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Schumann: 6 Studies in Canonic Form, Op. 56 - No. 1, as played by Víkingur Ólafsson
Schumann: 6 Studies in Canonic Form, Op. 56 - No. 1, as played by Víkingur Ólafsson
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Piano solo
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INTERMEDIATE/ADVANCED
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VÃkingur Ólafsson ·
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Flavio Regis Cunha
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Schumann: 6 Studies in Canonic
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1119123 By VÃkingur Ólafsson · Robert Schumann. By Robert Schumann. Arranged by Flavio Regis Cu...
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Piano Solo - Level 4 - Digital Download SKU: A0.1119123 By VÃkingur Ólafsson · Robert Schumann. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Instructional,Romantic Period. Score. 8 pages. Flavio Regis Cunha #720537. Published by Flavio Regis Cunha (A0.1119123). 🎵 Unleash Your Musical Genius with the Ultimate Sheet Music Experience! 🎵Calling all students and professional pianists: Elevate your musical journey with the mesmerizing sounds of '6 Studies in Canonic Form, Op. 56 - No. 1' composed by the legendary Robert Schumann, brought to life by the virtuoso VÃkingur Ólafsson.🎹 Dive into the Depths of Musical Mastery:Experience the thrill of each meticulously crafted note as VÃkingur Ólafsson's magical touch guides your fingers across the keys. Discover the artistry behind every crescendo, every decrescendo, and every breathtaking pause, as you embark on a sonic adventure that will leave you spellbound.📚 Immerse Yourself in Unrivaled Expertise:This sheet music is not just notes on paper – it's a gateway to musical brilliance. Whether you're a student aiming for perfection or a seasoned professional seeking new heights, '6 Studies in Canonic Form, Op. 56 - No. 1' holds the secrets to unlocking your true pianistic potential.🌟 Why Choose Our Sheet Music?✓ Authentically Engraved: Each note is an invitation to excellence, beautifully engraved to capture the essence of Schumann's genius.✓ Expert Insights: Uncover exclusive insights and performance tips from VÃkingur Ólafsson himself, as you delve deeper into the heart of the composition.✓ Inspiring Journey: Embark on a musical journey that transcends time and space, connecting you with the composer's vision like never before.🎓 Elevate Your Craft Today:Don't miss your chance to own a piece of musical history! Elevate your pianistic skills, captivate your audience, and leave an indelible mark on the world of music. Order your copy of '6 Studies in Canonic Form, Op. 56 - No. 1' sheet music now and let the enchantment begin!🎵 Unleash the Maestro Within – Order Now! 🎵 NotesSchumann: 6 Studies in Canonic Form, Op. 56 - No. 1, Nicht zu schnell (Grand Piano) · VÃkingur Ólafsson · Robert Schumann. Icelandic pianist VÃkingur Ólafsson reflects on his musical life story, from childhood memories to his international career and contemporary inspirations, on his new album From Afar released on 7 October 2022. Based on the album From Afar.Advanced intermediate.Format: Concert 9 x12 inches.7 Pages.
$5.99 ≈
£4.54
Bertini - Etude No. 34 in C minor - Advanced
Bertini - Etude No. 34 in C minor - Advanced
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Piano solo
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ADVANCED
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Henri Bertini
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Piacere Music Sheets
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Bertini - Etude No. 34 in C mi
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1208207 Composed by Henri Bertini. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Roma...
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Piano Solo - Level 5 - Digital Download SKU: A0.1208207 Composed by Henri Bertini. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Romantic Period,Standards. Score. 4 pages. Piacere Music Sheets #806321. Published by Piacere Music Sheets (A0.1208207). Opus/Catalog Number: Opp. 29 and 32Key/Tone: C minorMovements/Sections: AllegrettoDifficulty: Grade 9/12 (Advanced)Obs.: This study is the 34th of 48 studies in Bertini's 48 Études doigtées: Introduction à celles de J.B. Cramer, Opp. 29 and 32 (48 Fingered Studies : Introductory to those of J.B. Cramer).
$4.95 ≈
£3.75
24 Finishing Studies
24 Finishing Studies
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Piano solo
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Ignaz Moscheles
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24 Finishing Studies
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Schott Music - Digital
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SheetMusicPlus
Piano - Digital Download SKU: S9.Q22167 Reprint, edited and newly commented by Wilhelm Ohmen.. Composed by Ignaz Moscheles. This edition: Sheet mu...
