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That Italian Rag
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You've selected:
That Italian Rag
Piano solo
Sheetmusic to print
10 sheet music found
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1
That Italian Rag. (A Slow Drag)
That Italian Rag. (A Slow Drag)
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Piano solo
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Al Piantadosi
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That Italian Rag.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - Digital Download SKU: LV.10625 Composed by Al Piantadosi. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libr...
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Piano - Digital Download SKU: LV.10625 Composed by Al Piantadosi. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10625). That Italian Rag. (A Slow Drag). Words by Edgar Leslie. Music by Al Piantadosi. Published 1910 by Leo Feist, Inc., Feist Building, 134 West 37th Street in New York. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
Tiger Rag "vocal"
Tiger Rag "vocal"
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Piano solo
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ADVANCED
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Jazz
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Anthony Sbarbaro, D
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Timothy Stapay
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with dazzling virtuosity
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Tiger Rag "vocal"
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1233070 Composed by Anthony Sbarbaro, D. James La Rocca, Edwin B. Edwards, H. W. Ragas, Harry De Costa, a...
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Piano Solo - Level 5 - Digital Download SKU: A0.1233070 Composed by Anthony Sbarbaro, D. James La Rocca, Edwin B. Edwards, H. W. Ragas, Harry De Costa, and Larry Shields. Arranged by Timothy Stapay. Film/TV,Jazz,Pop,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #828702. Published by Timothy Stapay (A0.1233070). Tiger Rag is arranged as performed by piano artist, Liberace. This is the same version he performed on his emmy award-winning t.v. show. This version is written in the same sensational style; with dazzling virtuosity.Tiger Rag is a jazz standard that was recorded and copyrighted by the Original Dixieland Jass Band in 1917. It is one of the most recorded jazz compositions. In 2003, the 1918 recording of Tiger Rag was entered into the U.S. Library of Congress National Recording Registry.Tiger Rag was first copyrighted in 1917 with music composed by Nick LaRocca. In subsequent releases, the ODJB members received authorship credit. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:Hold that tiger, hold that tigerHold that tiger, hold that tigerHold that tiger, hold that tigerHold that tigerWhere's that tiger? Where's that tiger?Here's that tigerWhere's that tiger? Here's that tigerWhere's that tiger? There's that tigerHold that tiger, hold that tigerHold that tiger, hold that tigerHold that tiger, hold that tigerHold that tigerWhere's that tiger? Where's that tiger?Here's that tigerWhere's that tiger? Here's that tigerWhere's that tiger? There's that tigerHold that tiger
$8.99 ≈
8.28€
Seven Pieces in Twentieth-Century Styles
Seven Pieces in Twentieth-Century Styles
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Piano solo
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INTERMEDIATE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Sid...
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00 ≈
4.60€
Sonata, Op 27, No 2 Sonata Quasi una Fantasia (Moonlight Sonata)
Sonata, Op 27, No 2 Sonata Quasi una Fantasia (Moonlight Sonata)
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Piano solo
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Classical
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Ludwig van Beethoven
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Arte Nova Music Lab
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Sonata, Op 27, No 2 Sonata Qua
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Arte Nova Music Lab
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.742469 Composed by Ludwig van Beethoven. Arranged by Arte Nova Music Lab. Classical,Concert,Standards,World. Score....
