come Little Children; O Thou Joyful Day;Once in Royal David's City;Shout the Glad Tidings;Sing a Song of Bethlehem;Snow Lay on the Ground;Star of the East;Still, Still, Still;The Coventry Carol;The Happy Christmas Comes Once More;There's a Song in the Air;Thy Little Ones, Dear Lord, Are We;Twelve Days of Christmas;What Child Is This?;A Great and Mighty Wonder;All My Heart This Night Rejoices;Angels from the Realm of Glory;Angels We Have Heard on High;Carol of the Bells;Ding Dong Merrily on High;Jesu, Joy of Man's Desiring;Joy to the World;O Come, O Come, Emmanuel;O Holy Night ;Maria Wiegenlied;Silent Night;The Friendly Beasts;The Boar's Head Carol;Up on the Housetop;Wake, Awake, for the Night is Flying;Watchman, Tell Us of the Night ;We Three Kings of Orient Are;Wexford Carol;While Shepherds Watched Their Flocks
$19.99 ≈
18.23€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
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Piano solo
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INTERMEDIATE
#
Classical
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Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Ea...
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99 ≈
7.29€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
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Piano solo
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INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Perio...
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
https://youtu.be/qTwqBVt2Clw
$7.99 ≈
7.29€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. ...
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99 ≈
7.29€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
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Piano solo
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INTERMEDIATE
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Classical
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Jean-Philippe Rameau
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Rameau: Les Boréades: "The Ar
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. ...
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
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