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Piano - Digital Download SKU: S9.Q22167 Reprint, edited and newly commented by Wilhelm Ohmen.. Composed by Ignaz Moscheles. This edition: Sheet music. Downloadable. Op. 70. Schott Music - Digital #Q22167. Published by Schott Music - Digital (S9.Q22167). Ignaz Moscheles' (1794-1870) 'Studien für das Pianoforte, zur höheren Vollendung bereits ausgebildeter Klavierspieler, bestehend aus 24 charakteristischen Tonstücken, Op. 70', published in 1827, are among the best studies of that time, covering the different idiomatic figurations for the piano in every key, mostly alternating between major and minor mode. With their imaginative piano setting, their typical phrasing and expressive harmonic idioms, the studies present themselves as the forerunners of the romantic character piece. The technically demanding figuration is mainly played by the right hand, but often appears in short left-hand passages as well. As the title of the work implies, these studies are meant for the advanced pianist, although they are not as difficult as the études by Chopin, Schumann or Liszt.
$28.99 ≈
£21.98
15 Virtuoso Studies
15 Virtuoso Studies
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Piano solo
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INTERMEDIATE
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Moritz Moszkowski
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15 Virtuoso Studies
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate - Digital Download SKU: S9.Q23962 Composed by Moritz Moszkowski. This edition: Sheet music. Essential Exercises. Downloadable. Op. 7...
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Piano - intermediate - Digital Download SKU: S9.Q23962 Composed by Moritz Moszkowski. This edition: Sheet music. Essential Exercises. Downloadable. Op. 72. Schott Music - Digital #Q23962. Published by Schott Music - Digital (S9.Q23962). English • German • French.Moszkowski's Studies Op. 72 are among the standard works of medium difficulty. Due to their wide-ranging tasks, they appeal to a wide range of advanced piano pupils. The 15 studies are arranged in an ascending order of difficulty and deal with various technical aspects, from scales and triplets to two-part texture in one hand, all of which are listed in detail in the index. All studies are characterized by a good piano setting and a manageable length which facilitate concentrated practising. A new edition in the well-known 'Essential Exercises' series with practical tips for piano lessons.
$16.99 ≈
£12.88
Gurlitt - Etude No. 7 from Buds and Blossoms in G Major - Advanced
Gurlitt - Etude No. 7 from Buds and Blossoms in G Major - Advanced
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Piano solo
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ADVANCED
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Cornelius Gurlitt
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Piacere Music Sheets
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Gurlitt - Etude No. 7 from Bud
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1207196 Composed by Cornelius Gurlitt. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,...
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Piano Solo - Level 5 - Digital Download SKU: A0.1207196 Composed by Cornelius Gurlitt. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Romantic Period,Standards. Score. 4 pages. Piacere Music Sheets #805379. Published by Piacere Music Sheets (A0.1207196). Opus/Catalog Number: Op. 107 No. 7Key/Tone: G majorMovements/Sections: Moderato graziosoDifficulty: Grade 9/12 (Advanced)Obs.: This Study is the seventh of twelve melodious studies in Gurlitt's Blüthen und Knospen, Op. 107 (Buds and Blossoms).
$5.95 ≈
£4.51
Berens - Etude No. 13 in A Minor - Advanced
Berens - Etude No. 13 in A Minor - Advanced
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Piano solo
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INTERMEDIATE/ADVANCED
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Hermann Berens
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Piacere Music Sheets
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Berens - Etude No. 13 in A Min
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1207314 Composed by Hermann Berens. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Rom...
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Piano Solo - Level 4 - Digital Download SKU: A0.1207314 Composed by Hermann Berens. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Romantic Period,Standards. Score. 4 pages. Piacere Music Sheets #805484. Published by Piacere Music Sheets (A0.1207314). Opus/Catalog Number: Op. 61, No. 13Key/Tone: A MinorMovements/Sections: Allegro risolutoDifficulty: Grade 9/12 (Advanced)Obs.: This study is the thirteenth of 40 studies in Berens' Neueste Schule der Geläufigkeit, Op. 61 (Newest School of Velocity).
$4.95 ≈
£3.75
Czerny - Étude No. 29 in E Major - Advanced
Czerny - Étude No. 29 in E Major - Advanced
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Piano solo
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ADVANCED
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Carl Czerny
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Piacere Music Sheets
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Czerny - Étude No. 29 in E Ma
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1238512 Composed by Carl Czerny. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Romant...
