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Stamp On The Ground
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You've selected:
Stamp On The Ground
Piano solo
Sheetmusic to print
3 sheet music found
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12. Ubhejane the Rhino
12. Ubhejane the Rhino
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Louise du Toit
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Louise du Toit
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12. Ubhejane the Rhino
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1138739 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 10 pages. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1138739 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 10 pages. Louise du Toit #739041. Published by Louise du Toit (A0.1138739). Ubhejane the Rhino is the twelfth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Ubhejane the rhino is fuming. A born fire-fighter, he is used to stamping out small fires with his huge feet, protecting his natural surroundings from careless humans who often leave their camping sites without extinguishing the campfires. Today he picked up the infuriating scent of black smoke from a fire in nearby Umfolozi and upon reaching the camp where the blaze is rapidly growing bigger, he storms right through it, angrily snorting while extinguishing the flames on his way. After running around in beautiful Zululand, he finally comes to rest at a waterhole where he quenches his thirst among a herd of waterbucks before wallowing in a mud pit to cool off. When the wind carries the smell of a female rhinoceros towards him, he runs off again in search of some company. On top of his back sits a small parasite bird, clinging to his thick, leathery skin and listening to the grunts, snorts and snuffs of the two white rhinos as they prepare their lunch, grasping and pulling plants from the ground..
$4.99
R. Nathaniel Dett - Dance (Juba) for solo piano
R. Nathaniel Dett - Dance (Juba) for solo piano
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Piano solo
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INTERMEDIATE/ADVANCED
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R
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Music for a While
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R. Nathaniel Dett - Dance
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Music for a While
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.914175 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,...
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Piano Solo - Level 4 - Digital Download SKU: A0.914175 Composed by R. Nathaniel Dett, Robert Nathaniel Dett. Arranged by Music for a While. 20th Century,Romantic Period. Score. 6 pages. Music for a While #6411603. Published by Music for a While (A0.914175). Dance (Juba) is the fifth piece from Dett’s piano suite In the Bottoms (1913) and was one of his most well known pieces. The work was performed and recorded by Percy Grainger, a fact that was used as marketing on the cover of the 1918 publication by Clayton F. Summy Co., Chicago. About the work, Dett wrote:Juba is a social group-dance that involves stamping on the ground with the foot and following it with two staccato pats of the hands in two-four time. At least one-third of the dancers keep time in this way, while the others dance. Sometimes all will combine together in order to urge on a solo dancer to more frantic (and at the same time more fantastic) endeavours. The band usually consists of a single fiddler perched high on a box or table; who, forgetful of self in the rather hilarious excitement of the hour, does the impossible in the way of double stopping and bowing. A word of warning in regard to the tempo. Do not take it too fast! Much of the dancing in the river bottoms is done with a grace and finish that a Presto tempo never could suggest.R. Nathaniel Dett
$1.99
Almost May for Piano Solo
Almost May for Piano Solo
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Piano solo
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,...
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
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