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Piano Solo - Digital Download SKU: A0.742469 Composed by Ludwig van Beethoven. Arranged by Arte Nova Music Lab. Classical,Concert,Standards,World. Score. 6 pages. Arte Nova Music Lab #4412113. Published by Arte Nova Music Lab (A0.742469). The Piano Sonata No. 14 in C♯ minor Quasi una fantasia, Op. 27, No. 2, popularly known as the Moonlight Sonata, is a piano sonata by Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil, Countess Giulietta Guicciardi. The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favorite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata. The first edition of the score is headed Sonata quasi una fantasia, a title this work shares with its companion piece,Op. 27, No. 1. Grove Music Online translates the Italian title as sonata in the manner of a fantasy.The title could also be interpreted to imply ...as though improvised. The name Moonlight Sonata comes from remarks made by the German music critic and poet Ludwig Rellstab. In 1832, five years after Beethoven's death, Rellstab likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. Within ten years, the name Moonlight Sonata (Mondscheinsonate in German) was being used in German and English publications. Later in the nineteenth century, the sonata was universally known by that name. Many critics have objected to the subjective, romantic nature of the title Moonlight, which has at times been called a misleading approach to a movement with almost the character of a funeral march and absurd. Other critics have approved of the sobriquet, finding it evocative or in line with their own interpretation of the work. Gramophone founder Compton Mackenzie found the title harmless, remarking that it is silly for austere critics to work themselves up into a state of almost hysterical rage with poor Rellstab, and adding, what these austere critics fail to grasp is that unless the general public had responded to the suggestion of moonlight in this music Rellstab's remark would long ago have been forgotten. Notes taken from https://en.wikipedia.org/wiki/Piano_Sonata_No._14_(Beethoven)#cite_note-8
$5.00 ≈
4.60€
Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano solo
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ADVANCED
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Classical
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
27.62€
A Man Without Love (quando M'innamoro)
A Man Without Love (quando M'innamoro)
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Piano solo
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INTERMEDIATE/ADVANCED
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Engelbert Humperdinck
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John Fries
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A Man Without Love
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John Fries
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1335915 By Engelbert Humperdinck. By Barry Mason, D. Pace, M. Panzeri, and R. Livraghi. Arranged by John ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1335915 By Engelbert Humperdinck. By Barry Mason, D. Pace, M. Panzeri, and R. Livraghi. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 4 pages. John Fries #921746. Published by John Fries (A0.1335915). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Â When, When, When is an Italian pop song from 1962, in the bossa nova style. The song was used prominently in the 1962 Italian movie The Easy Life and was used in the movie The Blues Brothers (1980): when the main protagonists Jake and Elwood first encounter Murph and The Magictones, In the extended cut of the Ivan Reitman film Stripes (1981), Bill Murray begins singing this to avoid being killed by Colombian mercenaries. In the 2006 film Superman Returns, the theme is performed by The Drifters in the elevator scene when Clark Kent and Lois Lane are in the middle of several people reading about the Man of Steel's return in the Daily Planet.
$5.99 ≈
5.52€
Brazil
Brazil
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Piano solo
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ADVANCED
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The Ritchie Family
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Timothy Stapay/Liberace
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Brazil
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1217783 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Timothy Stapay/Liberace. Film...
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Piano Solo - Level 5 - Digital Download SKU: A0.1217783 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Timothy Stapay/Liberace. Film/TV,Jazz,Latin,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #814316. Published by Timothy Stapay (A0.1217783). This arrangement of Brazil is written as performed by famous piano artist, Liberace. This is the same version that he performed on his emmy-award winning TV. show and in concerts around the world.Aquarela do Brasil (Portuguese: [akwaˈɾɛlÉ du bɾaˈziw], 'Watercolor of Brazil'), written by Ary Barroso in 1939 and known in the English-speaking world simply as Brazil, is one of the most famous Brazilian songs. Ary Barroso wrote Aquarela do Brasil in early 1939, when he was prevented from leaving his home one rainy night due to a heavy storm. Its title, a reference to watercolor painting, is a clear reference to the rain. He also wrote Três lágrimas (Three Teardrops) on that same night, before the rain ended.Describing the song in an interview to Marisa Lira, of the newspaper Diário de NotÃcias, Barroso said that he wanted to free the samba away from the tragedies of life, of the sensual scenario already so explored. According to the composer, he felt all the greatness, the value and the wealth of our land, reliving the tradition of the national panels.WÅ‚adziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:Brazil, where hearts were entertaining JuneWe stood beneath an amber moonAnd softly murmured Someday soonWe kissed and clung togetherThen, tomorrow was another dayThe morning found me miles awayWith still a million things to sayNow, when twilight dims the skies aboveRecalling thrills of our loveThere's one thing I'm certain ofReturn, I will, to old BrazilThen, tomorrow was another dayThe morning found me miles awayWith still a million things to sayNow, when twilight dims the sky aboveRecalling thrills of our loveThere's one thing that I'm certain ofReturn, I will, to old BrazilThat old BrazilMan, it's old in BrazilBrazil, Brazil
$8.99 ≈
8.28€
Hommages III. Sonata No. 1 'Gothic'
Hommages III. Sonata No. 1 'Gothic'
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Piano solo
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ADVANCED
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Classical
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David Fraser
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Hommages III. Sonata No. 1 'Go
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. D...