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Piano Solo - Level 5 - Digital Download SKU: A0.1238512 Composed by Carl Czerny. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Romantic Period,Standards. Score. 4 pages. Piacere Music Sheets #833953. Published by Piacere Music Sheets (A0.1238512). Opus/Catalog Number: Op. 299, No.29Key/Tone: E MajorMovements/Sections: Molto AllegroFirst Appearance: 1833 or earlier (Nos.1–30) – Paris: Schlesinger / Vienna: Diabelli Publication noted in the Bibliographie de la France 1e série, 22e année (36e? de la collection), Nº 41, 12 Octobre 1833, p.648, r.128.Hofmeister's Monatsbericht (1833), p.38Difficulty: Grade 10/12 (Advanced)Obs.: This piece is the 29th of 40 studies in Czerny's School of Velocity.Czerny's Etude in E Major No. 29, is a study of very rapid running passages in both the right and left hands.
$4.95 ≈
£3.75
12 Brilliant and Melodious Studies
12 Brilliant and Melodious Studies
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Piano solo
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Friedrich Burgmueller
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12 Brilliant and Melodious Stu
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate to advanced - Digital Download SKU: S9.Q1323 Composed by Friedrich Burgmueller. This edition: Sheet music. Etudes - piano - romantic...
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Piano - intermediate to advanced - Digital Download SKU: S9.Q1323 Composed by Friedrich Burgmueller. This edition: Sheet music. Etudes - piano - romanticism. Schott Piano Classics. Downloadable. Op. 105. Schott Music - Digital #Q1323. Published by Schott Music - Digital (S9.Q1323). Die 12 brillanten und melodischen Etüden op. 105 nehmen durch ihren melodischen und klanglichen Reiz den Spieler unmittelbar für sich ein. Burgmüller gelingt es hier, technische Probleme mit einem ansprechenden musikalischen Einfall zu verknüpfen. Die Fantasie des Spielers wird durch die Titelgebung und durch den musikalischen Anreiz, den jedes einzelne Stück bietet, angeregt.
$12.99 ≈
£9.85
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
£29.53
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
£29.53
Elements of Indian Music
Elements of Indian Music
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Piano solo
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INTERMEDIATE
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Radhika Iyer
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Elements of Indian Music
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Piano and keyboard - Intermediate-Advanced - Digital Download SKU: M0.30603MEB The Melakarta System. Composed by Radhika Iyer. Theory and Referenc...
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Piano and keyboard - Intermediate-Advanced - Digital Download SKU: M0.30603MEB The Melakarta System. Composed by Radhika Iyer. Theory and Reference. E-book and online audio. 101 pages. Mel Bay Publications - Digital Sheet Music #30603MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30603MEB). ISBN 9781619118232. 8.75x11.75 inches.Elements of Indian Music introduces the Indian melodic system in an accessible manner within the realm of Western music theory. It demonstrates a new archetype in music composition for composers of any genre, as well as composition teachers and anyone interested in ethnomusicology. This book contains a set of 12 etudes for piano and transcriptions for classical guitar. Each etude is about one minute in length and utilizes notes from a particular Indian scale. An intermediate to advanced skill level is required to perform each etude. Practicing and performing these studies is an excellent way to expand one’s musical perspective beyond traditional diatonic scales. Indian music has intrigued the West for a long time, but hasn’t always been accessible because of the absence of a systematic approach to theory and repertoire. Just as the Western harmonic system is well developed, the Indian melodic system is very advanced and equally established. The intermingling of these two worlds can inspire new, exceptional sonic landscapes. Useful literature on the evolution of the Indian melodic system is also included, with notes on how it can be used as a modus operandi by Western musicians who wish to apply Indian scales in Western compositions and improvisations. Includes access to online audio
$19.99 ≈
£15.16
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano solo
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ADVANCED
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instru...
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
£3.03
Aspirations Op. 1
Aspirations Op. 1
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Piano solo
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ADVANCED
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Contemporary
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Tayren N
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Aspirations Op. 1
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Tayren N. Ben-Abraham
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1027238 Composed by Tayren N. Ben-Abraham. 20th Century,Concert,Contemporary. Score. 10 pages. Tayren N. Ben-Abraham #2039327. Published by Tayren N. Ben-Abraham (A0.1027238). This solo piano work describes the unfulfilled aspirations of a person or group of people and aims to be as a meditation by which these aspirations can be offered at the time of performance together as one voice along with the performer. This work is suitable for recitals, to be placed as solo repertoire as part of a concert, and more. Aspirations is suitable for all audiences. It is suitable for performers who are at an advanced level of piano skills to the professional. The entire work lasts approximate 7 minutes long. This piece was written in January and February 2012 with the official finishing date being February 28, 2012. It is my first serious piece which was composed in my undergraduate studies at Valley City State University under my professor Jorge Variego. The first 22 bars were conceived a year earlier as a sketch. This piece is part of the Valley City Collection, which describes works of music I composed while living in Valley City, North Dakota. The piece in the beginning involves bitonality, the bass being in A minor and the melodic line being in F major. The main theme is given much room to develop and soon runs into the secondary theme at measure 45. At measures 48 to 50 the main theme returns only to introduce the third theme at measure 51 to 52 then returning to the first theme. At measure 73, another theme enters to transition back to the main theme that is a variation at measure 81 to the end. Mainly composed in 12/8 time, the work concludes in 4/4 time. Your Performing Rights Organization Your Social Media Channels and Contact Information.