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Piano Solo - Level 5 - Digital Download SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. David Fraser #968426. Published by David Fraser (A0.1384065). David Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The inspiration for the second movement comes from the German fairy tale Hansel and Gretel by the Brothers Grimm. The music begins with Hansel and Gretel walking into the witchâ??s house made of gingerbread, cake, and candy. The children have a sense of unease and fright once they enter the house, which is demonstrated in the music by the eeriness and darkness of the harmonies. The term oscuro is found at the beginning of the music â?? this is the Italian word for dark. The repeat, which begins at measure 25, is marked sempre sotto voce which translates to always under the voice, meaning always in a hushed tonal quality and dynamic volume. This section represents the children trying to tip-toe out of the house without the witch taking notice. The repeat is almost identical to the beginning section, with the exception of measures 39 and 40 which have ties in the right hand; the similar measures 15 and 16 in the first section do not have these ties. The right-hand trills in measures 53 through 55 symbolize the children attempting to quietly turn a key to unlock the door, which would lead them to freedom.This is the full version of the Sonata, containing all three movements, and is the third piece from 'Hommages: Suite pour le Piano'. 39 pages. ISMN 979-0-800277-00-9.
$9.99 ≈
9.20€
Beauty and the Beast
Beauty and the Beast
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Piano solo
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INTERMEDIATE
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Walt Disney
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Gabriele Filippi
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Beauty and the Beast
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Gabriele Filippi
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Gabriele Filippi. Arranged by Gabriele Filippi. Piano Reduction, Score. 6 pages. ...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Gabriele Filippi. Arranged by Gabriele Filippi. Piano Reduction, Score. 6 pages. Published by Gabriele Filippi
BEAUTY AND THE BEAST
Piano Solo Cover Theme, from Walt Disney’s Pictures “Beauty and the Beast”
Music by Alan Menken
Piano arrangement by Gabriele Filippi
Taken from the 1991 American animated musical film produced by Walt Disney Feature Animation and released by Walt Disney Pictures, this piano solo arrangement penned by Italian musician Gabriele Filippi is conceived to grasp the most romantic fold of the renowned fantasy film Beauty and the Beast.
Followed by various and successful theatrical and musical adaptations, this theme is iconographically recognized as the most representative of that film. Recognized by many as a love ballad par excellence, the original version, also subtitled Tale As Old as Time, has seen several covers over time, even by well-known artists.
Here in this cover theme, Filippi aims to capture the most permeating ink offered with the wise musicality of the original authors: Alan Menken for the music and Howard Ashman for the lyrics. As for all his musical scores, Filippi offers a detailed arrangement, complete with grace notes, dynamics, ligatures, pedal lines, and tempo variations. All elements designed to direct even the most inexperienced performer towards a pragmatic expressiveness, but which will certainly also offer further inspiration for even the most experienced pianist. The score is completed by the vocal line and chords so that it can also be useful in the accompaniment of a singer.
$4.99 ≈
4.59€
Can You Feel The Love Tonight
Can You Feel The Love Tonight
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Piano solo
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INTERMEDIATE
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Walt Disney
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Elton John
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Gabriele Filippi
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Can You Feel The Love Tonight
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Gabriele Filippi
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download By Elton John. Arranged by Gabriele Filippi. Score. 6 pages. Published by Gabriele Filippi...
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Piano Solo - Intermediate - Digital Download By Elton John. Arranged by Gabriele Filippi. Score. 6 pages. Published by Gabriele Filippi
CAN YOU FEEL THE LOVE TONIGHT
Piano Solo Cover Theme, from Walt Disney’s Pictures “The Lion King”
Music by Elton John
Piano arrangement by Gabriele Filippi
Taken from the 1994 animated musical drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures, this piano solo arrangement penned by Italian musician Gabriele Filippi is conceived to grasp the most gentle and epic folds of the renowned film The Lion King.
Followed by various and successful theatrical and musical adaptations, this theme is iconographically recognized as the most representative of that film. Recognized by many as a love song par excellence, the original version was meant to follow Dinsey's tradition of great love songs.
Here, in this cover theme, Filippi aims to capture the most permeating tusche, offered with the wise musicality of the original idea. As for all his musical scores, Filippi offers a detailed arrangement, complete with dynamics, ligatures, pedal lines, and tempo variations. All these elements are designed to direct even the most inexperienced performer towards a pragmatic expressiveness, but which will certainly also offer further inspiration for even the most experienced pianist.
$4.99 ≈
4.59€
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