$5.00 ≈
£3.79
Zwolf Walzer
Zwolf Walzer
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Piano solo
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Sigismund von Neukomm
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Zwolf Walzer
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Bisel Classics - Digital
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SheetMusicPlus
Piano - Digital Download SKU: BQ.979-0-50179-046-3 Composed by Sigismund von Neukomm. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Sc...
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Piano - Digital Download SKU: BQ.979-0-50179-046-3 Composed by Sigismund von Neukomm. Edited by Slavy Dimoff. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. 22 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-046-3). ISBN 9790501790463.The Zwolf Walzer originated in a time when the classic waltz was far from being socially accepted. It was still considered a somewhat scandalous dance of the lower classes and became the latest trend in the salons of the nobility only after the Congress of Vienna. With his 12 waltzes, composed during his first Parisian phase in 1811, Neukomm was on the cutting edge of the musical consciousness of his age, even though it is hard for us today to perceive this music as scandalous. An ideal complement to music lessons for moderately advanced pupils, but also fitting as stage music or prima vista studies, Neukomm's waltzes in the version for Piano Solo offer a charming glimpse at an evolving musical genre.
$21.95 ≈
£16.64
By The Sleepy Lagoon
By The Sleepy Lagoon
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Eric Coates
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Edward David Zeliff
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By The Sleepy Lagoon
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Edward David Zeliff
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.888245 Composed by Eric Coates. Arranged by Edward David Zeliff. Contemporary. Score. 3 pages. Edward Dav...
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Piano Solo - Level 4 - Digital Download SKU: A0.888245 Composed by Eric Coates. Arranged by Edward David Zeliff. Contemporary. Score. 3 pages. Edward David Zeliff #4760459. Published by Edward David Zeliff (A0.888245). This charming little composition was originally written by the British composer Eric Coates for orchestra in the British light music style of the early 20th century. It has been a very popular song for many recording artists and ensembles over the decades since then. This arrangement for piano solo is designed to be an attractive and pleasing version for both performer and audience alike, but the filigree in the right hand between the major melodic notes provides the advanced intermediate student with technique building opportunities and an approach to style that can be useful in studies of Liszt and other great masters of the piano. There is also the opportunity to develop balance of tone and dynamics between melody and accompaniment.
$4.99 ≈
£3.78
Toccata
Toccata
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Piano solo
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INTERMEDIATE
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Classical
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Elizabeth Borowsky
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Toccata
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Piano Prodigies
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.941697 Composed by Elizabeth Borowsky. Contemporary,Standards. Score. 6 pages. Piano Prodigies #6490623. ...
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Piano Solo - Level 3 - Digital Download SKU: A0.941697 Composed by Elizabeth Borowsky. Contemporary,Standards. Score. 6 pages. Piano Prodigies #6490623. Published by Piano Prodigies (A0.941697). Inspired by Johann Sebastian Bach’s Toccata in D minor, the opening measure dives right into a quick alternation between the hands that requires a mastery of control and articulation. As the piece develops, the intensity only heightens, finally leading to a thunderous grand finale. This work can be approached by students at the late-elementary level, as well as those who have had several years of studies. Students who are on the more advanced end may perform this piece as fast as they can while maintaining total control and ease!
$7.00 ≈
£5.31
Berceuse for Pianoforte
Berceuse for Pianoforte
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Piano solo
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INTERMEDIATE
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Johann Friedrich Franz Burgmü
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Keith Terrett
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Berceuse for Pianoforte
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Keith Terrett
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1442839 Composed by Johann Friedrich Franz Burgmüller. Arranged by Keith Terrett. 19th Century,Classical...
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Piano Solo - Level 3 - Digital Download SKU: A0.1442839 Composed by Johann Friedrich Franz Burgmüller. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Romantic Period. Score. 4 pages. Keith Terrett #1022775. Published by Keith Terrett (A0.1442839). Johann Friedrich Franz Burgmüller, generally known as Friedrich Burgmuller (4 December 1806 – 13 February 1874) was a German pianist and composer[1] during the Romantic period. He is perhaps best known for his three collections of children's etudes (or teaching pieces) for the piano, particularly his Op. 100 25 Études faciles et progressives (25 Easy and Progressive Studies) for early intermediate students. The other two collections, for more advanced students, were Op. 105 and 109.Life: Friedrich Burgmüller was born in Ratisbon (at that time part of the Principality of Regensburg, Confederation of the Rhine). His father Friedrich August Burgmüller and his younger brother Norbert Burgmüller were also composers. His mother was pianist and singer Therese von Zandt.He moved to Kassel in 1829 to study with Ludwig Spohr and Moritz Hauptmann. There he appeared as a pianist for his first concert, January 14, 1830.Burgmüller moved to Paris in 1832 (at age 26 ), where he stayed until his death. Norbert Burgmüller, his brother, made plans to join him in Paris, in 1835. However, he drowned in a spa in Aachen during an epileptic seizure a year later. In Paris, Burgmüller adopted Parisian music and developed his trademark (light) style of playing. He wrote many pieces of salon music for the piano and published several albums. Burgmüller also went on to compose piano études intended for children. He died in Paris on February 13, 1874.Works:Burgmüller composed piano pieces, waltzes, nocturnes, polonaises and two ballets. His Peasant Pas de Deux was added to Adolphe Adam's ballet Giselle for its 1841 premiere. This music was originally titled Souvenirs de Ratisbonne.
$1.99 ≈
£1.51
12 Bar Blues Progression Exercise 2
12 Bar Blues Progression Exercise 2
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Piano solo
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INTERMEDIATE
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Andrew D
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Andrew D
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12 Bar Blues Progression Exerc
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A.D.G. Productions
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1421075 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Funk,Instructional,...
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Piano Solo - Level 3 - Digital Download SKU: A0.1421075 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Funk,Instructional,Jazz,Rock. Score. 2 pages. A.D.G. Productions #1002464. Published by A.D.G. Productions (A0.1421075). I have created this 12 Bar Blues progression that is one of a 100 intermediate/advanced studies in many different Blues styles having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin. These examples are from the piano instructional book 100 Ultimate 12 Bar Blues Progressions that I have authored. I have authored over 140 music books, you can check the books out at the publishers website. http://www.adgproductions.com I teach contemporary music styles with an emphasis on the blues, rock and jazz to students all over the world via skype or facetime. I can be reached at musiclessons@adgproductions.com.
$2.99 ≈
£2.27
12 Bar Blues Exercise 1
12 Bar Blues Exercise 1
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Piano solo
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INTERMEDIATE
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Andrew D
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Andrew D
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12 Bar Blues Exercise 1
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A.D.G. Productions
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1420506 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Jazz,Rock. Score. 1...
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Piano Solo - Level 3 - Digital Download SKU: A0.1420506 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Jazz,Rock. Score. 1 pages. A.D.G. Productions #1001938. Published by A.D.G. Productions (A0.1420506). I have created this 12 Bar Blues progression that is one of a 100 intermediate/advanced studies in many different Blues styles having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin. These examples are from the piano instructional book 100 Ultimate 12 Bar Blues Progressions that I have authored. Included with the music notation is an mp3 audio file that inlcudes the piano part with the backing tracks followed by just the backing tracks to practice along with. A free MIDI file is available by conctacting the author at sales@adgproductions.com I have authored over 140 music books, you can check the books out at the publishers website. http://www.adgproductions.com I teach contemporary music styles with an emphasis on the blues, rock and jazz to students all over the world via skype or facetime. I can be reached at musiclessons@adgproductions.com.
$2.95 ≈
£2.24
12 Bar Blues Progression Exercise 3
12 Bar Blues Progression Exercise 3
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Piano solo
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INTERMEDIATE
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Andrew D
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Andrew D
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12 Bar Blues Progression Exerc
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A.D.G. Productions
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1421754 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Funk,Jazz,Rock. Sco...
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Piano Solo - Level 3 - Digital Download SKU: A0.1421754 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Funk,Jazz,Rock. Score. 2 pages. A.D.G. Productions #1003099. Published by A.D.G. Productions (A0.1421754). I have created this 12 Bar Blues progression that is one of a 100 intermediate/advanced studies in many different Blues styles having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin. These examples are from the piano instructional book 100 Ultimate 12 Bar Blues Progressions that I have authored. I have authored over 140 music books, you can check the books out at the publishers website. http://www.adgproductions.com I teach contemporary music styles with an emphasis on the blues, rock and jazz to students all over the world via skype or facetime. I can be reached at musiclessons@adgproductions.com.
$2.99 ≈
£2.27
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